Feminisms and contemporary art in Indonesia: defining experiences
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2017]
|
| Schriftenreihe: | Asian visual cultures
2 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Literaturverzeichnis: Seite 209-222 |
| Beschreibung: | 227 Seiten Illustrationen 25 cm |
| ISBN: | 9789089648457 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Table of Contents
Acknowledgements 9
List of Figures xi
Glossary and Abbreviations 13
1 Introduction 15
Defining Experiences
“Intimate Distance” as background 16
Unnatural partnership: Women, political activism and feminism/s
in Indonesia 18
The female body, art and censorship in Indonesia 19
Definitions and distinctions: Feminisms or gender? 22
Methodology 28
Selection of artists 32
Book structure 33
2 Firing the Canon 37
Indonesian Art Canons as Myth and Masculine Ideal
Postcolonial masculinity, canon making and Indonesian modern
art 39
Truth and beauty: The early years of modern art in Indonesia 43
“Representing Indonesian modernity” as canon-making 55
Gerakan Seni Rupa Baru 59
The legacies of GSRB 63
Gender and avant-gardism in GSRB 65
Ken Dedes and the gaze 69
Concluding remarks 74
3 Haunting in the Archipelago 77
Emirla Sunassa and Mia Bustam
The dark archipelago: The narratives of Emiria Sunassa 78
Reading the primitive 81
Tracing the feminine: Emiria’s nudes and native landscape 90
The primitive and the feminine: Nationalism’s internal others 96
Painting ghosts: The narratives of Mia Bustam 98
Sudjojono dan Aku: Becoming an artist 101
Dari Kamp ke Kamp: Arts and politics 109
Imprisonment 111
Emiria and Mia: Exceptional women 113
4 Female Desire and the Monstrous-Feminine in the Works of
IGAK Murniasih 119
The monstrous-feminine in Murni’s paintings 123
Displacing desire: Sex and humour in Murniasih’s works 131
Women and desire in Bali 132
Reading Murniasih: Framing desire 137
Murniasih as an outsider artist? 138
5 Searching for the Feminine 143
Motherhood and Maternal Subjectivity
The changing representation of motherhood in Indonesian visual
arts 144
The maternal nude: Laksmi Shitaresmi 147
Titarubi: Herstory in art 153
Women, motherhood and political participation: Voice of the
concerned mothers 154
Political motherhood in the works of Titarubi 155
Maternal Subjectivity: Women reading women 165
Concluding remarks 167
6 Performing Feminism/s 169
Performance Art and Politics in the Works ofKelompok PEREK and
Arahmaiani
Performance art in Indonesia 171
Kelompok PEREK: Kelompok Perempuan Eksperimental (1998-) 172
Challenging the status quo: The performances of Arahmaiani 176
Global feminisms and Arahmaiani’s politics of the body 185
Religion and spirituality 190
Performing feminism/s in Indonesian visual arts 194
Concluding remarks 196
7 Conclusion 199
Strategies of correction: Interventions in art history 201
Strategies of Interrogation: Searching for the feminine 202
Reading feminism/s in post-New Order Indonesia 204
Rearticulating feminine spaces in the Indonesian art world 206
Bibliography 209
Index 223
Feminisms and Contemporary Art in Indonesia: Defining Experiences
provides the first comprehensive study of feminisms and contemporary arts
in Indonesia. While Indonesian contemporary arts are currently on the rise
in the global art scene, no in-depth study has been done on the works of
Indonesian women artists and the feminist strategies they employ when
operating within the Indonesian art world.
Focusing on Arahmaiani, Titarubi and IGAK Murniasih, among others, this
pioneering work uses feminist reading to analyse the works of Indonesian
women artists historically and today. It also illuminates the sociocultural and
political contexts in which the artists worked and a nuanced understanding
of local feminisms in Indonesia. These artists achieve this in feminist
terms by orienting their works towards the production of positive images
of the female body, expression of female desire, and adherence to certain
universal principles, such as erotic appeal and inclusiveness in attempting
to formulate or convey a conceptual ideal.
|
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| title | Feminisms and contemporary art in Indonesia defining experiences |
| title_auth | Feminisms and contemporary art in Indonesia defining experiences |
| title_exact_search | Feminisms and contemporary art in Indonesia defining experiences |
| title_full | Feminisms and contemporary art in Indonesia defining experiences Wulan Dirgantoro |
| title_fullStr | Feminisms and contemporary art in Indonesia defining experiences Wulan Dirgantoro |
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| title_short | Feminisms and contemporary art in Indonesia |
| title_sort | feminisms and contemporary art in indonesia defining experiences |
| title_sub | defining experiences |
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