Pixar and the aesthetic imagination: animation, storytelling, and digital culture
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Oakland, California
University of California Press
[2017]
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | "An earlier version of chapter 5, "Disruptive Sensation and the Politics of the New: Ratatouille," appeared as "Cooking like a Rat: Sensation and Politics in Disney-Pixars's Ratatouille," in the Quarterly Review of Film and Video 31, no.5 (2014): 469-85." |
Beschreibung: | xii, 240 Seiten Illustrationen |
ISBN: | 9780520292567 9780520292550 |
Internformat
MARC
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Datensatz im Suchindex
_version_ | 1804177042604818432 |
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adam_text | CONTENTS
List of Illustrations ix
Acknowledgments xi
Introduction
i
i. Aesthetic Storytelling: A Tradition and Theory
of Animated Film
18
2. The Uncanny Integrity of Digital Commodities (Toy Story)
55
3. From the Technological to the Postmodern
Sublime (Monsters, Inc)
4. The Exceptional Dialectic of the Fantastic and the Mundane
(The Incredibles)
123
Disruptive Sensation and the Politics of the New
(Ratatouille)
158
Conclusion
Notes 193
Bibliography 221
Index 233
In Pixar and the Aesthetic Imagination, Eric Herhuth draws upon film the-
ory, animation theory, and philosophy to examine modes of storytelling in
animation that address aesthetic experience within contexts of technologi-
cal, environmental, and sociocultural change. Since producing the first fully
computer-animated feature film, Pixar Animation Studios has been a creative
force in digital culture and popular entertainment. But, more specifically, its
depictions of uncanny toys, technologically sublime worlds, fantastic charac-
ters, and sensorial intensities explore aesthetic experience and its relation to
developments in global media, creative capitalism, and consumer culture. This
investigation finds in Pixar’s artificial worlds and transformational stories the
as a contested domain committed to new-
ness and innovation as well as to criticism and pluralistic thought.
|
any_adam_object | 1 |
author | Herhuth, Eric 1983- |
author_GND | (DE-588)1127643630 |
author_facet | Herhuth, Eric 1983- |
author_role | aut |
author_sort | Herhuth, Eric 1983- |
author_variant | e h eh |
building | Verbundindex |
bvnumber | BV044035877 |
classification_rvk | AP 48600 |
ctrlnum | (OCoLC)976413654 (DE-599)BVBBV044035877 |
dewey-full | 791.4334 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4334 |
dewey-search | 791.4334 |
dewey-sort | 3791.4334 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Book |
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isbn | 9780520292567 9780520292550 |
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physical | xii, 240 Seiten Illustrationen |
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spelling | Herhuth, Eric 1983- Verfasser (DE-588)1127643630 aut Pixar and the aesthetic imagination animation, storytelling, and digital culture Eric Herhuth Oakland, California University of California Press [2017] © 2017 xii, 240 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "An earlier version of chapter 5, "Disruptive Sensation and the Politics of the New: Ratatouille," appeared as "Cooking like a Rat: Sensation and Politics in Disney-Pixars's Ratatouille," in the Quarterly Review of Film and Video 31, no.5 (2014): 469-85." Pixar Animation Studios (DE-588)10034349-1 gnd rswk-swf Filmtheorie (DE-588)4071216-3 gnd rswk-swf Animationsfilm (DE-588)4142484-0 gnd rswk-swf Pixar Animation Studios (DE-588)10034349-1 b Animationsfilm (DE-588)4142484-0 s Filmtheorie (DE-588)4071216-3 s DE-604 Erscheint auch als Online-Ausgabe 978-0-520-96605-5 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029443020&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029443020&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Herhuth, Eric 1983- Pixar and the aesthetic imagination animation, storytelling, and digital culture Pixar Animation Studios (DE-588)10034349-1 gnd Filmtheorie (DE-588)4071216-3 gnd Animationsfilm (DE-588)4142484-0 gnd |
subject_GND | (DE-588)10034349-1 (DE-588)4071216-3 (DE-588)4142484-0 |
title | Pixar and the aesthetic imagination animation, storytelling, and digital culture |
title_auth | Pixar and the aesthetic imagination animation, storytelling, and digital culture |
title_exact_search | Pixar and the aesthetic imagination animation, storytelling, and digital culture |
title_full | Pixar and the aesthetic imagination animation, storytelling, and digital culture Eric Herhuth |
title_fullStr | Pixar and the aesthetic imagination animation, storytelling, and digital culture Eric Herhuth |
title_full_unstemmed | Pixar and the aesthetic imagination animation, storytelling, and digital culture Eric Herhuth |
title_short | Pixar and the aesthetic imagination |
title_sort | pixar and the aesthetic imagination animation storytelling and digital culture |
title_sub | animation, storytelling, and digital culture |
topic | Pixar Animation Studios (DE-588)10034349-1 gnd Filmtheorie (DE-588)4071216-3 gnd Animationsfilm (DE-588)4142484-0 gnd |
topic_facet | Pixar Animation Studios Filmtheorie Animationsfilm |
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