Music and the law:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Annandale, NSW
The Federation Press
2017
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XXII, 264 Seiten |
Internformat
MARC
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Preface xi
Disclaimer xiv
Table of Cases xv
Table of Statutes xviii
1 An Introduction to Music and the Law 1
The relationship between music and the law 1
Music as a communicator of religious, social and political ideas 2
Music as a vehicle for social change and law reform 5
The common law and the influence of community standards 11
An overview of the Australian legal system 13
2 The Making of Contracts and Agreements 18
Introduction 18
The elements that give rise to a valid contract 20
Agreement 20
The making of an offer 21
The acceptance 23
Communication of the acceptance 26
An intention to be legally bound by the agreement 27
Consideration - the provision of something of value 29
The capacity to contract 31
Express terms 34
Exclusion or exemption clauses 35
Implied terms 37
A term implied on the basis of business efficacy 37
A term implied from previous consistent dealings between
the parties 37
A term implied from custom or usage 37
A term implied by statute 38
Circumstances that can impact on the validity and/or
enforceability of a contract 39
Duress 39
Undue influence 40
Unconscionable conduct 41
Mistake 45
Misrepresentation and misleading or deceptive conduct 47
v
CONTENTS
Illegal and void contracts 50
Concluding comments 54
3 Recording and Distribution 55
Introduction 55
Recording 56
Background on record labels 56
Independent labels 57
Major record labels 57
Record label contracts 58
Traditional record deals 60
Panayiotou v Sony Music Entertainment (UK) Ltd
[1994] EMLR 229 61
Traditional record deal clauses 64
Term or duration 64
Recording fund 65
Royalties 66
Optional tour support 67
Ownership of sound recordings 68
Publishing rights 69
Territory 69
360 degree record deals 69
360 degree record deal clauses 71
Term 71
Recording fund 71
Royalties for pre-recorded music 71
Territory 72
Tour revenue and income sharing 72
Some other landmark cases 73
A Day To Remember v Victory Records (2013) 74
Sebert v Lukasz Sebastian Gottwald (aka Dr Luke) 75
Distribution 77
What are digital media? 78
The rise of the digital era 79
A M Records Inc v Napster Inc 239 F 3d 1004 (9th Cir 2001),
affirming decision, 114 F Supp 2d 896 (ND Cal 2000) 80
UMG Recordings, Inc v MP3.com, Inc 92 F Supp 2d 349
(SDNY 2000) 82
Universal Music Australia Pty Ltd v Sharman License
Holdings Ltd (2005) 222 FCR 465 82
Universal Music Australia Pty Ltd v Cooper (2005) 150 FCR 1 84
The digital world post Napster, MP3.com, Kazaa and Cooper 86
Distribution deals 87
Artist and label deals 88
vi
CONTENTS
Pressing and distribution deals and digital distribution deals 89
Territory 90
Term 90
Distribution format 90
Fees for distribution 91
Nature of distribution rights 91
Exclusivity 91
Termination of contract 91
Concluding comments 91
4 Copyright 92
Introduction to intellectual property law in Australia 92
Introduction to copyright law in relation to musical works 95
Other examples of works protected by copyright 104
The structure of the Copyright Act 105
Breach of copyright involving the internet and the
downloading of copyright material and the sharing of
musical files protected by copyright 106
Offences, remedies and defences to an action for breach
of copyright 111
Concluding comments 115
5 Licensing Sound Recordings 117
Introduction 117
Sound recordings and copyright 118
Making of sound recordings and ownership 120
Sound recordings (excluding the sound recording of a live
performance) 120
Sound recordings of a live performance 121
Sound recordings of a live performance under a contract of
employment 121
Assignment and licensing rights 122
Types of licences 123
Compulsory statutory licences and exceptions to the
requirement for licences 123
Exclusive licences 124
Non-exclusive licences 125
Implied licences 125
Exclusive right to make a copy of a sound recording 125
Right to cause sound recording to be heard in public 128
Right to communicate the recording to the public 130
Right to enter into a commercial arrangement 132
Ways to protect copyright in sound recordings 132
First publication of a sound recording (via CD, website or
any other media) 132
vii
CONTENTS
Re-release 133
Compilations 133
Remixes 133
Licensee(s) 134
Film soundtracks 134
Licensing agreements 134
Master owner 135
Nature of licensing agreement 135
Release commitments 135
Advances and royalty payments/one-off fees 135
Collection of income 135
Synchronisation 136
Term 136
Opt-out clauses 136
Territory 136
Termination clauses 137
The Phonographic Performance Company of Australia (PPCA)
and the Australian Recording Industry Association (ARIA) 137
6 Publishing - Musical and Literary Works 139
Introduction 139
Publishing rights generally 140
Ownership of copyright in musical and literary works 143
Exclusive rights pursuant to Copyright Act 1968 (Cth) s 31 145
Reproducing work in a material form, licences and royalties 146
Different licences for reproduction of work in a material
form 146
Publication of work 152
Performing work in public 152
Communicating the work to the public 154
Making adaptations of the work 155
Right to enter into a commercial arrangement 156
Summary on publishing rights 157
Who are music publishers? 158
Collection societies in Australia 158
Publishing agreements 160
Ownership of copyright 160
Nature of duties 161
Advances 161
Recoupment 161
Royalties 161
Retention 162
Schedule of songs 162
Term 162
viii
CONTENTS
Opt-out clauses 162
Territory 162
Termination clauses 163
The impact of the digital era and recent court disputes 163
Concluding comments 165
7 The Death and Rebirth of Live Music in Australia 166
Introduction 166
Adelaide, South Australia 168
Liquor licensing laws in South Australia 169
Noise complaints 172
The impact of building and developmental requirements 173
Sydney, New South Wales 174
Liquor licensing and noise complaints 176
Building and development 176
Plan for reform 177
Melbourne, Victoria 178
Liquor licensing, the Environment Protection Act 1970 (Vic)
and noise concerns 178
Building and development 179
Plans for reform 180
Brisbane, Queensland 181
Perth, Western Australia 184
Noise emissions 184
Building and development 186
Canberra, Australian Capital Territory 186
Liquor licensing in the Australian Capital Territory 187
Environment Protection Authority issues 187
Building, planning and development 188
Concluding comments 188
8 Alternative Dispute Resolution 190
Introduction 190
Alternative dispute resolution where there is potential
court action 191
Negotiating strategies and skills 195
Conciliation 197
Mediation 198
Arbitration - including expert determination 201
The ethical obligations of lawyers involved in alternative
dispute resolution matters 203
Concluding comments 204
Australian National Mediator Practice Standards 205
ix
CONTENTS
9 The Industry Perspective 212
Music as a communicator of religious, social, political and
economic ideas 213
Music as a vehicle for social change and law reform 214
On the relationship between music and the law and whether
musicians have enough legal protection 215
On the recording industry and record labels 215
Industry thoughts on distribution 219
Opinions on the digital age 220
Thoughts on the live music industry in Australia 223
Glossary: Key Definitions and Organisations in Australia 227
Bibliography 247
Index 255
x
Music and the Law is a book about how the law affects those in
the Australian music industry.
The authors, who are both musicians and academics/legal
practitioners, take the reader on an engaging journey covering
the importance of music from a social, cultural and political
perspective before exploring key aspects of the law including:
Contracts
Recording and distribution
Copyright
Licensing of sound recordings
Publishing musical and literary works
Alternative dispute resolution
With commentary from members of the Australian music
industry including musicians, lawyers, managers and distributors,
Music and the Law provides practical advice and first-hand
reflections from industry insiders.
Relevant as it is for law and music students, it is also a practical
guide for musicians and managers.
Music and the Law is an indispensable tool for those working
in the Australian music industry.
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| title | Music and the law |
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| title_full | Music and the law Peter MacFarlane, Paraskevi Kontoleon |
| title_fullStr | Music and the law Peter MacFarlane, Paraskevi Kontoleon |
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| title_short | Music and the law |
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