Theatrical jazz: performance, Àṣẹ, and the power of the present moment
"Theatrical Jazz examines how artists are made and how artists make art. In charting their overlapping artistic genealogies, the book also discusses the work of veteran artists Aishah Rahman, Robbie McCauley, Sekou Sundiata, Ntozake Shange, and Erik Ehn, as well as the next generation of theatr...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Columbus
The Ohio State University Press
[2015]
|
| Schriftenreihe: | Black performance and cultural criticism
|
| Schlagworte: | |
| Zusammenfassung: | "Theatrical Jazz examines how artists are made and how artists make art. In charting their overlapping artistic genealogies, the book also discusses the work of veteran artists Aishah Rahman, Robbie McCauley, Sekou Sundiata, Ntozake Shange, and Erik Ehn, as well as the next generation of theatrical jazz innovators, Grisha Coleman, Walter Kitundu, Florinda Bryant, and Zell Miller III. Using autocritography as a primary methodology, the author draws on her role as performer, collaborator, audience/witness, and dramaturg in theatrical jazz, and her experiences with Yoruba spiritual traditions, to excavate the layers and nuances of this performance form. Jones's use of performative writing, a blend of intellectual, artistic, and sensory experiences, allows scholars and students not only to read but also to "hear" the principles of theatrical jazz on the page."--Publisher's description |
| Beschreibung: | xvi, 269 pages illustrations (chiefly color), map 26 cm |
| ISBN: | 9780814212820 0814212824 0814293875 9780814293874 |
Internformat
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| 245 | 1 | 0 | |a Theatrical jazz |b performance, Àṣẹ, and the power of the present moment |c Omi Osun Joni L. Jones |
| 264 | 1 | |a Columbus |b The Ohio State University Press |c [2015] | |
| 264 | 0 | |c © 2015 | |
| 300 | |a xvi, 269 pages |b illustrations (chiefly color), map |c 26 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Black performance and cultural criticism | |
| 505 | 8 | |a Introduction: Troubling jazz / Abínibí / Black Theatre for the 21st century -- The Ensemble / Ẹgbẹ́ / Community -- The marrow: Laurie Carlos -- The blue note: Daniel Alexander Jones -- The roots: Sharon Bridgforth -- The Break / Awo / Process -- The Bridge / Áṣẹ / Transformation | |
| 520 | 3 | |a "Theatrical Jazz examines how artists are made and how artists make art. In charting their overlapping artistic genealogies, the book also discusses the work of veteran artists Aishah Rahman, Robbie McCauley, Sekou Sundiata, Ntozake Shange, and Erik Ehn, as well as the next generation of theatrical jazz innovators, Grisha Coleman, Walter Kitundu, Florinda Bryant, and Zell Miller III. Using autocritography as a primary methodology, the author draws on her role as performer, collaborator, audience/witness, and dramaturg in theatrical jazz, and her experiences with Yoruba spiritual traditions, to excavate the layers and nuances of this performance form. Jones's use of performative writing, a blend of intellectual, artistic, and sensory experiences, allows scholars and students not only to read but also to "hear" the principles of theatrical jazz on the page."--Publisher's description | |
| 653 | 0 | |a Performance art | |
| 653 | 0 | |a African American theater | |
| 653 | 0 | |a Jazz / Philosophy and aesthetics | |
| 653 | 0 | |a Art de performance | |
| 653 | 0 | |a Théâtre noir américain | |
| 653 | 0 | |a Jazz / Esthétique | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029405958 | ||
Datensatz im Suchindex
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| any_adam_object | |
| author | Jones, Omi Osun Joni L. 1955- |
| author_GND | (DE-588)1047365758 |
| author_facet | Jones, Omi Osun Joni L. 1955- |
| author_role | aut |
| author_sort | Jones, Omi Osun Joni L. 1955- |
| author_variant | o o j l j oojl oojlj |
| building | Verbundindex |
| bvnumber | BV043997932 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1584 |
| callnumber-raw | PN1584 |
| callnumber-search | PN1584 |
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| contents | Introduction: Troubling jazz / Abínibí / Black Theatre for the 21st century -- The Ensemble / Ẹgbẹ́ / Community -- The marrow: Laurie Carlos -- The blue note: Daniel Alexander Jones -- The roots: Sharon Bridgforth -- The Break / Awo / Process -- The Bridge / Áṣẹ / Transformation |
| ctrlnum | (OCoLC)992547824 (DE-599)BVBBV043997932 |
| format | Book |
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| id | DE-604.BV043997932 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:40:45Z |
| institution | BVB |
| isbn | 9780814212820 0814212824 0814293875 9780814293874 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029405958 |
| oclc_num | 992547824 |
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| owner_facet | DE-19 DE-BY-UBM |
| physical | xvi, 269 pages illustrations (chiefly color), map 26 cm |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | The Ohio State University Press |
| record_format | marc |
| series2 | Black performance and cultural criticism |
| spelling | Jones, Omi Osun Joni L. 1955- Verfasser (DE-588)1047365758 aut Theatrical jazz performance, Àṣẹ, and the power of the present moment Omi Osun Joni L. Jones Columbus The Ohio State University Press [2015] © 2015 xvi, 269 pages illustrations (chiefly color), map 26 cm txt rdacontent n rdamedia nc rdacarrier Black performance and cultural criticism Introduction: Troubling jazz / Abínibí / Black Theatre for the 21st century -- The Ensemble / Ẹgbẹ́ / Community -- The marrow: Laurie Carlos -- The blue note: Daniel Alexander Jones -- The roots: Sharon Bridgforth -- The Break / Awo / Process -- The Bridge / Áṣẹ / Transformation "Theatrical Jazz examines how artists are made and how artists make art. In charting their overlapping artistic genealogies, the book also discusses the work of veteran artists Aishah Rahman, Robbie McCauley, Sekou Sundiata, Ntozake Shange, and Erik Ehn, as well as the next generation of theatrical jazz innovators, Grisha Coleman, Walter Kitundu, Florinda Bryant, and Zell Miller III. Using autocritography as a primary methodology, the author draws on her role as performer, collaborator, audience/witness, and dramaturg in theatrical jazz, and her experiences with Yoruba spiritual traditions, to excavate the layers and nuances of this performance form. Jones's use of performative writing, a blend of intellectual, artistic, and sensory experiences, allows scholars and students not only to read but also to "hear" the principles of theatrical jazz on the page."--Publisher's description Performance art African American theater Jazz / Philosophy and aesthetics Art de performance Théâtre noir américain Jazz / Esthétique |
| spellingShingle | Jones, Omi Osun Joni L. 1955- Theatrical jazz performance, Àṣẹ, and the power of the present moment Introduction: Troubling jazz / Abínibí / Black Theatre for the 21st century -- The Ensemble / Ẹgbẹ́ / Community -- The marrow: Laurie Carlos -- The blue note: Daniel Alexander Jones -- The roots: Sharon Bridgforth -- The Break / Awo / Process -- The Bridge / Áṣẹ / Transformation |
| title | Theatrical jazz performance, Àṣẹ, and the power of the present moment |
| title_auth | Theatrical jazz performance, Àṣẹ, and the power of the present moment |
| title_exact_search | Theatrical jazz performance, Àṣẹ, and the power of the present moment |
| title_full | Theatrical jazz performance, Àṣẹ, and the power of the present moment Omi Osun Joni L. Jones |
| title_fullStr | Theatrical jazz performance, Àṣẹ, and the power of the present moment Omi Osun Joni L. Jones |
| title_full_unstemmed | Theatrical jazz performance, Àṣẹ, and the power of the present moment Omi Osun Joni L. Jones |
| title_short | Theatrical jazz |
| title_sort | theatrical jazz performance ase and the power of the present moment |
| title_sub | performance, Àṣẹ, and the power of the present moment |
| work_keys_str_mv | AT jonesomiosunjonil theatricaljazzperformanceaseandthepowerofthepresentmoment |