Class divisions in serial television:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Palgrave Macmillan
[2016]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | vii, 213 Seiten Illustrationen 21 cm |
| ISBN: | 9781137594488 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents
Introduction: Class Divisions and the Cultural
Politics of Serial TV 1
Sieglinde Lemke and Wibke Schniedermann
Part I (Di)Vision: “Tower” Class Televisibility 19
Framing Class, Vicarious Living,
and Conspicuous Consumption 21
Diana Kendall
“Hillbillies,” “Welfare Queens,” and “Teen Moms”:
American Media’s Class Distinctions 47
Diana Owen
The Paradoxical Class Politics in Here Comes
Honey Boo Boo 65
Evangelia Kindinger
Reality TV and Its Audiences Reconsidered:
Class and Poverty in Undercover Boss (CBS) 89
Tanja Aho
v
vi CONTENTS
Part II Di*Visions: Screening Exploitation, Neoliberal Lies,
and Class Realignment 119
Lifestyle Precarity and Creative Class Affirmation in Girls 121
Eric C. Erbacher
House of Lies and the Management of Emotions 143
Stefanie Mueller
The Financialization of Domestic Space in Arrested
Development and Breaking Bad 159
Julia Leyda
Realignment and Televisual Intellect: The Telepraxis
of Class Alliances in Contemporary Subscription
Television Drama 177
Stephen Shapiro
Index
207
This book brings the emergent interest in social class and inequality to the field of television
studies, ft reveals how the new visibility of class matters in serial television functions
aesthetically and examines the cultural class politics articulated in these programmes. This
ground-breaking volume argues that reality and quality TV s intricate politics of class entices
viewers not only to grapple with previously invisible socio-economic realities but also to
reconsider their class alignment. The stereotypical ways of framing class are now supplemented
by those dedicated to exposing the economic and socio-psychological burdens of the (lower)
middle class. The case studies in this book demonstrate how sophisticated narrative techniques
coincide with equally complex ways of exposing class divisions in contemporary American life
and how the examined shows disrupt the hegemonic order of class. The volume therefore also
invites a rethinking of conventional models of social stratification.
Sieglinde Lemke is the author of Poverty, inequality, and Precarity in Contemporary American
Culture (Palgrave Macmillan 2016), Vernacular Matters in American Literature (Palgrave
Macmillan 2009) and Primitivist Modernism: Black Culture and the Origins of Transatlantic
Modernism (1998). She studied at the University of Konstanz and at UC Berkeley, was a guest
professor at Harvard and taught at the John F. Kennedy Institute at the Free University in Berlin.
As a Senior Professor at the English Department at the Albert-Ludwigs University Freiburg,
Germany, Lemke teaches American Cultural and Media Studies and is also the director of the
Black Forest Writing Seminars.
Wibke Schniedermann is a postdoctoral researcher at the International Graduate Centre for
the Study of Culture at Giessen University, Germany where she is currently working on a book
about representations of homelessness in American culture. Schniedermann received her PhD
in American Studies from Frankfurt University and was part, of a research project funded by
the German Research Foundation at Freiburg LJniversity. She has taught American literary and
cultural studies at Frankfurt University and Mannheim University.
|
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| title | Class divisions in serial television |
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