The concrete Body: Yvonne Rainer, Carolee Schneemann, Vito Acconci
Offering an incisive rejoinder to traditional histories of modernism and postmodernism, this original book examines the 1960s performance work of three New York artists who adapted modernist approaches to form for the medium of the human body. Finding parallels between the tactility of a drip of pai...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Haven ; London
Yale University Press
2016
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Offering an incisive rejoinder to traditional histories of modernism and postmodernism, this original book examines the 1960s performance work of three New York artists who adapted modernist approaches to form for the medium of the human body. Finding parallels between the tactility of a drip of paint and a body’s reflexive movements, Elise Archias argues convincingly that Yvonne Rainer (b. 1934), Carolee Schneemann (b. 1939), and Vito Acconci (b. 1940) forged a dialogue between modernist aesthetics and their own artistic community’s embrace of all things ordinary through work that explored the abstraction born of the body’s materiality. Rainer’s task-like dances, Schneemann’s sensuous appropriations of popular entertainment, and Acconci’s behaviorist-inflected tests highlight the body’s unintended movements as vital reminders of embodied struggle amid the constraining structures in contemporary culture. Archias also draws compelling comparisons between embodiment as performed in the work of these three artists and in the sit-ins and other nonviolent protests of the era. |
| Beschreibung: | IX, 224 Seiten Illustrationen 26 cm |
| ISBN: | 9780300217971 |
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| 520 | 3 | |a Offering an incisive rejoinder to traditional histories of modernism and postmodernism, this original book examines the 1960s performance work of three New York artists who adapted modernist approaches to form for the medium of the human body. Finding parallels between the tactility of a drip of paint and a body’s reflexive movements, Elise Archias argues convincingly that Yvonne Rainer (b. 1934), Carolee Schneemann (b. 1939), and Vito Acconci (b. 1940) forged a dialogue between modernist aesthetics and their own artistic community’s embrace of all things ordinary through work that explored the abstraction born of the body’s materiality. Rainer’s task-like dances, Schneemann’s sensuous appropriations of popular entertainment, and Acconci’s behaviorist-inflected tests highlight the body’s unintended movements as vital reminders of embodied struggle amid the constraining structures in contemporary culture. Archias also draws compelling comparisons between embodiment as performed in the work of these three artists and in the sit-ins and other nonviolent protests of the era. | |
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Datensatz im Suchindex
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| adam_text | |
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| author | Archias, Elise |
| author_GND | (DE-588)113208945X |
| author_facet | Archias, Elise |
| author_role | aut |
| author_sort | Archias, Elise |
| author_variant | e a ea |
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| bvnumber | BV044199475 |
| classification_rvk | LH 70410 LO 96720 |
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| discipline | Kunstgeschichte |
| era | Geschichte 1900-2000 Geschichte 1960-1970 gnd |
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| indexdate | 2024-11-19T13:03:43Z |
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| isbn | 9780300217971 |
| language | English |
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| spelling | Archias, Elise Verfasser (DE-588)113208945X aut The concrete Body Yvonne Rainer, Carolee Schneemann, Vito Acconci Elise Archias New Haven ; London Yale University Press 2016 IX, 224 Seiten Illustrationen 26 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Offering an incisive rejoinder to traditional histories of modernism and postmodernism, this original book examines the 1960s performance work of three New York artists who adapted modernist approaches to form for the medium of the human body. Finding parallels between the tactility of a drip of paint and a body’s reflexive movements, Elise Archias argues convincingly that Yvonne Rainer (b. 1934), Carolee Schneemann (b. 1939), and Vito Acconci (b. 1940) forged a dialogue between modernist aesthetics and their own artistic community’s embrace of all things ordinary through work that explored the abstraction born of the body’s materiality. Rainer’s task-like dances, Schneemann’s sensuous appropriations of popular entertainment, and Acconci’s behaviorist-inflected tests highlight the body’s unintended movements as vital reminders of embodied struggle amid the constraining structures in contemporary culture. Archias also draws compelling comparisons between embodiment as performed in the work of these three artists and in the sit-ins and other nonviolent protests of the era. Rainer, Yvonne 1934- / Criticism and interpretation Schneemann, Carolee 1939- / Criticism and interpretation Acconci, Vito 1940- / Criticism and interpretation / Acconci, Vito 1940- / Rainer, Yvonne 1934- / Schneemann, Carolee 1939- / 1900-1999 Rainer, Yvonne 1934- (DE-588)118972138 gnd rswk-swf Acconci, Vito 1940-2017 (DE-588)118958143 gnd rswk-swf Schneemann, Carolee 1939-2019 (DE-588)11941323X gnd rswk-swf Geschichte 1900-2000 Geschichte 1960-1970 gnd rswk-swf Performance art / 20th century / United States Performance artists / 20th century / United States Performance artists / United States / Criticism, interpretation, etc Körper (DE-588)4031575-7 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Performance Künste (DE-588)4173750-7 s Körper (DE-588)4031575-7 s Geschichte 1960-1970 z DE-604 Rainer, Yvonne 1934- (DE-588)118972138 p Schneemann, Carolee 1939-2019 (DE-588)11941323X p Acconci, Vito 1940-2017 (DE-588)118958143 p V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029606089&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Archias, Elise The concrete Body Yvonne Rainer, Carolee Schneemann, Vito Acconci Rainer, Yvonne 1934- / Criticism and interpretation Schneemann, Carolee 1939- / Criticism and interpretation Acconci, Vito 1940- / Criticism and interpretation / Acconci, Vito 1940- / Rainer, Yvonne 1934- / Schneemann, Carolee 1939- / 1900-1999 Rainer, Yvonne 1934- (DE-588)118972138 gnd Acconci, Vito 1940-2017 (DE-588)118958143 gnd Schneemann, Carolee 1939-2019 (DE-588)11941323X gnd Performance art / 20th century / United States Performance artists / 20th century / United States Performance artists / United States / Criticism, interpretation, etc Körper (DE-588)4031575-7 gnd Performance Künste (DE-588)4173750-7 gnd |
| subject_GND | (DE-588)118972138 (DE-588)118958143 (DE-588)11941323X (DE-588)4031575-7 (DE-588)4173750-7 (DE-588)4078704-7 |
| title | The concrete Body Yvonne Rainer, Carolee Schneemann, Vito Acconci |
| title_auth | The concrete Body Yvonne Rainer, Carolee Schneemann, Vito Acconci |
| title_exact_search | The concrete Body Yvonne Rainer, Carolee Schneemann, Vito Acconci |
| title_full | The concrete Body Yvonne Rainer, Carolee Schneemann, Vito Acconci Elise Archias |
| title_fullStr | The concrete Body Yvonne Rainer, Carolee Schneemann, Vito Acconci Elise Archias |
| title_full_unstemmed | The concrete Body Yvonne Rainer, Carolee Schneemann, Vito Acconci Elise Archias |
| title_short | The concrete Body |
| title_sort | the concrete body yvonne rainer carolee schneemann vito acconci |
| title_sub | Yvonne Rainer, Carolee Schneemann, Vito Acconci |
| topic | Rainer, Yvonne 1934- / Criticism and interpretation Schneemann, Carolee 1939- / Criticism and interpretation Acconci, Vito 1940- / Criticism and interpretation / Acconci, Vito 1940- / Rainer, Yvonne 1934- / Schneemann, Carolee 1939- / 1900-1999 Rainer, Yvonne 1934- (DE-588)118972138 gnd Acconci, Vito 1940-2017 (DE-588)118958143 gnd Schneemann, Carolee 1939-2019 (DE-588)11941323X gnd Performance art / 20th century / United States Performance artists / 20th century / United States Performance artists / United States / Criticism, interpretation, etc Körper (DE-588)4031575-7 gnd Performance Künste (DE-588)4173750-7 gnd |
| topic_facet | Rainer, Yvonne 1934- / Criticism and interpretation Schneemann, Carolee 1939- / Criticism and interpretation Acconci, Vito 1940- / Criticism and interpretation / Acconci, Vito 1940- / Rainer, Yvonne 1934- / Schneemann, Carolee 1939- / 1900-1999 Rainer, Yvonne 1934- Acconci, Vito 1940-2017 Schneemann, Carolee 1939-2019 Performance art / 20th century / United States Performance artists / 20th century / United States Performance artists / United States / Criticism, interpretation, etc Körper Performance Künste USA |
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