Translating jazz into poetry: from mimesis to metaphor
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Abschlussarbeit Buch |
Sprache: | English |
Veröffentlicht: |
Berlin
de Gruyter
2017
|
Schriftenreihe: | Buchreihe der Anglia / Anglia book series
Volume 42 |
Schlagworte: | |
Online-Zugang: | Inhaltstext Inhaltsverzeichnis Inhaltsverzeichnis |
Beschreibung: | IX, 308 Seiten Illustrationen |
ISBN: | 9783110326543 |
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Datensatz im Suchindex
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Contents
Acknowledgments-----v
1 Introduction---1
2 Mimesis: Intermediary and Reductive Interpretations
of Jazz Poems---7
2.1 Mimesis and Intermediary: Werner Wolf’s Typology
of Intermediai Forms--9
2.2 Mimesis and Jazz Poetry: Three Contemporary Studies
on Jazz Poetry---18
2.2.1 Sascha Feinstein’s and T.J. Anderson’s Restricted Interpretations
of “Jazz-Informed” Poetry-19
2.2.2 David Yaffe’s Worship of Jazz and Dismissal of Jazz Poetry-27
3 Metaphor: Intermediai Translation as a Metaphorical Process----31
3.1 The Domain conceptual metaphor theory:
The Basic Tenets---33
3.2 text is theory: Understanding Paul Blackburn’s Jazz Poem in Terms
of Conceptual Metaphor Theory---38
3.3 theory is text: Understanding the Conceptual Metaphor Theory
in Terms of Paul Blackburn’s Jazz Poem-41
3.4 The Translation Metaphor: A Communication Model
of Conceptual Metaphor----46
3.4.1 theory is theory: Understanding Lakoff’s and Johnson’s
Conceptual Metaphor Theory in Terms of Ovid’s Model
of Transformation--50
3.4.2 theory is theory: Understanding Saussure’s Theory
of the Linguistic Sign in Terms of Ovid’s Theory
of Transmitting Meaning---52
3.4.3 text is theory: Understanding the Medieval Text
in Terms of Conceptual Metaphor Theory-54
3.4.4 text is text: Understanding the Medieval Text Ovide Moralise
in Terms of Blackburn’s Jazz Poem-57
3.4.5 theory is theory: Understanding iser’s Reader-Response Theory
in Terms of Ovid’s Model of Understanding
a Metaphorical Expression---58
3.4.6 theory is text: Understanding Baudelaire’s Theory of Synesthesia
in Terms of Blackburn’s Jazz Poem-61
Contents
4 “Oh Play that Thing you Jazz Mad Fools!” Exploring the Creatively
Inspired Metaphor jazz music is writing in Jazz Poetry---------65
4.1 TIME IS space: a sequence of notes is a line--68
4.1.1 a sequence of notes is a line I: Translating Melodies
into Lines--69
4.1.2 A sequence of notes is a line ii: Snake Patterns
in Jazz Poetry--83
4.1.3 a sequence of notes is a line ill: improvisation on a Theme-90
4.2 sound is motion: Translations of fast and slow jazz
in Jazz Poetry--101
4.2.1 fast tempo of jazz is a vertical column---102
4.2.2 SLOW tempo is a horizontal line----125
4.3 tempo is rhythm------133
4.3.1 tempo is rhythm i: Free Verse---137
4.3.2 tempo is rhythm ii: Syncopation and Typographical
Techniques----143
4.3.3 tempo is rhythm hi: Literal Descriptions of Rhythms-151
4.3.4 tempo is rhythm iv: Additional Rhythmic Features
of Jazz Poems---158
4.3.5 tempo is rhythm v: Swing------164
4.3.6 tempo is rhythm vi: African Drum Poems----168
4.4 hot and cool Jazz----175
4.4.1 hot jazz: The Adjective “Hot”---177
4.4.2 hot jazz is fire and hot jazz is sex-178
4.4.3 hot jazz is cooking----182
4.4.4 “Hot” Poems------193
4.4.5 cool jazz: The Adjective “Cool”-199
4.4.6 Thelonious Monk: Translating Monk’s Cool Compositions---200
4.4.7 “Cool” Poems-----203
4.5 “TONE-COLORS” ARE COLORS------206
4.5.1 Blue and Red-----206
4.5.2 Black and Brown------213
4.5.3 A Palette of Colors--224
4.6 MUSICAL KEY IS A MOOD-----235
4.6.1 MINOR KEY IS A SAD MOOD-------236
4.6.2 MAJOR KEY IS A HAPPY MOOD-----246
4.7 Dynamics: Forte and Piano, Crescendo and Decrescendo----248
4.7.1 Forte and Piano----249
4.7.2 Crescendo and Decrescendo-----258
Contents
4.8 ACOUSTICAL PITCH IS A VERTICAL SCALE
4.9 “Voices” of Instruments-268
5 Conclusion-282
Works Cited 1-287
1 Primary Sources-287
1.1 Paintings and Photographs-287
1.2 Film-287
1.3 Sound Recordings and Lyrics-287
1.4 Poetry and Prose-289
2 Secondary Sources-295
Poetry Index-300
Credit Lines -304
Name Index -307
Subject Index----309 |
any_adam_object | 1 |
author | Redling, Erik |
author_GND | (DE-588)1095684353 |
author_facet | Redling, Erik |
author_role | aut |
author_sort | Redling, Erik |
author_variant | e r er |
building | Verbundindex |
bvnumber | BV044202077 |
classification_rvk | HU 1761 HU 1769 LS 48200 |
ctrlnum | (OCoLC)974932935 (DE-599)BVBBV044202077 |
dewey-full | 820 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 820 - English & Old English literatures |
dewey-raw | 820 |
dewey-search | 820 |
dewey-sort | 3820 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik Musikwissenschaft |
format | Thesis Book |
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spelling | Redling, Erik Verfasser (DE-588)1095684353 aut Translating jazz into poetry from mimesis to metaphor Erik Redling Berlin de Gruyter 2017 IX, 308 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Buchreihe der Anglia / Anglia book series Volume 42 Habilitationsschrift Universität Augsburg 2009 Jazz (DE-588)4028532-7 gnd rswk-swf Kognitive Poetik (DE-588)7663434-6 gnd rswk-swf Jazz poetry (DE-588)4530403-8 gnd rswk-swf Intermedialität (DE-588)4605581-2 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content USA (DE-588)4078704-7 g Jazz poetry (DE-588)4530403-8 s Intermedialität (DE-588)4605581-2 s Jazz (DE-588)4028532-7 s Kognitive Poetik (DE-588)7663434-6 s DE-604 Erscheint auch als Online-Ausgabe, PDF 978-3-11-033901-7 (DE-604)BV041913759 Erscheint auch als Online-Ausgabe, EPUB 978-3-11-039528-0 (DE-604)BV041913759 Anglia book series Buchreihe der Anglia Volume 42 (DE-604)BV023552077 42 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=4384045&prov=M&dok_var=1&dok_ext=htm Inhaltstext B:DE-101 application/pdf http://d-nb.info/1037220226/04 Inhaltsverzeichnis Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029608608&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Redling, Erik Translating jazz into poetry from mimesis to metaphor Jazz (DE-588)4028532-7 gnd Kognitive Poetik (DE-588)7663434-6 gnd Jazz poetry (DE-588)4530403-8 gnd Intermedialität (DE-588)4605581-2 gnd |
subject_GND | (DE-588)4028532-7 (DE-588)7663434-6 (DE-588)4530403-8 (DE-588)4605581-2 (DE-588)4078704-7 (DE-588)4113937-9 |
title | Translating jazz into poetry from mimesis to metaphor |
title_auth | Translating jazz into poetry from mimesis to metaphor |
title_exact_search | Translating jazz into poetry from mimesis to metaphor |
title_full | Translating jazz into poetry from mimesis to metaphor Erik Redling |
title_fullStr | Translating jazz into poetry from mimesis to metaphor Erik Redling |
title_full_unstemmed | Translating jazz into poetry from mimesis to metaphor Erik Redling |
title_short | Translating jazz into poetry |
title_sort | translating jazz into poetry from mimesis to metaphor |
title_sub | from mimesis to metaphor |
topic | Jazz (DE-588)4028532-7 gnd Kognitive Poetik (DE-588)7663434-6 gnd Jazz poetry (DE-588)4530403-8 gnd Intermedialität (DE-588)4605581-2 gnd |
topic_facet | Jazz Kognitive Poetik Jazz poetry Intermedialität USA Hochschulschrift |
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