Documenting performance: the context and processes of digital curation and archiving
"Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a c...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury Methuen Drama
2017
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | "Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance. Through its four-part structure, the volume introduces readers to important writings by international practitioners and scholars on: * the contemporary context for documenting performance * processes of documenting performance * documenting bodies in motion * documenting to create In each, chapters examine the ways performance is documented and the issues arising out of the process of documenting performance. While theorists have argued that performance becomes something else whenever it is documented, the writings reveal how the documents themselves cannot be regarded simply as incomplete remains from live events. The methods for preserving and managing them over time, ensuring easy access of such materials in systematic archives and collections, requires professional attention in its own right. Through the process of documenting performance, artists acquire a different perspective on their own work, audiences can recall specific images and sounds for works they have witnessed in person, and others who did not see the original work can trace the memories of particular events, or use them to gain an understanding of something that would otherwise remain unknown to them and their peers"... |
| Beschreibung: | xxiii, 362 Seiten Illustrationen, Diagramme |
| ISBN: | 9781472588173 9781472588180 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV044204829 | ||
| 003 | DE-604 | ||
| 005 | 20220909 | ||
| 007 | t | ||
| 008 | 170301s2017 a||| |||| 00||| eng d | ||
| 010 | |a 016041061 | ||
| 020 | |a 9781472588173 |9 978-1-4725-8817-3 | ||
| 020 | |a 9781472588180 |9 978-1-4725-8818-0 | ||
| 035 | |a (OCoLC)976033506 | ||
| 035 | |a (DE-599)BVBBV044204829 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-188 |a DE-M382 |a DE-B170 |a DE-29 |a DE-19 |a DE-B486 | ||
| 050 | 0 | |a PN1575.5 | |
| 082 | 0 | |a 026/.792 |2 23 | |
| 084 | |a AP 62100 |0 (DE-625)7809: |2 rvk | ||
| 245 | 1 | 0 | |a Documenting performance |b the context and processes of digital curation and archiving |c edited by Toni Sant |
| 264 | 1 | |a London |b Bloomsbury Methuen Drama |c 2017 | |
| 264 | 4 | |c © 2017 | |
| 300 | |a xxiii, 362 Seiten |b Illustrationen, Diagramme | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | |a "Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance. Through its four-part structure, the volume introduces readers to important writings by international practitioners and scholars on: * the contemporary context for documenting performance * processes of documenting performance * documenting bodies in motion * documenting to create In each, chapters examine the ways performance is documented and the issues arising out of the process of documenting performance. While theorists have argued that performance becomes something else whenever it is documented, the writings reveal how the documents themselves cannot be regarded simply as incomplete remains from live events. The methods for preserving and managing them over time, ensuring easy access of such materials in systematic archives and collections, requires professional attention in its own right. Through the process of documenting performance, artists acquire a different perspective on their own work, audiences can recall specific images and sounds for works they have witnessed in person, and others who did not see the original work can trace the memories of particular events, or use them to gain an understanding of something that would otherwise remain unknown to them and their peers"... | ||
| 650 | 7 | |a PERFORMING ARTS / Theater / General |2 bisacsh | |
| 650 | 4 | |a Philosophie | |
| 650 | 4 | |a Performing arts archives | |
| 650 | 4 | |a Archives |x Philosophy | |
| 650 | 4 | |a Archives |x Management | |
| 650 | 4 | |a Performing arts |x Archival resources | |
| 650 | 4 | |a Digital preservation | |
| 650 | 4 | |a Arts |x Documentation | |
| 650 | 4 | |a Archival materials |x Digitization | |
| 650 | 4 | |a Archives |x Administration |x Technological innovations | |
| 650 | 4 | |a Archival materials |x Conservation and restoration | |
| 650 | 4 | |a Electronic records |x Management | |
| 650 | 4 | |a PERFORMING ARTS / Theater / General | |
| 650 | 0 | 7 | |a Performance |g Künste |0 (DE-588)4173750-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Archivierung |0 (DE-588)4420040-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Dokumentation |0 (DE-588)4012656-0 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Performance |g Künste |0 (DE-588)4173750-7 |D s |
| 689 | 0 | 1 | |a Archivierung |0 (DE-588)4420040-7 |D s |
| 689 | 0 | 2 | |a Dokumentation |0 (DE-588)4012656-0 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Sant, Toni |d 1969- |0 (DE-588)126769744X |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ePub |z 978-1-472-58819-7 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ePDF |z 978-1-472-58820-3 |
| 856 | 4 | 2 | |m LoC Fremddatenuebernahme |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029611250&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m HEBIS Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029611250&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029611250 | ||
Datensatz im Suchindex
| _version_ | 1804177341917691904 |
|---|---|
| adam_text | DOCUMENTING PERFORMANCE
/ / / /
: : : : 2017
TABLE OF CONTENTS / INHALTSVERZEICHNIS
^^ - 17. THE PLEASURES OF WRITING ABOUT THE PLEASURES OF THE PRACTICE:
DOCUMENTING PSYCHOPHYSICAL PERFORMER TRAINING
ALISSA CLARKE (DE MONTFORT UNIVERSITY, UNITED KINGDOM)
18. DANCE ARCHIVAL FUTURES: EMBODIED KNOWLEDGE AND THE DIGITAL ARCHIVE
OF DANCE
LAURA GRIFFITHS (LEEDS BECKETT UNIVERSITY, UNITED KINGDOM)
19. DOCUMENTING DANCE: TOOLS, FRAMEWORKS AND DIGITAL TRANSFORMATION
SARAH WHATLEY (COVENTRY UNIVERSITY, UNITED KINGDOM) LIST OF CONTRIBUTORS
NOTES
INDEX
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Documenting Performance
The Context and Processes of
Digital Curation and Archiving
Edited by Toni Sant
Bloomsbury Methuen Drama
An imprint of Bloomsbury Publishing Pic
BLOOMSBURY
LONDON • OXFORD • NEWYORK*NEWDELHI • SYDNEY
Contents
List of Illustrations x
List of Tables xi
List of Contributors xii
Acknowledgements xxi
1 Documenting Performance: An Introduction Toni Sant 1
Part One Contexts for Documenting Performance 13
2 Performance Arts and Their Memories Daniela Salazar 19
3 Description Models for Documenting Performance
Alberto Pendon Martinez and Gema Bueno de la Fuente 29
4 Intellectual Property Matters for Documenting
Performance: Challenges and Current Trends Jeanine Rizzo 47
5 Expanding Documentation, and Making the Most of the
Cracks in the Wall Annet Dekker, Gabriella
Giannachi and Vivian van Saaze 61
Part Two Ways of Documenting Performance 79
6 Remembering Performance Through the Practice of
Oral History Panayiota A Demetriou 83
7 Translating Performance: Desire, Intention and
Interpretation in Photographic Documents Helen Newall,
Amy Skinner and Allan Taylor 93
8 Documenting Audience Experience: Social Media as Lively
Stratification Joanna Bucknall and Kirsty Sedgman 113
viii Contents
9 Web Archiving and Participation: The Future History of
Performance? Vanessa Bartlett 131
10 Documenting Digital Performance Artworks
Adam Nash and Laurene Vaughan 149
Part Three From Documents to Documenting 161
11 Paradocumentation and NT Lives CumberHamlet
Daisy Abbott and Claire Read 165
12 Thinking Virtually in a Distracted Globe: Archiving
Shakespeare in Asia Alvin Eng Hui Lim 189
13 From Copper-Plate Inscriptions to Interactive
Websites: Documenting Javanese Wayang Theatre
Miguel Escobar Varela 203
14 Archiving Western Australian New Music Performance
Cat Hope, Adam Trainer and Lelia Green 215
15 Participation and Presence: Propositional Frameworks
for Engaging Users in the Design of the Circus Oz
Living Archive Laurene Vaughan 227
Part Four Documenting Bodies in Motion 239
16 What do we Document? Dense Video and the Epistemology
of Practice BenSpatz 241
17 Pleasures of Writing about the Pleasures of the Practice:
Documenting Psychophysical Performer Trainings
Alissa Clarke 253
18 Dance Archival Futures: Embodied Knowledge and the
Digital Archive of Dance Laura Griffiths 271
Contents ix
19 Documenting Dance: Tools, Frameworks and Digital
Transformation Sarah Whatley 283
Notes 305
Bibliography 323
Index 351
|
| any_adam_object | 1 |
| author2 | Sant, Toni 1969- |
| author2_role | edt |
| author2_variant | t s ts |
| author_GND | (DE-588)126769744X |
| author_facet | Sant, Toni 1969- |
| building | Verbundindex |
| bvnumber | BV044204829 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1575 |
| callnumber-raw | PN1575.5 |
| callnumber-search | PN1575.5 |
| callnumber-sort | PN 41575.5 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 62100 |
| ctrlnum | (OCoLC)976033506 (DE-599)BVBBV044204829 |
| dewey-full | 026/.792 |
| dewey-hundreds | 000 - Computer science, information, general works |
| dewey-ones | 026 - Libraries and archives devoted to specific subjects |
| dewey-raw | 026/.792 |
| dewey-search | 026/.792 |
| dewey-sort | 226 3792 |
| dewey-tens | 020 - Library and information sciences |
| discipline | Allgemeines |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04534nam a2200637 c 4500</leader><controlfield tag="001">BV044204829</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220909 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">170301s2017 a||| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">016041061</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781472588173</subfield><subfield code="9">978-1-4725-8817-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781472588180</subfield><subfield code="9">978-1-4725-8818-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)976033506</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044204829</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-188</subfield><subfield code="a">DE-M382</subfield><subfield code="a">DE-B170</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-B486</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN1575.5</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">026/.792</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 62100</subfield><subfield code="0">(DE-625)7809:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Documenting performance</subfield><subfield code="b">the context and processes of digital curation and archiving</subfield><subfield code="c">edited by Toni Sant</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Bloomsbury Methuen Drama</subfield><subfield code="c">2017</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxiii, 362 Seiten</subfield><subfield code="b">Illustrationen, Diagramme</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance. Through its four-part structure, the volume introduces readers to important writings by international practitioners and scholars on: * the contemporary context for documenting performance * processes of documenting performance * documenting bodies in motion * documenting to create In each, chapters examine the ways performance is documented and the issues arising out of the process of documenting performance. While theorists have argued that performance becomes something else whenever it is documented, the writings reveal how the documents themselves cannot be regarded simply as incomplete remains from live events. The methods for preserving and managing them over time, ensuring easy access of such materials in systematic archives and collections, requires professional attention in its own right. Through the process of documenting performance, artists acquire a different perspective on their own work, audiences can recall specific images and sounds for works they have witnessed in person, and others who did not see the original work can trace the memories of particular events, or use them to gain an understanding of something that would otherwise remain unknown to them and their peers"...</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Theater / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Philosophie</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Performing arts archives</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Archives</subfield><subfield code="x">Philosophy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Archives</subfield><subfield code="x">Management</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Performing arts</subfield><subfield code="x">Archival resources</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Digital preservation</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Arts</subfield><subfield code="x">Documentation</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Archival materials</subfield><subfield code="x">Digitization</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Archives</subfield><subfield code="x">Administration</subfield><subfield code="x">Technological innovations</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Archival materials</subfield><subfield code="x">Conservation and restoration</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Electronic records</subfield><subfield code="x">Management</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">PERFORMING ARTS / Theater / General</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Archivierung</subfield><subfield code="0">(DE-588)4420040-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Dokumentation</subfield><subfield code="0">(DE-588)4012656-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Archivierung</subfield><subfield code="0">(DE-588)4420040-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Dokumentation</subfield><subfield code="0">(DE-588)4012656-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Sant, Toni</subfield><subfield code="d">1969-</subfield><subfield code="0">(DE-588)126769744X</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, ePub</subfield><subfield code="z">978-1-472-58819-7</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, ePDF</subfield><subfield code="z">978-1-472-58820-3</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">LoC Fremddatenuebernahme</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029611250&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HEBIS Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029611250&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029611250</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV044204829 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:46:33Z |
| institution | BVB |
| isbn | 9781472588173 9781472588180 |
| language | English |
| lccn | 016041061 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029611250 |
| oclc_num | 976033506 |
| open_access_boolean | |
| owner | DE-188 DE-M382 DE-B170 DE-29 DE-19 DE-BY-UBM DE-B486 |
| owner_facet | DE-188 DE-M382 DE-B170 DE-29 DE-19 DE-BY-UBM DE-B486 |
| physical | xxiii, 362 Seiten Illustrationen, Diagramme |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Bloomsbury Methuen Drama |
| record_format | marc |
| spelling | Documenting performance the context and processes of digital curation and archiving edited by Toni Sant London Bloomsbury Methuen Drama 2017 © 2017 xxiii, 362 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier "Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance. Through its four-part structure, the volume introduces readers to important writings by international practitioners and scholars on: * the contemporary context for documenting performance * processes of documenting performance * documenting bodies in motion * documenting to create In each, chapters examine the ways performance is documented and the issues arising out of the process of documenting performance. While theorists have argued that performance becomes something else whenever it is documented, the writings reveal how the documents themselves cannot be regarded simply as incomplete remains from live events. The methods for preserving and managing them over time, ensuring easy access of such materials in systematic archives and collections, requires professional attention in its own right. Through the process of documenting performance, artists acquire a different perspective on their own work, audiences can recall specific images and sounds for works they have witnessed in person, and others who did not see the original work can trace the memories of particular events, or use them to gain an understanding of something that would otherwise remain unknown to them and their peers"... PERFORMING ARTS / Theater / General bisacsh Philosophie Performing arts archives Archives Philosophy Archives Management Performing arts Archival resources Digital preservation Arts Documentation Archival materials Digitization Archives Administration Technological innovations Archival materials Conservation and restoration Electronic records Management PERFORMING ARTS / Theater / General Performance Künste (DE-588)4173750-7 gnd rswk-swf Archivierung (DE-588)4420040-7 gnd rswk-swf Dokumentation (DE-588)4012656-0 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Performance Künste (DE-588)4173750-7 s Archivierung (DE-588)4420040-7 s Dokumentation (DE-588)4012656-0 s DE-604 Sant, Toni 1969- (DE-588)126769744X edt Erscheint auch als Online-Ausgabe, ePub 978-1-472-58819-7 Erscheint auch als Online-Ausgabe, ePDF 978-1-472-58820-3 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029611250&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029611250&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Documenting performance the context and processes of digital curation and archiving PERFORMING ARTS / Theater / General bisacsh Philosophie Performing arts archives Archives Philosophy Archives Management Performing arts Archival resources Digital preservation Arts Documentation Archival materials Digitization Archives Administration Technological innovations Archival materials Conservation and restoration Electronic records Management PERFORMING ARTS / Theater / General Performance Künste (DE-588)4173750-7 gnd Archivierung (DE-588)4420040-7 gnd Dokumentation (DE-588)4012656-0 gnd |
| subject_GND | (DE-588)4173750-7 (DE-588)4420040-7 (DE-588)4012656-0 (DE-588)4143413-4 |
| title | Documenting performance the context and processes of digital curation and archiving |
| title_auth | Documenting performance the context and processes of digital curation and archiving |
| title_exact_search | Documenting performance the context and processes of digital curation and archiving |
| title_full | Documenting performance the context and processes of digital curation and archiving edited by Toni Sant |
| title_fullStr | Documenting performance the context and processes of digital curation and archiving edited by Toni Sant |
| title_full_unstemmed | Documenting performance the context and processes of digital curation and archiving edited by Toni Sant |
| title_short | Documenting performance |
| title_sort | documenting performance the context and processes of digital curation and archiving |
| title_sub | the context and processes of digital curation and archiving |
| topic | PERFORMING ARTS / Theater / General bisacsh Philosophie Performing arts archives Archives Philosophy Archives Management Performing arts Archival resources Digital preservation Arts Documentation Archival materials Digitization Archives Administration Technological innovations Archival materials Conservation and restoration Electronic records Management PERFORMING ARTS / Theater / General Performance Künste (DE-588)4173750-7 gnd Archivierung (DE-588)4420040-7 gnd Dokumentation (DE-588)4012656-0 gnd |
| topic_facet | PERFORMING ARTS / Theater / General Philosophie Performing arts archives Archives Philosophy Archives Management Performing arts Archival resources Digital preservation Arts Documentation Archival materials Digitization Archives Administration Technological innovations Archival materials Conservation and restoration Electronic records Management Performance Künste Archivierung Dokumentation Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029611250&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029611250&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT santtoni documentingperformancethecontextandprocessesofdigitalcurationandarchiving |
Es ist kein Print-Exemplar vorhanden.
Inhaltsverzeichnis