Selling Digital Music, Formatting Culture:
Selling Digital Music, Formatting Culture documents the transition of recorded music on CDs to music as digital files on computers. More than two decades after the first digital music files began circulating in online archives and playing through new software media players, we have yet to fully inte...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oakland
University of California Press
2015
|
| Ausgabe: | 1st ed |
| Schlagworte: | |
| Online-Zugang: | KUBA1 |
| Zusammenfassung: | Selling Digital Music, Formatting Culture documents the transition of recorded music on CDs to music as digital files on computers. More than two decades after the first digital music files began circulating in online archives and playing through new software media players, we have yet to fully internalize the cultural and aesthetic consequences of these shifts. Tracing the emergence of what Jeremy Wade Morris calls the "digital music commodity," Selling Digital Music, Formatting Culture considers how a conflicted assemblage of technologies, users, and industries helped reformat popular music's meanings and uses. Through case studies of five key technologies-Winamp, metadata, Napster, iTunes, and cloud computing-this book explores how music listeners gradually came to understand computers and digital files as suitable replacements for their stereos and CD. Morris connects industrial production, popular culture, technology, and commerce in a narrative involving the aesthetics of music and computers, and the labor of producers and everyday users, as well as the value that listeners make and take from digital objects and cultural goods. Above all, Selling Digital Music, Formatting Culture is a sounding out of music's encounters with the interfaces, metadata, and algorithms of digital culture and of why the shifting form of the music commodity matters for the music and other media we love |
| Beschreibung: | Description based on publisher supplied metadata and other sources |
| Beschreibung: | 1 online resource (284 pages) |
| ISBN: | 9780520962934 9780520287938 |
Internformat
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| 500 | |a Description based on publisher supplied metadata and other sources | ||
| 520 | |a Selling Digital Music, Formatting Culture documents the transition of recorded music on CDs to music as digital files on computers. More than two decades after the first digital music files began circulating in online archives and playing through new software media players, we have yet to fully internalize the cultural and aesthetic consequences of these shifts. Tracing the emergence of what Jeremy Wade Morris calls the "digital music commodity," Selling Digital Music, Formatting Culture considers how a conflicted assemblage of technologies, users, and industries helped reformat popular music's meanings and uses. Through case studies of five key technologies-Winamp, metadata, Napster, iTunes, and cloud computing-this book explores how music listeners gradually came to understand computers and digital files as suitable replacements for their stereos and CD. Morris connects industrial production, popular culture, technology, and commerce in a narrative involving the aesthetics of music and computers, and the labor of producers and everyday users, as well as the value that listeners make and take from digital objects and cultural goods. Above all, Selling Digital Music, Formatting Culture is a sounding out of music's encounters with the interfaces, metadata, and algorithms of digital culture and of why the shifting form of the music commodity matters for the music and other media we love | ||
| 650 | 4 | |a Digital jukebox software -- Case studies | |
| 650 | 4 | |a Music and the Internet | |
| 650 | 4 | |a Music trade -- Technological innovations | |
| 650 | 4 | |a Popular music -- Vocational guidance | |
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Datensatz im Suchindex
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| any_adam_object | |
| author | Morris, Jeremy Wade 1976- |
| author_GND | (DE-588)1069155179 |
| author_facet | Morris, Jeremy Wade 1976- |
| author_role | aut |
| author_sort | Morris, Jeremy Wade 1976- |
| author_variant | j w m jw jwm |
| building | Verbundindex |
| bvnumber | BV044050631 |
| collection | ZDB-30-PAD ZDB-30-PQE |
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| dewey-full | 780.23 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.23 |
| dewey-search | 780.23 |
| dewey-sort | 3780.23 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | 1st ed |
| format | Electronic eBook |
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| isbn | 9780520962934 9780520287938 |
| language | English |
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| spelling | Morris, Jeremy Wade 1976- Verfasser (DE-588)1069155179 aut Selling Digital Music, Formatting Culture 1st ed Oakland University of California Press 2015 © 2015 1 online resource (284 pages) txt rdacontent c rdamedia cr rdacarrier Description based on publisher supplied metadata and other sources Selling Digital Music, Formatting Culture documents the transition of recorded music on CDs to music as digital files on computers. More than two decades after the first digital music files began circulating in online archives and playing through new software media players, we have yet to fully internalize the cultural and aesthetic consequences of these shifts. Tracing the emergence of what Jeremy Wade Morris calls the "digital music commodity," Selling Digital Music, Formatting Culture considers how a conflicted assemblage of technologies, users, and industries helped reformat popular music's meanings and uses. Through case studies of five key technologies-Winamp, metadata, Napster, iTunes, and cloud computing-this book explores how music listeners gradually came to understand computers and digital files as suitable replacements for their stereos and CD. Morris connects industrial production, popular culture, technology, and commerce in a narrative involving the aesthetics of music and computers, and the labor of producers and everyday users, as well as the value that listeners make and take from digital objects and cultural goods. Above all, Selling Digital Music, Formatting Culture is a sounding out of music's encounters with the interfaces, metadata, and algorithms of digital culture and of why the shifting form of the music commodity matters for the music and other media we love Digital jukebox software -- Case studies Music and the Internet Music trade -- Technological innovations Popular music -- Vocational guidance Musik (DE-588)4040802-4 gnd rswk-swf Schallaufzeichnung (DE-588)4052020-1 gnd rswk-swf Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf (DE-588)4522595-3 Fallstudiensammlung gnd-content Musik (DE-588)4040802-4 s Schallaufzeichnung (DE-588)4052020-1 s 1\p DE-604 Musikwirtschaft (DE-588)4268614-3 s 2\p DE-604 Erscheint auch als Druck-Ausgabe Morris, Jeremy Wade Selling Digital Music, Formatting Culture 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Morris, Jeremy Wade 1976- Selling Digital Music, Formatting Culture Digital jukebox software -- Case studies Music and the Internet Music trade -- Technological innovations Popular music -- Vocational guidance Musik (DE-588)4040802-4 gnd Schallaufzeichnung (DE-588)4052020-1 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4052020-1 (DE-588)4268614-3 (DE-588)4522595-3 |
| title | Selling Digital Music, Formatting Culture |
| title_auth | Selling Digital Music, Formatting Culture |
| title_exact_search | Selling Digital Music, Formatting Culture |
| title_full | Selling Digital Music, Formatting Culture |
| title_fullStr | Selling Digital Music, Formatting Culture |
| title_full_unstemmed | Selling Digital Music, Formatting Culture |
| title_short | Selling Digital Music, Formatting Culture |
| title_sort | selling digital music formatting culture |
| topic | Digital jukebox software -- Case studies Music and the Internet Music trade -- Technological innovations Popular music -- Vocational guidance Musik (DE-588)4040802-4 gnd Schallaufzeichnung (DE-588)4052020-1 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
| topic_facet | Digital jukebox software -- Case studies Music and the Internet Music trade -- Technological innovations Popular music -- Vocational guidance Musik Schallaufzeichnung Musikwirtschaft Fallstudiensammlung |
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