Post-millennial Gothic: comedy, romance and the rise of happy Gothic
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; Oxford ; New York ; New Delhi ; Sydney
Bloomsbury Academic
2017
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | x, 213 Seiten |
| ISBN: | 9781441101211 9781441153906 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804177038667415552 |
|---|---|
| adam_text | Contents
Acknowledgements viii
List of Figures xi
Introduction: Post-Millennial Gothic 1
1 Consuming the Edible Graveyard: Gothic Lifestyles and
Lifestyle Gothic 29
2 ‘The images, for me, are the story: Tim Burtons Gothic Aesthetics 49
3 ‘Forget Nu Rave, Were Into Nu Grave!’: High Street Style and the
Uses of Gothic Romance 67
4 Gothic Cham School, or, How Vampires Learned to Sparkle 83
5 Pretty in Black: The Goth Girl and the Whimsical Macabre 99
6 ‘Happy Nights Are Here Again: Having a Laugh with Vampires and
Other Monsters 121
7 ‘I’m the Shoreditch Vampire: Making Over Goth Masculinities in
Television Comedy 145
8 ‘Swishing about and spookiness’: Whitby and Gothic Literary
Tourism from Bram Stoker’s Dracula to Paul Magrs’s
Never the Bride 165
Conclusion: Gothic Celebrations 183
Works Cited 189
Index 205
Surveying the widespread appropriations of the Gothic in contemporary
literature and culture, Post Millennial Gothic shows contemporary
Gothic is often romantic, funny and celebratory. Catherine Spooner
reads a comprehensive range of popular texts from Stephenie
Meyer’s Twilight series and Tim Burton’s film adaptations of Sweeney Todd
and Dark Shadows to fashion, advertising, tourism, TV makeover shows,
stand-up comedy, sitcom and children’s media. In doing so, she argues
that conventional academic and media accounts of Gothic culture have
overlooked the significance of this celebratory strain of Happy Gothic.
Identifying a shift in subcultural sensibilities following media coverage of the
Columbine shootings, Spooner suggests that changing perceptions of Goth
subculture have shaped the development of 21st-century Gothic. Reading
these contemporary trends back into their sources, Spooner also explores how
they serve to highlight previously neglected strands of comedy and romance
in earlier Gothic literature.
|
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| title | Post-millennial Gothic comedy, romance and the rise of happy Gothic |
| title_auth | Post-millennial Gothic comedy, romance and the rise of happy Gothic |
| title_exact_search | Post-millennial Gothic comedy, romance and the rise of happy Gothic |
| title_full | Post-millennial Gothic comedy, romance and the rise of happy Gothic Catherine Spooner |
| title_fullStr | Post-millennial Gothic comedy, romance and the rise of happy Gothic Catherine Spooner |
| title_full_unstemmed | Post-millennial Gothic comedy, romance and the rise of happy Gothic Catherine Spooner |
| title_short | Post-millennial Gothic |
| title_sort | post millennial gothic comedy romance and the rise of happy gothic |
| title_sub | comedy, romance and the rise of happy Gothic |
| topic | Gothic Kultur (DE-588)4296101-4 gnd Gothic novel (DE-588)4157930-6 gnd |
| topic_facet | Gothic Kultur Gothic novel |
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