Colors, the polaroids:
After losing himself in Taos, New Mexico, for 15 years, Dennis Hopper (1936–2010) returned to Los Angeles in the mid-’80s. In 1987, on the verge of directing Colors, Hopper made use of a Polaroid camera to document gang graffiti in Los Angeles. He was particularly drawn to the abstract shapes of ove...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bologna
Damiani
[2016]
|
| Schlagworte: | |
| Zusammenfassung: | After losing himself in Taos, New Mexico, for 15 years, Dennis Hopper (1936–2010) returned to Los Angeles in the mid-’80s. In 1987, on the verge of directing Colors, Hopper made use of a Polaroid camera to document gang graffiti in Los Angeles. He was particularly drawn to the abstract shapes of overlapping paint that appeared when graffiti had been covered up or written over, reminding him, he said, "that art is everywhere in every corner that you choose to frame and not just ignore and walk by." The Polaroids presented for the first time in this book are proof of that observation. Hopper firmly considered himself an "abstract expressionist and action painter by nature, and a Duchampian finger pointer by choice," subscribing wholeheartedly to the idea that "the artist of the future will merely point his finger and say it’s art--and it will be art." In turning the instantaneous, disposable nature of the medium of Polaroid film into pictures as deliberate and final as an image achieved by an artist painting on canvas, these images represent the first part of Hopper’s journey back to the world of photography, picking up where he had left off so many years before. This book is in many ways a companion to Drugstore Camera (2015), also edited and designed by Michael Schmelling, which presented Hopper’s personal photographs taken in Taos, New Mexico. |
| Beschreibung: | Photographs |
| Beschreibung: | 132 ungezählte Seiten 21 x 24 cm |
| ISBN: | 9788862084765 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV044193386 | ||
| 003 | DE-604 | ||
| 007 | t | ||
| 008 | 170222s2016 |||| 00||| eng d | ||
| 016 | 7 | |a 242088872 |2 DE-101 | |
| 020 | |a 9788862084765 |c 40.00 EUR |9 978-88-6208-476-5 | ||
| 024 | 3 | |a 9788862084765 | |
| 035 | |a (OCoLC)975302461 | ||
| 035 | |a (DE-599)BSZ475019911 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 |a DE-11 | ||
| 084 | |a AP 94100 |0 (DE-625)8146: |2 rvk | ||
| 084 | |a 9,11 |2 ssgn | ||
| 100 | 1 | |a Hopper, Dennis |d 1936-2010 |0 (DE-588)118938312 |4 pht | |
| 245 | 1 | 0 | |a Colors, the polaroids |c Dennis Hopper ; essay by Aaron Rose |
| 246 | 1 | 3 | |a Dennis Hopper - Colors, the polaroids |
| 264 | 1 | |a Bologna |b Damiani |c [2016] | |
| 264 | 4 | |c © 2016 | |
| 300 | |a 132 ungezählte Seiten |c 21 x 24 cm | ||
| 336 | |b sti |2 rdacontent | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Photographs | ||
| 520 | |a After losing himself in Taos, New Mexico, for 15 years, Dennis Hopper (1936–2010) returned to Los Angeles in the mid-’80s. In 1987, on the verge of directing Colors, Hopper made use of a Polaroid camera to document gang graffiti in Los Angeles. He was particularly drawn to the abstract shapes of overlapping paint that appeared when graffiti had been covered up or written over, reminding him, he said, "that art is everywhere in every corner that you choose to frame and not just ignore and walk by." The Polaroids presented for the first time in this book are proof of that observation. Hopper firmly considered himself an "abstract expressionist and action painter by nature, and a Duchampian finger pointer by choice," subscribing wholeheartedly to the idea that "the artist of the future will merely point his finger and say it’s art--and it will be art." In turning the instantaneous, disposable nature of the medium of Polaroid film into pictures as deliberate and final as an image achieved by an artist painting on canvas, these images represent the first part of Hopper’s journey back to the world of photography, picking up where he had left off so many years before. This book is in many ways a companion to Drugstore Camera (2015), also edited and designed by Michael Schmelling, which presented Hopper’s personal photographs taken in Taos, New Mexico. | ||
| 600 | 1 | 7 | |a Hopper, Dennis |d 1936-2010 |0 (DE-588)118938312 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Sofortbildfotografie |0 (DE-588)4134735-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Graffito |g Motiv |0 (DE-588)4531642-9 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Los Angeles, Calif. |0 (DE-588)4036361-2 |2 gnd |9 rswk-swf | |
| 653 | 1 | |a Hopper, Dennis / 1936-2010 / photographer | |
| 653 | 0 | |a Graffiti / California / Los Angeles | |
| 653 | 0 | |a Photography, Artistic | |
| 653 | 2 | |a Los Angeles (Calif.) / In art | |
| 655 | 7 | |0 (DE-588)4145395-5 |a Bildband |2 gnd-content | |
| 689 | 0 | 0 | |a Hopper, Dennis |d 1936-2010 |0 (DE-588)118938312 |D p |
| 689 | 0 | 1 | |a Los Angeles, Calif. |0 (DE-588)4036361-2 |D g |
| 689 | 0 | 2 | |a Sofortbildfotografie |0 (DE-588)4134735-3 |D s |
| 689 | 0 | 3 | |a Graffito |g Motiv |0 (DE-588)4531642-9 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Rose, Aaron |d 1940- |0 (DE-588)12323977X |4 wat | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-029600085 | |
Datensatz im Suchindex
| _version_ | 1811026409912532992 |
|---|---|
| adam_text | |
| any_adam_object | |
| author2 | Hopper, Dennis 1936-2010 |
| author2_role | pht |
| author2_variant | d h dh |
| author_GND | (DE-588)118938312 (DE-588)12323977X |
| author_facet | Hopper, Dennis 1936-2010 |
| building | Verbundindex |
| bvnumber | BV044193386 |
| classification_rvk | AP 94100 |
| ctrlnum | (OCoLC)975302461 (DE-599)BSZ475019911 |
| discipline | Allgemeines |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV044193386</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">170222s2016 |||| 00||| eng d</controlfield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">242088872</subfield><subfield code="2">DE-101</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9788862084765</subfield><subfield code="c">40.00 EUR</subfield><subfield code="9">978-88-6208-476-5</subfield></datafield><datafield tag="024" ind1="3" ind2=" "><subfield code="a">9788862084765</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)975302461</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BSZ475019911</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 94100</subfield><subfield code="0">(DE-625)8146:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,11</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hopper, Dennis</subfield><subfield code="d">1936-2010</subfield><subfield code="0">(DE-588)118938312</subfield><subfield code="4">pht</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Colors, the polaroids</subfield><subfield code="c">Dennis Hopper ; essay by Aaron Rose</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Dennis Hopper - Colors, the polaroids</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bologna</subfield><subfield code="b">Damiani</subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">132 ungezählte Seiten</subfield><subfield code="c">21 x 24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Photographs</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">After losing himself in Taos, New Mexico, for 15 years, Dennis Hopper (1936–2010) returned to Los Angeles in the mid-’80s. In 1987, on the verge of directing Colors, Hopper made use of a Polaroid camera to document gang graffiti in Los Angeles. He was particularly drawn to the abstract shapes of overlapping paint that appeared when graffiti had been covered up or written over, reminding him, he said, "that art is everywhere in every corner that you choose to frame and not just ignore and walk by." The Polaroids presented for the first time in this book are proof of that observation. Hopper firmly considered himself an "abstract expressionist and action painter by nature, and a Duchampian finger pointer by choice," subscribing wholeheartedly to the idea that "the artist of the future will merely point his finger and say it’s art--and it will be art." In turning the instantaneous, disposable nature of the medium of Polaroid film into pictures as deliberate and final as an image achieved by an artist painting on canvas, these images represent the first part of Hopper’s journey back to the world of photography, picking up where he had left off so many years before. This book is in many ways a companion to Drugstore Camera (2015), also edited and designed by Michael Schmelling, which presented Hopper’s personal photographs taken in Taos, New Mexico.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Hopper, Dennis</subfield><subfield code="d">1936-2010</subfield><subfield code="0">(DE-588)118938312</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Sofortbildfotografie</subfield><subfield code="0">(DE-588)4134735-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Graffito</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4531642-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Los Angeles, Calif.</subfield><subfield code="0">(DE-588)4036361-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Hopper, Dennis / 1936-2010 / photographer</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Graffiti / California / Los Angeles</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Photography, Artistic</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Los Angeles (Calif.) / In art</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4145395-5</subfield><subfield code="a">Bildband</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Hopper, Dennis</subfield><subfield code="d">1936-2010</subfield><subfield code="0">(DE-588)118938312</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Los Angeles, Calif.</subfield><subfield code="0">(DE-588)4036361-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Sofortbildfotografie</subfield><subfield code="0">(DE-588)4134735-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Graffito</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4531642-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rose, Aaron</subfield><subfield code="d">1940-</subfield><subfield code="0">(DE-588)12323977X</subfield><subfield code="4">wat</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029600085</subfield></datafield></record></collection> |
| genre | (DE-588)4145395-5 Bildband gnd-content |
| genre_facet | Bildband |
| geographic | Los Angeles, Calif. (DE-588)4036361-2 gnd |
| geographic_facet | Los Angeles, Calif. |
| id | DE-604.BV044193386 |
| illustrated | Not Illustrated |
| indexdate | 2024-09-23T22:09:33Z |
| institution | BVB |
| isbn | 9788862084765 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029600085 |
| oclc_num | 975302461 |
| open_access_boolean | |
| owner | DE-255 DE-11 |
| owner_facet | DE-255 DE-11 |
| physical | 132 ungezählte Seiten 21 x 24 cm |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Damiani |
| record_format | marc |
| spelling | Hopper, Dennis 1936-2010 (DE-588)118938312 pht Colors, the polaroids Dennis Hopper ; essay by Aaron Rose Dennis Hopper - Colors, the polaroids Bologna Damiani [2016] © 2016 132 ungezählte Seiten 21 x 24 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Photographs After losing himself in Taos, New Mexico, for 15 years, Dennis Hopper (1936–2010) returned to Los Angeles in the mid-’80s. In 1987, on the verge of directing Colors, Hopper made use of a Polaroid camera to document gang graffiti in Los Angeles. He was particularly drawn to the abstract shapes of overlapping paint that appeared when graffiti had been covered up or written over, reminding him, he said, "that art is everywhere in every corner that you choose to frame and not just ignore and walk by." The Polaroids presented for the first time in this book are proof of that observation. Hopper firmly considered himself an "abstract expressionist and action painter by nature, and a Duchampian finger pointer by choice," subscribing wholeheartedly to the idea that "the artist of the future will merely point his finger and say it’s art--and it will be art." In turning the instantaneous, disposable nature of the medium of Polaroid film into pictures as deliberate and final as an image achieved by an artist painting on canvas, these images represent the first part of Hopper’s journey back to the world of photography, picking up where he had left off so many years before. This book is in many ways a companion to Drugstore Camera (2015), also edited and designed by Michael Schmelling, which presented Hopper’s personal photographs taken in Taos, New Mexico. Hopper, Dennis 1936-2010 (DE-588)118938312 gnd rswk-swf Sofortbildfotografie (DE-588)4134735-3 gnd rswk-swf Graffito Motiv (DE-588)4531642-9 gnd rswk-swf Los Angeles, Calif. (DE-588)4036361-2 gnd rswk-swf Hopper, Dennis / 1936-2010 / photographer Graffiti / California / Los Angeles Photography, Artistic Los Angeles (Calif.) / In art (DE-588)4145395-5 Bildband gnd-content Hopper, Dennis 1936-2010 (DE-588)118938312 p Los Angeles, Calif. (DE-588)4036361-2 g Sofortbildfotografie (DE-588)4134735-3 s Graffito Motiv (DE-588)4531642-9 s DE-604 Rose, Aaron 1940- (DE-588)12323977X wat |
| spellingShingle | Colors, the polaroids Hopper, Dennis 1936-2010 (DE-588)118938312 gnd Sofortbildfotografie (DE-588)4134735-3 gnd Graffito Motiv (DE-588)4531642-9 gnd |
| subject_GND | (DE-588)118938312 (DE-588)4134735-3 (DE-588)4531642-9 (DE-588)4036361-2 (DE-588)4145395-5 |
| title | Colors, the polaroids |
| title_alt | Dennis Hopper - Colors, the polaroids |
| title_auth | Colors, the polaroids |
| title_exact_search | Colors, the polaroids |
| title_full | Colors, the polaroids Dennis Hopper ; essay by Aaron Rose |
| title_fullStr | Colors, the polaroids Dennis Hopper ; essay by Aaron Rose |
| title_full_unstemmed | Colors, the polaroids Dennis Hopper ; essay by Aaron Rose |
| title_short | Colors, the polaroids |
| title_sort | colors the polaroids |
| topic | Hopper, Dennis 1936-2010 (DE-588)118938312 gnd Sofortbildfotografie (DE-588)4134735-3 gnd Graffito Motiv (DE-588)4531642-9 gnd |
| topic_facet | Hopper, Dennis 1936-2010 Sofortbildfotografie Graffito Motiv Los Angeles, Calif. Bildband |
| work_keys_str_mv | AT hopperdennis colorsthepolaroids AT roseaaron colorsthepolaroids AT hopperdennis dennishoppercolorsthepolaroids AT roseaaron dennishoppercolorsthepolaroids |