Bamako Sounds: The Afropolitan Ethics of Malian Music
Bamako Sounds tells the story of an African city, its people, their values, and their music. Centered on the music and musicians of Bamako, Mali's booming capital city, this book reveals a community of artists whose lives and works evince a complex world shaped by urban culture, postcolonialism...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Minnesota
University of Minnesota Press
2015
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Schriftenreihe: | A Quadrant Book
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Schlagworte: | |
Online-Zugang: | KUBA1 |
Zusammenfassung: | Bamako Sounds tells the story of an African city, its people, their values, and their music. Centered on the music and musicians of Bamako, Mali's booming capital city, this book reveals a community of artists whose lives and works evince a complex world shaped by urban culture, postcolonialism, musical expression, religious identity, and intellectual property.Drawing on years of ethnographic research with classically trained players of the kora (a twenty-one-string West African harp) as well as more contemporary, hip-hop influenced musicians and producers, Ryan Thomas Skinner analyzes how Bamako artists balance social imperatives with personal interests and global imaginations. Whether performed live on stage, broadcast on the radio, or shared over the Internet, music is a privileged mode of expression that suffuses Bamako's urban soundscape. It animates professional projects, communicates cultural values, pronounces public piety, resounds in the marketplace, and quite literally performs the nation. Music, the artists who make it, and the audiences who interpret it thus represent a crucial means of articulating and disseminating the ethics and aesthetics of a varied and vital Afropolitanism, in Bamako and beyond |
Beschreibung: | Description based on publisher supplied metadata and other sources |
Beschreibung: | 1 online resource (241 pages) |
ISBN: | 9781452944401 9780816693504 |
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Datensatz im Suchindex
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any_adam_object | |
author | Skinner, Ryan Thomas |
author_facet | Skinner, Ryan Thomas |
author_role | aut |
author_sort | Skinner, Ryan Thomas |
author_variant | r t s rt rts |
building | Verbundindex |
bvnumber | BV044051090 |
collection | ZDB-30-PAD |
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dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.96623 |
dewey-search | 780.96623 |
dewey-sort | 3780.96623 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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illustrated | Not Illustrated |
indexdate | 2024-07-10T07:42:12Z |
institution | BVB |
isbn | 9781452944401 9780816693504 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029457935 |
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publisher | University of Minnesota Press |
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spelling | Skinner, Ryan Thomas Verfasser aut Bamako Sounds The Afropolitan Ethics of Malian Music Minnesota University of Minnesota Press 2015 © 2015 1 online resource (241 pages) txt rdacontent c rdamedia cr rdacarrier A Quadrant Book Description based on publisher supplied metadata and other sources Bamako Sounds tells the story of an African city, its people, their values, and their music. Centered on the music and musicians of Bamako, Mali's booming capital city, this book reveals a community of artists whose lives and works evince a complex world shaped by urban culture, postcolonialism, musical expression, religious identity, and intellectual property.Drawing on years of ethnographic research with classically trained players of the kora (a twenty-one-string West African harp) as well as more contemporary, hip-hop influenced musicians and producers, Ryan Thomas Skinner analyzes how Bamako artists balance social imperatives with personal interests and global imaginations. Whether performed live on stage, broadcast on the radio, or shared over the Internet, music is a privileged mode of expression that suffuses Bamako's urban soundscape. It animates professional projects, communicates cultural values, pronounces public piety, resounds in the marketplace, and quite literally performs the nation. Music, the artists who make it, and the audiences who interpret it thus represent a crucial means of articulating and disseminating the ethics and aesthetics of a varied and vital Afropolitanism, in Bamako and beyond Ethik Musik Bamako (Mali) -- Social conditions City and town life -- Mali -- Bamako Ethnomusicology -- Mali -- Bamako Group identity -- Mali -- Bamako Group identity in the performing arts -- Mali -- Bamako Mandingo (African people) -- Mali -- Bamako -- Ethnic identity Music -- Moral and ethical aspects -- Mali -- Bamako Music -- Moral and ethical aspects -- Mali Musik (DE-588)4040802-4 gnd rswk-swf Musiker (DE-588)4040841-3 gnd rswk-swf Musikethnologie (DE-588)4127833-1 gnd rswk-swf Gruppenidentität (DE-588)4140349-6 gnd rswk-swf Soziale Situation (DE-588)4077575-6 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Ethik (DE-588)4015602-3 gnd rswk-swf Mali (DE-588)4074505-3 gnd rswk-swf Bamako (DE-588)4086612-9 gnd rswk-swf Mali (DE-588)4074505-3 g Bamako (DE-588)4086612-9 g Musik (DE-588)4040802-4 s Politik (DE-588)4046514-7 s Ethik (DE-588)4015602-3 s Musiker (DE-588)4040841-3 s Soziale Situation (DE-588)4077575-6 s Gruppenidentität (DE-588)4140349-6 s Musikethnologie (DE-588)4127833-1 s 1\p DE-604 Erscheint auch als Druck-Ausgabe Skinner, Ryan Thomas Bamako Sounds : The Afropolitan Ethics of Malian Music 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Skinner, Ryan Thomas Bamako Sounds The Afropolitan Ethics of Malian Music Ethik Musik Bamako (Mali) -- Social conditions City and town life -- Mali -- Bamako Ethnomusicology -- Mali -- Bamako Group identity -- Mali -- Bamako Group identity in the performing arts -- Mali -- Bamako Mandingo (African people) -- Mali -- Bamako -- Ethnic identity Music -- Moral and ethical aspects -- Mali -- Bamako Music -- Moral and ethical aspects -- Mali Musik (DE-588)4040802-4 gnd Musiker (DE-588)4040841-3 gnd Musikethnologie (DE-588)4127833-1 gnd Gruppenidentität (DE-588)4140349-6 gnd Soziale Situation (DE-588)4077575-6 gnd Politik (DE-588)4046514-7 gnd Ethik (DE-588)4015602-3 gnd |
subject_GND | (DE-588)4040802-4 (DE-588)4040841-3 (DE-588)4127833-1 (DE-588)4140349-6 (DE-588)4077575-6 (DE-588)4046514-7 (DE-588)4015602-3 (DE-588)4074505-3 (DE-588)4086612-9 |
title | Bamako Sounds The Afropolitan Ethics of Malian Music |
title_auth | Bamako Sounds The Afropolitan Ethics of Malian Music |
title_exact_search | Bamako Sounds The Afropolitan Ethics of Malian Music |
title_full | Bamako Sounds The Afropolitan Ethics of Malian Music |
title_fullStr | Bamako Sounds The Afropolitan Ethics of Malian Music |
title_full_unstemmed | Bamako Sounds The Afropolitan Ethics of Malian Music |
title_short | Bamako Sounds |
title_sort | bamako sounds the afropolitan ethics of malian music |
title_sub | The Afropolitan Ethics of Malian Music |
topic | Ethik Musik Bamako (Mali) -- Social conditions City and town life -- Mali -- Bamako Ethnomusicology -- Mali -- Bamako Group identity -- Mali -- Bamako Group identity in the performing arts -- Mali -- Bamako Mandingo (African people) -- Mali -- Bamako -- Ethnic identity Music -- Moral and ethical aspects -- Mali -- Bamako Music -- Moral and ethical aspects -- Mali Musik (DE-588)4040802-4 gnd Musiker (DE-588)4040841-3 gnd Musikethnologie (DE-588)4127833-1 gnd Gruppenidentität (DE-588)4140349-6 gnd Soziale Situation (DE-588)4077575-6 gnd Politik (DE-588)4046514-7 gnd Ethik (DE-588)4015602-3 gnd |
topic_facet | Ethik Musik Bamako (Mali) -- Social conditions City and town life -- Mali -- Bamako Ethnomusicology -- Mali -- Bamako Group identity -- Mali -- Bamako Group identity in the performing arts -- Mali -- Bamako Mandingo (African people) -- Mali -- Bamako -- Ethnic identity Music -- Moral and ethical aspects -- Mali -- Bamako Music -- Moral and ethical aspects -- Mali Musiker Musikethnologie Gruppenidentität Soziale Situation Politik Mali Bamako |
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