Chang'an Avenue and the modernization of Chinese architecture:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Seattle
University of Washington Press
2012
|
| Ausgabe: | 1st ed |
| Schriftenreihe: | China Program book
|
| Schlagworte: | |
| Online-Zugang: | DE-255 DE-Y3 |
| Beschreibung: | Outgrowth of the author's thesis (Ph.D.--University of Washington) Includes bibliographical references and index "In this interdisciplinary narrative, the never-ending "completion" of China's most important street offers a broad view of the relationship between art and ideology in modern China. Chang'an Avenue, named after China's ancient capital (whose name means "Eternal Peace"), is supremely symbolic. Running east-west through the centuries-old heart of Beijing, it intersects the powerful north-south axis that links the traditional centers of political and spiritual legitimacy (the imperial Forbidden City and the Temple of Heaven). Among its best-known features are Tiananmen Square and the Great Hall of the People, as well as numerous other monuments and prominent political, cultural, financial, and travel-related institutions. Drawing on Chang'an Avenue's historic ties and modern transformations, this study explores the deep structure of the Chinese modernization project, providing both a big picture of Beijing's urban texture alteration and details in the design process of individual buildings.Political winds shift, architectural styles change, and technological innovations influence waves of demolition and reconstruction in this analysis of Chang'an Avenue's metamorphosis. During collective design processes, architects, urban planners, and politicians argue about form, function, and theory, and about Chinese vs. Western and traditional vs. modern style. Every decision is fraught with political significance, from the 1950s debate over whether Tiananmen Square should be open or partially closed; to the 1970s discussion of the proper location, scale, and design of the Mao Memorial/Mausoleum; to the more recent controversy over whether the egg-shaped National Theater, designed by the French architect Paul Andreu, is an affront to Chinese national pride.Shuishan Yu is associate professor of art history at Oakland University in Rochester, Michigan."-- |
| Beschreibung: | xiii, 351 p. |
| ISBN: | 9780295804484 |
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| 500 | |a "In this interdisciplinary narrative, the never-ending "completion" of China's most important street offers a broad view of the relationship between art and ideology in modern China. Chang'an Avenue, named after China's ancient capital (whose name means "Eternal Peace"), is supremely symbolic. Running east-west through the centuries-old heart of Beijing, it intersects the powerful north-south axis that links the traditional centers of political and spiritual legitimacy (the imperial Forbidden City and the Temple of Heaven). Among its best-known features are Tiananmen Square and the Great Hall of the People, as well as numerous other monuments and prominent political, cultural, financial, and travel-related institutions. Drawing on Chang'an Avenue's historic ties and modern transformations, this study explores the deep structure of the Chinese modernization project, providing both a big picture of Beijing's urban texture alteration and details in the design process of individual buildings.Political winds shift, architectural styles change, and technological innovations influence waves of demolition and reconstruction in this analysis of Chang'an Avenue's metamorphosis. During collective design processes, architects, urban planners, and politicians argue about form, function, and theory, and about Chinese vs. Western and traditional vs. modern style. Every decision is fraught with political significance, from the 1950s debate over whether Tiananmen Square should be open or partially closed; to the 1970s discussion of the proper location, scale, and design of the Mao Memorial/Mausoleum; to the more recent controversy over whether the egg-shaped National Theater, designed by the French architect Paul Andreu, is an affront to Chinese national pride.Shuishan Yu is associate professor of art history at Oakland University in Rochester, Michigan."-- | ||
| 505 | 0 | |a The History of Chang'an Avenue in an Urban Context -- National versus Modern: The 1950s -- Collective Creation: The 1964 Chang'an Avenue Planning -- Modernization in a Postmodern World: The 1970s and 1980s -- Collage without Planning: Toward the New Millennium -- Chang'an Avenue and the Axes of Beijing -- Conclusion: Chang'an Avenue in a Global Context | |
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| 650 | 4 | |a City planning |z China |z Beijing | |
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Datensatz im Suchindex
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| adam_text | |
| any_adam_object | |
| author | Yu, Shuishan |
| author_facet | Yu, Shuishan |
| author_role | aut |
| author_sort | Yu, Shuishan |
| author_variant | s y sy |
| building | Verbundindex |
| bvnumber | BV044119440 |
| collection | ZDB-30-PAD |
| contents | The History of Chang'an Avenue in an Urban Context -- National versus Modern: The 1950s -- Collective Creation: The 1964 Chang'an Avenue Planning -- Modernization in a Postmodern World: The 1970s and 1980s -- Collage without Planning: Toward the New Millennium -- Chang'an Avenue and the Axes of Beijing -- Conclusion: Chang'an Avenue in a Global Context |
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| dewey-full | 720.951/156 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 720 - Architecture |
| dewey-raw | 720.951/156 |
| dewey-search | 720.951/156 |
| dewey-sort | 3720.951 3156 |
| dewey-tens | 720 - Architecture |
| discipline | Architektur |
| edition | 1st ed |
| era | Geschichte 1950- gnd |
| era_facet | Geschichte 1950- |
| format | Electronic eBook |
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| geographic_facet | Peking |
| id | DE-604.BV044119440 |
| illustrated | Not Illustrated |
| indexdate | 2024-09-04T00:18:42Z |
| institution | BVB |
| isbn | 9780295804484 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029526285 |
| oclc_num | 824564501 |
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| physical | xiii, 351 p. |
| psigel | ZDB-30-PAD KUBA2-ZDB-30-PAD-2024 KUBA1-ZDB-30-PAD-2023 ZDB-30-PAD BZI ZDB-30-PAD KHI |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | University of Washington Press |
| record_format | marc |
| series2 | China Program book |
| spelling | Yu, Shuishan Verfasser aut Chang'an Avenue and the modernization of Chinese architecture Shuishan Yu 1st ed Seattle University of Washington Press 2012 xiii, 351 p. txt rdacontent c rdamedia cr rdacarrier China Program book Outgrowth of the author's thesis (Ph.D.--University of Washington) Includes bibliographical references and index "In this interdisciplinary narrative, the never-ending "completion" of China's most important street offers a broad view of the relationship between art and ideology in modern China. Chang'an Avenue, named after China's ancient capital (whose name means "Eternal Peace"), is supremely symbolic. Running east-west through the centuries-old heart of Beijing, it intersects the powerful north-south axis that links the traditional centers of political and spiritual legitimacy (the imperial Forbidden City and the Temple of Heaven). Among its best-known features are Tiananmen Square and the Great Hall of the People, as well as numerous other monuments and prominent political, cultural, financial, and travel-related institutions. Drawing on Chang'an Avenue's historic ties and modern transformations, this study explores the deep structure of the Chinese modernization project, providing both a big picture of Beijing's urban texture alteration and details in the design process of individual buildings.Political winds shift, architectural styles change, and technological innovations influence waves of demolition and reconstruction in this analysis of Chang'an Avenue's metamorphosis. During collective design processes, architects, urban planners, and politicians argue about form, function, and theory, and about Chinese vs. Western and traditional vs. modern style. Every decision is fraught with political significance, from the 1950s debate over whether Tiananmen Square should be open or partially closed; to the 1970s discussion of the proper location, scale, and design of the Mao Memorial/Mausoleum; to the more recent controversy over whether the egg-shaped National Theater, designed by the French architect Paul Andreu, is an affront to Chinese national pride.Shuishan Yu is associate professor of art history at Oakland University in Rochester, Michigan."-- The History of Chang'an Avenue in an Urban Context -- National versus Modern: The 1950s -- Collective Creation: The 1964 Chang'an Avenue Planning -- Modernization in a Postmodern World: The 1970s and 1980s -- Collage without Planning: Toward the New Millennium -- Chang'an Avenue and the Axes of Beijing -- Conclusion: Chang'an Avenue in a Global Context Geschichte 1950- gnd rswk-swf Stadtplanung Symbolism in architecture China Beijing City planning China Beijing Architecture and state China Beijing Architektur (DE-588)4002851-3 gnd rswk-swf Peking (DE-588)4075971-4 gnd rswk-swf Peking (DE-588)4075971-4 g Architektur (DE-588)4002851-3 s Geschichte 1950- z 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-295-99213-6 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Yu, Shuishan Chang'an Avenue and the modernization of Chinese architecture The History of Chang'an Avenue in an Urban Context -- National versus Modern: The 1950s -- Collective Creation: The 1964 Chang'an Avenue Planning -- Modernization in a Postmodern World: The 1970s and 1980s -- Collage without Planning: Toward the New Millennium -- Chang'an Avenue and the Axes of Beijing -- Conclusion: Chang'an Avenue in a Global Context Stadtplanung Symbolism in architecture China Beijing City planning China Beijing Architecture and state China Beijing Architektur (DE-588)4002851-3 gnd |
| subject_GND | (DE-588)4002851-3 (DE-588)4075971-4 |
| title | Chang'an Avenue and the modernization of Chinese architecture |
| title_auth | Chang'an Avenue and the modernization of Chinese architecture |
| title_exact_search | Chang'an Avenue and the modernization of Chinese architecture |
| title_full | Chang'an Avenue and the modernization of Chinese architecture Shuishan Yu |
| title_fullStr | Chang'an Avenue and the modernization of Chinese architecture Shuishan Yu |
| title_full_unstemmed | Chang'an Avenue and the modernization of Chinese architecture Shuishan Yu |
| title_short | Chang'an Avenue and the modernization of Chinese architecture |
| title_sort | chang an avenue and the modernization of chinese architecture |
| topic | Stadtplanung Symbolism in architecture China Beijing City planning China Beijing Architecture and state China Beijing Architektur (DE-588)4002851-3 gnd |
| topic_facet | Stadtplanung Symbolism in architecture China Beijing City planning China Beijing Architecture and state China Beijing Architektur Peking |
| work_keys_str_mv | AT yushuishan changanavenueandthemodernizationofchinesearchitecture |