The films of Theo Angelopoulos: a cinema of contemplation
Greek film director Theo Angelopoulos is one of the most influential and widely respected filmmakers in the world today, yet his films are still largely unknown to the American public. In the first book in English to focus on Angelopoulos's unique cinematic vision, Andrew Horton provides an ill...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2016]
|
Ausgabe: | With a new afterword by the author |
Schriftenreihe: | Princeton modern Greek studies
|
Schlagworte: | |
Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FAB01 FCO01 URL des Erstveröffentlichers |
Zusammenfassung: | Greek film director Theo Angelopoulos is one of the most influential and widely respected filmmakers in the world today, yet his films are still largely unknown to the American public. In the first book in English to focus on Angelopoulos's unique cinematic vision, Andrew Horton provides an illuminating contextual study that attempts to demonstrate the quintessentially Greek nature of the director's work. Horton situates the director in the context of over 3,000 years of Greek culture and history. Somewhat like Andrei Tarkovsky in Russia or Antonioni in Italy, Angelopoulos has used cinema to explore the history and individual identities of his culture. With such far-reaching influences as Greek myth, ancient tragedy and epic, Byzantine iconography and ceremony, Greek and Balkan history, modern Greek pop culture including bouzouki music, shadow puppet theater, and the Greek music hall tradition, Angelopoulos emerges as an original "thinker" with the camera, and a distinctive director who is bound to make a lasting contribution to the art form. In a series of films including The Travelling Players, Voyage to Cythera, Landscape in the Mist, The Suspended Step of the Stork, and most recently in Ulysses' Gaze starring Harvey Keitel (winner of the 1995 Cannes Film Festival Grand Prix), Angelopoulos has developed a remarkable cinematic style, characterized by carefully composed scenes and an enormous number of extended long shots. In an age of ever decreasing attention spans, Angelopoulos offers a cinema of contemplation |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed Nov. 7, 2016) |
Beschreibung: | 1 Online-Ressource |
ISBN: | 9781400884421 |
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520 | |a Greek film director Theo Angelopoulos is one of the most influential and widely respected filmmakers in the world today, yet his films are still largely unknown to the American public. In the first book in English to focus on Angelopoulos's unique cinematic vision, Andrew Horton provides an illuminating contextual study that attempts to demonstrate the quintessentially Greek nature of the director's work. Horton situates the director in the context of over 3,000 years of Greek culture and history. Somewhat like Andrei Tarkovsky in Russia or Antonioni in Italy, Angelopoulos has used cinema to explore the history and individual identities of his culture. With such far-reaching influences as Greek myth, ancient tragedy and epic, Byzantine iconography and ceremony, Greek and Balkan history, modern Greek pop culture including bouzouki music, shadow puppet theater, and the Greek music hall tradition, Angelopoulos emerges as an original "thinker" with the camera, and a distinctive director who is bound to make a lasting contribution to the art form. In a series of films including The Travelling Players, Voyage to Cythera, Landscape in the Mist, The Suspended Step of the Stork, and most recently in Ulysses' Gaze starring Harvey Keitel (winner of the 1995 Cannes Film Festival Grand Prix), Angelopoulos has developed a remarkable cinematic style, characterized by carefully composed scenes and an enormous number of extended long shots. In an age of ever decreasing attention spans, Angelopoulos offers a cinema of contemplation | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Horton, Andrew 1944- |
author_GND | (DE-588)140780955 |
author_facet | Horton, Andrew 1944- |
author_role | aut |
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dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.430233092 |
dewey-search | 791.430233092 |
dewey-sort | 3791.430233092 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
edition | With a new afterword by the author |
format | Electronic eBook |
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institution | BVB |
isbn | 9781400884421 |
language | English |
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spelling | Horton, Andrew 1944- (DE-588)140780955 aut The films of Theo Angelopoulos a cinema of contemplation Andrew Horton With a new afterword by the author Princeton, NJ Princeton University Press [2016] © 1997 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Princeton modern Greek studies Description based on online resource; title from PDF title page (publisher's Web site, viewed Nov. 7, 2016) Greek film director Theo Angelopoulos is one of the most influential and widely respected filmmakers in the world today, yet his films are still largely unknown to the American public. In the first book in English to focus on Angelopoulos's unique cinematic vision, Andrew Horton provides an illuminating contextual study that attempts to demonstrate the quintessentially Greek nature of the director's work. Horton situates the director in the context of over 3,000 years of Greek culture and history. Somewhat like Andrei Tarkovsky in Russia or Antonioni in Italy, Angelopoulos has used cinema to explore the history and individual identities of his culture. With such far-reaching influences as Greek myth, ancient tragedy and epic, Byzantine iconography and ceremony, Greek and Balkan history, modern Greek pop culture including bouzouki music, shadow puppet theater, and the Greek music hall tradition, Angelopoulos emerges as an original "thinker" with the camera, and a distinctive director who is bound to make a lasting contribution to the art form. In a series of films including The Travelling Players, Voyage to Cythera, Landscape in the Mist, The Suspended Step of the Stork, and most recently in Ulysses' Gaze starring Harvey Keitel (winner of the 1995 Cannes Film Festival Grand Prix), Angelopoulos has developed a remarkable cinematic style, characterized by carefully composed scenes and an enormous number of extended long shots. In an age of ever decreasing attention spans, Angelopoulos offers a cinema of contemplation Angelopulos, Thodōros 1935-2012 (DE-588)119013568 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Angelopulos, Thodōros 1935-2012 (DE-588)119013568 p Film (DE-588)4017102-4 s 1\p DE-604 https://www.degruyter.com/doi/book/10.1515/9781400884421 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Horton, Andrew 1944- The films of Theo Angelopoulos a cinema of contemplation Angelopulos, Thodōros 1935-2012 (DE-588)119013568 gnd Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)119013568 (DE-588)4017102-4 |
title | The films of Theo Angelopoulos a cinema of contemplation |
title_auth | The films of Theo Angelopoulos a cinema of contemplation |
title_exact_search | The films of Theo Angelopoulos a cinema of contemplation |
title_full | The films of Theo Angelopoulos a cinema of contemplation Andrew Horton |
title_fullStr | The films of Theo Angelopoulos a cinema of contemplation Andrew Horton |
title_full_unstemmed | The films of Theo Angelopoulos a cinema of contemplation Andrew Horton |
title_short | The films of Theo Angelopoulos |
title_sort | the films of theo angelopoulos a cinema of contemplation |
title_sub | a cinema of contemplation |
topic | Angelopulos, Thodōros 1935-2012 (DE-588)119013568 gnd Film (DE-588)4017102-4 gnd |
topic_facet | Angelopulos, Thodōros 1935-2012 Film |
url | https://www.degruyter.com/doi/book/10.1515/9781400884421 |
work_keys_str_mv | AT hortonandrew thefilmsoftheoangelopoulosacinemaofcontemplation |