Made in Hungary: studies in Hungarian popular music
Gespeichert in:
| Weitere Verfasser: | , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York and London
Routledge, Taylor & Francis Group
2017
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| Schriftenreihe: | Routledge global popular music series
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis Register // Gemischte Register |
| Beschreibung: | xi, 192 Seiten Illustrationen |
| ISBN: | 9781138915879 |
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Datensatz im Suchindex
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| adam_text | MADE IN HUNGARY
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: 2016
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION: THE STUDY OF POPULAR MUSIC IN HUNGARY / EMILIA BARNA
SCENES, CULTURES AND IDENTITIES
SETTING UP A TENT IN THE NEW EUROPE : THE SZIGET FESTIVAL OF BUDAPEST /
ANNA SZEMERE AND MARTA KATA NAGY
TAMING THE EXTREME: HUNGARIAN BLACK METAL IN THE MAINSTREAM PUBLICITY /
ATTILA GYULAI
LEARNED HELPLESSNESS OF A CULTURAL SCENE: THE HUNGARIAN CONTEMPORARY
JAZZ SCENE THROUGH THE EYES OF ITS PARTICIPANTS / REKA SZABO
A TRANSLOCAL MUSIC ROOM OF ONE S OWN: FEMALE MUSICIANS WITHIN THE
BUDAPEST LO-FI MUSIC SCENE / EMILIA BARNA
HISTORY, POLITICS AND REMEMBERING
THE SONGS REMAIN THE SAME: STRUCTURES OF CULTURAL POLITICS OF RETRO IN
HUNGARIAN POP MUSIC / FERENC HAMMER
HUNGARIAN IN FORM, SOCIALIST IN CONTENT : THE CONCEPT OF NATIONAL DANCE
MUSIC IN STALINIST HUNGARY (1949-1956) / ADAM IGNACZ
PAPER MOHAWK: ON A MISSING HUNGARIAN PUNK MONOGRAPH / NORBERT VASS
NOTHING BUT THE MUSIC : THE HISTORY OF HUNGARIAN FUNK MUSIC / JOZSEF
HAVASRETI
ARTISTS, RECEPTIONS AND AUDIENCES
THE INSECURE VILLAGE GIRL WHO FOUND SUCCESS, AND HER GENTLE
DECONSTRUCTIONS: BEA PALYA / ANDRAS RONAI
GLOOMY SUNDAY : THE HUNGARIAN SUICIDE HYMN BETWEEN THE MYTHS AND
INTERPRETATIONS / AGNES PATAKFALVI
THIS KIND OF MUSIC INFORMS YOU ABOUT THE PRESENT STATE OF THE WORLD :
DJ PALOTAI S POSITION WITHIN THE CONTEMPORARY HUNGARIAN UNDERGROUND
CULTURE / SANDOR KALAI
THE WAY THEY WERE: SUBCULTURAL EXPERIENCES OF EMO FANS FROM A
RETROSPECTIVE ASPECT / ADAM GULD
THE GROWTH OF THE HUNGARIAN POPULAR MUSIC REPERTOIRE: WHO CREATES IT AND
HOW DOES IT FIND THE AUDIENCE? / DANIEL ANTAL
CODA: MY GENES IN MY SUITCASE, MY FOREHEAD IN THE ATMOSPHERE :
PERCEPTIONS OF HUNGARIAN POPULAR MUSIC AND ITS RESEARCH ABROAD / ANNA
SZEMERE
DIESES SCHRIFTSTCK WURDE MASCHINELL ERZEUGT.
Select Bibliography of
Hungarian Popular Music
Bâcskai, Erika, Péter Makara, Robert Manchin, Laszlo Vâradi, and Ivan Vitânyi. 1969. Beat. Budapest: Zenemukiado.
Barna, Emüia. 2007. “With chasteness of sea-girls ... :’ Bjork‘s Adaptation of E.E. Cummings’ Poetry”. In: Words into
Pictures: E.E. Cummings Art across Borders, ed. Jiri Flajsar and Zéno Vernyik, 170-85. Newcastle: Cambridge
Scholars Publishing.
Barna, Emilia. 2010. “‘There are places I’ll remember ... :’ A Sense of Past and Locality in the Songs of the Beatles and
the Kinks.” In: Sounds of the Overground, ed. Holly Tessier and Nedim Hassan, 49-57. Turku: International
Institute for Popular Culture.
Barna, Emilia. 2012a. “Articulating the (inter)National through Aesthetic Choices: Towards an Understanding of the
Hungarian Indie Scene 2000-2010 in a translocal context.” In: Down to the Underground: Popular Music and
Society in Eastern Europe ed. Trever Hagen, Tamâs Tofalvy and Gâbor Vâlyi. Special edition of EastBound (3)1.
Available at: http://eastbound.eu/2012 (Accessed April 1, 2015).
Barna, Emilia, ed. 2012b. Replika 78: Zenébe hâlôzva, 7-120.
Hagen, Trever, Tamâs Tofalvy and Gâbor Vâlyi, eds. 2012. Down to the Underground: Popular Music and Society in
Eastern Europe. Special edition of EastBound (3)1. Available at: http://eastboimd.eu/2012 (Accessed April 1,
2015).
Havadi, Gergô. 2012. “An Individual Subculture Reflected in Domestic Spies’ Reports: Hungarian Jazz in the Socialist
Period.” In: Down to the Underground: Popular Music and Society in Eastern Europe ed. Trever Hagen, Tamâs
Tofalvy and Gâbor Vâlyi. Special edition of EastBound (3)1. Available at: http://eastbound.eu/2012 (Accessed
April 1,2015).
Havasréti, Jôzsef. 2006. Alternativ regiszterek. A kulturâlis ellenâllâs formai a magyar neoavantgârdban. Budapest:
Typotex.
Ignâcz, Âdâm. 2016. “Propagated, Permitted or Prohibited? Popular Music in the Crossfire of Politics and Ideology in
the First Decades of Socialist Hungary.” In: Popular Music in Eastern Europe Under State Socialism, ed. Ewa
Hanna Mazierska. London: Palgrave.
Kacsuk, Zoltán, ed. 2005. Replika 53: Szubkulturakutatâs?
Levai, Julia and Ivân Vitânyi. 1972. Mibôl lesz a siéger? Az elmult 40 év slagereinek vizsgâlata. Budapest: Zenemukiado.
Losonczi, Agnes. 1969. A zene életének szociolôgiâja: kinek, mikor, milyen zene kell? Budapest: Zenemükiadô.
Losonczi, Agnes. 1974. Zene - ifiusâg - mozgalom. Budapest: Zenemukiado.
Patakfalvi Czirjâk, Agnes. 2015. “Respect to the Blood: The Hungarian ‘Radical Galaxy’ and the ‘National Hip Hop.’” In:
The Borders of Subcultures: Resistance and the Mainstream, ed. Alexander Dhoest, Steven Malliet, Jacques Haers,
and Barbara Segaert, 163-82. London, New York: Routledge.
Râcz, Jôzsef. 1998. Ifiusâgi (szub)kulturâk, intézmények, devianciâk. Budapest: Scientia Humana.
Râcz, Jôzsef and Zoltán Zétényi. 1994. “Rock Concerts in Hungary in the 1980s.” International Sociology 9(1): 43-53.
Szapu, Magda. 2002. A zürkorszak gyermekei. Mai ifiusâgi csoportkultûràk. Budapest: Szâzadvég.
Szapu, Magda, ed. 2004. Ifiusâgi szubkultûrâk Magyarorszâgon és Erdélyben: tanulmânykotet. Budapest: Az MTA
Politikai Tudomânyok Intézete.
Szemere, Anna. 1979. “Review. John Shepherd—Phil Virden—Graham Vulliamy—Trevor Wishart: Whose Music?”
Magyar Zene 20(1): 100-107.
Szemere, Anna. 2001. Up from the Underground. The Culture of Rock Music in Postsocialist Hungary. University Park:
Pennsylvania State University Press.
Szônyei, Tamâs. 2005. Nyilvân tartottak. Titkos szolgâk a magyar rock kôrül. 1960-1990. Budapest: Magyar Narancs and
Tihany-Rév Kiadô.
Tokaji, Andrâs. 1985. Tômegdal Magyarorszâgon, 1945-1956. Budapest: Müvelôdéskutatô Intézet.
Tofalvy, Tamâs, ed. 2008. Replika 65: Extrém szinterek.
177
178 • Select Bibliography
Tofalvy, Tamas. 2014. “‘MySpace bands’ and ‘tagging wars’: Conflicts of Genre, Work Ethic and Media Platforms in an
Extreme Music Scene.” First Monday 19 (9). Available at: http://firstmonday.org/ojs/index.php/fm/article/
view/4354/4115 (Accessed April 1, 2015).
Tofalvy, Tamas and Trever Hagen. 2012. “Popular Music and Society in Central Europe: An Introduction.” Down to the
Underground: Popular Music and Society in Eastern Europe ed. Trever Hagen, Tamas Tofalvy, and Gabor Valyi.
EastBound (3) 1. Available at: http://eastbound.eu/2012 (Accessed April 1, 2015).
Valyi, Gabor, ed. 2005. Replika 49: Gepszeru zene.
Valyi, Gabor. 2012 “Treasures and Debris: Differing Assessments and Changing Values in Second Hand Vinyl Exchange
in Hungary.” Down to the Underground: Popular Music and Society in Eastern Europe ed. Trever Hagen, Tamas
Tofalvy, and Gabor Valyi. Special edition of EastBound (3)1. Available at: http://eastbound.eu/2012 (Accessed
April 1,2015).
Vitos, Botond. 2009. “The Inverted Sublimity of the Dark Psytrance Dance Floor.” Dancecult: Journal of Electronic
Dance Music Culture, 1 (1). Available at: http://dx.doi.org/10.12801/1947-5403.2009.01.01.10 (Accessed April 1,
2015).
Vitos, Botond. 2010. “DemenCZe: Psychedelic Dementia in the Czech Republic.” In The Local Scenes and Global
Culture of Psytrancey ed. Graham St John, 151-69. New York: Routledge. Available at: http://dx.doi.
org/10.4324/9780203847879 (Accessed April 1, 2015).
Vitos, Botond. 2012. “Discursive Demarcation and Identity Construction in the Czech Psytrance Scene: Experiential
Versus Ideological Motivations.” Down to the Underground: Popular Music and Society in Eastern Europe ed.
Trever Hagen, Tamas Tofalvy, and Gabor Valyi. Special edition of EastBound (3)1. Available at: http://eastbound.
eu/2012 (Accessed April 1, 2015).
Vitos, Botond. 2014. “‘An Avatar ... in a Physical Space:’ Researching the Mediated Immediacy of Electronic Dance
Floors.” Dancecult: Journal of Electronic Dance Music Culture. 6 (2): 1-21. Available at: http://dx.doi.
org/10.12801/1947-5403.2014.06.02.01 (Accessed April 1,2015).
Vitos, Botond. 2014. “Along the Lines of the Roland TB-303: Three Perversions of Acid Techno.” Dancecult: Journal of
Electronic Dance Music Culture. 6 (1). Available at: http://dx.doi.org/10.12801/1947-5403.2014.06.01.14 (Accessed
April 1, 2015).
Vitos, Botond. 2015. “Pushing the Boundaries: Investigating the Musical and Social Aesthetics of Dark Psytrance.” In
Exploring Psychedelic Trance and Electronic Dance Music in Modern Culture, ed. Emilia Simao, Sergio Tenreiro de
Magalhaes, Armando Malheiro da Silva. IGI Global. 260-77. Available at: http://dx.doi.org/10.4018/978-l-4666-
8665-6.ch011 (Accessed April 1,2015).
Vitos, Botond. 2015. “The Dance Floor Experiment: Researching the Mediating Technologies and Embodied
Experiences of Electronic Dance Music Events.” Popular Music and Society. Advance online publication. Available
at: http://dx.doi.org/10.1080/03007766.2015.1094903 (Accessed April 1, 2015).
Vitos, Botond. 2015. “Tracing the Lines of an Electronic Tattoo: The Covert Operation of Melbourne Techno.” Perfect
Beat: The Pacific Journal of Research into Contemporary Music and Popular Culture. 16 (1-2): 51-70. Available at:
http://dx.doi.org/10.1558/prbt.vl6il-2.19923 (Accessed April 1,2015).
Index
A38 ship 150
academia 3, 51,155-6
access 47-8, 57
accident 49, 51
accumulated recorded repertoire (A R) 145
acid jazz 95
Acsay, J. 82
Aczel, G. 77
Adele 100
Adieu les complexes 103
advertising 20,151
Afro-American genres 87-92, 95
ageing 128, 133,149
ageing out 133, 142
Ahriman 32
Alabama 158
album format 175
Almassy Square Recreation Centre 84
Altatok 103
alterity 2, 9
alternative 2, 9, 64-5,94, see also underground
Amen 95
Amsterdam 175
Anglo-American discourse 155, 157
Antal, D. 10, 98,179; chapter by 145-53
anthropology 2
“Apa-daT 103
appearance 136, 138,140-2
archiving 66
aristocracy 70
aristocratism 72, 74
art 3, 17, 38-9, 100, 175
art punk 9, 80, 82, 160
Art Worlds 38
articulation 73
Artisjus 146
Association of Dancers 72
Association of Musicians 4, 71-3
attitude 47
audience 8, 39, 63, 66, 92,97,126
Australia 43-4, 160
Austria 124
authenticity 2, 14, 30, 34-5, 38
avant-garde 9,82, 99, 103, 105
Âvéd, J. 42
Az üj hullâm évtizede II82
Bâcskai, E. 5
Balaton 78,80
Balaton Sound 20
Balkan music 21,101, 159
Bandcamp 47-51
Barna, E. 9-10, 14, 156, 179; chapter by 47-57;
interview of Yonderboi 165-76; introduction by
1-10
Bartok, B. 159
Bathory, E. 30
BBC 115
Bea Palya 97, 99-108
beat 5-6,80, 105
Beatles 6
Beatrice 78
Becker, H. 38
bedroom studio 54-5, 165, 169, see also Lo-Fi
Behar, A. 73
Belgium 150
Benko, A. 41
Benkö, Z. 81
Bennett, A. 142
Bercsényi Club 84
Berényi, C. 95
Bergendy 89-90
183
184 • Index
Berlin 17
Beszéló 64-5, 81
Bilk, A. Ill
biographical analysis 134
Birmingham School (CCCS) 7-8
Bizottság 78, 80, 84
black metal 7,14, 27-36, 161
black rock 87
“black” sound 87-92
Blizzard 32
blogging 48
blues 88, 91,157-8,161
Bodnár, R. 102
Bohn, C. 78, 80, 82
Bon Bon 95
Bonyhád 140
Bosnyák, S.Z. 81
boundary work 16-17
Bourdieu, P. 42, 123,130
Bowie, D. 94
Brandi, C. 175
branding 17, 20
Braun, B. 15
Brazil 30
British music see England; UK
Bródy, T. 73
Brown, James 87-8
Bryson, B. 42
bubblegum pop 91
Buda Youth Club (Budai Ifjúsági Park) 62
Budapest 1, 8,10,62, 84,94,102; electronic music
126-7,166, 168, 170, 174-5; Gloomy Sunday
112-13,118-19; identities 157,159,161; Lo-Fi
47-8, 53, 57; music business 149-50; Sziget
festival 15, 20-1
Bulgaria 149
Bullet For My Valentine 138
Burzum 34
business 18-20,171-2, see also industry
cabaret 112
Café in the Sky 118
Canada 155
capital, symbolic 127,130
carnivalesque 19
Carpathian Basin 101
CCCS see Birmingham School
celebrity 112
Celtic Frost 30
Celtic punk 161
censorship 61, 74,115-16,147
Central and Eastern Europe 17,118-20,150
Central and Eastern European Music Industry
databases (CEEMID) 146-7
chance 49, 51
Charles, R. 111
Chicago School 7
children’s music 101,103
Christianity 28,30, 32, 95
Cinnamon Kisses 168
class see middle class; social class
classical music 4,42, 53-4, 71,149
Clinton, G. 88
Cohen, S. 7
Cold War 17, 61, 69-70, see also communism;
Eastern Bloc; socialism
collaboration 42-4
collective rights management organizations 146,
151-2
commercialism 2-3, 66
commercialization 19-20
Commodore64 167
communication 8,29,129
communication studies 2
communism 4,17, 30,62, 65-6,76, see also
socialism
Communist Informational Bureau 69
Communist Party 69-72
Communist Youth League (KISZ) 4,17, 78, 84
community 41,43-4,128-9; imagined 15,156
compilations 168-9, 174
composing 54, 70-6
computers 65,166-9
concerts see live music
conferences 1,155
conflict 7-8,29, 32-3
Connell, J. 156
conservatism 5, 62, 92,134,140, see also right wing
constructionism 13, 97
Control Group 160
cool 55
cosmopolitanism 69-70, 72
cost inflation 149-50, see also ticket prices
counterculture 17-19, 24, 87
CPg 81
creative industries 145
critical jargon 71
Croatia 149
Croatian Composers Society (HDS) 146
Csak Fiataloknak 6
Csakazene 91
Cseh, T. 78
Cseh Tarnas Program 3
Cseke, G. 38
Index • 185
Csepregi, É. 63, 67
Csihar, A. 27, 30, 33
Csik, G. 94
Csordâs, Z. 47, 49, 52-6
csôves 7-8
Cultural Access and Participation (CAP) survey
145-8
cultural meanings 13-14, 97
cultural policy 2, 60-3, 66, 74-5,77,115,156-7
cultural revolution 70, 74
culture 2-3,156-8
czardas 72, 74
Czechoslovakia 16-17, 30
Daft Punk 171
dance funk 87
dance house movement 159
dance music 91-2; electronic 7-8, 87, 96,165-6;
nationalist 71-6
Dânyi, K. 47,49-51,54-6
Darkthrone 31
data 145-7,151-2, 172
deconstruction 99,103-5
Demjén, F. 89
demo scene 165,167-8
demography 149
Demszky, G. 19
Deodato, E. 94
Department of Agitation and Propaganda 71
Department of Music and Dance 72
Department of Operetta and Dance Music 71
Department of Popular Music 71, 73
Déry, T. 159
Dés, A. 42-3
deviance 7
digital era 65-7,166-9
Diosberény 134
disco 87-8, 90-1,93-4
disco pop 61, 63
distribution 29, 51
diversity 15
DIY (Do It Yourself) 47-9, 51, 53,64,166
DJs 8, 51-2, 56, 95; Palotai 97-8,123-31
Dowd, T. 16
drugs 7-8, 129
drum yn bass 92,127, 130
Dusk 32
earnings see finances; income
Eastbound 9
Eastern Bloc 17, 61, 66
Eastern Europe 69-71,118-20,150,170
Echo Nest databases 152
economics 149-51, see also finances; income;
ticket prices
ecosystem, of cultural policy 60
education 42-4, 124,126, 134,139,165-6, see also
school
ego 128
“Egy vidam dal” 91
Egyszalenek 104
electronic music 7-8, 55, 87, 96,149,165-6;
underground 123-4, 127,129-30
elitism 7, 9
“EmberaUat” 107
emo 133-42
employment 116,145
“fin is voltam” 107
En leszek ajatekszered 105-6
“fin nem akarok minden aron ferjhez menni” 106
England 17,43,138, see also UK
English language 148-9,155,158, 161,174
“Enmellettem elaludni nem lehet” 106
“Epistola ennen magamhoz” 104
Erdos, P. 63, 81-2
eroticism 105-6
essentialism 97
ethnicity 156-7
Europa Kiado 6, 94-5
Europe 15-17,19-21, 24,157, see also Central and
Eastern Europe; Eastern Europe; Western
Europe
European Statistical System Network on Culture
(ESSnet-Culture) 145-6
European Union (EU) 15-17,145, 148, 174
Eurosonic Noorderslag 150
Eurovision Song Contest 16,101
exclusion 28-9,42, 51-3,134-5,141
Extdzis 7-tol 10-ig 6
extreme metal 27,29-30, 35
Facebook 65-6, 99, 102
fandom 54
fashion 78,133-4,139-42
Fateman, J. 56
“Fekete gep” 93-4
Fekete Lyuk 84
feminism 51, 55-7
Fenyves, G. 6
Fenyvesi, M. 39, 41-2
festivals 9,15-24,101, 150-1,161
film 118-20, 130, 174
finances 100,112-14, 116, 127,150-1,
see also income
186 • Index
financial support 42-4, 67, 171
Finnegan, R. 43
Firkin 161
Flaming Lips 101
Fogarasi, L. jr. see Yonderboi
folk 6, 73, 101-5, 107,149, 157-9; urban 4-6
folklore studies 8
Fonarow, W. 8
Fonograf 89
format 175
Forrai, G. 74
France 102, 114, 171
Frenreisz, K. 89-90
Friderikusz, S. 81
Friedrich, K. 92
friendship 49, 135-6, 141
Frith, S. 5, 16, 42, 51
Frost 32
funding 67, 72-4, 171
funk 9,87-96
funky soul 87
Future Sound of Budapest 168,170
Gabor, K. 8-9
Gantner, E.B. 118
Ganxsta Zolee 95
Ganz Mävag Cultural Centre 84
Garber, J. 54
gender 8-9, 104-6,138, 149,175; Lo-Fi scene
47-8,51-3, 55-6
General 91-2, 94-5
generations 84
genius 97
genre 2-3,29, 73, 127, 149
gentle deconstruction 99, 103-5
Gerendai, K. 18-21
Germany 33, 149, 159; Gloomy Sunday 111,
118-19; Yonderboi 166, 168-70
Geszti, P. 95
Gibson, C. 156
Glastonbury 17, 19
globalization 155, 160
“Gloomy Sunday” 97,111-20
Gloomy Sunday: Ein Lied von Liebe und Tod 111,
118-19
Göczey, Z. 6
Gonda, J. 5, 94
Gorodinski, V. 71
Goths 38,138
government 34,63, 67, 74-5, see also state
Grandpierre, A. 82, 160
Great Depression 112, 116, 119
Greenaway, P. 174
Grof, B. 34
Gryllus, S. 105
Guerrilla 5
Guld, A. 1, 10, 98, 179; chapter by 133-43
Guru 95
Gyor 124, 126, 134
Gyulai, A. 7, 14, 179; chapter by 27-36
habitus 123-4, 126-30
Habsburgs 70
Hajnoczy, C. 6
hallgato 106
Hammer, F. 9-10, 59-60, 159, 179-80; chapter by
61-8
Hancock, H. 94
Hangfoglalas 53
Hankiss, E. 5
Hanna, K. 55-6
Haska, B. 81
Havasreti, J. 1,9, 59, 180; chapter by 87-96
Headhunters 94
heavy metal 27,29
Hellhammer 30
helplessness 14, 37,40-4
hierarchy 29-30, 54
higher education 1-2
hip-hop 87, 95, 149, 152, 165
history 30, 59,112, 116, 119-20; of Hungarian
popular music studies 3-10
Hit Gyiilekezete 95
Hodkinson, P. 38, 138, 142
Hogyan kesziil a popmenedzser? 81
Holiday, B. Ill
Holkenborg, T. 175
Holocaust 111, 118-20
home recording technology 47-9, 53,55
homology 7-8
Horvath, C. 92, 101
Horvath, Z. 62
“Hozzank mindig hazaerkezel” 91
Hungarian Academy of Sciences Institute of
Psychology 7
Hungarian Music Development Dataset 147,149
Hungarian Music Survey 147,151
Hungarian Record Company (MHV) 62-3,80-1,
84-5
Hungarian Revolution: (1848) 69-70; (1956) 63,
75-6
Hungarian Socialist Workers’ Party (MSZMP) 84
Hungarian Working People’s Party (HWPP) 70,
74
Index • 187
Hungaroton 94, 160
Hungary 1-3, 8,24; alternative 64-5; black metal
27, 30-5; electronic music 123-4,128-9, 170,
175; in Europe 15-16; folk music 101, 158-9;
funk 87-96; history of popular music studies
3-10; identities 156-8; jazz scene 37-45;
memory industries 65-7; nationalism 69-76;
pop under socialism 61-3; punk 77-85;
reception of music abroad 158-61; record
industry 145-52
hypnotic effects 115-16
IASPM Hungary 1, 155
ICT 65-7, 166-9
identities 13, 38, 156,161-2
ideology 69-72, 139; black metal 27-30, 32-5;
funk 87-8
ideoscape 2-3
Ifiusagi Magazin 6, 78
Ifjusagi (szub) kulturak intezmenyek, devianciak 7
Ignacz, A. 1, 4, 10, 59-60, 69-76, 156, 180
Igor Metropol 48
III/III 9
Hies 78, 89
imagined community 15, 156
imperfection 55-7
impostor syndrome 51
improvisation 38-9, 42
inclusion 28-9
income 39, 41, 150-1, 172-4, see also finances
Index.hu 34, 47
individualism 28, 32, 43-4
industry (musical) 2-3,10,17,145-52; cultural
policy 62-4; Yonderboi on 171-2, 174
inflation see cost inflation; ticket prices
Inner Awakening Circle 32
Institute of Musicology 5-6
integrity 30, 34
intellectual property 146
intellectuals 80, 82,88, 91, 123,130
International Association for the Study of Popular
Music (IASPM) 1, 155
International Concert Bureau 62
internationalism 70
internet 47-9, 175
intonation 73-5
Ipswich 135
Irish music 161
irony 34-5
fakab, G. 91
jargon 71
Jarreau, A. 93
Jávor, L. 113-15, 118
Jávorszky, B.S. 63
Jazz+Az 95
jazz 5-6, 14, 37-45, 94, 101, 157, 170; under
Stalinism 71-3, 75
Jazz Department 43
jazz-funk 87, 89-90, 93-4
jazz-rock 87, 89-92, 160
Jews 118-19,159
jobs 145
Jonas, V. 161
journalism 6, 33, 48, 78,82
Junkie XL 175
Kacsuk, Z. 1, 9
Kádár, J. 76, 84, 88,128,147
Kálai, S. 8, 97-8, 180; chapter by 123-31
Kalmár, P. Ill, 113, 116
Kampec Dolores 160
Kaposvár 8, 166
Kassák Club 80, 84
“Kékfény” 90
Kenderesi, G. 160
Kenney, P. 19
“Kérges kezu favágók” 89
Khrushchev, N. 75
Kinyújtom a kezem” 92
KISZ 4, 17, 78, 84
kitsch 106, 114-15
“Kívánj te is jó éjszakát” 89
Klaan, The 32
klezmer 161
Kobányai, J. 8
Kodaj, D. 9
Kodály, Z. 3,159
Kontroll Csoport 80
“KÖszönjük Mr. Edison” 91
Kovács, A. 6
Kovács, K. 89, 106
Kovács, M. 118
Kozák Square Youth Centre 84
Kozocsa, Comrade 106
Kritika 81
Kurtágh, G. 6
Kürti, F. 95
labels 51,151,170-1
Lady Gaga 20
Lakatos, T. 94
Lamm, D. 39
Lang, Á. 48
188 • Index
language 73-4, 148, 155,158, 161,174
lawsuits 81
Le Tigre 56
learned helplessness 14, 37,40-4
learning, experimental 55, 57
leisure time 4-5, 8
Lengyel, J. 6
Leschenko, P. 111
Levai, J. 5
LGBT 20-1,135
licencing 62
“light” music 4, see also popular music
linguistics 73-4
literature 2, 5
Little G. Weevil 157-8, 161
live music 6-8, 30, 67; economics 145,147-51;
electronic 170, 172-3; festivals 16, 19; jazz 39,
41; Lo-Fi 52, 54-5; punk 82, 84
Lo-Fi 10, 47-51, 54-7, 94, 161
LocomotivGT (LGT) 89-90, 159
London 161
Lonely Planet 15, 21
Lonyay, E. 104
Los Angeles 174-5
Losonczi, A. 4-5
“Lovas dal” 103
Love Parade 17
LP format 175
lyrics 5, 102,113-16
Lysenko controversy 69
M3 65
McKay, G. 17
McRobbie, A. 51, 54
magazines 62-3, 77-8, 99, 168, 170-1
Magic Mirror 20-1
Magneoton 151
Magya-rock 78, 81
Magyar Hanglemezgyarto Vallalat (MHV) 62-3,
80-1, 84-5
Magyar Ifiusag 6, 78
Magyar Zene 6
Magyarzenemuveszet helyzete es problemdi, a 75
mainstream media 14, 19, 29, 33-5, 171
Malhotra, R. 53
Manchin, R. 5
marginalization 7
marketing 20, 171
Markovic, B. 101
Marothy, J. 4-6, 73
Marxism 8
masculinity 51-3, 55
mass media see mainstream media
Master s Hammer 30
Matthews, K. 54
Mayberian Sanskulotts 47
Mayhem 27, 30, 32-4
media 14, 19,151,171; black metal 29,33-5;
cultural policy 61-3, 65-6
media studies 2,9
mega-events 16-17
melody 72-5,103
memory 59, 77, 105; politics 9, 65-7
Memphis 158
Menedekhaz 91
metal 27, 31,95, see also black metal
Meteor 89
methodology 123,134
Metro 89
MHV 62-3, 80-1, 84-5
micromusics 160-2
middle class 7-9, 112, 119-20,161
military service 126
Million Song Dataset 152
“Mindenki” 90
“Minek ide szoveg” 92, 95
Mini 91, 93-4
Ministry of People s Education 4,63, 71-2, 74
misanthropy 28, 32
Mispal, A. 128
Molnar, G. 82
money see income
monographs 61
moral panic 7-8, 27, 32-4, 118
Morningdeer 47, 49-51, 54-6
movies 118-20, 130, 174
Mozart 53-4
MSZMP 84
MTV 165
mulatos 149
Muller, P. 17-19,21, 118
music industry see industry
Music Networks (MN) 156
musicology 1, 3-4,6, 10
MySpace 165, 175
Mysteriis Dom Sathanas, De 30, 34
Nagy, F. 78, 81
Nagy, I. 74
Nagy, K.M. 9,13, 157,180; chapter by 15-26
Nagymanyok 140
National Cultural Fund (NCF) 42,147
National Management Bureau 62
National Organizing Office 84
Index • 189
nationalism 32, 69-76,115, 156-7, 161
negativity 28
Németh, Z. 47-51, 53-6
Nemzeti Kulturâlis Alap (NKA) 42,147
NemzetkÔzi Koncert Iroda 62
Neoton Familia 61, 63-4,67,91, 159
Netherlands 150, 166, 175
Neurotic 95
New Musical Review 73
new wave 82,94, 160
New York 43-4, 160, 175
NGOs 34
niches 48, 101,161
nihilism 29, 78
NME (New Musical Express) 78
No 102-3, 107
Norway 27, 30-4
Norway Grants 34
Nox 101
Nyers 95
Nyilvân tartottak 82
obscurity 27,29, 32
Omega 89,159
open source 168
openness 2
operetta 105, 112
Opinion Committee 71, 74-5
oral history 134
Orbân, V. 15, 157
Orfeo 5
Orfu 23
Orszaczky, “Jackie” M. 91-2, 160
Orszâgos Rendezo Iroda 62
Pajor, T. 95
Pal, É. 91
Palotai, DJ 8, 97-8, 123-31
Palya, B. 97, 99-108
PANKKK program 2
Pannonia Allstars 161
Paris 114, 118
participation 47, 146-9
partiinost 71
party culture 7, 129, 166, see also dance music,
electronic
Passive Control 175
passivity 41-4
Patakfalvi-Czirjâk, Â. 10,97,180; chapter by 111-21
patriotism 69
payment see income
PCs 166-9
Pécs 1-2,136,141
Peel, J. 66
pentatonic 74
Pepsi 20
performance 54-5,149-50
pergetó 106
Pernye, A. 5
Peterson, G. 170
Petófi, S. 70
Pink Noises 53
pioneer era 88
Piresian Beach 47-51, 53-6
Piros bicikli 92
Poland 16, 33,149
Polgár, T. 4
politics 27-30, 59, 64; of memory 9, 65-7, see also
communism; cultural policy; socialism
polyrhythm 90
Poor, P. 106
pop 2-3,6, 88-9, 105-6; cultural policy 61-3,
66-7; folk and 88-9; jazz and 42
pop-rock 51-2, 57
popular music 59, 71, 73-4, 80-1
popular music studies (PMS) 1-3,155-6; history
3-10
popularity 39,41-2, 99-101,107
post-subculturalism 133, 142
power 59
Pozsonyi, Á. 84-5
Prague congress 70
Prague Spring 63
pregnancy 107
Presser, G. 89
prices see cost inflation; ticket prices
ProArt 148
“problem music” 116
Problems and Status of Hungarian Music 75
professionalism 2, 55-7
propaganda 4, 59, see also cultural policy
Psyché 104-5
publicity 29, 32-3, 35, 71
punk 10, 59, 64, 66, 77-85, 149, see also art punk
Qualitons, The 89, 95
quality 47, 51, 65-6, 82, 169
queer 20-1
racism 21,157
Rácz, J. 7-8
radio 90, 105,126; economics 151-2; Gloomy
Sunday 115-16; satellite 165-6; socialist era
61-3, 66, 71-3
190 • Index
Radio Free Europe 81
Radiohead 101
rage 78
Rail, E. 21
Rakéta Festival 48
Râkfogô 94
Râkosi, M. 70, 75
rap-metal 87,95
realism 71, 97, see also socialist-realists
Rechniewski, P. 44
recognition 39, 41
record company 62-3, 80-1, 84-5, 91
record industry see industry
record labels 51, 151, 170-1
record shops 170
recorded music 65-6, 77, 91,113; economics
151-2; home studio technology 47-9, 53, 55;
Yonderboi on 168-9
Red Hot Chili Peppers 95
religion 28, 32, 95, 134
Rémember 95
remembering see memory
repetition 61, 66
Replika 9
research programs 146-7, 152, 155-6
retro 65, 67
Rêvai, J. 69-70, 74
revisionists 74-5
revolution: of 1848 69-70; of 1956 63, 75-6;
cultural 70, 74
rhythm 72-4, 90
“Riders On The Storm” 168
right wing 24, 33, see also conservatism
Riot Grrrl 55
Robeson, P. 111
rock 2, 6-9, 17, 80, 149; cultural politics 62-3;
funk and 88,91-2,94; identities 157-9; Lo-Fi
and 53, 55
Rock a vasfüggôny môgôtt 81
rockers 88
Rocküjsâg 6
Rodgers, T. 53-4, 56
role models 53
Roma 5, 94, 152; at Sziget festival 20-1;
identities 157, 159; influence on Bea Palya 102,
105-7
Romania 8, 149-50, 159
Ronai, A. 10, 97, 180; chapter by 99-110; interview
of Yonderboi 165-76
room of one’s own 55
roots music 157-8, 161
royalties 151
samizdat 64, 77
sampling 167, 169
Samsung 65
Sarcófago 30
Satanism 28, 32-3
satellite 165-6
Scandinavia 27, 168
scene 13-14,16, 175; black metal 29-30, 32-3;
jazz 37-8
school 129-30, 134-5, 137,140, 165, see also
education
Sear Bliss 32
Sebók, J. 6, 63, 78-82
secret service 82, 84
Seligman, M.E.P. 40-1
Serbia 159
Seress, R. 113-15,118
“serious” music 4, see also classical music
session musicians 38
Sex Pistols 66
sexism 138, see also gender
sexuality 87-8, 136
Shallow and Profound 170
Shepherd, J. 6
shops 170
silence 66
Skorpió 89-90
Slobin, M. 160
Slovak Performing and Mechanical Rights Society
(SOZA) 146
Slovakia 149-50, 159
social change 4
social class 7-9, 112, 119, see also middle class
social constructionism 13,97
social media 29,47-8, 55,65
social sciences 13
socialism 2-5, 9, 59, 105-6,158; cultural politics
61-5,69; punk 77-8, 80-1, see also communism
socialist-realists 4, 6, 71,73
society 28-30, 32
sociology 2-5, 8-9, 37; of intellectuals 123
software 127-8, 168-9
Somló, T. 89-90
song form 104-5, 107
songwriting 54, see also composing
Soós, M. 38
soul 87-96,160
sound engineers 51-3
Soviet Union 69-71, 73-4
Spions 82
Spitzer, R. see Seress, R.
Splendid Isolation 174-5
Index . 191
sponsorship 20-1
sport 124, 126, 130, 138
Spotify 172
Stalin, J. 69, 73-4
Stalinism 71,75-6
state 2,9, 42-4,61-5, 171, see also government
statistics 145-7,172
Stewart, A. 44
Street Studio Budapest 161
strophic 107
style 133-4,136,138, 140-1
subculture 3, 7-8,64,66,77; emo 133,142; jazz
37-8
subsistence musicians 38
suicide 111-16, 118
surveillance 4, 9,158
Switzerland 30
symbolic capital 127,130
symbolic exclusion 42
synth-funk 91-2
Syrius 91-2,160
Szabadon” 99
Szabo, R. 10,14,181; chapter by 37-45
Szabolcs Oläh 37
Szapu, M. 8
Szell, L. 172
Szemere, A. 6, 9,13,61,157,181; chapter by
15-26, 155-63
Szentkirälyi, G. 95
“Szettört älmok” 91-2
Szeverenyi, E. 6
Sziget 8-9, 13, 15-16, 21-4, 101, 150, 157;
beginnings 17-19; growth 19-21
Szigorüan nyilvdnos 81
Szirmai, I. 73
Szolds szabadsdga 102
Szönyei, T. 9, 82-4
Szterenyi, D. 74
Szücs, G. 157
Szücs, J. 91
“Szülesdal” 103-4
Tamässy, Z. 71-2
täncdal 105-6
Tdncdalfesztival 105
tanchdz 159
Tardos, B. 4, 74 ;
Tardos, P. 6
Tarlös, L 21
taste 51-2
Tata conference 80-1, 84
Tätrai, T. 92
teachers 39,43, 53
technology 9-10, 16, 172; home recording 47-50,
53, 55
teenagers 5, 80
television 61-3, 65-6, 151, 165, 171
Tennessee 158
theater 112-13,118
theology 28
Thornton, S. 48
Thrash Mosh Club 32
ticket prices 20, 23-4, 38-9, see also cost inflation
Tilos azÁ 126
Tófalvy, T. 1, 9, 156, 181; interview of Yonderboi
165-76; introductions by 13-14, 59-60, 97-8
Tokaji, A. 6
tolerance 75
Tomsits, R. 94
Tormentor 27, 30, 33
Torok, Á. 93
Tórr 30
Tóth, D. 80
touring 62, 150, 172-3
tourism 20,119
trackers 166-8
transgression 29, 32, 34-5, 103
transition 17-19
Transylvania 8
trash funk 87
Trash Wave 81-2
Trianon Treaty 112, 116
Tumblr 48-9
Turai, T. 92
Turkey 159
Ugar 170, 172
Ujfalussy, J. 4
UK 66,135,147,150, 174, see also England
underground 6-7,9, 33-5, 95, 160; electronic
123-4,127,129-30; punk 77-85, see also
alternative
unemployment 116,145
UNESCO 159
Ungvári, T. 82
Ungváry, T. 6
United 95
United Kingdom see UK
United States see USA
University of Pécs 1-2
Up! 95
Up from the Underground 9,61
urban folk 4-6
URH 78, 80-1
192 • Index
Uritskaya 73
USA 17, 72-3, 95, 114, 116, 160, see also
Afro-American genres
“Utánam a vízózón” 106
Vágtázó Halottkémek (VHK) 80, 82,160-1
values 2, 13,29
Vályi, G. 9, 95, 156
Vass, N. 10, 59, 77-85, 181
vendéglátó 149
Venom 30
verbunkos 73-4
vicarious helplessness 42-4
Vicious, S. 78
videos 65, 165
Vikernes, V. 34
Világzene Falu 21
Vincent, R. 91
violence 29, 35
Vissza a városba 93
Vitányi, I. 5
vocoder 92
Volt 20, 23
Votel, A. 89
Vujicsics, T. 75
Wahorn, A. 84
Warpigs 95
“We Are Magyar!” 157, 161
Well Hung 89
Weóres, S. 104
West 69-72, 75
West Balkan tragedy 8, 128-9,149
Western Europe 16, 20, 65,129, 150
Witchcraft 32
WM Music Distribution 152
women 51-3, 55,102,106, see also gender
Woodstock 17-19
Woolf, V. 55
world music 20-1, 101, 103
X Factor 99
Yellow Submarine 6
Yonderboi 161,165-76
Yonderland 171
Young, S.A. 118
youth 19, 24, 80, 129-30
Youth Communist League (KISZ) 4, 17, 78,
84
youth studies 3-5, 7-9
YouTube 61, 66, 99, 102, 152
Zalatnay, S. 89
Zana, Z. 95
Zenegep 92, 94
Zenei Halozatok 1
Zenekar, C. 101
Zetenyi, Z. 7-8
Zhdanov, A. 4, 69-73
Zombori 55
“Zsidniland” 118
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| discipline | Musikwissenschaft |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | Ungarn Ungarn (DE-588)4078541-5 gnd |
| geographic_facet | Ungarn |
| id | DE-604.BV044032235 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:41:41Z |
| institution | BVB |
| isbn | 9781138915879 |
| language | English |
| lccn | 016027163 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029439480 |
| oclc_num | 975363685 |
| open_access_boolean | |
| owner | DE-12 DE-20 |
| owner_facet | DE-12 DE-20 |
| physical | xi, 192 Seiten Illustrationen |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| series2 | Routledge global popular music series |
| spelling | Made in Hungary studies in Hungarian popular music edited by Emília Barna and Tamás Tófalvy New York and London Routledge, Taylor & Francis Group 2017 xi, 192 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Routledge global popular music series Popular music Hungary History and criticism Rock music Hungary History and criticism. Jazz (DE-588)4028532-7 gnd rswk-swf Rockmusik (DE-588)4115774-6 gnd rswk-swf Sozialer Wandel (DE-588)4077587-2 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Kulturpolitik (DE-588)4033581-1 gnd rswk-swf Ungarn Ungarn (DE-588)4078541-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Ungarn (DE-588)4078541-5 g Popmusik (DE-588)4046781-8 s Rockmusik (DE-588)4115774-6 s Jazz (DE-588)4028532-7 s Musikleben (DE-588)4075128-4 s Kulturpolitik (DE-588)4033581-1 s Sozialer Wandel (DE-588)4077587-2 s DE-604 Barna, Emília (DE-588)112644457X edt Tófalvy, Tamás (DE-588)1126444693 edt Erscheint auch als Online-Ausgabe 978-1-315-68998-2 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029439480&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029439480&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029439480&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Made in Hungary studies in Hungarian popular music Popular music Hungary History and criticism Rock music Hungary History and criticism. Jazz (DE-588)4028532-7 gnd Rockmusik (DE-588)4115774-6 gnd Sozialer Wandel (DE-588)4077587-2 gnd Popmusik (DE-588)4046781-8 gnd Musikleben (DE-588)4075128-4 gnd Kulturpolitik (DE-588)4033581-1 gnd |
| subject_GND | (DE-588)4028532-7 (DE-588)4115774-6 (DE-588)4077587-2 (DE-588)4046781-8 (DE-588)4075128-4 (DE-588)4033581-1 (DE-588)4078541-5 (DE-588)4143413-4 |
| title | Made in Hungary studies in Hungarian popular music |
| title_auth | Made in Hungary studies in Hungarian popular music |
| title_exact_search | Made in Hungary studies in Hungarian popular music |
| title_full | Made in Hungary studies in Hungarian popular music edited by Emília Barna and Tamás Tófalvy |
| title_fullStr | Made in Hungary studies in Hungarian popular music edited by Emília Barna and Tamás Tófalvy |
| title_full_unstemmed | Made in Hungary studies in Hungarian popular music edited by Emília Barna and Tamás Tófalvy |
| title_short | Made in Hungary |
| title_sort | made in hungary studies in hungarian popular music |
| title_sub | studies in Hungarian popular music |
| topic | Popular music Hungary History and criticism Rock music Hungary History and criticism. Jazz (DE-588)4028532-7 gnd Rockmusik (DE-588)4115774-6 gnd Sozialer Wandel (DE-588)4077587-2 gnd Popmusik (DE-588)4046781-8 gnd Musikleben (DE-588)4075128-4 gnd Kulturpolitik (DE-588)4033581-1 gnd |
| topic_facet | Popular music Hungary History and criticism Rock music Hungary History and criticism. Jazz Rockmusik Sozialer Wandel Popmusik Musikleben Kulturpolitik Ungarn Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029439480&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029439480&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029439480&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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