Ostrannenie: on "strangeness" and the moving image : the history, reception, and relevance of a concept
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
c2010
|
| Schriftenreihe: | Key debates
1 |
| Schlagworte: | |
| Online-Zugang: | DE-255 DE-Y3 |
| Beschreibung: | Includes bibliographical references (p. 241-254) and indexes Summary: Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the Soviet literary critic Victor Shklovskii in 1917, ostrannenie has come to resonate deeply in film studies, where it entered into dialogue with the French philosopher Derrida's concept of differance, bordering on 'differing' and 'deferring'. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry |
| Beschreibung: | 278 p. |
| ISBN: | 9789089640796 9089640797 9789048507955 |
Internformat
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| 245 | 1 | 0 | |a Ostrannenie |b on "strangeness" and the moving image : the history, reception, and relevance of a concept |c edited by Annie van den Oever |
| 264 | 1 | |a Amsterdam |b Amsterdam University Press |c c2010 | |
| 300 | |a 278 p. | ||
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| 490 | 0 | |a Key debates |v 1 | |
| 500 | |a Includes bibliographical references (p. 241-254) and indexes | ||
| 500 | |a Summary: Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the Soviet literary critic Victor Shklovskii in 1917, ostrannenie has come to resonate deeply in film studies, where it entered into dialogue with the French philosopher Derrida's concept of differance, bordering on 'differing' and 'deferring'. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry | ||
| 505 | 0 | |a pt. 1. Theory formation : Ostranenie, the avant-garde and the cinema of attractions -- pt. 2. Mutations and appropriations : alienation theories and terminologies -- pt. 3. Cognitive and evolutionary-cognitive approaches to Ostranenie : perception, cognitive gaps and cognitive schemes -- pt. 4. Discussions on Ostranenie, différance, and the uncanny | |
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Datensatz im Suchindex
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| contents | pt. 1. Theory formation : Ostranenie, the avant-garde and the cinema of attractions -- pt. 2. Mutations and appropriations : alienation theories and terminologies -- pt. 3. Cognitive and evolutionary-cognitive approaches to Ostranenie : perception, cognitive gaps and cognitive schemes -- pt. 4. Discussions on Ostranenie, différance, and the uncanny |
| ctrlnum | (ZDB-30-PAD)EBC675650 (ZDB-89-EBL)EBL675650 (OCoLC)709606110 (DE-599)BVBBV044151796 |
| dewey-full | 791.43 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43 |
| dewey-search | 791.43 |
| dewey-sort | 3791.43 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| indexdate | 2024-09-04T00:19:50Z |
| institution | BVB |
| isbn | 9789089640796 9089640797 9789048507955 |
| language | English |
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| series2 | Key debates |
| spelling | Ostrannenie on "strangeness" and the moving image : the history, reception, and relevance of a concept edited by Annie van den Oever Amsterdam Amsterdam University Press c2010 278 p. txt rdacontent c rdamedia cr rdacarrier Key debates 1 Includes bibliographical references (p. 241-254) and indexes Summary: Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the Soviet literary critic Victor Shklovskii in 1917, ostrannenie has come to resonate deeply in film studies, where it entered into dialogue with the French philosopher Derrida's concept of differance, bordering on 'differing' and 'deferring'. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry pt. 1. Theory formation : Ostranenie, the avant-garde and the cinema of attractions -- pt. 2. Mutations and appropriations : alienation theories and terminologies -- pt. 3. Cognitive and evolutionary-cognitive approaches to Ostranenie : perception, cognitive gaps and cognitive schemes -- pt. 4. Discussions on Ostranenie, différance, and the uncanny Film Geschichte Motion pictures History Film (DE-588)4017102-4 gnd rswk-swf Fremdheit Motiv (DE-588)4212059-7 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Fremdheit Motiv (DE-588)4212059-7 s 2\p DE-604 Oever, Annie van den 1957- Sonstige oth 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Ostrannenie on "strangeness" and the moving image : the history, reception, and relevance of a concept pt. 1. Theory formation : Ostranenie, the avant-garde and the cinema of attractions -- pt. 2. Mutations and appropriations : alienation theories and terminologies -- pt. 3. Cognitive and evolutionary-cognitive approaches to Ostranenie : perception, cognitive gaps and cognitive schemes -- pt. 4. Discussions on Ostranenie, différance, and the uncanny Film Geschichte Motion pictures History Film (DE-588)4017102-4 gnd Fremdheit Motiv (DE-588)4212059-7 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4212059-7 (DE-588)4143413-4 |
| title | Ostrannenie on "strangeness" and the moving image : the history, reception, and relevance of a concept |
| title_auth | Ostrannenie on "strangeness" and the moving image : the history, reception, and relevance of a concept |
| title_exact_search | Ostrannenie on "strangeness" and the moving image : the history, reception, and relevance of a concept |
| title_full | Ostrannenie on "strangeness" and the moving image : the history, reception, and relevance of a concept edited by Annie van den Oever |
| title_fullStr | Ostrannenie on "strangeness" and the moving image : the history, reception, and relevance of a concept edited by Annie van den Oever |
| title_full_unstemmed | Ostrannenie on "strangeness" and the moving image : the history, reception, and relevance of a concept edited by Annie van den Oever |
| title_short | Ostrannenie |
| title_sort | ostrannenie on strangeness and the moving image the history reception and relevance of a concept |
| title_sub | on "strangeness" and the moving image : the history, reception, and relevance of a concept |
| topic | Film Geschichte Motion pictures History Film (DE-588)4017102-4 gnd Fremdheit Motiv (DE-588)4212059-7 gnd |
| topic_facet | Film Geschichte Motion pictures History Fremdheit Motiv Aufsatzsammlung |
| work_keys_str_mv | AT oeverannievanden ostrannenieonstrangenessandthemovingimagethehistoryreceptionandrelevanceofaconcept |