Classical form: a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
1998
|
| Schlagworte: | |
| Beschreibung: | Includes bibliographical references (p. 289-292) and index |
| Beschreibung: | xii, 307 p. |
| ISBN: | 0195104803 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV044120144 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 170217s1998 |||| o||u| ||||||eng d | ||
| 020 | |a 0195104803 |c alk. paper |9 0-19-510480-3 | ||
| 035 | |a (ZDB-30-PAD)EBC271183 | ||
| 035 | |a (ZDB-89-EBL)EBL271183 | ||
| 035 | |a (OCoLC)567929606 | ||
| 035 | |a (DE-599)BVBBV044120144 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 082 | 0 | |a 784.18 |2 22 | |
| 100 | 1 | |a Caplin, William Earl |d 1948- |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Classical form |b a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven |c William E. Caplin |
| 264 | 1 | |a New York |b Oxford University Press |c 1998 | |
| 300 | |a xii, 307 p. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references (p. 289-292) and index | ||
| 505 | 0 | |a 1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form | |
| 600 | 1 | 4 | |a Haydn, Joseph |d 1732-1809 |x Criticism and interpretation |
| 600 | 1 | 4 | |a Mozart, Wolfgang Amadeus |d 1756-1791 |x Criticism and interpretation |
| 600 | 1 | 4 | |a Beethoven, Ludwig van |d 1770-1827 |x Criticism and interpretation |
| 600 | 1 | 7 | |a Mozart, Wolfgang Amadeus |d 1756-1791 |0 (DE-588)118584596 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Haydn, Joseph |d 1732-1809 |0 (DE-588)118547356 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Beethoven, Ludwig van |d 1770-1827 |0 (DE-588)118508288 |2 gnd |9 rswk-swf |
| 648 | 4 | |a Geschichte 1700-1800 | |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 4 | |a Geschichte 1800-1900 | |
| 648 | 7 | |a Geschichte 1770-1830 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Musical form | |
| 650 | 4 | |a Instrumental music |y 18th century |x Analysis, appreciation | |
| 650 | 4 | |a Instrumental music |y 19th century |x Analysis, appreciation | |
| 650 | 4 | |a Musical analysis | |
| 650 | 4 | |a Classicism in music | |
| 650 | 4 | |a Music theory |x History |y 20th century | |
| 650 | 0 | 7 | |a Musikalische Form |0 (DE-588)4040821-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Instrumentalmusik |0 (DE-588)4129951-6 |2 gnd |9 rswk-swf |
| 655 | 7 | |8 1\p |0 (DE-588)4151278-9 |a Einführung |2 gnd-content | |
| 689 | 0 | 0 | |a Beethoven, Ludwig van |d 1770-1827 |0 (DE-588)118508288 |D p |
| 689 | 0 | 1 | |a Instrumentalmusik |0 (DE-588)4129951-6 |D s |
| 689 | 0 | 2 | |a Musikalische Form |0 (DE-588)4040821-8 |D s |
| 689 | 0 | |8 2\p |5 DE-604 | |
| 689 | 1 | 0 | |a Haydn, Joseph |d 1732-1809 |0 (DE-588)118547356 |D p |
| 689 | 1 | 1 | |a Instrumentalmusik |0 (DE-588)4129951-6 |D s |
| 689 | 1 | 2 | |a Musikalische Form |0 (DE-588)4040821-8 |D s |
| 689 | 1 | |8 3\p |5 DE-604 | |
| 689 | 2 | 0 | |a Mozart, Wolfgang Amadeus |d 1756-1791 |0 (DE-588)118584596 |D p |
| 689 | 2 | 1 | |a Instrumentalmusik |0 (DE-588)4129951-6 |D s |
| 689 | 2 | 2 | |a Musikalische Form |0 (DE-588)4040821-8 |D s |
| 689 | 2 | |8 4\p |5 DE-604 | |
| 689 | 3 | 0 | |a Musikalische Form |0 (DE-588)4040821-8 |D s |
| 689 | 3 | 1 | |a Geschichte 1770-1830 |A z |
| 689 | 3 | |8 5\p |5 DE-604 | |
| 912 | |a ZDB-30-PAD | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029526989 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 3\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 4\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 5\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
Datensatz im Suchindex
| _version_ | 1804177200359931904 |
|---|---|
| any_adam_object | |
| author | Caplin, William Earl 1948- |
| author_facet | Caplin, William Earl 1948- |
| author_role | aut |
| author_sort | Caplin, William Earl 1948- |
| author_variant | w e c we wec |
| building | Verbundindex |
| bvnumber | BV044120144 |
| collection | ZDB-30-PAD |
| contents | 1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form |
| ctrlnum | (ZDB-30-PAD)EBC271183 (ZDB-89-EBL)EBL271183 (OCoLC)567929606 (DE-599)BVBBV044120144 |
| dewey-full | 784.18 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 784 - Instruments & instrumental ensembles |
| dewey-raw | 784.18 |
| dewey-search | 784.18 |
| dewey-sort | 3784.18 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1700-1800 Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1770-1830 gnd |
| era_facet | Geschichte 1700-1800 Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1770-1830 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03748nmm a2200793zc 4500</leader><controlfield tag="001">BV044120144</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">170217s1998 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0195104803</subfield><subfield code="c">alk. paper</subfield><subfield code="9">0-19-510480-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PAD)EBC271183</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-89-EBL)EBL271183</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)567929606</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044120144</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">784.18</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Caplin, William Earl</subfield><subfield code="d">1948-</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Classical form</subfield><subfield code="b">a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven</subfield><subfield code="c">William E. Caplin</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">1998</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xii, 307 p.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (p. 289-292) and index</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Haydn, Joseph</subfield><subfield code="d">1732-1809</subfield><subfield code="x">Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Mozart, Wolfgang Amadeus</subfield><subfield code="d">1756-1791</subfield><subfield code="x">Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Beethoven, Ludwig van</subfield><subfield code="d">1770-1827</subfield><subfield code="x">Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Mozart, Wolfgang Amadeus</subfield><subfield code="d">1756-1791</subfield><subfield code="0">(DE-588)118584596</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Haydn, Joseph</subfield><subfield code="d">1732-1809</subfield><subfield code="0">(DE-588)118547356</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Beethoven, Ludwig van</subfield><subfield code="d">1770-1827</subfield><subfield code="0">(DE-588)118508288</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1700-1800</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1800-1900</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1770-1830</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musical form</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Instrumental music</subfield><subfield code="y">18th century</subfield><subfield code="x">Analysis, appreciation</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Instrumental music</subfield><subfield code="y">19th century</subfield><subfield code="x">Analysis, appreciation</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musical analysis</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Classicism in music</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music theory</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikalische Form</subfield><subfield code="0">(DE-588)4040821-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Instrumentalmusik</subfield><subfield code="0">(DE-588)4129951-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="8">1\p</subfield><subfield code="0">(DE-588)4151278-9</subfield><subfield code="a">Einführung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Beethoven, Ludwig van</subfield><subfield code="d">1770-1827</subfield><subfield code="0">(DE-588)118508288</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Instrumentalmusik</subfield><subfield code="0">(DE-588)4129951-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musikalische Form</subfield><subfield code="0">(DE-588)4040821-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Haydn, Joseph</subfield><subfield code="d">1732-1809</subfield><subfield code="0">(DE-588)118547356</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Instrumentalmusik</subfield><subfield code="0">(DE-588)4129951-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Musikalische Form</subfield><subfield code="0">(DE-588)4040821-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">3\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Mozart, Wolfgang Amadeus</subfield><subfield code="d">1756-1791</subfield><subfield code="0">(DE-588)118584596</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Instrumentalmusik</subfield><subfield code="0">(DE-588)4129951-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="2"><subfield code="a">Musikalische Form</subfield><subfield code="0">(DE-588)4040821-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="8">4\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="3" ind2="0"><subfield code="a">Musikalische Form</subfield><subfield code="0">(DE-588)4040821-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="1"><subfield code="a">Geschichte 1770-1830</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="3" ind2=" "><subfield code="8">5\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-30-PAD</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029526989</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">3\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">4\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">5\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield></record></collection> |
| genre | 1\p (DE-588)4151278-9 Einführung gnd-content |
| genre_facet | Einführung |
| id | DE-604.BV044120144 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:44:18Z |
| institution | BVB |
| isbn | 0195104803 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029526989 |
| oclc_num | 567929606 |
| open_access_boolean | |
| physical | xii, 307 p. |
| psigel | ZDB-30-PAD |
| publishDate | 1998 |
| publishDateSearch | 1998 |
| publishDateSort | 1998 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Caplin, William Earl 1948- Verfasser aut Classical form a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven William E. Caplin New York Oxford University Press 1998 xii, 307 p. txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (p. 289-292) and index 1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form Haydn, Joseph 1732-1809 Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 Criticism and interpretation Beethoven, Ludwig van 1770-1827 Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd rswk-swf Haydn, Joseph 1732-1809 (DE-588)118547356 gnd rswk-swf Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd rswk-swf Geschichte 1700-1800 Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1770-1830 gnd rswk-swf Geschichte Musical form Instrumental music 18th century Analysis, appreciation Instrumental music 19th century Analysis, appreciation Musical analysis Classicism in music Music theory History 20th century Musikalische Form (DE-588)4040821-8 gnd rswk-swf Instrumentalmusik (DE-588)4129951-6 gnd rswk-swf 1\p (DE-588)4151278-9 Einführung gnd-content Beethoven, Ludwig van 1770-1827 (DE-588)118508288 p Instrumentalmusik (DE-588)4129951-6 s Musikalische Form (DE-588)4040821-8 s 2\p DE-604 Haydn, Joseph 1732-1809 (DE-588)118547356 p 3\p DE-604 Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 p 4\p DE-604 Geschichte 1770-1830 z 5\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 5\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Caplin, William Earl 1948- Classical form a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven 1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form Haydn, Joseph 1732-1809 Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 Criticism and interpretation Beethoven, Ludwig van 1770-1827 Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Haydn, Joseph 1732-1809 (DE-588)118547356 gnd Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Geschichte Musical form Instrumental music 18th century Analysis, appreciation Instrumental music 19th century Analysis, appreciation Musical analysis Classicism in music Music theory History 20th century Musikalische Form (DE-588)4040821-8 gnd Instrumentalmusik (DE-588)4129951-6 gnd |
| subject_GND | (DE-588)118584596 (DE-588)118547356 (DE-588)118508288 (DE-588)4040821-8 (DE-588)4129951-6 (DE-588)4151278-9 |
| title | Classical form a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven |
| title_auth | Classical form a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven |
| title_exact_search | Classical form a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven |
| title_full | Classical form a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven William E. Caplin |
| title_fullStr | Classical form a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven William E. Caplin |
| title_full_unstemmed | Classical form a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven William E. Caplin |
| title_short | Classical form |
| title_sort | classical form a theory of formal functions for the instrumental music of haydn mozart and beethoven |
| title_sub | a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven |
| topic | Haydn, Joseph 1732-1809 Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 Criticism and interpretation Beethoven, Ludwig van 1770-1827 Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Haydn, Joseph 1732-1809 (DE-588)118547356 gnd Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Geschichte Musical form Instrumental music 18th century Analysis, appreciation Instrumental music 19th century Analysis, appreciation Musical analysis Classicism in music Music theory History 20th century Musikalische Form (DE-588)4040821-8 gnd Instrumentalmusik (DE-588)4129951-6 gnd |
| topic_facet | Haydn, Joseph 1732-1809 Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 Criticism and interpretation Beethoven, Ludwig van 1770-1827 Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 Haydn, Joseph 1732-1809 Beethoven, Ludwig van 1770-1827 Geschichte Musical form Instrumental music 18th century Analysis, appreciation Instrumental music 19th century Analysis, appreciation Musical analysis Classicism in music Music theory History 20th century Musikalische Form Instrumentalmusik Einführung |
| work_keys_str_mv | AT caplinwilliamearl classicalformatheoryofformalfunctionsfortheinstrumentalmusicofhaydnmozartandbeethoven |