Autobiographical poetry in England and Spain, 1950-1980: narrating oneself in verse
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publishing
2017
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | viii, 229 Seiten |
| ISBN: | 9781443832748 |
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Datensatz im Suchindex
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| adam_text | Titel: Autobiographical poetry in England and Spain, 1950-1980
Autor: Lerro, Menotti
Jahr: 2017
Autobiographical Poetry in England and Spain, 1950-1980: Narrating Oneself in Verse Menotti Lerro Cambridge Scholars Publishing
Table of Contents Acknowledgements....................................................................................ix Part One: The Autobiographical Genre Introduction.................................................................................................2 1. The Critical Debate..................................................................................8 1.1. What is an autobiography? 1.2. The problem of time. Narrative order in an autobiography 1.3. The importance of the self and of auscultation 2. Autobiography in Verse and in Prose....................................................27 2.1. How to narrate oneself: Lejeune’ s approach 2.2. Autobiographies in verse 2.3. A “divine self-biography”. The Prelude : an exemplary autobiography in verse Part Two: The Difficult Sixties—Elements of Breakage and Continuity towards a New Poetry Introduction ..............................................................................................56 3. Seamus Heaney and Jaime Gil de Biedma............................................59 3.1. The new generation: postmodernism 3.2. Seamus Heaney: “an autobiographical critic-poet” 3.3. The artist and the spaces of memory 3.4. Seamus Heaney: spaces of memory through the memory of objects 3.5. Post second world war Spanish poetry: from civil war to the Generación de los Cincuenta 3.6. Jaime Gil de Biedma: civil poetry, the influence of places, individuals and de las cosas 3.7. Jaime Gil de Biedma’s and Seamus Heaney’s poetry: the need to fill a void
Table of Contents viii 4. Thom Gunn and Carlos Barrai .............................................................116 4.1. The birth of the Movement : return to tradition after the modernist break 4.2. Thom Gunn: the journey of a poet in search of identity 4.3. Thom Gunn’s autobiographical poetry: “The Gender Problem”, the body, the disease 4.4. From England to America: the importance of place in Thom Gunn 4.5. Carlos Barrai and a possible “collective autobiography” 4.6 Conflicting civil awareness in Carlos Barrai 4.7 The construction of verse in Carlos Barrai: the diary as a mirror of reality Concluding Notes....................................................................................174 Appendix.................................................................................................179 A Survey of Interviews with Contemporary Italian Poets and Critics Bibliography............................................................................................218
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| title | Autobiographical poetry in England and Spain, 1950-1980 narrating oneself in verse |
| title_auth | Autobiographical poetry in England and Spain, 1950-1980 narrating oneself in verse |
| title_exact_search | Autobiographical poetry in England and Spain, 1950-1980 narrating oneself in verse |
| title_full | Autobiographical poetry in England and Spain, 1950-1980 narrating oneself in verse by Menotti Lerro |
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| title_full_unstemmed | Autobiographical poetry in England and Spain, 1950-1980 narrating oneself in verse by Menotti Lerro |
| title_short | Autobiographical poetry in England and Spain, 1950-1980 |
| title_sort | autobiographical poetry in england and spain 1950 1980 narrating oneself in verse |
| title_sub | narrating oneself in verse |
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