The Oxford handbook of the British musical:
"The Oxford Handbook of the British Musical" provides a comprehensive academic survey of British musical theatre offering both a historical account of the musical's development from 1728 and a range of in-depth critical analyses of the unique forms and features of British musicals, wh...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2016]
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| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | "The Oxford Handbook of the British Musical" provides a comprehensive academic survey of British musical theatre offering both a historical account of the musical's development from 1728 and a range of in-depth critical analyses of the unique forms and features of British musicals, which explore the aesthetic values and sociocultural meanings of a tradition that initially gave rise to the American musical and later challenged its modern pre-eminence. After a consideration of how John Gay's "The Beggar's Opera" (1728) created a prototype for eighteenth-century ballad opera, the book focuses on the use of song in early nineteenth century theatre, followed by a sociocultural analysis of the comic operas of Gilbert and Sullivan; it then examines Edwardian and interwar musical comedies and revues as well as the impact of Rodgers and Hammerstein on the West End, before analysing the new forms of the postwar British musical from "The Boy Friend" (1953) to "Oliver!" (1960). One section of the book examines the contributions of key twentieth century figures including Noel Coward, Ivor Novello, Tim Rice, Andrew Lloyd Webber, director Joan Littlewood and producer Cameron Macintosh, while a number of essays discuss both mainstream and alternative musicals of the 1960s and 1970s and the influence of the pop industry on the creation of concept recordings such as "Jesus Christ Superstar" (1970) and "Les Miserables" (1980). There is a consideration of "jukebox" musicals such as "Mamma Mia!" (1999), while essays on overtly political shows such as "Billy Elliot" (2005) are complemented by those on experimental musicals like "Jerry Springer: the Opera" (2003) and "London Road" (2011) and on the burgeoning of Black and Asian British musicals in both the West End and subsidized venues. "The Oxford Handbook of the British Musical" demonstrates not only the unique qualities of British musical theatre but also the vitality and variety of British musicals today. As Professor of Theatre and Performance at Goldsmiths, University of London, Robert Gordon established the first MA in Musical Theatre for writers and producers in Europe. He has worked as a playwright, director, actor and critic and is author of Pinter's Theatre of Power, Stoppard: Text and Performance, The Purpose of Playing, co-author of British Musicals since 1950 and editor of the Oxford Handbook of Sondheim Studies. Olaf Jubin is Reader in Media Studies and Musical Theatre at Regent's University London; he has written, co-written and co-edited several books in the area of popular culture, the mass media and musical theatre, both in English and in German, among them studies on the dubbing and subtitling of Hollywood musicals for the German market and a comparative analysis of American, British, German and Austrian reviews of the musicals of Stephen Sondheim and Andrew Lloyd Webber. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xviii, 754 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780199988747 |
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| 505 | 8 | |a Ballad opera : commercial song in enlightenment garb / Berta Joncus -- Between opera and musical : theatre music in early nineteenth-century London / Christine Furhmann -- Comic opera : English society in Gilbert and Sullivan / Carolyn Wiliams -- English musical comedy, 1890-1924 / Stephen Banfield -- English West End revue : the First World War and after / David Linton -- Musical comedy in the 1920s and 1930s : Mister Cinders and Me and my girl as class-conscious carnival / George Burrows -- West End royalty : Ivor Novello and English operetta, 1917-1951 / Stewart Nicholls -- The American invasion : the impact of Oklahoma! and Annie get your gun / Dominic Symonds -- 'Ordinary people' and British musicals of the post-war decade / John Snelson -- After Anger : the British musical of the late 1950s / Elizabeth A. Wells -- 'I'm common and I like 'em' : represenations of class in the period musical after Oliver! / Ben Francis -- Towards a British concept musical : the shows of Anthony Newley and Leslie Bricusse / David Cottis -- The pop-music industry and the British musical / Ian Sapiro -- 'Everybody's free to fail' : subsidized British revivals of the American canon / Sarah Browne -- Les misérables : from epic novel to epic musical / Kathryn M. Grossman and Bradley Stephens -- 'Humming the sets' : scenography and the spectacular musical from Cats to The Lord of the Rings / Christine White -- Billy Elliot and its lineage : the politics of class and sexual identity in British musicals since 1953 / Robert Gordon -- Noël Coward : sui generis / Dominic McHugh -- Joan Littlewood : collaboration and vision / Ben Macpherson -- Lionel Bart : British vernacular musical theatre / Millie Taylor -- Time Rice : the pop star scenario / Olaf Jubin -- Cameron Mackintosh : control, collaboration, and the creative producer / Miranda Lundskaer-Nielsen -- Andrew Lloyd Webber : haunted by the Phantom / David Chandler -- | |
| 505 | 8 | |a The beggar's legacy : playing with music and drama, 1920-2003 / Robert Lawson-Peebles -- Mamma mia! and the aesthetics of the twenty-first century jukebox musical / George Rodosthenous -- Attracting the family market : shows with cross-generational appeal / Rebecca Warner -- Genre counterpoints : challenges to the mainstream musical / David Roesner -- Some yesterdays always remain : Black British and Anglo-Asian musical theatre / Ben Macpherson | |
| 505 | 8 | |a Ballad opera : commercial song in enlightenment garb / Berta Joncus -- Between opera and musical : theatre music in early nineteenth-century London / Christine Furhmann -- Comic opera : English society in Gilbert and Sullivan / Carolyn Wiliams -- English musical comedy, 1890-1924 / Stephen Banfield -- English West End revue : the First World War and after / David Linton -- Musical comedy in the 1920s and 1930s : Mister Cinders and Me and my girl as class-conscious carnival / George Burrows -- West End royalty : Ivor Novello and English operetta, 1917-1951 / Stewart Nicholls -- The American invasion : the impact of Oklahoma! and Annie get your gun / Dominic Symonds -- 'Ordinary people' and British musicals of the post-war decade / John Snelson -- After Anger : the British musical of the late 1950s / Elizabeth A. Wells -- 'I'm common and I like 'em' : represenations of class in the period musical after Oliver! / Ben Francis -- Towards a British concept musical : the shows of Anthony Newley and Leslie Bricusse / David Cottis -- The pop-music industry and the British musical / Ian Sapiro -- 'Everybody's free to fail' : subsidized British revivals of the American canon / Sarah Browne -- Les misérables : from epic novel to epic musical / Kathryn M. Grossman and Bradley Stephens -- 'Humming the sets' : scenography and the spectacular musical from Cats to The Lord of the Rings / Christine White -- Billy Elliot and its lineage : the politics of class and sexual identity in British musicals since 1953 / Robert Gordon -- Noël Coward : sui generis / Dominic McHugh -- Joan Littlewood : collaboration and vision / Ben Macpherson -- Lionel Bart : British vernacular musical theatre / Millie Taylor -- Time Rice : the pop star scenario / Olaf Jubin -- Cameron Mackintosh : control, collaboration, and the creative producer / Miranda Lundskaer-Nielsen -- Andrew Lloyd Webber : haunted by the Phantom / David Chandler -- The beggar's lega | |
| 520 | |a "The Oxford Handbook of the British Musical" provides a comprehensive academic survey of British musical theatre offering both a historical account of the musical's development from 1728 and a range of in-depth critical analyses of the unique forms and features of British musicals, which explore the aesthetic values and sociocultural meanings of a tradition that initially gave rise to the American musical and later challenged its modern pre-eminence. After a consideration of how John Gay's "The Beggar's Opera" (1728) created a prototype for eighteenth-century ballad opera, the book focuses on the use of song in early nineteenth century theatre, followed by a sociocultural analysis of the comic operas of Gilbert and Sullivan; it then examines Edwardian and interwar musical comedies and revues as well as the impact of Rodgers and Hammerstein on the West End, before analysing the new forms of the postwar British musical from "The Boy Friend" (1953) to "Oliver!" (1960). One section of the book examines the contributions of key twentieth century figures including Noel Coward, Ivor Novello, Tim Rice, Andrew Lloyd Webber, director Joan Littlewood and producer Cameron Macintosh, while a number of essays discuss both mainstream and alternative musicals of the 1960s and 1970s and the influence of the pop industry on the creation of concept recordings such as "Jesus Christ Superstar" (1970) and "Les Miserables" (1980). There is a consideration of "jukebox" musicals such as "Mamma Mia!" (1999), while essays on overtly political shows such as "Billy Elliot" (2005) are complemented by those on experimental musicals like "Jerry Springer: the Opera" (2003) and "London Road" (2011) and on the burgeoning of Black and Asian British musicals in both the West End and subsidized venues. "The Oxford Handbook of the British Musical" demonstrates not only the unique qualities of British musical theatre but also the vitality and variety of British musicals today. | ||
| 520 | |a As Professor of Theatre and Performance at Goldsmiths, University of London, Robert Gordon established the first MA in Musical Theatre for writers and producers in Europe. He has worked as a playwright, director, actor and critic and is author of Pinter's Theatre of Power, Stoppard: Text and Performance, The Purpose of Playing, co-author of British Musicals since 1950 and editor of the Oxford Handbook of Sondheim Studies. Olaf Jubin is Reader in Media Studies and Musical Theatre at Regent's University London; he has written, co-written and co-edited several books in the area of popular culture, the mass media and musical theatre, both in English and in German, among them studies on the dubbing and subtitling of Hollywood musicals for the German market and a comparative analysis of American, British, German and Austrian reviews of the musicals of Stephen Sondheim and Andrew Lloyd Webber. | ||
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Datensatz im Suchindex
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| adam_text | Titel: The Oxford handbook of the British musical
Autor: Gordon, Robert
Jahr: 2016
Contents
Acknowledgements
Notes on Contributors
Introduction
PART I BRITANNIA RULES: THE EARLY
BRITISH MUSICAL AND SOCIETY
1. Bailad Opera: Commercial Song in Enlightenment Garb
Berta Joncus
2. Between Opera and Musical: Theatre Music in Early
Nineteenth-Century London
Christina Fuhrmann
3. Comic Opera: English Society in Gilbert and Sullivan
Carolyn Williams
4. English Musical Comedy, 1890-1924
Stephen Banfield
5. English West End Revue: The First World War and After
David Linton
PART II BRITISH OR AMERICAN:
ARTISTIC DIFFERENCES
6. Musical Comedy in the 1920s and 1930s: Mister Cinders and Me and
My Girl as Class-Conscious Carnival
George Burrows
7. West End Royalty: Ivor Novello and English Operetta, 1917-1951
Stewart Nicholls
VÜi CONTENTS
8. The American Invasion: The Impact of Oklahoma! and Annie Get
Your Gun 225
Dominic Symonds
9. Ordinary People and British Musicals of the Post-War Decade 249
John Snelson
PART III NEW APPROACHES TO FORM
AND SUBJECT MATTER
10. After Anger. The British Musical of the Late 1950s 273
Elizabeth A. Wells
11. Tm Common and I Like Em : Representations of Class in
the Period Musical after Oliver! 291
Ben Francis
12. Towards a British Concept Musical: The Shows of Anthony Newley
and Leslie Bricusse 309
David Cottis
13. The Pop-Music Industry and the British Musical 331
Ian Sapiro
PART IV THE BRITISH ARE COMING!
14. Everybodys Free to Fail : Subsidized British Revivals of the
American Canon 361
Sarah Browne
15. Les Miserables: From Epic Novel to Epic Musical 381
Kathryn M. Grossman and Bradley Stephens
16. Humming the Sets : Scenography and the Spectacular Musical
from Cats to The Lord ofthe Rings 401
Christine White
17. Billy Elliot and Its Lineage: The Politics of Class and Sexual Identity
in British Musicals since 1953 419
Robert Gordon
CONTENTS ix
PART V TRAILBLAZERS
18. Noel Coward: Sui Generis 445
Dominic McHugh
19. Joan Littlewood: Collaboration and Vision 463
Ben Macpherson
20. Lionel Bart: British Vernacular Musical Theatre 483
Millie Taylor
21. Tim Rice: The Pop Star Scenario 507
Olaf Jubin
22. Cameron Mackintosh: Control, Collaboration, and the Creative
Producer 537
Miranda Lundskaer-Nielsen
23. Andrew Lloyd Webber: Hauntedby the Phantom 561
David Chandler
PART VI THE ART OF THE
POSSIBLE1: ALTERNATIVE APPROACHES
TO MUSICAL THEATRE AESTHETICS
24. The Beggar s Legacy: Playing with Music and Drama, 1920-2003 585
Robert Lawson-Peebles
25. Mamma Mia! and the Aesthetics of the Twenty-First-Century
Jukebox Musical 613
George Rodosthenous
26. Attracting the Family Market: Shows with
Cross-Generational Appeal 633
Rebecca Warner
27. Genre Counterpoints: Challenges to the Mainstream Musical 651
David Roesner
X CONTENTS
28. Some Yesterdays Always Remain: Black British and Anglo-Asian
Musical Theatre 673
Ben Macpherson
Bibliography 697
Index 707
|
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| callnumber-subject | ML - Literature on Music |
| classification_rvk | LQ 84000 LR 54130 |
| contents | Ballad opera : commercial song in enlightenment garb / Berta Joncus -- Between opera and musical : theatre music in early nineteenth-century London / Christine Furhmann -- Comic opera : English society in Gilbert and Sullivan / Carolyn Wiliams -- English musical comedy, 1890-1924 / Stephen Banfield -- English West End revue : the First World War and after / David Linton -- Musical comedy in the 1920s and 1930s : Mister Cinders and Me and my girl as class-conscious carnival / George Burrows -- West End royalty : Ivor Novello and English operetta, 1917-1951 / Stewart Nicholls -- The American invasion : the impact of Oklahoma! and Annie get your gun / Dominic Symonds -- 'Ordinary people' and British musicals of the post-war decade / John Snelson -- After Anger : the British musical of the late 1950s / Elizabeth A. Wells -- 'I'm common and I like 'em' : represenations of class in the period musical after Oliver! / Ben Francis -- Towards a British concept musical : the shows of Anthony Newley and Leslie Bricusse / David Cottis -- The pop-music industry and the British musical / Ian Sapiro -- 'Everybody's free to fail' : subsidized British revivals of the American canon / Sarah Browne -- Les misérables : from epic novel to epic musical / Kathryn M. Grossman and Bradley Stephens -- 'Humming the sets' : scenography and the spectacular musical from Cats to The Lord of the Rings / Christine White -- Billy Elliot and its lineage : the politics of class and sexual identity in British musicals since 1953 / Robert Gordon -- Noël Coward : sui generis / Dominic McHugh -- Joan Littlewood : collaboration and vision / Ben Macpherson -- Lionel Bart : British vernacular musical theatre / Millie Taylor -- Time Rice : the pop star scenario / Olaf Jubin -- Cameron Mackintosh : control, collaboration, and the creative producer / Miranda Lundskaer-Nielsen -- Andrew Lloyd Webber : haunted by the Phantom / David Chandler -- The beggar's legacy : playing with music and drama, 1920-2003 / Robert Lawson-Peebles -- Mamma mia! and the aesthetics of the twenty-first century jukebox musical / George Rodosthenous -- Attracting the family market : shows with cross-generational appeal / Rebecca Warner -- Genre counterpoints : challenges to the mainstream musical / David Roesner -- Some yesterdays always remain : Black British and Anglo-Asian musical theatre / Ben Macpherson Ballad opera : commercial song in enlightenment garb / Berta Joncus -- Between opera and musical : theatre music in early nineteenth-century London / Christine Furhmann -- Comic opera : English society in Gilbert and Sullivan / Carolyn Wiliams -- English musical comedy, 1890-1924 / Stephen Banfield -- English West End revue : the First World War and after / David Linton -- Musical comedy in the 1920s and 1930s : Mister Cinders and Me and my girl as class-conscious carnival / George Burrows -- West End royalty : Ivor Novello and English operetta, 1917-1951 / Stewart Nicholls -- The American invasion : the impact of Oklahoma! and Annie get your gun / Dominic Symonds -- 'Ordinary people' and British musicals of the post-war decade / John Snelson -- After Anger : the British musical of the late 1950s / Elizabeth A. Wells -- 'I'm common and I like 'em' : represenations of class in the period musical after Oliver! / Ben Francis -- Towards a British concept musical : the shows of Anthony Newley and Leslie Bricusse / David Cottis -- The pop-music industry and the British musical / Ian Sapiro -- 'Everybody's free to fail' : subsidized British revivals of the American canon / Sarah Browne -- Les misérables : from epic novel to epic musical / Kathryn M. Grossman and Bradley Stephens -- 'Humming the sets' : scenography and the spectacular musical from Cats to The Lord of the Rings / Christine White -- Billy Elliot and its lineage : the politics of class and sexual identity in British musicals since 1953 / Robert Gordon -- Noël Coward : sui generis / Dominic McHugh -- Joan Littlewood : collaboration and vision / Ben Macpherson -- Lionel Bart : British vernacular musical theatre / Millie Taylor -- Time Rice : the pop star scenario / Olaf Jubin -- Cameron Mackintosh : control, collaboration, and the creative producer / Miranda Lundskaer-Nielsen -- Andrew Lloyd Webber : haunted by the Phantom / David Chandler -- The beggar's lega |
| ctrlnum | (OCoLC)973171358 (DE-599)BVBBV044004177 |
| dewey-full | 782.1/40941 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.1/40941 |
| dewey-search | 782.1/40941 |
| dewey-sort | 3782.1 540941 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1728- gnd |
| era_facet | Geschichte 1728- |
| format | Book |
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Wells -- 'I'm common and I like 'em' : represenations of class in the period musical after Oliver! / Ben Francis -- Towards a British concept musical : the shows of Anthony Newley and Leslie Bricusse / David Cottis -- The pop-music industry and the British musical / Ian Sapiro -- 'Everybody's free to fail' : subsidized British revivals of the American canon / Sarah Browne -- Les misérables : from epic novel to epic musical / Kathryn M. Grossman and Bradley Stephens -- 'Humming the sets' : scenography and the spectacular musical from Cats to The Lord of the Rings / Christine White -- Billy Elliot and its lineage : the politics of class and sexual identity in British musicals since 1953 / Robert Gordon -- Noël Coward : sui generis / Dominic McHugh -- Joan Littlewood : collaboration and vision / Ben Macpherson -- Lionel Bart : British vernacular musical theatre / Millie Taylor -- Time Rice : the pop star scenario / Olaf Jubin -- Cameron Mackintosh : control, collaboration, and the creative producer / Miranda Lundskaer-Nielsen -- Andrew Lloyd Webber : haunted by the Phantom / David Chandler -- The beggar's lega</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"The Oxford Handbook of the British Musical" provides a comprehensive academic survey of British musical theatre offering both a historical account of the musical's development from 1728 and a range of in-depth critical analyses of the unique forms and features of British musicals, which explore the aesthetic values and sociocultural meanings of a tradition that initially gave rise to the American musical and later challenged its modern pre-eminence. After a consideration of how John Gay's "The Beggar's Opera" (1728) created a prototype for eighteenth-century ballad opera, the book focuses on the use of song in early nineteenth century theatre, followed by a sociocultural analysis of the comic operas of Gilbert and Sullivan; it then examines Edwardian and interwar musical comedies and revues as well as the impact of Rodgers and Hammerstein on the West End, before analysing the new forms of the postwar British musical from "The Boy Friend" (1953) to "Oliver!" (1960). One section of the book examines the contributions of key twentieth century figures including Noel Coward, Ivor Novello, Tim Rice, Andrew Lloyd Webber, director Joan Littlewood and producer Cameron Macintosh, while a number of essays discuss both mainstream and alternative musicals of the 1960s and 1970s and the influence of the pop industry on the creation of concept recordings such as "Jesus Christ Superstar" (1970) and "Les Miserables" (1980). There is a consideration of "jukebox" musicals such as "Mamma Mia!" (1999), while essays on overtly political shows such as "Billy Elliot" (2005) are complemented by those on experimental musicals like "Jerry Springer: the Opera" (2003) and "London Road" (2011) and on the burgeoning of Black and Asian British musicals in both the West End and subsidized venues. "The Oxford Handbook of the British Musical" demonstrates not only the unique qualities of British musical theatre but also the vitality and variety of British musicals today.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">As Professor of Theatre and Performance at Goldsmiths, University of London, Robert Gordon established the first MA in Musical Theatre for writers and producers in Europe. 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Olaf Jubin is Reader in Media Studies and Musical Theatre at Regent's University London; he has written, co-written and co-edited several books in the area of popular culture, the mass media and musical theatre, both in English and in German, among them studies on the dubbing and subtitling of Hollywood musicals for the German market and a comparative analysis of American, British, German and Austrian reviews of the musicals of Stephen Sondheim and Andrew Lloyd Webber.</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1728-</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musicals</subfield><subfield code="z">Great Britain</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musical</subfield><subfield code="0">(DE-588)4040801-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Großbritannien</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musical</subfield><subfield code="0">(DE-588)4040801-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1728-</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gordon, Robert</subfield><subfield code="d">1951-</subfield><subfield code="0">(DE-588)132064561</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Jubin, Olaf</subfield><subfield code="d">1967-</subfield><subfield code="0">(DE-588)114608466</subfield><subfield code="4">edt</subfield></datafield><datafield tag="856" ind1="4" ind2=" "><subfield code="u">https://global.oup.com/academic/product/the-oxford-handbook-of-the-british-musical-9780199988747?cc=de&lang=en&#</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HBZ Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029412027&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029412027</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780</subfield><subfield code="e">22/bsb</subfield><subfield code="g">41</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="g">41</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="g">41</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | Großbritannien Großbritannien (DE-588)4022153-2 gnd |
| geographic_facet | Großbritannien |
| id | DE-604.BV044004177 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:40:55Z |
| institution | BVB |
| isbn | 9780199988747 |
| language | English |
| lccn | 016014652 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029412027 |
| oclc_num | 973171358 |
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| owner_facet | DE-703 DE-12 DE-355 DE-BY-UBR DE-11 DE-B170 DE-29 |
| physical | xviii, 754 Seiten Illustrationen, Notenbeispiele |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | The Oxford handbook of the British musical edited by Robert Gordon and Olaf Jubin Handbook of the British musical The British musical New York, NY Oxford University Press [2016] © 2016 xviii, 754 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Ballad opera : commercial song in enlightenment garb / Berta Joncus -- Between opera and musical : theatre music in early nineteenth-century London / Christine Furhmann -- Comic opera : English society in Gilbert and Sullivan / Carolyn Wiliams -- English musical comedy, 1890-1924 / Stephen Banfield -- English West End revue : the First World War and after / David Linton -- Musical comedy in the 1920s and 1930s : Mister Cinders and Me and my girl as class-conscious carnival / George Burrows -- West End royalty : Ivor Novello and English operetta, 1917-1951 / Stewart Nicholls -- The American invasion : the impact of Oklahoma! and Annie get your gun / Dominic Symonds -- 'Ordinary people' and British musicals of the post-war decade / John Snelson -- After Anger : the British musical of the late 1950s / Elizabeth A. Wells -- 'I'm common and I like 'em' : represenations of class in the period musical after Oliver! / Ben Francis -- Towards a British concept musical : the shows of Anthony Newley and Leslie Bricusse / David Cottis -- The pop-music industry and the British musical / Ian Sapiro -- 'Everybody's free to fail' : subsidized British revivals of the American canon / Sarah Browne -- Les misérables : from epic novel to epic musical / Kathryn M. Grossman and Bradley Stephens -- 'Humming the sets' : scenography and the spectacular musical from Cats to The Lord of the Rings / Christine White -- Billy Elliot and its lineage : the politics of class and sexual identity in British musicals since 1953 / Robert Gordon -- Noël Coward : sui generis / Dominic McHugh -- Joan Littlewood : collaboration and vision / Ben Macpherson -- Lionel Bart : British vernacular musical theatre / Millie Taylor -- Time Rice : the pop star scenario / Olaf Jubin -- Cameron Mackintosh : control, collaboration, and the creative producer / Miranda Lundskaer-Nielsen -- Andrew Lloyd Webber : haunted by the Phantom / David Chandler -- The beggar's legacy : playing with music and drama, 1920-2003 / Robert Lawson-Peebles -- Mamma mia! and the aesthetics of the twenty-first century jukebox musical / George Rodosthenous -- Attracting the family market : shows with cross-generational appeal / Rebecca Warner -- Genre counterpoints : challenges to the mainstream musical / David Roesner -- Some yesterdays always remain : Black British and Anglo-Asian musical theatre / Ben Macpherson Ballad opera : commercial song in enlightenment garb / Berta Joncus -- Between opera and musical : theatre music in early nineteenth-century London / Christine Furhmann -- Comic opera : English society in Gilbert and Sullivan / Carolyn Wiliams -- English musical comedy, 1890-1924 / Stephen Banfield -- English West End revue : the First World War and after / David Linton -- Musical comedy in the 1920s and 1930s : Mister Cinders and Me and my girl as class-conscious carnival / George Burrows -- West End royalty : Ivor Novello and English operetta, 1917-1951 / Stewart Nicholls -- The American invasion : the impact of Oklahoma! and Annie get your gun / Dominic Symonds -- 'Ordinary people' and British musicals of the post-war decade / John Snelson -- After Anger : the British musical of the late 1950s / Elizabeth A. Wells -- 'I'm common and I like 'em' : represenations of class in the period musical after Oliver! / Ben Francis -- Towards a British concept musical : the shows of Anthony Newley and Leslie Bricusse / David Cottis -- The pop-music industry and the British musical / Ian Sapiro -- 'Everybody's free to fail' : subsidized British revivals of the American canon / Sarah Browne -- Les misérables : from epic novel to epic musical / Kathryn M. Grossman and Bradley Stephens -- 'Humming the sets' : scenography and the spectacular musical from Cats to The Lord of the Rings / Christine White -- Billy Elliot and its lineage : the politics of class and sexual identity in British musicals since 1953 / Robert Gordon -- Noël Coward : sui generis / Dominic McHugh -- Joan Littlewood : collaboration and vision / Ben Macpherson -- Lionel Bart : British vernacular musical theatre / Millie Taylor -- Time Rice : the pop star scenario / Olaf Jubin -- Cameron Mackintosh : control, collaboration, and the creative producer / Miranda Lundskaer-Nielsen -- Andrew Lloyd Webber : haunted by the Phantom / David Chandler -- The beggar's lega "The Oxford Handbook of the British Musical" provides a comprehensive academic survey of British musical theatre offering both a historical account of the musical's development from 1728 and a range of in-depth critical analyses of the unique forms and features of British musicals, which explore the aesthetic values and sociocultural meanings of a tradition that initially gave rise to the American musical and later challenged its modern pre-eminence. After a consideration of how John Gay's "The Beggar's Opera" (1728) created a prototype for eighteenth-century ballad opera, the book focuses on the use of song in early nineteenth century theatre, followed by a sociocultural analysis of the comic operas of Gilbert and Sullivan; it then examines Edwardian and interwar musical comedies and revues as well as the impact of Rodgers and Hammerstein on the West End, before analysing the new forms of the postwar British musical from "The Boy Friend" (1953) to "Oliver!" (1960). One section of the book examines the contributions of key twentieth century figures including Noel Coward, Ivor Novello, Tim Rice, Andrew Lloyd Webber, director Joan Littlewood and producer Cameron Macintosh, while a number of essays discuss both mainstream and alternative musicals of the 1960s and 1970s and the influence of the pop industry on the creation of concept recordings such as "Jesus Christ Superstar" (1970) and "Les Miserables" (1980). There is a consideration of "jukebox" musicals such as "Mamma Mia!" (1999), while essays on overtly political shows such as "Billy Elliot" (2005) are complemented by those on experimental musicals like "Jerry Springer: the Opera" (2003) and "London Road" (2011) and on the burgeoning of Black and Asian British musicals in both the West End and subsidized venues. "The Oxford Handbook of the British Musical" demonstrates not only the unique qualities of British musical theatre but also the vitality and variety of British musicals today. As Professor of Theatre and Performance at Goldsmiths, University of London, Robert Gordon established the first MA in Musical Theatre for writers and producers in Europe. He has worked as a playwright, director, actor and critic and is author of Pinter's Theatre of Power, Stoppard: Text and Performance, The Purpose of Playing, co-author of British Musicals since 1950 and editor of the Oxford Handbook of Sondheim Studies. Olaf Jubin is Reader in Media Studies and Musical Theatre at Regent's University London; he has written, co-written and co-edited several books in the area of popular culture, the mass media and musical theatre, both in English and in German, among them studies on the dubbing and subtitling of Hollywood musicals for the German market and a comparative analysis of American, British, German and Austrian reviews of the musicals of Stephen Sondheim and Andrew Lloyd Webber. Geschichte 1728- gnd rswk-swf Musicals Great Britain History and criticism Musical (DE-588)4040801-2 gnd rswk-swf Großbritannien Großbritannien (DE-588)4022153-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Großbritannien (DE-588)4022153-2 g Musical (DE-588)4040801-2 s Geschichte 1728- z DE-604 Gordon, Robert 1951- (DE-588)132064561 edt Jubin, Olaf 1967- (DE-588)114608466 edt https://global.oup.com/academic/product/the-oxford-handbook-of-the-british-musical-9780199988747?cc=de&lang=en&# Inhaltsverzeichnis HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029412027&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The Oxford handbook of the British musical Ballad opera : commercial song in enlightenment garb / Berta Joncus -- Between opera and musical : theatre music in early nineteenth-century London / Christine Furhmann -- Comic opera : English society in Gilbert and Sullivan / Carolyn Wiliams -- English musical comedy, 1890-1924 / Stephen Banfield -- English West End revue : the First World War and after / David Linton -- Musical comedy in the 1920s and 1930s : Mister Cinders and Me and my girl as class-conscious carnival / George Burrows -- West End royalty : Ivor Novello and English operetta, 1917-1951 / Stewart Nicholls -- The American invasion : the impact of Oklahoma! and Annie get your gun / Dominic Symonds -- 'Ordinary people' and British musicals of the post-war decade / John Snelson -- After Anger : the British musical of the late 1950s / Elizabeth A. Wells -- 'I'm common and I like 'em' : represenations of class in the period musical after Oliver! / Ben Francis -- Towards a British concept musical : the shows of Anthony Newley and Leslie Bricusse / David Cottis -- The pop-music industry and the British musical / Ian Sapiro -- 'Everybody's free to fail' : subsidized British revivals of the American canon / Sarah Browne -- Les misérables : from epic novel to epic musical / Kathryn M. Grossman and Bradley Stephens -- 'Humming the sets' : scenography and the spectacular musical from Cats to The Lord of the Rings / Christine White -- Billy Elliot and its lineage : the politics of class and sexual identity in British musicals since 1953 / Robert Gordon -- Noël Coward : sui generis / Dominic McHugh -- Joan Littlewood : collaboration and vision / Ben Macpherson -- Lionel Bart : British vernacular musical theatre / Millie Taylor -- Time Rice : the pop star scenario / Olaf Jubin -- Cameron Mackintosh : control, collaboration, and the creative producer / Miranda Lundskaer-Nielsen -- Andrew Lloyd Webber : haunted by the Phantom / David Chandler -- The beggar's legacy : playing with music and drama, 1920-2003 / Robert Lawson-Peebles -- Mamma mia! and the aesthetics of the twenty-first century jukebox musical / George Rodosthenous -- Attracting the family market : shows with cross-generational appeal / Rebecca Warner -- Genre counterpoints : challenges to the mainstream musical / David Roesner -- Some yesterdays always remain : Black British and Anglo-Asian musical theatre / Ben Macpherson Ballad opera : commercial song in enlightenment garb / Berta Joncus -- Between opera and musical : theatre music in early nineteenth-century London / Christine Furhmann -- Comic opera : English society in Gilbert and Sullivan / Carolyn Wiliams -- English musical comedy, 1890-1924 / Stephen Banfield -- English West End revue : the First World War and after / David Linton -- Musical comedy in the 1920s and 1930s : Mister Cinders and Me and my girl as class-conscious carnival / George Burrows -- West End royalty : Ivor Novello and English operetta, 1917-1951 / Stewart Nicholls -- The American invasion : the impact of Oklahoma! and Annie get your gun / Dominic Symonds -- 'Ordinary people' and British musicals of the post-war decade / John Snelson -- After Anger : the British musical of the late 1950s / Elizabeth A. Wells -- 'I'm common and I like 'em' : represenations of class in the period musical after Oliver! / Ben Francis -- Towards a British concept musical : the shows of Anthony Newley and Leslie Bricusse / David Cottis -- The pop-music industry and the British musical / Ian Sapiro -- 'Everybody's free to fail' : subsidized British revivals of the American canon / Sarah Browne -- Les misérables : from epic novel to epic musical / Kathryn M. Grossman and Bradley Stephens -- 'Humming the sets' : scenography and the spectacular musical from Cats to The Lord of the Rings / Christine White -- Billy Elliot and its lineage : the politics of class and sexual identity in British musicals since 1953 / Robert Gordon -- Noël Coward : sui generis / Dominic McHugh -- Joan Littlewood : collaboration and vision / Ben Macpherson -- Lionel Bart : British vernacular musical theatre / Millie Taylor -- Time Rice : the pop star scenario / Olaf Jubin -- Cameron Mackintosh : control, collaboration, and the creative producer / Miranda Lundskaer-Nielsen -- Andrew Lloyd Webber : haunted by the Phantom / David Chandler -- The beggar's lega Musicals Great Britain History and criticism Musical (DE-588)4040801-2 gnd |
| subject_GND | (DE-588)4040801-2 (DE-588)4022153-2 (DE-588)4143413-4 |
| title | The Oxford handbook of the British musical |
| title_alt | Handbook of the British musical The British musical |
| title_auth | The Oxford handbook of the British musical |
| title_exact_search | The Oxford handbook of the British musical |
| title_full | The Oxford handbook of the British musical edited by Robert Gordon and Olaf Jubin |
| title_fullStr | The Oxford handbook of the British musical edited by Robert Gordon and Olaf Jubin |
| title_full_unstemmed | The Oxford handbook of the British musical edited by Robert Gordon and Olaf Jubin |
| title_short | The Oxford handbook of the British musical |
| title_sort | the oxford handbook of the british musical |
| topic | Musicals Great Britain History and criticism Musical (DE-588)4040801-2 gnd |
| topic_facet | Musicals Great Britain History and criticism Musical Großbritannien Aufsatzsammlung |
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