Destruction rites: ephemerality and demolition in postwar visual culture
In the early sixties, crowds gathered to watch rites of destruction - from the demolition derby where makeshift cars crashed into each other for sport, to concerts where musicians destroyed their instruments, to performances of self-destructing machines staged by contemporary artists. Destruction, i...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
I.B. Tauris & Co. Ltd
2017
|
| Schriftenreihe: | International library of modern and contemporary art
27 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In the early sixties, crowds gathered to watch rites of destruction - from the demolition derby where makeshift cars crashed into each other for sport, to concerts where musicians destroyed their instruments, to performances of self-destructing machines staged by contemporary artists. Destruction, in both its playful and fearsome aspects, was ubiquitous in the new Atomic Age. This complicated subjectivity was not just a way for people to find catharsis amid the fears of annihilation and postwar trauma, but also a complex instantiation of ideological crisis-in a time with some seriously conflicted political myths.Destruction Rites explores the ephemeral visual culture of destruction in the postwar era and its links to contemporary art. It examines the demolition derby; games and toys based on warfare; playgrounds situated in bomb sites; and the rise of garage sales, where goods designed for obsolescence and destined for the garbage heap are reclaimed and repurposed by local communities. Mona Hadler looks at artists such as Jean Tinguely, Niki de Saint Phalle, Martha Rosler and Vito Acconci to expose how the 1960s saw destruction, construction and the everyday collide as never before. During the Atomic age, whether in the public sphere or art museums, destruction could be transformed into a constructive force and art objects and performances often oscillated between the two |
| Beschreibung: | xiv, 258 Seiten Illustrationen 23 cm |
| ISBN: | 9781784533403 1784533408 |
Internformat
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| 520 | 3 | |a In the early sixties, crowds gathered to watch rites of destruction - from the demolition derby where makeshift cars crashed into each other for sport, to concerts where musicians destroyed their instruments, to performances of self-destructing machines staged by contemporary artists. Destruction, in both its playful and fearsome aspects, was ubiquitous in the new Atomic Age. This complicated subjectivity was not just a way for people to find catharsis amid the fears of annihilation and postwar trauma, but also a complex instantiation of ideological crisis-in a time with some seriously conflicted political myths.Destruction Rites explores the ephemeral visual culture of destruction in the postwar era and its links to contemporary art. It examines the demolition derby; games and toys based on warfare; playgrounds situated in bomb sites; and the rise of garage sales, where goods designed for obsolescence and destined for the garbage heap are reclaimed and repurposed by local communities. Mona Hadler looks at artists such as Jean Tinguely, Niki de Saint Phalle, Martha Rosler and Vito Acconci to expose how the 1960s saw destruction, construction and the everyday collide as never before. During the Atomic age, whether in the public sphere or art museums, destruction could be transformed into a constructive force and art objects and performances often oscillated between the two | |
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Datensatz im Suchindex
| _version_ | 1804177055302025216 |
|---|---|
| adam_text | CONTENTS
LIST OF FIGURES VIII
ACKNOWLEDGMENTS XII
INTRODUCTION 1
1 THE DEMOLITION DERBY 32
2 MILITARY GAMES OF DESTRUCTION 68
3 MID-CENTURY HOBBIES AND TOYS
OF DESTRUCTION 93
4 EPHEMERALITY AND CREATIVE DESTRUCTION
IN THE PUBLIC SPACE 127
5 GARAGE SALES AND PLANNED OBSOLESCENCE 168
CONCLUSION 192
NOTES 197
INDEX 238
|
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| illustrated | Illustrated |
| indexdate | 2024-07-10T07:41:59Z |
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| isbn | 9781784533403 1784533408 |
| language | English |
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| physical | xiv, 258 Seiten Illustrationen 23 cm |
| publishDate | 2017 |
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| series | International library of modern and contemporary art |
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| spelling | Hadler, Mona Verfasser (DE-588)188388869 aut Destruction rites ephemerality and demolition in postwar visual culture Mona Hadler London I.B. Tauris & Co. Ltd 2017 xiv, 258 Seiten Illustrationen 23 cm sti rdacontent n rdamedia nc rdacarrier International library of modern and contemporary art 27 In the early sixties, crowds gathered to watch rites of destruction - from the demolition derby where makeshift cars crashed into each other for sport, to concerts where musicians destroyed their instruments, to performances of self-destructing machines staged by contemporary artists. Destruction, in both its playful and fearsome aspects, was ubiquitous in the new Atomic Age. This complicated subjectivity was not just a way for people to find catharsis amid the fears of annihilation and postwar trauma, but also a complex instantiation of ideological crisis-in a time with some seriously conflicted political myths.Destruction Rites explores the ephemeral visual culture of destruction in the postwar era and its links to contemporary art. It examines the demolition derby; games and toys based on warfare; playgrounds situated in bomb sites; and the rise of garage sales, where goods designed for obsolescence and destined for the garbage heap are reclaimed and repurposed by local communities. Mona Hadler looks at artists such as Jean Tinguely, Niki de Saint Phalle, Martha Rosler and Vito Acconci to expose how the 1960s saw destruction, construction and the everyday collide as never before. During the Atomic age, whether in the public sphere or art museums, destruction could be transformed into a constructive force and art objects and performances often oscillated between the two Geschichte 1900-2000 Geschichte 1945-1980 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Zerstörung Motiv (DE-588)4222883-9 gnd rswk-swf Art, Modern / 20th century / Themes, motives Kunst (DE-588)4114333-4 s Zerstörung Motiv (DE-588)4222883-9 s Geschichte 1945-1980 z DE-604 International library of modern and contemporary art 27 (DE-604)BV040977987 27 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029450293&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hadler, Mona Destruction rites ephemerality and demolition in postwar visual culture International library of modern and contemporary art Kunst (DE-588)4114333-4 gnd Zerstörung Motiv (DE-588)4222883-9 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4222883-9 |
| title | Destruction rites ephemerality and demolition in postwar visual culture |
| title_auth | Destruction rites ephemerality and demolition in postwar visual culture |
| title_exact_search | Destruction rites ephemerality and demolition in postwar visual culture |
| title_full | Destruction rites ephemerality and demolition in postwar visual culture Mona Hadler |
| title_fullStr | Destruction rites ephemerality and demolition in postwar visual culture Mona Hadler |
| title_full_unstemmed | Destruction rites ephemerality and demolition in postwar visual culture Mona Hadler |
| title_short | Destruction rites |
| title_sort | destruction rites ephemerality and demolition in postwar visual culture |
| title_sub | ephemerality and demolition in postwar visual culture |
| topic | Kunst (DE-588)4114333-4 gnd Zerstörung Motiv (DE-588)4222883-9 gnd |
| topic_facet | Kunst Zerstörung Motiv |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029450293&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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