The Oxford handbook of screendance studies:
The "Oxford Handbook of Screendance Studies" offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of danc...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2016]
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| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | The "Oxford Handbook of Screendance Studies" offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines. "The Oxford Handbook of Screendance Studies" features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field. - Douglas Rosenberg is Professor of Art at the University of Wisconsin - Madison and an award winning filmmaker whose work for the screen has been exhibited internationally for over 25 years. He is a theorist, writer and advocate for screendance who has organized numerous symposia and conferences on the subject. He has directed and curated the International Festival of Screendance at the American Dance festival for 20 years. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxiv, 787 Seiten Illustrationen |
| ISBN: | 9780199981601 |
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| 500 | |a Includes bibliographical references and index | ||
| 520 | |a The "Oxford Handbook of Screendance Studies" offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines. "The Oxford Handbook of Screendance Studies" features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field. - Douglas Rosenberg is Professor of Art at the University of Wisconsin - Madison and an award winning filmmaker whose work for the screen has been exhibited internationally for over 25 years. He is a theorist, writer and advocate for screendance who has organized numerous symposia and conferences on the subject. He has directed and curated the International Festival of Screendance at the American Dance festival for 20 years. | ||
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Datensatz im Suchindex
| _version_ | 1804177330942246912 |
|---|---|
| adam_text | Contents
Preface xi
Douglas Rosenberg
List of Contributors xv
Introduction i
Douglas Rosenberg
PART I HISTORIES
1. Dance with Camera: A Curator’s POV 23
Jenelle Porter
2. Lo ie Fullers Serpentines and Poetics of Self-Abnegation in the Era
of Electrotechnics 45
Izabella Pruska-Oldenhof
3. Selective Histories: Moving Image from the Late Nineteenth
Century to the Early Twenty-First 63
Chirstinn Whyte
4. Moto-Bio-Cine-Event: Construction of Expressive Movement in
Soviet Avant-Garde Film 79
Ana Olenina
5. Brazilian Videodance: A Possible Mapping 105
Leonel Brum
Translated by Cristiane Bouger
6. Sensory Screens, Digitized Desires: Dancing Rasa from Bombay
Cinema to Reality TV 125
Pallabi Chakravorty
7. Exposed to Time: Cross-Histories of Human Motion Visualization
from Chrono- to Dynamophotography 143
Nicolás Salazar Sutil and Sebastián Meló
viii CONTENTS
8. In the Blink of an Eye: Norman McLaren Between Dance
and Animation 167
Alanna Thain
9. An Interdisciplinary Reading of the Film Entr’acte 187
Claudia Kappenberg
10. Light, Shadow, Screendance: Catherine Galasso’s Bring
on the Lumière! 205
Selby Wynn Schwartz
11. The Best Dance Is the Way People Die in Movies (or Gestures
Toward a New Definition of “Screendance”) 225
Roger Copeland
PART II THEORIES
12. Kinesthetic Empathy: Conditions for Viewing 245
Karen Wood
13. Virtualizing Dance 263
Kim Vincs
14. Sound as Choreographic Object: A Perceptual Approach
to the Integration of Sound in Screendance 283
Jürgen Simpson
15. Screendance as Enactment in Maya Derens At Enactive,
Embodied, and Neurocinematic Considerations 303
Pia Tikka and Mauri Kaipainen
16. Corporeal Creations in Experimental Screendance: Resisting
Sociopolitical Constructions of the Body 321
Sophie Walon
17. Dancing in the City: Screens, Landscape, and Civic
Phenomenology in the Screendance of Terrance Houle 349
Jessica Jacobson-Konefall
18. Privileging Embodied Experience in Feminist Screendance? 369
Frances Hubbard
CONTENTS
IX
19. Extending the Discourse of Screendance: Dance and New Media 389
Andrea Davidson
20. Gadgets, Bodies, and Screens: Dance in Advertisements
for New Technologies 421
Melissa Blanco Borelli
21. Empire, Vision, and the Dancing Touch: Gendered Moving Arts
on Postcolonial Indian Screens 439
Esha Niyogi De
22. Behind the Screens: Race, Space, and Place in Saturday Night Fever 461
Sima Belmar
23. Longing for Depth: The Frame of Screened Stages in the
Screendance Spectacles of Busby Berkeley 481
Rachel Joseph
24. Toward an Aesthetical Approach to Screendance 499
Susana Temperley
Translated by Silvina Szperling
PART III PRACTICES
25. Yvonne Rainers Lives of Performers: An “Undisciplined” Encounter
with the Avant-Garde 517
Erin Brannigan
26. From Oakland Turfs to Harlem’s Shake: Hood Dance on YouTube
and Viral Antiblackness 537
Naomi Bragin
27. The Virtual Body Is Real! Phenomenological and
Postphenomenological Perspectives in Mediadance 557
Mirella Misi and Ludmila Pimentel
28. Interface: Jonah Bokaer and the Screen Inside 573
Michael Jay McClure
29. Where Is the Choreography? Who Is the Choreographer? Alternate
Approaches to Choreography through Editing 591
Priscilla Guy
X CONTENTS
30. Real for Reel: Extending Corporeal Frontiers through
Screendance Editing 611
Marisa C. Hayes
31. Scriptwriting Dance: The First Point of Integration for a Dance
Screen Work 635
Tracie Bettina Mitchell
32. Transcending Dimensions: Physical and Virtual Dancing Bodies 657
Sita Popat
33. Can Rihanna Have Her Cake and Eat It Too? A Schizophrenic
Search for Resistance within the Screened Spectacles of a Winin’
Fatale 677
Ad anna Kai Jones
34. A Rhizomatic Revolution? Popular Dancing, YouTubing, and
Exchange in Screendance 695
Naomi Jackson
35. Resurrecting the Future: Body, Image, and Technology in the Work
of Loi e Fuller 715
Ann Cooper Albright
36. Bill Robinson and Shirley Temple Tap Past Jim Crow 731
Ann Murphy
Index
749
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| spelling | Rosenberg, Douglas 1956- Verfasser (DE-588)122716736 aut The Oxford handbook of screendance studies edited by Douglas Rosenberg Handbook of screendance studies Screendance studies New York, NY Oxford University Press [2016] © 2016 xxiv, 787 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index The "Oxford Handbook of Screendance Studies" offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines. "The Oxford Handbook of Screendance Studies" features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field. - Douglas Rosenberg is Professor of Art at the University of Wisconsin - Madison and an award winning filmmaker whose work for the screen has been exhibited internationally for over 25 years. He is a theorist, writer and advocate for screendance who has organized numerous symposia and conferences on the subject. He has directed and curated the International Festival of Screendance at the American Dance festival for 20 years. Dance in motion pictures, television, etc Tanzfilm (DE-588)4373948-9 gnd rswk-swf Tanz Motiv (DE-588)4184440-3 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Tanzfilm (DE-588)4373948-9 s Tanz Motiv (DE-588)4184440-3 s DE-604 http://scans.hebis.de/HEBCGI/show.pl?38380640_toc.pdf Inhaltsverzeichnis Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029601945&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rosenberg, Douglas 1956- The Oxford handbook of screendance studies Dance in motion pictures, television, etc Tanzfilm (DE-588)4373948-9 gnd Tanz Motiv (DE-588)4184440-3 gnd Film (DE-588)4017102-4 gnd |
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| title | The Oxford handbook of screendance studies |
| title_alt | Handbook of screendance studies Screendance studies |
| title_auth | The Oxford handbook of screendance studies |
| title_exact_search | The Oxford handbook of screendance studies |
| title_full | The Oxford handbook of screendance studies edited by Douglas Rosenberg |
| title_fullStr | The Oxford handbook of screendance studies edited by Douglas Rosenberg |
| title_full_unstemmed | The Oxford handbook of screendance studies edited by Douglas Rosenberg |
| title_short | The Oxford handbook of screendance studies |
| title_sort | the oxford handbook of screendance studies |
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| topic_facet | Dance in motion pictures, television, etc Tanzfilm Tanz Motiv Film Aufsatzsammlung |
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