Lydia Okumura - Situations:
For almost fifty years, Lydia Okumura has explored the realm of geometric abstraction. She challenges our perception of space through sculptures, installations, and works on paper that blur distinctions between dimensions. In the 1970s, a young artist in her native São Paulo, she studied the Japanes...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English Portuguese |
| Veröffentlicht: |
Berlin
Sternberg Press
2016
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | For almost fifty years, Lydia Okumura has explored the realm of geometric abstraction. She challenges our perception of space through sculptures, installations, and works on paper that blur distinctions between dimensions. In the 1970s, a young artist in her native São Paulo, she studied the Japanese art magazine Bijutsu Techou, which introduced her to Conceptual art, Minimalism, Land art, and Arte Povera. These movements, along with Brazilian Concretism and Neoconcretism, influenced Okumura’s work. Using simple materials such as string, glass, and paint, her dynamic work balances line, plane, and shadow. Okumura’s oeuvre—although reminiscent of the work of Latin American artists such as Lygia Pape and Carmen Herrera, as well as contemporaries such as Dorothea Rockburne and Robert Irwin—has remained under-recognized. She has exhibited widely in São Paulo and is part of multiple museum collections, but she is much less known in her adopted country, the United States. "Lydia Okumura: Situations" (September 8, 2016–January 8, 2017) is the artist’s first solo exhibition in the United States. Through the exhibition and catalogue, the UB Art Galleries seek to encourage a critical reassessment of Okumura’s oeuvre within art history. The catalogue includes an essay on Okumura and her work, by curator Rachel Adams; an account of vanguardism in Brazilian art from 1960 to 1975, by art historian Mari Rodriguez Binnie; a conversation between Adams and Okumura; and extensive photo documentation of Okumura’s work from the 1970s until today. |
| Beschreibung: | 110 Seiten 22.9 x 29.2 cm |
| ISBN: | 9783956792915 |
Internformat
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| 520 | |a For almost fifty years, Lydia Okumura has explored the realm of geometric abstraction. She challenges our perception of space through sculptures, installations, and works on paper that blur distinctions between dimensions. In the 1970s, a young artist in her native São Paulo, she studied the Japanese art magazine Bijutsu Techou, which introduced her to Conceptual art, Minimalism, Land art, and Arte Povera. These movements, along with Brazilian Concretism and Neoconcretism, influenced Okumura’s work. Using simple materials such as string, glass, and paint, her dynamic work balances line, plane, and shadow. Okumura’s oeuvre—although reminiscent of the work of Latin American artists such as Lygia Pape and Carmen Herrera, as well as contemporaries such as Dorothea Rockburne and Robert Irwin—has remained under-recognized. She has exhibited widely in São Paulo and is part of multiple museum collections, but she is much less known in her adopted country, the United States. "Lydia Okumura: Situations" (September 8, 2016–January 8, 2017) is the artist’s first solo exhibition in the United States. Through the exhibition and catalogue, the UB Art Galleries seek to encourage a critical reassessment of Okumura’s oeuvre within art history. The catalogue includes an essay on Okumura and her work, by curator Rachel Adams; an account of vanguardism in Brazilian art from 1960 to 1975, by art historian Mari Rodriguez Binnie; a conversation between Adams and Okumura; and extensive photo documentation of Okumura’s work from the 1970s until today. | ||
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Datensatz im Suchindex
| _version_ | 1804177004825673728 |
|---|---|
| adam_text | CONTENTS
FOREWORD
4
INTRODUCTION 7
THE MULTIPLE
DIMENSIONS OF REALITY
RACHEL ADAMS
21
SITUATING VANGUARDISM
IN BRAZILIAN ART, 1960-1975
MARI RODRIGUEZ BINNIE
53
INTERVIEW BETWEEN
CURATOR RACHEL ADAMS
AND LYDIA OKUMURA
73
ARCHIVE 1971-1984
87
COMPREHENSIVE
EXHIBITION HISTORY
97
EXHIBITION CHECKLIST
105
COLOPHON
111
|
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| format | Book |
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| illustrated | Not Illustrated |
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| isbn | 9783956792915 |
| language | English Portuguese |
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| physical | 110 Seiten 22.9 x 29.2 cm |
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| spelling | Okumura, Lydia 1948- (DE-588)174326351 art Lydia Okumura - Situations curator: Rachel Adams ; translation: Justin Read, Raquel Vieira Parrine Sant'Ana Situations Berlin Sternberg Press 2016 110 Seiten 22.9 x 29.2 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier For almost fifty years, Lydia Okumura has explored the realm of geometric abstraction. She challenges our perception of space through sculptures, installations, and works on paper that blur distinctions between dimensions. In the 1970s, a young artist in her native São Paulo, she studied the Japanese art magazine Bijutsu Techou, which introduced her to Conceptual art, Minimalism, Land art, and Arte Povera. These movements, along with Brazilian Concretism and Neoconcretism, influenced Okumura’s work. Using simple materials such as string, glass, and paint, her dynamic work balances line, plane, and shadow. Okumura’s oeuvre—although reminiscent of the work of Latin American artists such as Lygia Pape and Carmen Herrera, as well as contemporaries such as Dorothea Rockburne and Robert Irwin—has remained under-recognized. She has exhibited widely in São Paulo and is part of multiple museum collections, but she is much less known in her adopted country, the United States. "Lydia Okumura: Situations" (September 8, 2016–January 8, 2017) is the artist’s first solo exhibition in the United States. Through the exhibition and catalogue, the UB Art Galleries seek to encourage a critical reassessment of Okumura’s oeuvre within art history. The catalogue includes an essay on Okumura and her work, by curator Rachel Adams; an account of vanguardism in Brazilian art from 1960 to 1975, by art historian Mari Rodriguez Binnie; a conversation between Adams and Okumura; and extensive photo documentation of Okumura’s work from the 1970s until today. Text englisch und portugisisch Okumura, Lydia 1948- (DE-588)174326351 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog UB Art Gallery 08.09.2016-17.12.2016 Buffalo, NY gnd-content (DE-588)4135467-9 Ausstellungskatalog UB Anderson Gallery 08.09.2016-08.01.2017 Buffalo, NY gnd-content Okumura, Lydia 1948- (DE-588)174326351 p DE-604 Adams, Rachel 1968- (DE-588)140625526 wat orm State University of New York at Buffalo Art Gallery (DE-588)10172261-8 isb DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029421093&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Lydia Okumura - Situations Okumura, Lydia 1948- (DE-588)174326351 gnd |
| subject_GND | (DE-588)174326351 (DE-588)4135467-9 |
| title | Lydia Okumura - Situations |
| title_alt | Situations |
| title_auth | Lydia Okumura - Situations |
| title_exact_search | Lydia Okumura - Situations |
| title_full | Lydia Okumura - Situations curator: Rachel Adams ; translation: Justin Read, Raquel Vieira Parrine Sant'Ana |
| title_fullStr | Lydia Okumura - Situations curator: Rachel Adams ; translation: Justin Read, Raquel Vieira Parrine Sant'Ana |
| title_full_unstemmed | Lydia Okumura - Situations curator: Rachel Adams ; translation: Justin Read, Raquel Vieira Parrine Sant'Ana |
| title_short | Lydia Okumura - Situations |
| title_sort | lydia okumura situations |
| topic | Okumura, Lydia 1948- (DE-588)174326351 gnd |
| topic_facet | Okumura, Lydia 1948- Ausstellungskatalog UB Art Gallery 08.09.2016-17.12.2016 Buffalo, NY Ausstellungskatalog UB Anderson Gallery 08.09.2016-08.01.2017 Buffalo, NY |
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