Making easy listening: material culture and postwar American recording
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Minneapolis
University of Minnesota Press
c2006
|
| Schriftenreihe: | Commerce and mass culture series
|
| Schlagworte: | |
| Online-Zugang: | KUBA1 |
| Beschreibung: | Includes bibliographical references (p. 217-231) and index |
| Beschreibung: | xliv, 236 p. |
| ISBN: | 9780816645176 9780816645183 |
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| 245 | 1 | 0 | |a Making easy listening |b material culture and postwar American recording |c Tim J. Anderson |
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| 490 | 0 | |a Commerce and mass culture series | |
| 500 | |a Includes bibliographical references (p. 217-231) and index | ||
| 505 | 0 | |a Introduction : opening tracks -- Managing the recording process and rethinking the recording bans. Buried under the fecundity of his own creations : the first strike of the American Federation of Musicians ; Counterreform and resignation : the second strike of the American Federation of Musicians -- Production, reproduction, and the case of My fair lady. Which voice best becomes the property? stitching the intertext of My fair lady ; Listening to my My fair lady : versioning and the recorded music object -- Stereo, hi-fi, and the modern pleasures of easy listening. A tale of two ears : the concert hall aesthetic and stereo ; Space, the pliable frontier : stereo as the new spatial palette of audio -- Conclusion : the flip side (and a few concluding thoughts) | |
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Datensatz im Suchindex
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|---|---|
| any_adam_object | |
| author | Anderson, Tim J. |
| author_facet | Anderson, Tim J. |
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| contents | Introduction : opening tracks -- Managing the recording process and rethinking the recording bans. Buried under the fecundity of his own creations : the first strike of the American Federation of Musicians ; Counterreform and resignation : the second strike of the American Federation of Musicians -- Production, reproduction, and the case of My fair lady. Which voice best becomes the property? stitching the intertext of My fair lady ; Listening to my My fair lady : versioning and the recorded music object -- Stereo, hi-fi, and the modern pleasures of easy listening. A tale of two ears : the concert hall aesthetic and stereo ; Space, the pliable frontier : stereo as the new spatial palette of audio -- Conclusion : the flip side (and a few concluding thoughts) |
| ctrlnum | (ZDB-30-PAD)EBC310741 (ZDB-89-EBL)EBL310741 (OCoLC)85864273 (DE-599)BVBBV044126546 |
| dewey-full | 781.490973 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.490973 |
| dewey-search | 781.490973 |
| dewey-sort | 3781.490973 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1900-2000 Geschichte gnd |
| era_facet | Geschichte 1900-2000 Geschichte |
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| spelling | Anderson, Tim J. Verfasser aut Making easy listening material culture and postwar American recording Tim J. Anderson Minneapolis University of Minnesota Press c2006 xliv, 236 p. txt rdacontent c rdamedia cr rdacarrier Commerce and mass culture series Includes bibliographical references (p. 217-231) and index Introduction : opening tracks -- Managing the recording process and rethinking the recording bans. Buried under the fecundity of his own creations : the first strike of the American Federation of Musicians ; Counterreform and resignation : the second strike of the American Federation of Musicians -- Production, reproduction, and the case of My fair lady. Which voice best becomes the property? stitching the intertext of My fair lady ; Listening to my My fair lady : versioning and the recorded music object -- Stereo, hi-fi, and the modern pleasures of easy listening. A tale of two ears : the concert hall aesthetic and stereo ; Space, the pliable frontier : stereo as the new spatial palette of audio -- Conclusion : the flip side (and a few concluding thoughts) Geschichte 1900-2000 Geschichte gnd rswk-swf Geschichte Sound recording industry United States History Sound recordings Production and direction United States Popular culture United States History 20th century Schallplattenindustrie (DE-588)4471179-7 gnd rswk-swf Unterhaltungsmusik (DE-588)4061916-3 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Schallplattenindustrie (DE-588)4471179-7 s Unterhaltungsmusik (DE-588)4061916-3 s Geschichte z 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 0-8166-4517-5 Erscheint auch als Druck-Ausgabe, Paperback 0-8166-4518-3 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Anderson, Tim J. Making easy listening material culture and postwar American recording Introduction : opening tracks -- Managing the recording process and rethinking the recording bans. Buried under the fecundity of his own creations : the first strike of the American Federation of Musicians ; Counterreform and resignation : the second strike of the American Federation of Musicians -- Production, reproduction, and the case of My fair lady. Which voice best becomes the property? stitching the intertext of My fair lady ; Listening to my My fair lady : versioning and the recorded music object -- Stereo, hi-fi, and the modern pleasures of easy listening. A tale of two ears : the concert hall aesthetic and stereo ; Space, the pliable frontier : stereo as the new spatial palette of audio -- Conclusion : the flip side (and a few concluding thoughts) Geschichte Sound recording industry United States History Sound recordings Production and direction United States Popular culture United States History 20th century Schallplattenindustrie (DE-588)4471179-7 gnd Unterhaltungsmusik (DE-588)4061916-3 gnd |
| subject_GND | (DE-588)4471179-7 (DE-588)4061916-3 (DE-588)4078704-7 |
| title | Making easy listening material culture and postwar American recording |
| title_auth | Making easy listening material culture and postwar American recording |
| title_exact_search | Making easy listening material culture and postwar American recording |
| title_full | Making easy listening material culture and postwar American recording Tim J. Anderson |
| title_fullStr | Making easy listening material culture and postwar American recording Tim J. Anderson |
| title_full_unstemmed | Making easy listening material culture and postwar American recording Tim J. Anderson |
| title_short | Making easy listening |
| title_sort | making easy listening material culture and postwar american recording |
| title_sub | material culture and postwar American recording |
| topic | Geschichte Sound recording industry United States History Sound recordings Production and direction United States Popular culture United States History 20th century Schallplattenindustrie (DE-588)4471179-7 gnd Unterhaltungsmusik (DE-588)4061916-3 gnd |
| topic_facet | Geschichte Sound recording industry United States History Sound recordings Production and direction United States Popular culture United States History 20th century Schallplattenindustrie Unterhaltungsmusik USA |
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