Tonality as drama: closure and interruption in four twentieth-century American operas
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Denton, Tex.
University of North Texas Press
c2008
|
| Schlagworte: | |
| Online-Zugang: | KUBA1 |
| Beschreibung: | Includes bibliographical references (p. 193-210) and index |
| Beschreibung: | xv, 221 p. |
| ISBN: | 9781574412499 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV044143446 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 170217s2008 |||| o||u| ||||||eng d | ||
| 020 | |a 9781574412499 |c cloth : alk. paper |9 978-1-57441-249-9 | ||
| 035 | |a (ZDB-30-PAD)EBC517531 | ||
| 035 | |a (ZDB-89-EBL)EBL517531 | ||
| 035 | |a (OCoLC)621699410 | ||
| 035 | |a (DE-599)BVBBV044143446 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 | ||
| 082 | 0 | |a 782.10973 |2 22 | |
| 100 | 1 | |a Latham, Edward David |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Tonality as drama |b closure and interruption in four twentieth-century American operas |c Edward D. Latham |
| 264 | 1 | |a Denton, Tex. |b University of North Texas Press |c c2008 | |
| 300 | |a xv, 221 p. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references (p. 193-210) and index | ||
| 505 | 0 | |a Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954) | |
| 600 | 1 | 4 | |a Joplin, Scott |d 1868-1917 |t Treemonisha |
| 600 | 1 | 4 | |a Weill, Kurt |d 1900-1950 |t Street scene |
| 600 | 1 | 4 | |a Gershwin, George |d 1898-1937 |t Porgy and Bess |
| 600 | 1 | 4 | |a Copland, Aaron |d 1900-1990 |t Tender land |
| 600 | 1 | 7 | |a Copland, Aaron |d 1900-1990 |t The tender land |0 (DE-588)4470425-2 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Gershwin, George |d 1898-1937 |t Porgy and Bess |0 (DE-588)300057946 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Joplin, Scott |d 1868-1917 |t Treemonisha |0 (DE-588)7657299-7 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Weill, Kurt |d 1900-1950 |t Street scene |0 (DE-588)7591877-8 |2 gnd |9 rswk-swf |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte 1900-2000 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Operas |x Analysis, appreciation | |
| 650 | 4 | |a Opera |z United States |y 20th century | |
| 650 | 0 | 7 | |a Oper |0 (DE-588)4043582-9 |2 gnd |9 rswk-swf |
| 651 | 4 | |a USA | |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Joplin, Scott |d 1868-1917 |t Treemonisha |0 (DE-588)7657299-7 |D u |
| 689 | 0 | 1 | |a Weill, Kurt |d 1900-1950 |t Street scene |0 (DE-588)7591877-8 |D u |
| 689 | 0 | 2 | |a Gershwin, George |d 1898-1937 |t Porgy and Bess |0 (DE-588)300057946 |D u |
| 689 | 0 | 3 | |a Copland, Aaron |d 1900-1990 |t The tender land |0 (DE-588)4470425-2 |D u |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 689 | 1 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 1 | 1 | |a Oper |0 (DE-588)4043582-9 |D s |
| 689 | 1 | 2 | |a Geschichte 1900-2000 |A z |
| 689 | 1 | |8 2\p |5 DE-604 | |
| 912 | |a ZDB-30-PAD | ||
| 940 | 1 | |q KUBA1-ZDB-30-PAD-2023 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029550291 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u https://ebookcentral.proquest.com/lib/khifiit/detail.action?docID=517531 |l KUBA1 |p ZDB-30-PAD |q KHI |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804177240578064384 |
|---|---|
| any_adam_object | |
| author | Latham, Edward David |
| author_facet | Latham, Edward David |
| author_role | aut |
| author_sort | Latham, Edward David |
| author_variant | e d l ed edl |
| building | Verbundindex |
| bvnumber | BV044143446 |
| collection | ZDB-30-PAD |
| contents | Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954) |
| ctrlnum | (ZDB-30-PAD)EBC517531 (ZDB-89-EBL)EBL517531 (OCoLC)621699410 (DE-599)BVBBV044143446 |
| dewey-full | 782.10973 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.10973 |
| dewey-search | 782.10973 |
| dewey-sort | 3782.10973 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1900-2000 Geschichte 1900-2000 gnd |
| era_facet | Geschichte 1900-2000 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03351nmm a2200661zc 4500</leader><controlfield tag="001">BV044143446</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">170217s2008 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781574412499</subfield><subfield code="c">cloth : alk. paper</subfield><subfield code="9">978-1-57441-249-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PAD)EBC517531</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-89-EBL)EBL517531</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)621699410</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044143446</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">782.10973</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Latham, Edward David</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Tonality as drama</subfield><subfield code="b">closure and interruption in four twentieth-century American operas</subfield><subfield code="c">Edward D. Latham</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Denton, Tex.</subfield><subfield code="b">University of North Texas Press</subfield><subfield code="c">c2008</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xv, 221 p.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (p. 193-210) and index</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954)</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Joplin, Scott</subfield><subfield code="d">1868-1917</subfield><subfield code="t">Treemonisha</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Weill, Kurt</subfield><subfield code="d">1900-1950</subfield><subfield code="t">Street scene</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Gershwin, George</subfield><subfield code="d">1898-1937</subfield><subfield code="t">Porgy and Bess</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Copland, Aaron</subfield><subfield code="d">1900-1990</subfield><subfield code="t">Tender land</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Copland, Aaron</subfield><subfield code="d">1900-1990</subfield><subfield code="t">The tender land</subfield><subfield code="0">(DE-588)4470425-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Gershwin, George</subfield><subfield code="d">1898-1937</subfield><subfield code="t">Porgy and Bess</subfield><subfield code="0">(DE-588)300057946</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Joplin, Scott</subfield><subfield code="d">1868-1917</subfield><subfield code="t">Treemonisha</subfield><subfield code="0">(DE-588)7657299-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Weill, Kurt</subfield><subfield code="d">1900-1950</subfield><subfield code="t">Street scene</subfield><subfield code="0">(DE-588)7591877-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Operas</subfield><subfield code="x">Analysis, appreciation</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Opera</subfield><subfield code="z">United States</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">USA</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Joplin, Scott</subfield><subfield code="d">1868-1917</subfield><subfield code="t">Treemonisha</subfield><subfield code="0">(DE-588)7657299-7</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Weill, Kurt</subfield><subfield code="d">1900-1950</subfield><subfield code="t">Street scene</subfield><subfield code="0">(DE-588)7591877-8</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Gershwin, George</subfield><subfield code="d">1898-1937</subfield><subfield code="t">Porgy and Bess</subfield><subfield code="0">(DE-588)300057946</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Copland, Aaron</subfield><subfield code="d">1900-1990</subfield><subfield code="t">The tender land</subfield><subfield code="0">(DE-588)4470425-2</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-30-PAD</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KUBA1-ZDB-30-PAD-2023</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029550291</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/khifiit/detail.action?docID=517531</subfield><subfield code="l">KUBA1</subfield><subfield code="p">ZDB-30-PAD</subfield><subfield code="q">KHI</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | USA USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV044143446 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:44:56Z |
| institution | BVB |
| isbn | 9781574412499 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029550291 |
| oclc_num | 621699410 |
| open_access_boolean | |
| owner | DE-Y3 |
| owner_facet | DE-Y3 |
| physical | xv, 221 p. |
| psigel | ZDB-30-PAD KUBA1-ZDB-30-PAD-2023 ZDB-30-PAD KHI |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | University of North Texas Press |
| record_format | marc |
| spelling | Latham, Edward David Verfasser aut Tonality as drama closure and interruption in four twentieth-century American operas Edward D. Latham Denton, Tex. University of North Texas Press c2008 xv, 221 p. txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (p. 193-210) and index Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954) Joplin, Scott 1868-1917 Treemonisha Weill, Kurt 1900-1950 Street scene Gershwin, George 1898-1937 Porgy and Bess Copland, Aaron 1900-1990 Tender land Copland, Aaron 1900-1990 The tender land (DE-588)4470425-2 gnd rswk-swf Gershwin, George 1898-1937 Porgy and Bess (DE-588)300057946 gnd rswk-swf Joplin, Scott 1868-1917 Treemonisha (DE-588)7657299-7 gnd rswk-swf Weill, Kurt 1900-1950 Street scene (DE-588)7591877-8 gnd rswk-swf Geschichte 1900-2000 Geschichte 1900-2000 gnd rswk-swf Operas Analysis, appreciation Opera United States 20th century Oper (DE-588)4043582-9 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf Joplin, Scott 1868-1917 Treemonisha (DE-588)7657299-7 u Weill, Kurt 1900-1950 Street scene (DE-588)7591877-8 u Gershwin, George 1898-1937 Porgy and Bess (DE-588)300057946 u Copland, Aaron 1900-1990 The tender land (DE-588)4470425-2 u 1\p DE-604 USA (DE-588)4078704-7 g Oper (DE-588)4043582-9 s Geschichte 1900-2000 z 2\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Latham, Edward David Tonality as drama closure and interruption in four twentieth-century American operas Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954) Joplin, Scott 1868-1917 Treemonisha Weill, Kurt 1900-1950 Street scene Gershwin, George 1898-1937 Porgy and Bess Copland, Aaron 1900-1990 Tender land Copland, Aaron 1900-1990 The tender land (DE-588)4470425-2 gnd Gershwin, George 1898-1937 Porgy and Bess (DE-588)300057946 gnd Joplin, Scott 1868-1917 Treemonisha (DE-588)7657299-7 gnd Weill, Kurt 1900-1950 Street scene (DE-588)7591877-8 gnd Operas Analysis, appreciation Opera United States 20th century Oper (DE-588)4043582-9 gnd |
| subject_GND | (DE-588)4470425-2 (DE-588)300057946 (DE-588)7657299-7 (DE-588)7591877-8 (DE-588)4043582-9 (DE-588)4078704-7 |
| title | Tonality as drama closure and interruption in four twentieth-century American operas |
| title_auth | Tonality as drama closure and interruption in four twentieth-century American operas |
| title_exact_search | Tonality as drama closure and interruption in four twentieth-century American operas |
| title_full | Tonality as drama closure and interruption in four twentieth-century American operas Edward D. Latham |
| title_fullStr | Tonality as drama closure and interruption in four twentieth-century American operas Edward D. Latham |
| title_full_unstemmed | Tonality as drama closure and interruption in four twentieth-century American operas Edward D. Latham |
| title_short | Tonality as drama |
| title_sort | tonality as drama closure and interruption in four twentieth century american operas |
| title_sub | closure and interruption in four twentieth-century American operas |
| topic | Joplin, Scott 1868-1917 Treemonisha Weill, Kurt 1900-1950 Street scene Gershwin, George 1898-1937 Porgy and Bess Copland, Aaron 1900-1990 Tender land Copland, Aaron 1900-1990 The tender land (DE-588)4470425-2 gnd Gershwin, George 1898-1937 Porgy and Bess (DE-588)300057946 gnd Joplin, Scott 1868-1917 Treemonisha (DE-588)7657299-7 gnd Weill, Kurt 1900-1950 Street scene (DE-588)7591877-8 gnd Operas Analysis, appreciation Opera United States 20th century Oper (DE-588)4043582-9 gnd |
| topic_facet | Joplin, Scott 1868-1917 Treemonisha Weill, Kurt 1900-1950 Street scene Gershwin, George 1898-1937 Porgy and Bess Copland, Aaron 1900-1990 Tender land Copland, Aaron 1900-1990 The tender land Operas Analysis, appreciation Opera United States 20th century Oper USA |
| work_keys_str_mv | AT lathamedwarddavid tonalityasdramaclosureandinterruptioninfourtwentiethcenturyamericanoperas |