Sociology on film: postwar Hollywood's prestige commodity
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick, New Jersey ; London
Rutgers University Press
[2017]
|
| Schriftenreihe: | Film and media studies/American studies/Sociology
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | x, 188 Seiten Illustrationen |
| ISBN: | 9780813576947 9780813576930 |
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Datensatz im Suchindex
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| adam_text |
SOCIOLOGY ON FILM
/ CAGLE, CHRISYYD1974-YYEAUTHOR
: 2016
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION
TWO MODES OF PRESTIGE FILM
HOLLYWOOD AS POPULAR SOCIOLOGY
HOLLYWOOD AND THE PUBLIC SPHERE
A GENRE OUT OF CYCLES
REALIST MELODRAMA
EPILOGUE
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Titel: Sociology on film
Autor: Cagle, Chris
Jahr: 2017
Contents
Acknowledgments ix
Introduction i
i Two Modes of Prestige Film 19
2 Hollywood as Populär Sociology 45
3 Hollywood and the Public Sphere 70
4 A Genre Out of Cycles 95
5 Realist Melodrama 12.6
Epilogue 157
Notes 161
Index 181
After World War II, Hollywood’s "social problem films”—tackling topical issues that included
racism, crime, mental illness, and drug abuse—were hits with critics and general moviegoers
alike. In an era of film famed for its reliance on pop psychology, these movies were a form of
popular sociology, bringing the academic discipline’s concerns to a much broader audience.
Sociology on Film examines how the postwar “problem film” translated contemporary
policy debates and intellectual discussions into cinematic form in order to become one of the
preeminent genres of prestige drama. Chris Cagle chronicles how these movies were often
politically fractious, the work of progressive directors and screenwriters who drew scrutiny
from the House Un-American Activities Committee. Yet he also proposes that the genre helped
to construct an abstract discourse of “society” that served to unify a middlebrow American
audience.
As he considers the many forms of print media that served to inspire social problem films,
including journalism, realist novels, and sociological texts, Cagle also explores their distinctive
cinematic aesthetics. Through a close analysis of films like Gentleman’s Agreement, The Lost
Weekend, and Intruder in the Dust, he presents a compelling case that the visual style of these
films was intimately connected to their more expressly political and sociological aspirations.
Sociology on Film demonstrates how the social problem picture both shaped and reflected the
middle-class viewer’s national self-image, making a lasting impact on Hollywood’s aesthetic
direction.
CHRIS CAGLE is an associate professor of film and media arts at Temple University in
Philadelphia, Pennsylvania. |
| any_adam_object | 1 |
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| era | Geschichte 1900-2000 Geschichte 1945-1967 gnd |
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| spelling | Cagle, Chris 1974- Verfasser (DE-588)1132736870 aut Sociology on film postwar Hollywood's prestige commodity Chris Cagle New Brunswick, New Jersey ; London Rutgers University Press [2017] © 2017 x, 188 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Film and media studies/American studies/Sociology Includes bibliographical references and index Geschichte 1900-2000 Geschichte 1945-1967 gnd rswk-swf Film Geschichte Gesellschaft Social problems in motion pictures Motion pictures Social aspects United States Motion pictures United States History 20th century Film (DE-588)4017102-4 gnd rswk-swf Soziologie (DE-588)4077624-4 gnd rswk-swf USA Los Angeles- Hollywood (DE-588)4099817-4 gnd rswk-swf Los Angeles- Hollywood (DE-588)4099817-4 g Film (DE-588)4017102-4 s Soziologie (DE-588)4077624-4 s Geschichte 1945-1967 z DE-604 Erscheint auch als Online-Ausgabe 978-0-8135-7695-4(, epub) 978-0-8135-7696-1(, web pdf) LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029406835&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029406835&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029406835&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Cagle, Chris 1974- Sociology on film postwar Hollywood's prestige commodity Film Geschichte Gesellschaft Social problems in motion pictures Motion pictures Social aspects United States Motion pictures United States History 20th century Film (DE-588)4017102-4 gnd Soziologie (DE-588)4077624-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4077624-4 (DE-588)4099817-4 |
| title | Sociology on film postwar Hollywood's prestige commodity |
| title_auth | Sociology on film postwar Hollywood's prestige commodity |
| title_exact_search | Sociology on film postwar Hollywood's prestige commodity |
| title_full | Sociology on film postwar Hollywood's prestige commodity Chris Cagle |
| title_fullStr | Sociology on film postwar Hollywood's prestige commodity Chris Cagle |
| title_full_unstemmed | Sociology on film postwar Hollywood's prestige commodity Chris Cagle |
| title_short | Sociology on film |
| title_sort | sociology on film postwar hollywood s prestige commodity |
| title_sub | postwar Hollywood's prestige commodity |
| topic | Film Geschichte Gesellschaft Social problems in motion pictures Motion pictures Social aspects United States Motion pictures United States History 20th century Film (DE-588)4017102-4 gnd Soziologie (DE-588)4077624-4 gnd |
| topic_facet | Film Geschichte Gesellschaft Social problems in motion pictures Motion pictures Social aspects United States Motion pictures United States History 20th century Soziologie USA Los Angeles- Hollywood |
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