The (un)becomings of photography: on reaggregating and reassembling the photographic and its institutions
The publication is not a straightforward festival catalogue. It hybridizes and expands on many of the underlying thematics of the festival, reflecting them within the dimensions of the printed page. The book consists of a collection of essays and visual inserts, as well as an "anti-glossary&quo...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Tagungsbericht Buch |
| Sprache: | English |
| Veröffentlicht: |
Krakow
Foundation for Visual Arts
2016
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| Schlagworte: | |
| Zusammenfassung: | The publication is not a straightforward festival catalogue. It hybridizes and expands on many of the underlying thematics of the festival, reflecting them within the dimensions of the printed page. The book consists of a collection of essays and visual inserts, as well as an "anti-glossary" of photography and visual culture. These works come from a group of international scholars, curators, and practitioners of photography, most of them specially commissioned or presented as first-time publications. It thereby aims at making available to a wide audience a broad range of state-of-the-art rethinkings of the multifaceted nature of the photographic complex. Structurally, historical and theoretical arguments about a variety of institutions of the photographic are juxtaposed with three sets of three artist inserts each, presenting a broad range of artistic practices and research strategies that engage the "becomings" and "unbecomings" of photography, and its discursive and exhibitionary complex, in both images and words. The institutions of the university and the museum—as key sites of learning and practice, of knowledge and theory production, but also of preservation and canonization—are the focus of the contributions by John Tagg and Duncan Forbes. In addition to these institutional contexts, Annekathrin Kohout’s text focuses on the digital domain as a site to analyze the order of images. In their delightful "anti-glossary," on the other hand, Federica Chiocchetti and Lisa Stein propose sixty-nine buzzwords that feed into current photographic discourses and issues of visual culture. For the Polish context, Adam Mazur takes a look at recent developments in artistic and institutional practice. Finally, Iris Sikking follows medial and narrative expansions in forms of visual storytelling, providing a preliminary typology of these emerging genres of journalistic and/or artistic practice. |
| Beschreibung: | This publication accompanies the 14th edition of the Krakow Photomonth Festival Titel des Faltblatts: Mapping visual storytelling: an appendix to the text and exhibition "A new display: visual storytelling at a crossroads" curated by Iris Sikking |
| Beschreibung: | 194 Seiten 24 cm 1 Faltblatt |
| ISBN: | 9788362978328 |
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| 245 | 1 | 0 | |a The (un)becomings of photography |b on reaggregating and reassembling the photographic and its institutions |c edited by Lars Willumeit |
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| 500 | |a This publication accompanies the 14th edition of the Krakow Photomonth Festival | ||
| 500 | |a Titel des Faltblatts: Mapping visual storytelling: an appendix to the text and exhibition "A new display: visual storytelling at a crossroads" curated by Iris Sikking | ||
| 505 | 8 | |a Contributions by Paul Graham, Yann Mingard, Max Pinckers, John Tagg, Duncan Forbes, The Photocaptionist, Aneta Grzeszykowska, Discipula, Klara Källström & Thobias Fäldt, Adam Mazur, Annekathrin Kohout, Iris Sikking, Werker Magazine, Sputnik Photos and #Dysturb. | |
| 505 | 8 | |a Bibliogr. po rozdz | |
| 520 | |a The publication is not a straightforward festival catalogue. It hybridizes and expands on many of the underlying thematics of the festival, reflecting them within the dimensions of the printed page. The book consists of a collection of essays and visual inserts, as well as an "anti-glossary" of photography and visual culture. These works come from a group of international scholars, curators, and practitioners of photography, most of them specially commissioned or presented as first-time publications. It thereby aims at making available to a wide audience a broad range of state-of-the-art rethinkings of the multifaceted nature of the photographic complex. Structurally, historical and theoretical arguments about a variety of institutions of the photographic are juxtaposed with three sets of three artist inserts each, presenting a broad range of artistic practices and research strategies that engage the "becomings" and "unbecomings" of photography, and its discursive and exhibitionary complex, in both images and words. The institutions of the university and the museum—as key sites of learning and practice, of knowledge and theory production, but also of preservation and canonization—are the focus of the contributions by John Tagg and Duncan Forbes. In addition to these institutional contexts, Annekathrin Kohout’s text focuses on the digital domain as a site to analyze the order of images. In their delightful "anti-glossary," on the other hand, Federica Chiocchetti and Lisa Stein propose sixty-nine buzzwords that feed into current photographic discourses and issues of visual culture. For the Polish context, Adam Mazur takes a look at recent developments in artistic and institutional practice. Finally, Iris Sikking follows medial and narrative expansions in forms of visual storytelling, providing a preliminary typology of these emerging genres of journalistic and/or artistic practice. | ||
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| contents | Contributions by Paul Graham, Yann Mingard, Max Pinckers, John Tagg, Duncan Forbes, The Photocaptionist, Aneta Grzeszykowska, Discipula, Klara Källström & Thobias Fäldt, Adam Mazur, Annekathrin Kohout, Iris Sikking, Werker Magazine, Sputnik Photos and #Dysturb. Bibliogr. po rozdz |
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| spelling | The (un)becomings of photography on reaggregating and reassembling the photographic and its institutions edited by Lars Willumeit The becomings of photography unbecomings Krakow Foundation for Visual Arts 2016 194 Seiten 24 cm 1 Faltblatt txt rdacontent sti rdacontent n rdamedia nc rdacarrier This publication accompanies the 14th edition of the Krakow Photomonth Festival Titel des Faltblatts: Mapping visual storytelling: an appendix to the text and exhibition "A new display: visual storytelling at a crossroads" curated by Iris Sikking Contributions by Paul Graham, Yann Mingard, Max Pinckers, John Tagg, Duncan Forbes, The Photocaptionist, Aneta Grzeszykowska, Discipula, Klara Källström & Thobias Fäldt, Adam Mazur, Annekathrin Kohout, Iris Sikking, Werker Magazine, Sputnik Photos and #Dysturb. Bibliogr. po rozdz The publication is not a straightforward festival catalogue. It hybridizes and expands on many of the underlying thematics of the festival, reflecting them within the dimensions of the printed page. The book consists of a collection of essays and visual inserts, as well as an "anti-glossary" of photography and visual culture. These works come from a group of international scholars, curators, and practitioners of photography, most of them specially commissioned or presented as first-time publications. It thereby aims at making available to a wide audience a broad range of state-of-the-art rethinkings of the multifaceted nature of the photographic complex. Structurally, historical and theoretical arguments about a variety of institutions of the photographic are juxtaposed with three sets of three artist inserts each, presenting a broad range of artistic practices and research strategies that engage the "becomings" and "unbecomings" of photography, and its discursive and exhibitionary complex, in both images and words. The institutions of the university and the museum—as key sites of learning and practice, of knowledge and theory production, but also of preservation and canonization—are the focus of the contributions by John Tagg and Duncan Forbes. In addition to these institutional contexts, Annekathrin Kohout’s text focuses on the digital domain as a site to analyze the order of images. In their delightful "anti-glossary," on the other hand, Federica Chiocchetti and Lisa Stein propose sixty-nine buzzwords that feed into current photographic discourses and issues of visual culture. For the Polish context, Adam Mazur takes a look at recent developments in artistic and institutional practice. Finally, Iris Sikking follows medial and narrative expansions in forms of visual storytelling, providing a preliminary typology of these emerging genres of journalistic and/or artistic practice. Fotografia jhpk Fotografia artystyczna jhpk Fotografia / aspekt antropologiczny jhpk Fotografia / aspekt polityczny jhpk Fotografia / aspekt społeczny jhpk Kryzys jhpk (DE-588)4135467-9 Ausstellungskatalog 12.05.2016-12.06.2016 Krakau gnd-content Willumeit, Lars 1974- (DE-588)1122490488 edt win Fundacja Sztuk Wizualnych (DE-588)1081460725 isb Krakow Photomonth Festival 14. 2016 Krakau (DE-588)1122490569 oth |
| spellingShingle | The (un)becomings of photography on reaggregating and reassembling the photographic and its institutions Contributions by Paul Graham, Yann Mingard, Max Pinckers, John Tagg, Duncan Forbes, The Photocaptionist, Aneta Grzeszykowska, Discipula, Klara Källström & Thobias Fäldt, Adam Mazur, Annekathrin Kohout, Iris Sikking, Werker Magazine, Sputnik Photos and #Dysturb. Bibliogr. po rozdz Fotografia jhpk Fotografia artystyczna jhpk Fotografia / aspekt antropologiczny jhpk Fotografia / aspekt polityczny jhpk Fotografia / aspekt społeczny jhpk Kryzys jhpk |
| subject_GND | (DE-588)4135467-9 |
| title | The (un)becomings of photography on reaggregating and reassembling the photographic and its institutions |
| title_alt | The becomings of photography unbecomings |
| title_auth | The (un)becomings of photography on reaggregating and reassembling the photographic and its institutions |
| title_exact_search | The (un)becomings of photography on reaggregating and reassembling the photographic and its institutions |
| title_full | The (un)becomings of photography on reaggregating and reassembling the photographic and its institutions edited by Lars Willumeit |
| title_fullStr | The (un)becomings of photography on reaggregating and reassembling the photographic and its institutions edited by Lars Willumeit |
| title_full_unstemmed | The (un)becomings of photography on reaggregating and reassembling the photographic and its institutions edited by Lars Willumeit |
| title_short | The (un)becomings of photography |
| title_sort | the un becomings of photography on reaggregating and reassembling the photographic and its institutions |
| title_sub | on reaggregating and reassembling the photographic and its institutions |
| topic | Fotografia jhpk Fotografia artystyczna jhpk Fotografia / aspekt antropologiczny jhpk Fotografia / aspekt polityczny jhpk Fotografia / aspekt społeczny jhpk Kryzys jhpk |
| topic_facet | Fotografia Fotografia artystyczna Fotografia / aspekt antropologiczny Fotografia / aspekt polityczny Fotografia / aspekt społeczny Kryzys Ausstellungskatalog 12.05.2016-12.06.2016 Krakau |
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