Who hears in Shakespeare?: auditory world, stage and screen
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Madison,NJ
Fairleigh Dickinson University Press
c2012
|
| Schlagworte: | |
| Online-Zugang: | KUBA1 |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxxiv, 249 p. |
| ISBN: | 9781611474749 9781611474756 |
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| 505 | 0 | |a Why was the Globe round? / Andrew Gurr -- Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh -- Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon -- If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl -- Mimetic hearing and meta-hearing in Hamlet / David Bevington -- Hearing and overhearing in The tempest / David Bevington -- Asides and multiple audiences in The merchant of Venice / Anthony Burton -- And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith -- Hearing power in Measure for measure / Bernice W. Kliman -- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill -- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard -- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill -- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear | |
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| contents | Why was the Globe round? / Andrew Gurr -- Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh -- Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon -- If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl -- Mimetic hearing and meta-hearing in Hamlet / David Bevington -- Hearing and overhearing in The tempest / David Bevington -- Asides and multiple audiences in The merchant of Venice / Anthony Burton -- And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith -- Hearing power in Measure for measure / Bernice W. Kliman -- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill -- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard -- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill -- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear |
| ctrlnum | (ZDB-30-PAD)EBC858963 (ZDB-89-EBL)EBL858963 (OCoLC)775872945 (DE-599)BVBBV044162193 |
| dewey-full | 792.9/5 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.9/5 |
| dewey-search | 792.9/5 |
| dewey-sort | 3792.9 15 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| indexdate | 2024-07-10T07:45:28Z |
| institution | BVB |
| isbn | 9781611474749 9781611474756 |
| language | English |
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| spelling | Who hears in Shakespeare? auditory world, stage and screen editors, Laury Magnus, Walter W. Cannon Madison,NJ Fairleigh Dickinson University Press c2012 xxxiv, 249 p. txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Why was the Globe round? / Andrew Gurr -- Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh -- Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon -- If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl -- Mimetic hearing and meta-hearing in Hamlet / David Bevington -- Hearing and overhearing in The tempest / David Bevington -- Asides and multiple audiences in The merchant of Venice / Anthony Burton -- And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith -- Hearing power in Measure for measure / Bernice W. Kliman -- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill -- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard -- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill -- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear Shakespeare, William 1564-1616 Dramatic production Shakespeare, William 1564-1616 Film adaptations Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Speech in literature Listening in literature Voice in literature Oral communication in literature Drama (DE-588)4012899-4 gnd rswk-swf Hören Motiv (DE-588)4698246-2 gnd rswk-swf Verfilmung (DE-588)4062809-7 gnd rswk-swf Lautwahrnehmung (DE-588)4125741-8 gnd rswk-swf Inszenierung (DE-588)4027223-0 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Verfilmung (DE-588)4062809-7 s Lautwahrnehmung (DE-588)4125741-8 s 2\p DE-604 Inszenierung (DE-588)4027223-0 s 3\p DE-604 Hören Motiv (DE-588)4698246-2 s 4\p DE-604 Magnus, Laury Sonstige oth Cannon, Walter W. 1945- Sonstige oth 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Who hears in Shakespeare? auditory world, stage and screen Why was the Globe round? / Andrew Gurr -- Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh -- Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon -- If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl -- Mimetic hearing and meta-hearing in Hamlet / David Bevington -- Hearing and overhearing in The tempest / David Bevington -- Asides and multiple audiences in The merchant of Venice / Anthony Burton -- And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith -- Hearing power in Measure for measure / Bernice W. Kliman -- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill -- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard -- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill -- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear Shakespeare, William 1564-1616 Dramatic production Shakespeare, William 1564-1616 Film adaptations Shakespeare, William 1564-1616 (DE-588)118613723 gnd Speech in literature Listening in literature Voice in literature Oral communication in literature Drama (DE-588)4012899-4 gnd Hören Motiv (DE-588)4698246-2 gnd Verfilmung (DE-588)4062809-7 gnd Lautwahrnehmung (DE-588)4125741-8 gnd Inszenierung (DE-588)4027223-0 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4012899-4 (DE-588)4698246-2 (DE-588)4062809-7 (DE-588)4125741-8 (DE-588)4027223-0 (DE-588)4143413-4 |
| title | Who hears in Shakespeare? auditory world, stage and screen |
| title_auth | Who hears in Shakespeare? auditory world, stage and screen |
| title_exact_search | Who hears in Shakespeare? auditory world, stage and screen |
| title_full | Who hears in Shakespeare? auditory world, stage and screen editors, Laury Magnus, Walter W. Cannon |
| title_fullStr | Who hears in Shakespeare? auditory world, stage and screen editors, Laury Magnus, Walter W. Cannon |
| title_full_unstemmed | Who hears in Shakespeare? auditory world, stage and screen editors, Laury Magnus, Walter W. Cannon |
| title_short | Who hears in Shakespeare? |
| title_sort | who hears in shakespeare auditory world stage and screen |
| title_sub | auditory world, stage and screen |
| topic | Shakespeare, William 1564-1616 Dramatic production Shakespeare, William 1564-1616 Film adaptations Shakespeare, William 1564-1616 (DE-588)118613723 gnd Speech in literature Listening in literature Voice in literature Oral communication in literature Drama (DE-588)4012899-4 gnd Hören Motiv (DE-588)4698246-2 gnd Verfilmung (DE-588)4062809-7 gnd Lautwahrnehmung (DE-588)4125741-8 gnd Inszenierung (DE-588)4027223-0 gnd |
| topic_facet | Shakespeare, William 1564-1616 Dramatic production Shakespeare, William 1564-1616 Film adaptations Shakespeare, William 1564-1616 Speech in literature Listening in literature Voice in literature Oral communication in literature Drama Hören Motiv Verfilmung Lautwahrnehmung Inszenierung Aufsatzsammlung |
| work_keys_str_mv | AT magnuslaury whohearsinshakespeareauditoryworldstageandscreen AT cannonwalterw whohearsinshakespeareauditoryworldstageandscreen |