Chaucer: visual approaches
"A collection of twelve illustrated essays modeling innovative approaches to reading Chaucer's visual poetics. Essays explore connections between Chaucer's texts and various forms of visual data, medieval and modern, that can deepen and inform our understanding of Chaucer's poetr...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
University Park, Pennsylvania
The Pennsylvania State University Press
[2016]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "A collection of twelve illustrated essays modeling innovative approaches to reading Chaucer's visual poetics. Essays explore connections between Chaucer's texts and various forms of visual data, medieval and modern, that can deepen and inform our understanding of Chaucer's poetry"...Provided by publisher |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxvi, 302 Seiten Illustrationen |
| ISBN: | 9780271074801 |
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Datensatz im Suchindex
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| adam_text | CHAUCER
/
: 2016
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTERVISUAL TEXTS, INTERTEXTUAL IMAGES : CHAUCER AND THE LUTTRELL
PSALTER / ASHBY KINCH
CREATIVE MEMORY AND VISUAL IMAGE IN CHAUCER S HOUSE OF FAME / ALEXANDRA
COOK
QUY LA? : THE COUNTING-HOUSE, THE SHIPMAN S TALE, AND ARCHITECTURAL
INTERIORS / SARAH STANBURY
THER VERNON PATERNOSTER DIAGRAM, MEDIEVAL GRAPHIC DESIGN, AND THE
PARSON S TALE / KATHRYN VULIC
STANDING UNDER THE CROSS IN THE PARDONER S AND SHIPMAN S TALES / SUSANNA
FEIN
DISFIGURED DRUNKENNESS IN CHAUCER, DESCHAMPS, AND MEDIEVAL VISUAL
CULTURE / LAURA KENDRICK
THE FRANKLIN S TALE AND THE SISTER ARTS / JESSICA BRANTLEY
MIRACLE WINDOWS AND THE PILGRIMAGE TO CANTERBURY / DAVID RAYBIN
TRANSLATING ICONOGRAPHY : GOWER, PEARL, CHAUCER, AND THE ROSE / JOYCE
COLEMAN
QUI BIEN AYME A TARDE OBLIE : LEMMATA AND LISTS IN THE PARLIAMENT OF
FOWLS / MARTHA RUST
THE VISUAL SEMANTICS OF ELLESMERE : GOLD, ARTIFICE, AND AUDIENCE /
MAIDIE HILMO
DRAWING OUT A TALE : ELISABETH FRINK S ETCHINGS ILLUSTRATING CHAUCER S
CANTERBURY TALES / CAROLYN P. COLLETTE
DIESES SCHRIFTSTCK WURDE MASCHINELL ERZEUGT.
CONTENTS
List of Illustrations vii
Preface: Visual Approaches to Chaucer xv
Susanna Fein and David Raybin
Acknowledgments xxv
PART I: WAYS OF SEEING
i Intervisual Texts, Intertextual Images: Chaucer and
the Luttrell Psalter 3
Ashby Kinch
z Creative Memory and Visual Image in Chaucer s
House of Fame 13
Alexandra Cook
3 “Quy laF The Counting-House, the Shipmans Tale
and Architectural Interiors 39
Sarah Stanbury
4 The Vernon Paternoster Diagram, Medieval Graphic
Design, and the Parsons Tale 59
Kathryn Vulic
PART II: CHAUCERIAN IMAGESCAPES
5 Standing under the Cross in the Pardoner’s and
Shipman’s Tales 8 9
Susanna Fein
6 Disfigured Drunkenness in Chaucer, Deschamps, and
Medieval Visual Culture 115
Laura Kendrick
CONTENTS
7 The Franklins Tale and the Sister Arts 139
Jessica Brantley
8 Miracle Windows and the Pilgrimage to Canterbury 154
David Raybin
PART III: CHAUCER ILLUSTRATED
9 Translating Iconography: Gower, Pearl, Chaucer,
and the Rose 177
Joyce Coleman
10 “Qui bien aime a tarde oblie”: Lemmata and Lists
in the Parliament of Fo wls 195
Martha Rust
11 The Visual Semantics of Ellesmere: Gold, Artifice,
and Audience 218
Maidie Hilmo
iz Drawing Out a Tale: Elisabeth Frink s Etchings
Illustrating Chaucer s “Canterbury Tales” 244
Carolyn P. Collette
Bibliography 267
Editors and Contributors 287
Index of Manuscripts 291
General Index 293
his collection looks beyond the liter-
ary, religious, and philosophical
aspects of Chaucer s texts to a new mode of
interdisciplinary scholarship: one that cele-
brates the richness of Chaucer s visual
poetics. The twelve illustrated essays make
connections between Chaucer s texts and
various forms of visual data, both medieval
and modern.
Basing their approach on contemporary
understandings of interplay between text
and image, the contributors examine a
wealth of visual material, from medieval art
and iconographical signs to interpretations
of Chaucer rendered by contemporary art-
ists. The result uncovers interdisciplinary
potential that deepens and informs our
understanding of Chaucer s poetry in an age
in which digitization makes available a
wealth of facsimiles and other visual
resources.
A learned assessment of imagery and Chau-
cer s work that opens exciting new paths of
scholarship, Chaucer: Visual Approaches will
be welcomed by scholars of literature, art
history, and medieval and early modern
studies.
|
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| discipline | Anglistik / Amerikanistik |
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| title | Chaucer visual approaches |
| title_auth | Chaucer visual approaches |
| title_exact_search | Chaucer visual approaches |
| title_full | Chaucer visual approaches edited by Susanna Fein and David Raybin |
| title_fullStr | Chaucer visual approaches edited by Susanna Fein and David Raybin |
| title_full_unstemmed | Chaucer visual approaches edited by Susanna Fein and David Raybin |
| title_short | Chaucer |
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| title_sub | visual approaches |
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