The art of cloning: creative production during China's Cultural Revolution
"Cultural production under Mao, and how artists and thinkers found autonomy in a culture of conformity. In the 1950s, a French journalist joked that the Chinese were 'blue ants under the red flag,' dressing identically and even marching in an identical fashion. When the Cultural Revol...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Verso
[2017]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Cultural production under Mao, and how artists and thinkers found autonomy in a culture of conformity. In the 1950s, a French journalist joked that the Chinese were 'blue ants under the red flag,' dressing identically and even marching in an identical fashion. When the Cultural Revolution officially began, this uniformity seemed to extend to the mind. From the outside, this was a monotonous world, full of repetitions and imitation, but a closer look reveals a range of cultural experiences, which also provided individuals with an obscure sense of freedom. In The Art of Cloning, Pang Laikwan examines this period in Chinese history when ordinary citizens read widely, travelled extensively through the country, and engaged in a range of cultural and artistic activities. The freedom they experienced, argues Pang, differs from the freedom, under Western capitalism, to express individuality through a range of consumer products. However, it was far from boring, and filled with its own kind of diversity"... |
| Beschreibung: | xii, 308 Seiten Illustrationen |
| ISBN: | 9781784785192 |
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Datensatz im Suchindex
| _version_ | 1804177055320899584 |
|---|---|
| adam_text | THE ART OF CLONING
/ PANG, LAIKWANYYEAUTHOR
: 2017
TABLE OF CONTENTS / INHALTSVERZEICHNIS
I: ART, POLITICS, AND ECONOMICS
MAOIST AESTHETICS
PRODUCTION AND CIRCULATION OF LITERATURE UNDER THE REVOLUTIONARY
CULTURAL ECONOMY
II: A CULTURE OF MODELS AND COPIES
ART AND THE CULTURE OF MODELS AND COPIES
BAREFOOT DOCTORS AND FEMININITY
OPERA AND TRANSPLANTATION BETWEEN CULTURES
BALLET ACROSS GENRES AND FORMS
MAO AS DOXA
INTELLECTUALS AS GHOSTS
CHINESE GLOSSARY
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| any_adam_object | 1 |
| author | Pang, Laikwan |
| author_GND | (DE-588)173618294 |
| author_facet | Pang, Laikwan |
| author_role | aut |
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| author_variant | l p lp |
| building | Verbundindex |
| bvnumber | BV044043298 |
| callnumber-first | D - World History |
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| callnumber-sort | DS 3778.7 |
| callnumber-subject | DS - Asia |
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| dewey-full | 306.4/7095109047 |
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| dewey-ones | 306 - Culture and institutions |
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| dewey-search | 306.4/7095109047 |
| dewey-sort | 3306.4 107095109047 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie Politologie Geschichte |
| era | Geschichte 1900-2000 Geschichte 1966-1976 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1966-1976 |
| format | Book |
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| spelling | Pang, Laikwan Verfasser (DE-588)173618294 aut The art of cloning creative production during China's Cultural Revolution Pang Laikwan London ; New York Verso [2017] © 2017 xii, 308 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "Cultural production under Mao, and how artists and thinkers found autonomy in a culture of conformity. In the 1950s, a French journalist joked that the Chinese were 'blue ants under the red flag,' dressing identically and even marching in an identical fashion. When the Cultural Revolution officially began, this uniformity seemed to extend to the mind. From the outside, this was a monotonous world, full of repetitions and imitation, but a closer look reveals a range of cultural experiences, which also provided individuals with an obscure sense of freedom. In The Art of Cloning, Pang Laikwan examines this period in Chinese history when ordinary citizens read widely, travelled extensively through the country, and engaged in a range of cultural and artistic activities. The freedom they experienced, argues Pang, differs from the freedom, under Western capitalism, to express individuality through a range of consumer products. However, it was far from boring, and filled with its own kind of diversity"... Geschichte 1900-2000 Geschichte 1966-1976 gnd rswk-swf HISTORY / Asia / China bisacsh POLITICAL SCIENCE / Public Policy / Cultural Policy bisacsh Geschichte Gesellschaft Politik Arts Political aspects China History 20th century Autonomy Social aspects China History 20th century Conformity Political aspects China History 20th century Cultural pluralism China History 20th century HISTORY / Asia / China POLITICAL SCIENCE / Public Policy / Cultural Policy Kulturrevolution (DE-588)4009947-7 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Asien China History Cultural Revolution, 1966-1976 China Intellectual life 1949-1976 China (DE-588)4009937-4 gnd rswk-swf China (DE-588)4009937-4 g Kulturrevolution (DE-588)4009947-7 s Ästhetik (DE-588)4000626-8 s Kultur (DE-588)4125698-0 s Geschichte 1966-1976 z DE-604 Erscheint auch als Online-Ausgabe 978-1-78478-521-5 Erscheint auch als Online-Ausgabe 978-1-78478-522-2 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029450296&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Pang, Laikwan The art of cloning creative production during China's Cultural Revolution HISTORY / Asia / China bisacsh POLITICAL SCIENCE / Public Policy / Cultural Policy bisacsh Geschichte Gesellschaft Politik Arts Political aspects China History 20th century Autonomy Social aspects China History 20th century Conformity Political aspects China History 20th century Cultural pluralism China History 20th century HISTORY / Asia / China POLITICAL SCIENCE / Public Policy / Cultural Policy Kulturrevolution (DE-588)4009947-7 gnd Kultur (DE-588)4125698-0 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4009947-7 (DE-588)4125698-0 (DE-588)4000626-8 (DE-588)4009937-4 |
| title | The art of cloning creative production during China's Cultural Revolution |
| title_auth | The art of cloning creative production during China's Cultural Revolution |
| title_exact_search | The art of cloning creative production during China's Cultural Revolution |
| title_full | The art of cloning creative production during China's Cultural Revolution Pang Laikwan |
| title_fullStr | The art of cloning creative production during China's Cultural Revolution Pang Laikwan |
| title_full_unstemmed | The art of cloning creative production during China's Cultural Revolution Pang Laikwan |
| title_short | The art of cloning |
| title_sort | the art of cloning creative production during china s cultural revolution |
| title_sub | creative production during China's Cultural Revolution |
| topic | HISTORY / Asia / China bisacsh POLITICAL SCIENCE / Public Policy / Cultural Policy bisacsh Geschichte Gesellschaft Politik Arts Political aspects China History 20th century Autonomy Social aspects China History 20th century Conformity Political aspects China History 20th century Cultural pluralism China History 20th century HISTORY / Asia / China POLITICAL SCIENCE / Public Policy / Cultural Policy Kulturrevolution (DE-588)4009947-7 gnd Kultur (DE-588)4125698-0 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | HISTORY / Asia / China POLITICAL SCIENCE / Public Policy / Cultural Policy Geschichte Gesellschaft Politik Arts Political aspects China History 20th century Autonomy Social aspects China History 20th century Conformity Political aspects China History 20th century Cultural pluralism China History 20th century Kulturrevolution Kultur Ästhetik Asien China History Cultural Revolution, 1966-1976 China Intellectual life 1949-1976 China |
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