Beyond resemblance: abstract art in the age of global conceptualism
Art today may be global, Robert Linsley argues in this book, but it is the same everywhere you go: full of intentional meaning, statements, and even branded images that insist on a particular message. That is to say, art everywhere is "conceptual." In this first critique of global conceptu...
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
Reaktion Books
2017
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | Art today may be global, Robert Linsley argues in this book, but it is the same everywhere you go: full of intentional meaning, statements, and even branded images that insist on a particular message. That is to say, art everywhere is "conceptual." In this first critique of global conceptual art, Linsley looks back at an older genre, abstract art, to reclaim some of its lost value not as an empty commodity to be traded by the wealthy but as a way for us to find perspective amid chaos. Linsley shows how abstraction is a response to the world we live in, one that deliberately avoids moralizing, explanation, or overt polemic. He champions the work of lesser-known but important artists from India, China, and Latin and Central America, such as Vasudeo S. Gaitonde, Ding Yi and Gunther Gerzso as well as the more familiar names from history, such as Lucio Fontana, Frank Stella and Gerhard Richter, treating their work with equal seriousness. He also looks toward abstract arts future, showing that it still has plenty of life and purpose as a genre that helps us find a clear space to make sense of the times we live in. Ultimately, Linsley demonstrates the unique, rich, and full experience that abstract art can give us |
Beschreibung: | 216 Seiten Illustrationen 21 cm |
ISBN: | 9781780236322 |
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520 | 3 | |a Art today may be global, Robert Linsley argues in this book, but it is the same everywhere you go: full of intentional meaning, statements, and even branded images that insist on a particular message. That is to say, art everywhere is "conceptual." In this first critique of global conceptual art, Linsley looks back at an older genre, abstract art, to reclaim some of its lost value not as an empty commodity to be traded by the wealthy but as a way for us to find perspective amid chaos. Linsley shows how abstraction is a response to the world we live in, one that deliberately avoids moralizing, explanation, or overt polemic. He champions the work of lesser-known but important artists from India, China, and Latin and Central America, such as Vasudeo S. Gaitonde, Ding Yi and Gunther Gerzso as well as the more familiar names from history, such as Lucio Fontana, Frank Stella and Gerhard Richter, treating their work with equal seriousness. He also looks toward abstract arts future, showing that it still has plenty of life and purpose as a genre that helps us find a clear space to make sense of the times we live in. Ultimately, Linsley demonstrates the unique, rich, and full experience that abstract art can give us | |
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Datensatz im Suchindex
_version_ | 1804177011548094464 |
---|---|
adam_text | CONTENTS
INTRODUCTION 9
ART HISTORICAL PRELIMINARY: REDUCTION TO THE CONCEPT 19
1. A GENERAL EFFECT 37
2. ABSTRACTION AND THE WORLD: A PROVINCIAL COMEDY 55
3. THE DECAY OF IRONY, OR, THE FUTURE OF A NEGATION 69
4. BEFORE CALLIGRAPHY 81
5. A SHAPED ILLUSION 95
6. DRAWING IN SPACE 113
7. FROM RELIEF TO INSTALLATION 141
8. BOOK OF CREATION: THE LITERARINESS OF ABSTRACTION 163
9. ABSTRACTION AND NATURE 193
EPILOGUE 206
REFERENCES
ACKNOWLEDGEMENTS
PHOTO ACKNOWLEDGEMENTS
210
214
215
|
any_adam_object | 1 |
author | Linsley, Robert 1952- |
author_GND | (DE-588)172979579 |
author_facet | Linsley, Robert 1952- |
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author_sort | Linsley, Robert 1952- |
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building | Verbundindex |
bvnumber | BV044017756 |
callnumber-first | N - Fine Arts |
callnumber-label | N6490 |
callnumber-raw | N6490 |
callnumber-search | N6490 |
callnumber-sort | N 46490 |
callnumber-subject | N - Visual Arts |
ctrlnum | (OCoLC)973191803 (DE-599)BVBBV044017756 |
era | Geschichte 1900-2000 |
era_facet | Geschichte 1900-2000 |
format | Book |
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id | DE-604.BV044017756 |
illustrated | Illustrated |
indexdate | 2024-07-10T07:41:18Z |
institution | BVB |
isbn | 9781780236322 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029425348 |
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owner_facet | DE-19 DE-BY-UBM DE-255 DE-12 |
physical | 216 Seiten Illustrationen 21 cm |
publishDate | 2017 |
publishDateSearch | 2017 |
publishDateSort | 2017 |
publisher | Reaktion Books |
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spelling | Linsley, Robert 1952- Verfasser (DE-588)172979579 aut Beyond resemblance abstract art in the age of global conceptualism Robert Linsley London Reaktion Books 2017 216 Seiten Illustrationen 21 cm txt rdacontent n rdamedia nc rdacarrier Art today may be global, Robert Linsley argues in this book, but it is the same everywhere you go: full of intentional meaning, statements, and even branded images that insist on a particular message. That is to say, art everywhere is "conceptual." In this first critique of global conceptual art, Linsley looks back at an older genre, abstract art, to reclaim some of its lost value not as an empty commodity to be traded by the wealthy but as a way for us to find perspective amid chaos. Linsley shows how abstraction is a response to the world we live in, one that deliberately avoids moralizing, explanation, or overt polemic. He champions the work of lesser-known but important artists from India, China, and Latin and Central America, such as Vasudeo S. Gaitonde, Ding Yi and Gunther Gerzso as well as the more familiar names from history, such as Lucio Fontana, Frank Stella and Gerhard Richter, treating their work with equal seriousness. He also looks toward abstract arts future, showing that it still has plenty of life and purpose as a genre that helps us find a clear space to make sense of the times we live in. Ultimately, Linsley demonstrates the unique, rich, and full experience that abstract art can give us Geschichte 1900-2000 Globalisierung (DE-588)4557997-0 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Abstrakte Kunst (DE-588)4141146-8 gnd rswk-swf Art, Abstract Conceptual art Art, Modern / 20th century Abstrakte Kunst (DE-588)4141146-8 s Moderne (DE-588)4039827-4 s DE-604 Globalisierung (DE-588)4557997-0 s V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029425348&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Linsley, Robert 1952- Beyond resemblance abstract art in the age of global conceptualism Globalisierung (DE-588)4557997-0 gnd Moderne (DE-588)4039827-4 gnd Abstrakte Kunst (DE-588)4141146-8 gnd |
subject_GND | (DE-588)4557997-0 (DE-588)4039827-4 (DE-588)4141146-8 |
title | Beyond resemblance abstract art in the age of global conceptualism |
title_auth | Beyond resemblance abstract art in the age of global conceptualism |
title_exact_search | Beyond resemblance abstract art in the age of global conceptualism |
title_full | Beyond resemblance abstract art in the age of global conceptualism Robert Linsley |
title_fullStr | Beyond resemblance abstract art in the age of global conceptualism Robert Linsley |
title_full_unstemmed | Beyond resemblance abstract art in the age of global conceptualism Robert Linsley |
title_short | Beyond resemblance |
title_sort | beyond resemblance abstract art in the age of global conceptualism |
title_sub | abstract art in the age of global conceptualism |
topic | Globalisierung (DE-588)4557997-0 gnd Moderne (DE-588)4039827-4 gnd Abstrakte Kunst (DE-588)4141146-8 gnd |
topic_facet | Globalisierung Moderne Abstrakte Kunst |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029425348&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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