The art of law in Shakespeare:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford ; Portland, Oregon
Hart Publishing
2017
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xiv, 275 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen |
| ISBN: | 9781509905478 |
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Datensatz im Suchindex
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| adam_text | Titel: The art of law in Shakespeare
Autor: Raffield, Paul
Jahr: 2017
The Art of Law in Shakespeare / PauJ/Raffield • HARTPUBLISHING OXFORD AND PORTLAND, OREGON 2017
CONTENTS Preface ......................................................................................................................vii Acknowledgements ....................................................................................................ix List of Illustrations ..................................................................................................xiii Introduction...............................................................................................................1 1. ‘Fie, painted rhetoric!’ Common Law, Satire and the Language of the Beast.......................................................................................17 I. Oratory, Empire and Common Law.......................................................17 II. Rhetoric, Method and the English Lawyer.............................................18 III. Our English Martiall: John Davies of the Middle Temple.........................................................................................34 IV. Love’s Labour’s Lost., the Inns of Court and the Sweet Smoke of Rhetoric.........................................................................47 2. Princes Set Upon Stages: Macbeth , Treason and the Theatre of Law...................................................................................................66 I. Compassing or Imagining Regicide........................................................66 II. Of Such Horror, and Monstrous Nature: The Juridical Enactment of Betrayal.......................................................71 III. Royal Succession as Theatre of the Whole World..................................81 IV. Treason and the King’s Two Bodies.........................................................92 3. The Winter’s Tale: An Art Lawful as Eating....................................................108 I. Law, Literature and
Genealogy..............................................................108 II. Horticulture, Transformation and the Artifice of Law........................................................................................112 III. The Nature of Law.................................................................................118 IV. Inheritance, Gender and the Common Law Tradition........................127 V. The Arts of Portraiture and Politics......................................................138 4. Cymbeline: Empire, Nationhood and the Jacobean Aeneid ...........................152 I. Some Footsteps in the Law....................................................................152 II. A Law Inscribed upon the Heart...........................................................154 III. Postnati. Calvin’s Case and the Journey of Jacobean Law.......................................................................165
Contents xii IV. The Divine Purpose, Nature and the Equivocal Image...............................................................................182 V. The Nationalist Ends of Myth...............................................................191 5. The Tempest: The Island of Law in Jacobean England...................................194 I. Cannibals, Colonies and the Brave New World....................................194 II. Utopia and the Legal Imagination........................................................203 III. Enchanted Islands of Common Law.....................................................221 Afterword...............................................................................................................236 Bibliography ............................................................................................................239 Index .......................................................................................................................263
Through an examination of five plays by Shakespeare, Paul Raffield analyses the
contiguous development of common law and poetic drama during the first decade
of Jacobean rule. The broad premise of The Art of Law in Shakespeare is that the
‘artificial reason5 of law was a complex art form that shared the same rhetorical
strategy as the plays of Shakespeare.
Common law and Shakespearean drama of this period employed various
aesthetic devices to capture the imagination and emotional commitment of their
respective audiences. Common law of the Jacobean era, as spoken in the law
courts, learnt at the Inns of Court and recorded in the law reports, used imagery
that would have been familiar to audiences of Shakespeare s plays. In its juridical
form, English law was intrinsically dramatic, its adversarial mode of expression
being founded on an agonistic model. Conversely, Shakespeare borrowed from
the common law some of its most critical themes: justice, legitimacy, sovereignty,
community, fairness and (above all else) humanity.
Each chapter investigates a particular aspect of the common law, seen through
the lens of a specific play by Shakespeare. Topics include the unprecedented
significance of rhetorical skills to the practice and learning of common law
(Love s Labour’s Lost); the early modern treason trial as exemplar of the theatre
of law {Macbeth); the art of law as legitimate distillation of the law of nature
{The Winter’s Tale); the efforts of common lawyers to create an image of nation-
hood from both classical and Judeo-Christian mythography {Cymbeline); and the
theatrical device of the island as microcosm of the Jacobean state and the project
of imperial expansion {The Tempest).
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| author | Raffield, Paul |
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| callnumber-first | P - Language and Literature |
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| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
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| dewey-tens | 820 - English & Old English literatures |
| discipline | Rechtswissenschaft Anglistik / Amerikanistik |
| era | Geschichte 1600-1700 Geschichte 1500-1600 |
| era_facet | Geschichte 1600-1700 Geschichte 1500-1600 |
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| spellingShingle | Raffield, Paul The art of law in Shakespeare Shakespeare, William 1564-1616 Knowledge Law Shakespeare, William 1564-1616 (DE-588)118613723 gnd Geschichte Recht Wissen Law Great Britain History 16th century Law Great Britain History 17th century Law and literature History 16th century Law and literature History 17th century Recht Motiv (DE-588)4121561-8 gnd |
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| title | The art of law in Shakespeare |
| title_auth | The art of law in Shakespeare |
| title_exact_search | The art of law in Shakespeare |
| title_full | The art of law in Shakespeare Paul Raffield |
| title_fullStr | The art of law in Shakespeare Paul Raffield |
| title_full_unstemmed | The art of law in Shakespeare Paul Raffield |
| title_short | The art of law in Shakespeare |
| title_sort | the art of law in shakespeare |
| topic | Shakespeare, William 1564-1616 Knowledge Law Shakespeare, William 1564-1616 (DE-588)118613723 gnd Geschichte Recht Wissen Law Great Britain History 16th century Law Great Britain History 17th century Law and literature History 16th century Law and literature History 17th century Recht Motiv (DE-588)4121561-8 gnd |
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