Humanesis: sound and technological posthumanism
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Minneapolis, Minn.
University of Minnesota Press
2013
|
| Schlagworte: | |
| Beschreibung: | Includes bibliographical references and index "Humanesis critically examines central strains of posthumanism, searching out biases in the ways that human-technology coupling is explained. Specifically, it interrogates three approaches taken by posthumanist discourse: scientific, humanist, and organismic. David Cecchetto's investigations reveal how each perspective continues to hold on to elements of the humanist tradition that it is ostensibly mobilized against. His study frontally desublimates the previously unseen presumptions that underlie each of the three thought lines and offers incisive appraisals of the work of three prominent thinkers: Ollivier Dyens, Katherine Hayles, and Mark Hansen. To materially ground the problematic of posthumanism, Humanesis interweaves its theoretical chapters with discussions of artworks. These highlight the topos of sound, demonstrating how aurality might produce new insights in a field that has been dominated by visualization. Cecchetto, a media artist, scrutinizes his own collaborative artistic practice in which he elucidates the variegated causal chains that compose human-technological coupling. Humanesis advances the posthumanist conversation in several important ways. It proposes the term "technological posthumanism" to focus on the discourse as it relates to technology without neglecting its other disciplinary histories. It suggests that deconstruction remains relevant to the enterprise, especially with respect to the performative dimension of language. It analyzes artworks not yet considered in the light of posthumanism, with a particular emphasis on the role of aurality. And the form of the text introduces a reflexive component that exemplifies how the dialogue of posthumanism might progress without resorting to the types of unilateral narratives that the book critiques. "-- |
| Beschreibung: | vii, 210 p. |
| ISBN: | 9780816679638 9780816684175 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV044176961 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 170217s2013 |||| o||u| ||||||eng d | ||
| 020 | |a 9780816679638 |c pb |9 978-0-8166-7963-8 | ||
| 020 | |a 9780816684175 |c Online |9 978-0-8166-8417-5 | ||
| 035 | |a (ZDB-30-PAD)EBC1318803 | ||
| 035 | |a (ZDB-89-EBL)EBL1318803 | ||
| 035 | |a (OCoLC)854520857 | ||
| 035 | |a (DE-599)BVBBV044176961 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 082 | 0 | |a 303.48/3 |2 23 | |
| 100 | 1 | |a Cecchetto, David |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Humanesis |b sound and technological posthumanism |c David Cecchetto |
| 264 | 1 | |a Minneapolis, Minn. |b University of Minnesota Press |c 2013 | |
| 300 | |a vii, 210 p. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 500 | |a "Humanesis critically examines central strains of posthumanism, searching out biases in the ways that human-technology coupling is explained. Specifically, it interrogates three approaches taken by posthumanist discourse: scientific, humanist, and organismic. David Cecchetto's investigations reveal how each perspective continues to hold on to elements of the humanist tradition that it is ostensibly mobilized against. His study frontally desublimates the previously unseen presumptions that underlie each of the three thought lines and offers incisive appraisals of the work of three prominent thinkers: Ollivier Dyens, Katherine Hayles, and Mark Hansen. To materially ground the problematic of posthumanism, Humanesis interweaves its theoretical chapters with discussions of artworks. These highlight the topos of sound, demonstrating how aurality might produce new insights in a field that has been dominated by visualization. Cecchetto, a media artist, scrutinizes his own collaborative artistic practice in which he elucidates the variegated causal chains that compose human-technological coupling. Humanesis advances the posthumanist conversation in several important ways. It proposes the term "technological posthumanism" to focus on the discourse as it relates to technology without neglecting its other disciplinary histories. It suggests that deconstruction remains relevant to the enterprise, especially with respect to the performative dimension of language. It analyzes artworks not yet considered in the light of posthumanism, with a particular emphasis on the role of aurality. And the form of the text introduces a reflexive component that exemplifies how the dialogue of posthumanism might progress without resorting to the types of unilateral narratives that the book critiques. "-- | ||
| 648 | 4 | |a Geschichte 1900-2000 | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 4 | |a Philosophie | |
| 650 | 4 | |a Technology |x Philosophy | |
| 650 | 4 | |a Technology |x Social aspects | |
| 650 | 4 | |a Humanism |x History |y 20th century | |
| 650 | 0 | 7 | |a Technologie |0 (DE-588)4059276-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Posthumanismus |0 (DE-588)4801863-6 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Technologie |0 (DE-588)4059276-5 |D s |
| 689 | 0 | 1 | |a Posthumanismus |0 (DE-588)4801863-6 |D s |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-0-8166-7644-6 |
| 912 | |a ZDB-30-PAD | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029583806 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
Datensatz im Suchindex
| _version_ | 1804177299188219904 |
|---|---|
| any_adam_object | |
| author | Cecchetto, David |
| author_facet | Cecchetto, David |
| author_role | aut |
| author_sort | Cecchetto, David |
| author_variant | d c dc |
| building | Verbundindex |
| bvnumber | BV044176961 |
| collection | ZDB-30-PAD |
| ctrlnum | (ZDB-30-PAD)EBC1318803 (ZDB-89-EBL)EBL1318803 (OCoLC)854520857 (DE-599)BVBBV044176961 |
| dewey-full | 303.48/3 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 303 - Social processes |
| dewey-raw | 303.48/3 |
| dewey-search | 303.48/3 |
| dewey-sort | 3303.48 13 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| era | Geschichte 1900-2000 |
| era_facet | Geschichte 1900-2000 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03479nmm a2200493zc 4500</leader><controlfield tag="001">BV044176961</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">170217s2013 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780816679638</subfield><subfield code="c">pb</subfield><subfield code="9">978-0-8166-7963-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780816684175</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-8166-8417-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PAD)EBC1318803</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-89-EBL)EBL1318803</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)854520857</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044176961</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">303.48/3</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Cecchetto, David</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Humanesis</subfield><subfield code="b">sound and technological posthumanism</subfield><subfield code="c">David Cecchetto</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Minneapolis, Minn.</subfield><subfield code="b">University of Minnesota Press</subfield><subfield code="c">2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">vii, 210 p.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"Humanesis critically examines central strains of posthumanism, searching out biases in the ways that human-technology coupling is explained. Specifically, it interrogates three approaches taken by posthumanist discourse: scientific, humanist, and organismic. David Cecchetto's investigations reveal how each perspective continues to hold on to elements of the humanist tradition that it is ostensibly mobilized against. His study frontally desublimates the previously unseen presumptions that underlie each of the three thought lines and offers incisive appraisals of the work of three prominent thinkers: Ollivier Dyens, Katherine Hayles, and Mark Hansen. To materially ground the problematic of posthumanism, Humanesis interweaves its theoretical chapters with discussions of artworks. These highlight the topos of sound, demonstrating how aurality might produce new insights in a field that has been dominated by visualization. Cecchetto, a media artist, scrutinizes his own collaborative artistic practice in which he elucidates the variegated causal chains that compose human-technological coupling. Humanesis advances the posthumanist conversation in several important ways. It proposes the term "technological posthumanism" to focus on the discourse as it relates to technology without neglecting its other disciplinary histories. It suggests that deconstruction remains relevant to the enterprise, especially with respect to the performative dimension of language. It analyzes artworks not yet considered in the light of posthumanism, with a particular emphasis on the role of aurality. And the form of the text introduces a reflexive component that exemplifies how the dialogue of posthumanism might progress without resorting to the types of unilateral narratives that the book critiques. "--</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gesellschaft</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Philosophie</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Technology</subfield><subfield code="x">Philosophy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Technology</subfield><subfield code="x">Social aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Humanism</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Technologie</subfield><subfield code="0">(DE-588)4059276-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Posthumanismus</subfield><subfield code="0">(DE-588)4801863-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Technologie</subfield><subfield code="0">(DE-588)4059276-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Posthumanismus</subfield><subfield code="0">(DE-588)4801863-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-0-8166-7644-6</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-30-PAD</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029583806</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield></record></collection> |
| id | DE-604.BV044176961 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:45:52Z |
| institution | BVB |
| isbn | 9780816679638 9780816684175 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029583806 |
| oclc_num | 854520857 |
| open_access_boolean | |
| physical | vii, 210 p. |
| psigel | ZDB-30-PAD |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | University of Minnesota Press |
| record_format | marc |
| spelling | Cecchetto, David Verfasser aut Humanesis sound and technological posthumanism David Cecchetto Minneapolis, Minn. University of Minnesota Press 2013 vii, 210 p. txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index "Humanesis critically examines central strains of posthumanism, searching out biases in the ways that human-technology coupling is explained. Specifically, it interrogates three approaches taken by posthumanist discourse: scientific, humanist, and organismic. David Cecchetto's investigations reveal how each perspective continues to hold on to elements of the humanist tradition that it is ostensibly mobilized against. His study frontally desublimates the previously unseen presumptions that underlie each of the three thought lines and offers incisive appraisals of the work of three prominent thinkers: Ollivier Dyens, Katherine Hayles, and Mark Hansen. To materially ground the problematic of posthumanism, Humanesis interweaves its theoretical chapters with discussions of artworks. These highlight the topos of sound, demonstrating how aurality might produce new insights in a field that has been dominated by visualization. Cecchetto, a media artist, scrutinizes his own collaborative artistic practice in which he elucidates the variegated causal chains that compose human-technological coupling. Humanesis advances the posthumanist conversation in several important ways. It proposes the term "technological posthumanism" to focus on the discourse as it relates to technology without neglecting its other disciplinary histories. It suggests that deconstruction remains relevant to the enterprise, especially with respect to the performative dimension of language. It analyzes artworks not yet considered in the light of posthumanism, with a particular emphasis on the role of aurality. And the form of the text introduces a reflexive component that exemplifies how the dialogue of posthumanism might progress without resorting to the types of unilateral narratives that the book critiques. "-- Geschichte 1900-2000 Geschichte Gesellschaft Philosophie Technology Philosophy Technology Social aspects Humanism History 20th century Technologie (DE-588)4059276-5 gnd rswk-swf Posthumanismus (DE-588)4801863-6 gnd rswk-swf Technologie (DE-588)4059276-5 s Posthumanismus (DE-588)4801863-6 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-8166-7644-6 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Cecchetto, David Humanesis sound and technological posthumanism Geschichte Gesellschaft Philosophie Technology Philosophy Technology Social aspects Humanism History 20th century Technologie (DE-588)4059276-5 gnd Posthumanismus (DE-588)4801863-6 gnd |
| subject_GND | (DE-588)4059276-5 (DE-588)4801863-6 |
| title | Humanesis sound and technological posthumanism |
| title_auth | Humanesis sound and technological posthumanism |
| title_exact_search | Humanesis sound and technological posthumanism |
| title_full | Humanesis sound and technological posthumanism David Cecchetto |
| title_fullStr | Humanesis sound and technological posthumanism David Cecchetto |
| title_full_unstemmed | Humanesis sound and technological posthumanism David Cecchetto |
| title_short | Humanesis |
| title_sort | humanesis sound and technological posthumanism |
| title_sub | sound and technological posthumanism |
| topic | Geschichte Gesellschaft Philosophie Technology Philosophy Technology Social aspects Humanism History 20th century Technologie (DE-588)4059276-5 gnd Posthumanismus (DE-588)4801863-6 gnd |
| topic_facet | Geschichte Gesellschaft Philosophie Technology Philosophy Technology Social aspects Humanism History 20th century Technologie Posthumanismus |
| work_keys_str_mv | AT cecchettodavid humanesissoundandtechnologicalposthumanism |