Spoofing the modern: satire in the Harlem Renaissance
"Spoofing the Modern is the first book devoted solely to studying the role satire played in the movement known as the "New Negro," or Harlem, Renaissance from 1919 to 1940. As the first era in which African American writers and artists enjoyed frequent access to and publicity from maj...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Columbia
The University of South Carolina Press
[2015]
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Schlagworte: | |
Online-Zugang: | DE-Y3 DE-824 |
Zusammenfassung: | "Spoofing the Modern is the first book devoted solely to studying the role satire played in the movement known as the "New Negro," or Harlem, Renaissance from 1919 to 1940. As the first era in which African American writers and artists enjoyed frequent access to and publicity from major New York-based presses, the Harlem Renaissance helped the talents, concerns, and criticisms of African Americans to reach a wider audience in the 1920s and 1930s. These writers and artists joined a growing chorus of modernity that frequently resonated in the caustic timbre of biting satire and parody. The Harlem Renaissance was simultaneously the first major African American literary movement of the twentieth century and the first major blooming of satire by African Americans. Such authors as folklorist and anthropologist Zora Neale Hurston, poet Langston Hughes, journalist George S. |
Beschreibung: | 1 Online-Ressource (x, 162 Seiten) Illustrationen |
ISBN: | 9781611174939 |
Internformat
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520 | |a "Spoofing the Modern is the first book devoted solely to studying the role satire played in the movement known as the "New Negro," or Harlem, Renaissance from 1919 to 1940. As the first era in which African American writers and artists enjoyed frequent access to and publicity from major New York-based presses, the Harlem Renaissance helped the talents, concerns, and criticisms of African Americans to reach a wider audience in the 1920s and 1930s. These writers and artists joined a growing chorus of modernity that frequently resonated in the caustic timbre of biting satire and parody. The Harlem Renaissance was simultaneously the first major African American literary movement of the twentieth century and the first major blooming of satire by African Americans. Such authors as folklorist and anthropologist Zora Neale Hurston, poet Langston Hughes, journalist George S. | ||
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650 | 4 | |a Harlem Renaissance | |
650 | 4 | |a Satire, American |x History and criticism | |
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Datensatz im Suchindex
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adam_text | |
any_adam_object | |
author | Dickson-Carr, Darryl 1968- |
author_GND | (DE-588)132062607 |
author_facet | Dickson-Carr, Darryl 1968- |
author_role | aut |
author_sort | Dickson-Carr, Darryl 1968- |
author_variant | d d c ddc |
building | Verbundindex |
bvnumber | BV044074405 |
classification_rvk | HU 1728 |
collection | ZDB-30-PAD ZDB-4-NLEBK |
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dewey-full | 810.9/896073 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 810 - American literature in English |
dewey-raw | 810.9/896073 |
dewey-search | 810.9/896073 |
dewey-sort | 3810.9 6896073 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
era | Geschichte 1919-1940 gnd |
era_facet | Geschichte 1919-1940 |
format | Electronic eBook |
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id | DE-604.BV044074405 |
illustrated | Not Illustrated |
indexdate | 2024-11-05T15:21:18Z |
institution | BVB |
isbn | 9781611174939 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029481250 |
oclc_num | 913138567 |
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owner | DE-Y3 DE-824 |
owner_facet | DE-Y3 DE-824 |
physical | 1 Online-Ressource (x, 162 Seiten) Illustrationen |
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publishDate | 2015 |
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publisher | The University of South Carolina Press |
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spelling | Dickson-Carr, Darryl 1968- Verfasser (DE-588)132062607 aut Spoofing the modern satire in the Harlem Renaissance Darryl Dickson-Carr Columbia The University of South Carolina Press [2015] © 2015 1 Online-Ressource (x, 162 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier "Spoofing the Modern is the first book devoted solely to studying the role satire played in the movement known as the "New Negro," or Harlem, Renaissance from 1919 to 1940. As the first era in which African American writers and artists enjoyed frequent access to and publicity from major New York-based presses, the Harlem Renaissance helped the talents, concerns, and criticisms of African Americans to reach a wider audience in the 1920s and 1930s. These writers and artists joined a growing chorus of modernity that frequently resonated in the caustic timbre of biting satire and parody. The Harlem Renaissance was simultaneously the first major African American literary movement of the twentieth century and the first major blooming of satire by African Americans. Such authors as folklorist and anthropologist Zora Neale Hurston, poet Langston Hughes, journalist George S. Schuyler, George Samuel 1895-1977 (DE-588)124198600 gnd rswk-swf Thurman, Wallace 1902-1934 (DE-588)11920326X gnd rswk-swf Nugent, Bruce 1906-1987 (DE-588)12466461X gnd rswk-swf Geschichte 1919-1940 gnd rswk-swf American literature African American authors History and criticism Harlem Renaissance Satire, American History and criticism African Americans in literature African Americans in popular culture Harlem renaissance (DE-588)4159116-1 gnd rswk-swf Satire (DE-588)4051752-4 gnd rswk-swf Schuyler, George Samuel 1895-1977 (DE-588)124198600 p Thurman, Wallace 1902-1934 (DE-588)11920326X p Nugent, Bruce 1906-1987 (DE-588)12466461X p Harlem renaissance (DE-588)4159116-1 s Satire (DE-588)4051752-4 s Geschichte 1919-1940 z 1\p DE-604 Erscheint auch als Druck-Ausgabe 978-1-61117-492-2 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Dickson-Carr, Darryl 1968- Spoofing the modern satire in the Harlem Renaissance Schuyler, George Samuel 1895-1977 (DE-588)124198600 gnd Thurman, Wallace 1902-1934 (DE-588)11920326X gnd Nugent, Bruce 1906-1987 (DE-588)12466461X gnd American literature African American authors History and criticism Harlem Renaissance Satire, American History and criticism African Americans in literature African Americans in popular culture Harlem renaissance (DE-588)4159116-1 gnd Satire (DE-588)4051752-4 gnd |
subject_GND | (DE-588)124198600 (DE-588)11920326X (DE-588)12466461X (DE-588)4159116-1 (DE-588)4051752-4 |
title | Spoofing the modern satire in the Harlem Renaissance |
title_auth | Spoofing the modern satire in the Harlem Renaissance |
title_exact_search | Spoofing the modern satire in the Harlem Renaissance |
title_full | Spoofing the modern satire in the Harlem Renaissance Darryl Dickson-Carr |
title_fullStr | Spoofing the modern satire in the Harlem Renaissance Darryl Dickson-Carr |
title_full_unstemmed | Spoofing the modern satire in the Harlem Renaissance Darryl Dickson-Carr |
title_short | Spoofing the modern |
title_sort | spoofing the modern satire in the harlem renaissance |
title_sub | satire in the Harlem Renaissance |
topic | Schuyler, George Samuel 1895-1977 (DE-588)124198600 gnd Thurman, Wallace 1902-1934 (DE-588)11920326X gnd Nugent, Bruce 1906-1987 (DE-588)12466461X gnd American literature African American authors History and criticism Harlem Renaissance Satire, American History and criticism African Americans in literature African Americans in popular culture Harlem renaissance (DE-588)4159116-1 gnd Satire (DE-588)4051752-4 gnd |
topic_facet | Schuyler, George Samuel 1895-1977 Thurman, Wallace 1902-1934 Nugent, Bruce 1906-1987 American literature African American authors History and criticism Harlem Renaissance Satire, American History and criticism African Americans in literature African Americans in popular culture Harlem renaissance Satire |
work_keys_str_mv | AT dicksoncarrdarryl spoofingthemodernsatireintheharlemrenaissance |