Verfügbarkeit: Blackness in opera

Blackness in opera:

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Bibliographische Detailangaben
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Urbana University of Illinois Press 2013
Schlagworte:	Blacks in opera Opera Schwarze > Motiv Oper Aufsatzsammlung
Online-Zugang:	BSB01 FAW01 FAW02 KUBA1 URL des Erstveröffentlichers
Beschreibung:	Includes bibliographical references and index
Beschreibung:	1 Online-Ressource (xii, 289 Seiten)
ISBN:	9780252093890
DOI:	10.5406/illinois/9780252036781.001.0001

Internformat

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Datensatz im Suchindex

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contents	Introduction: representing blackness on the operatic stage -- From Otello to Porgy: blackness, masculinity, and morality in opera / Naomi André -- Hearing the other in The masque of blackness / Sarah Schmalenberger -- Nationalism, racial difference, and "Egyptian" meaning in Verdi's Aida / Christopher R. Gauthier and Jennifer McFarlane-Harris -- Race, "realism," and fate in Frederick Delius's Koanga / Eric Saylor -- Political currents and black culture in Scott Joplin's Treemonisha / Ann Sears -- Clarence Cameron White's Ouanga! in the world of the Harlem Renaissance / Karen M. Bryan -- New paradigms in William Grant Still's Blue steel / Gayle Murchison -- Performers in Catfish Row: Porgy and Bess as collaboration / Gwynne Kuhner Brown -- Searching for "authenticity" in Paul Bowles's Denmark Vesey / Melissa J. de Graaf -- The politics of color in Oscar Hammerstein's Carmen Jones / Melinda Boyd -- Performing race in Ernst Krenek's Jonny spielt auf / Jonathan O. Wipplinger -- Il rodolfo nero, or the masque of blackness / George Shirley
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dewey-ones	782 - Vocal music
dewey-raw	782.1089/96
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dewey-tens	780 - Music
discipline	Musikwissenschaft
doi_str_mv	10.5406/illinois/9780252036781.001.0001
format	Electronic eBook
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spelling	Blackness in opera edited by Naomi Andre, Karen M. Bryan, and Eric Saylor Urbana University of Illinois Press 2013 1 Online-Ressource (xii, 289 Seiten) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Introduction: representing blackness on the operatic stage -- From Otello to Porgy: blackness, masculinity, and morality in opera / Naomi André -- Hearing the other in The masque of blackness / Sarah Schmalenberger -- Nationalism, racial difference, and "Egyptian" meaning in Verdi's Aida / Christopher R. Gauthier and Jennifer McFarlane-Harris -- Race, "realism," and fate in Frederick Delius's Koanga / Eric Saylor -- Political currents and black culture in Scott Joplin's Treemonisha / Ann Sears -- Clarence Cameron White's Ouanga! in the world of the Harlem Renaissance / Karen M. Bryan -- New paradigms in William Grant Still's Blue steel / Gayle Murchison -- Performers in Catfish Row: Porgy and Bess as collaboration / Gwynne Kuhner Brown -- Searching for "authenticity" in Paul Bowles's Denmark Vesey / Melissa J. de Graaf -- The politics of color in Oscar Hammerstein's Carmen Jones / Melinda Boyd -- Performing race in Ernst Krenek's Jonny spielt auf / Jonathan O. Wipplinger -- Il rodolfo nero, or the masque of blackness / George Shirley Blacks in opera Opera Schwarze Motiv (DE-588)4116434-9 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Oper (DE-588)4043582-9 s Schwarze Motiv (DE-588)4116434-9 s 2\p DE-604 André, Naomi Adele Sonstige (DE-588)1025706854 oth Bryan, Karen M. 1954- Sonstige (DE-588)1025707036 oth Saylor, Eric ca. 20./21. Jh. Sonstige (DE-588)1025707117 oth Erscheint auch als Druck-Ausgabe, Hardcover 978-0-252-03678-1 Erscheint auch als Druck-Ausgabe, Hardcover 0-252-03678-6 https://doi.org/10.5406/illinois/9780252036781.001.0001 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk
spellingShingle	Blackness in opera Introduction: representing blackness on the operatic stage -- From Otello to Porgy: blackness, masculinity, and morality in opera / Naomi André -- Hearing the other in The masque of blackness / Sarah Schmalenberger -- Nationalism, racial difference, and "Egyptian" meaning in Verdi's Aida / Christopher R. Gauthier and Jennifer McFarlane-Harris -- Race, "realism," and fate in Frederick Delius's Koanga / Eric Saylor -- Political currents and black culture in Scott Joplin's Treemonisha / Ann Sears -- Clarence Cameron White's Ouanga! in the world of the Harlem Renaissance / Karen M. Bryan -- New paradigms in William Grant Still's Blue steel / Gayle Murchison -- Performers in Catfish Row: Porgy and Bess as collaboration / Gwynne Kuhner Brown -- Searching for "authenticity" in Paul Bowles's Denmark Vesey / Melissa J. de Graaf -- The politics of color in Oscar Hammerstein's Carmen Jones / Melinda Boyd -- Performing race in Ernst Krenek's Jonny spielt auf / Jonathan O. Wipplinger -- Il rodolfo nero, or the masque of blackness / George Shirley Blacks in opera Opera Schwarze Motiv (DE-588)4116434-9 gnd Oper (DE-588)4043582-9 gnd
subject_GND	(DE-588)4116434-9 (DE-588)4043582-9 (DE-588)4143413-4
title	Blackness in opera
title_auth	Blackness in opera
title_exact_search	Blackness in opera
title_full	Blackness in opera edited by Naomi Andre, Karen M. Bryan, and Eric Saylor
title_fullStr	Blackness in opera edited by Naomi Andre, Karen M. Bryan, and Eric Saylor
title_full_unstemmed	Blackness in opera edited by Naomi Andre, Karen M. Bryan, and Eric Saylor
title_short	Blackness in opera
title_sort	blackness in opera
topic	Blacks in opera Opera Schwarze Motiv (DE-588)4116434-9 gnd Oper (DE-588)4043582-9 gnd
topic_facet	Blacks in opera Opera Schwarze Motiv Oper Aufsatzsammlung
url	https://doi.org/10.5406/illinois/9780252036781.001.0001
work_keys_str_mv	AT andrenaomiadele blacknessinopera AT bryankarenm blacknessinopera AT sayloreric blacknessinopera

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