The Cubism seminars:
In his introduction Harry Cooper reminds the reader of the fundamentals of the debate over cubism as laid down in the late twentieth century in exhibitions at the Musée national Picasso, Paris (1987) and at the Museum of Modern Art, New York (1989), after which the lines of criticism were pretty fir...
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| Format: | Buch |
| Sprache: | English |
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Washington, DC
National Gallery of Art
[2017]
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| Schriftenreihe: | CASVA seminar papers
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In his introduction Harry Cooper reminds the reader of the fundamentals of the debate over cubism as laid down in the late twentieth century in exhibitions at the Musée national Picasso, Paris (1987) and at the Museum of Modern Art, New York (1989), after which the lines of criticism were pretty firmly drawn between semiotic or formalist readings and sociopolitical interpretations. The cubism of Braque and Picasso was the privileged ground of contention, and so it is not surprising that a quarter of a century later classic works by these two artists continue to fascinate and remain at the center of discussion. The choice of speakers and topics for the seminars at CASVA was intended to encourage exchange among members of a new generation. We were also grateful for the presence of Yve-Alain Bois at the first meeting on October 2013, for he was a major contributor to the earlier debates ... Provided by publisher |
| Beschreibung: | viii, 347 Seiten Illustrationen |
| ISBN: | 9780300226188 |
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| 520 | |a In his introduction Harry Cooper reminds the reader of the fundamentals of the debate over cubism as laid down in the late twentieth century in exhibitions at the Musée national Picasso, Paris (1987) and at the Museum of Modern Art, New York (1989), after which the lines of criticism were pretty firmly drawn between semiotic or formalist readings and sociopolitical interpretations. The cubism of Braque and Picasso was the privileged ground of contention, and so it is not surprising that a quarter of a century later classic works by these two artists continue to fascinate and remain at the center of discussion. The choice of speakers and topics for the seminars at CASVA was intended to encourage exchange among members of a new generation. We were also grateful for the presence of Yve-Alain Bois at the first meeting on October 2013, for he was a major contributor to the earlier debates ... Provided by publisher | ||
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Datensatz im Suchindex
| _version_ | 1804177002342645760 |
|---|---|
| adam_text | CONTENTS
VII
PREFACE
ELIZABETH
CROPPER
I
INTRODUCTION
HARRY
COOPER
7
SHADOWS,
SHADING,
AND
SHADES
EMILY
BRAUN
45
THE
CUBIST
STILL
LIFE:
FACTURE,
MANUFACTURE,
AND
DISPLACEMENT
LISA
FLORMAN
73
CUBISM
AND
SILENCE
LINDA
GODDARD
99
YOU
CAN
DRAW
WITH
WHATEVER
YOU
LIKE
MARIA
GOUGH
123
CUBISM
AND
THE
POLITICS
OF
FORM
PEPE
KARMEL
171
CUBISM
IN
PARIS,
1953
BRIGITTE
LEAL
195
WHAT
WAS
CUBISM?
CHARLES
PALERMO
225
CUBIST
EQUIVALENTS:
PICASSO S
CERET
SKETCHBOOK
OF
1913
CHRISTINE
POGG
1
253
CUBISM
BREAKS
COVER:
PICASSO
AND
PARADE
IN
1917
PETER
READ
287
CUBISM S
PASSION
SEBASTIAN
ZEICFLER
329
CONTRIBUTORS
333
INDEX
345
PHOTOGRAPHIC
CREDITS
|
| any_adam_object | 1 |
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| era_facet | Geschichte 1907-1920 |
| format | Book |
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| spelling | The Cubism seminars edited by Harry Cooper Washington, DC National Gallery of Art [2017] New Haven Distributed by Yale University Press [2017] viii, 347 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier CASVA seminar papers 3 In his introduction Harry Cooper reminds the reader of the fundamentals of the debate over cubism as laid down in the late twentieth century in exhibitions at the Musée national Picasso, Paris (1987) and at the Museum of Modern Art, New York (1989), after which the lines of criticism were pretty firmly drawn between semiotic or formalist readings and sociopolitical interpretations. The cubism of Braque and Picasso was the privileged ground of contention, and so it is not surprising that a quarter of a century later classic works by these two artists continue to fascinate and remain at the center of discussion. The choice of speakers and topics for the seminars at CASVA was intended to encourage exchange among members of a new generation. We were also grateful for the presence of Yve-Alain Bois at the first meeting on October 2013, for he was a major contributor to the earlier debates ... Provided by publisher Geschichte 1907-1920 gnd rswk-swf Cubism Influence Congresses Kunst (DE-588)4114333-4 gnd rswk-swf Kubismus (DE-588)4165855-3 gnd rswk-swf (DE-588)1071861417 Konferenzschrift gnd-content (DE-588)1071861417 Konferenzschrift Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC 03.04.2014-04.04.2014 Washington, DC gnd-content (DE-588)1071861417 Konferenzschrift Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC 17.10.2013-18.10.2013 Washington, DC gnd-content Kubismus (DE-588)4165855-3 s Kunst (DE-588)4114333-4 s Geschichte 1907-1920 z DE-604 Cooper, Harry 1959- (DE-588)140690379 edt CASVA seminar papers 3 (DE-604)BV024097244 3 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029419740&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | The Cubism seminars |
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| title_full | The Cubism seminars edited by Harry Cooper |
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