Photography and doubt:
Recent decades have seen photography's privileged relationship to the real come under question. Spurred by the postmodern critique of photography in the 1980s and the rise of digital technologies soon thereafter, scholars have been asking who and what built this understanding of the medium in t...
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| Weitere Verfasser: | , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2017
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Recent decades have seen photography's privileged relationship to the real come under question. Spurred by the postmodern critique of photography in the 1980s and the rise of digital technologies soon thereafter, scholars have been asking who and what built this understanding of the medium in the first place. Photography and Doubt reflects on this interest in photography's referential power by discussing it in rigorously historical terms. How was the understanding of photographic realism cultivated in the first place? What do cases of staged and manipulated photography reveal about that realism's hold on audiences across the medium's history? Have doubts about photography's testimonial power stimulated as much knowledge as its realism? Edited by Sabine T. Kriebel and Andres Mario Zervigon, Photography and Doubt is the first multi-authored collection specifically designed to explore these questions. Its 13 original essays, illustrated with 73 color images, explore cases when the link between the photographic image and its referent was placed under stress, and when photography was as attuned to its myth-making capabilities as to its claims to authenticity |
| Beschreibung: | xvii, 275 Seiten Illustrationen 24 cm |
| ISBN: | 9781138914605 9781138914612 |
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| 520 | |a Recent decades have seen photography's privileged relationship to the real come under question. Spurred by the postmodern critique of photography in the 1980s and the rise of digital technologies soon thereafter, scholars have been asking who and what built this understanding of the medium in the first place. Photography and Doubt reflects on this interest in photography's referential power by discussing it in rigorously historical terms. How was the understanding of photographic realism cultivated in the first place? What do cases of staged and manipulated photography reveal about that realism's hold on audiences across the medium's history? Have doubts about photography's testimonial power stimulated as much knowledge as its realism? Edited by Sabine T. Kriebel and Andres Mario Zervigon, Photography and Doubt is the first multi-authored collection specifically designed to explore these questions. Its 13 original essays, illustrated with 73 color images, explore cases when the link between the photographic image and its referent was placed under stress, and when photography was as attuned to its myth-making capabilities as to its claims to authenticity | ||
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Datensatz im Suchindex
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| adam_text | SLUB
CONTENTS
LIST OF FIGURES VII
ABOUT THE CONTRIBUTORS XIV
INTRODUCTION 1
SABINE T. KRIEBEL AND ANDRES MARIO ZERVIGON
THREE OR FOUR KINDS OF INDETERMINACY IN THE PHOTOGRAPH 10
DOUGLAS R. NICKEL
PARTI
BETWEEN FACTICITY AND FICTION 27
1 NO ROOM FOR DOUBT? DAGUERRE AND HIS FIRST CRITICS 29
STEFFEN SIEGEL
2 BLOWING UP THE WORLD: ON THE EVIDENTIARY CULTURES OF
ENLARGEMENT, CA. 1893-1917 44
JORDAN BEAR
3 A MAGICIAN AMONG THE SPIRIT PHOTOGRAPHS: REFLECTIONS ON
HOUDINI S DOUBT 59
LOUIS KAPLAN
VI CONTENTS
PART II
INSTABILITIES OF THE MEDIUM 79
4 REACHING BEYOND THE INDEX: THE PUBLICATION OF
NEWS PHOTOGRAPHS 81
THIERRY GERVAIS
5 THE CAMERA WORK OF THE PM SKETCH REPORT 102
JASON E. HILL
6 ROBERT CAPA AND THE TURN TO FORENSICS 121
VINCENT LAVOIE
PART III
FROM APORIA TO ANOMIE: PHOTOGRAPHY DECONSTRUCTED 139
7 MOHOLY S DOUBT 141
SUSAN LAXTON
8 MAX ERNST, GRACEFUL PHOTOGRAPHER 161
ADRIAN SUDHALTER
9 ATOMIZATION, ANOMIE, AND FAREWELL TO PHOTOGRAPHY 180
SARAH KELLEHER
PART IV
INDETERMINACY 199
10 CONTROLLING DOUBT: ABSTRACT PAINTING AND PHOTOGRAPHY 201
JOHNJ. CURLEY
11 CLOUDED JUDGMENT: CONCEPTUAL ART, PHOTOGRAPHY, AND THE
DISCOURSE OF DOUBT 220
HEATHER A. DIACK
12 METHODOLOGICAL POSITION FOR SECOND-DEGREE ART HISTORY 239
ROBERT SLIFKIN
BIBLIOGRAPHY 256
INDEX 268
|
| any_adam_object | 1 |
| author2 | Kriebel, Sabine Zervigón, Andrés Mario 1964- |
| author2_role | edt edt |
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| ctrlnum | (OCoLC)963213347 (DE-599)HBZHT018941365 |
| dewey-full | 770 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
| dewey-raw | 770 |
| dewey-search | 770 |
| dewey-sort | 3770 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte Allgemeines |
| format | Book |
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| spelling | Kriebel, Sabine (DE-588)136418503 edt Photography and doubt edited by Sabine T. Kriebel and Andrés Mario Zervigón London ; New York Routledge, Taylor & Francis Group 2017 xvii, 275 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Recent decades have seen photography's privileged relationship to the real come under question. Spurred by the postmodern critique of photography in the 1980s and the rise of digital technologies soon thereafter, scholars have been asking who and what built this understanding of the medium in the first place. Photography and Doubt reflects on this interest in photography's referential power by discussing it in rigorously historical terms. How was the understanding of photographic realism cultivated in the first place? What do cases of staged and manipulated photography reveal about that realism's hold on audiences across the medium's history? Have doubts about photography's testimonial power stimulated as much knowledge as its realism? Edited by Sabine T. Kriebel and Andres Mario Zervigon, Photography and Doubt is the first multi-authored collection specifically designed to explore these questions. Its 13 original essays, illustrated with 73 color images, explore cases when the link between the photographic image and its referent was placed under stress, and when photography was as attuned to its myth-making capabilities as to its claims to authenticity Photography / Psychological aspects Belief and doubt Mental representation Psychologie Interpretation (DE-588)4072905-9 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Fotografie (DE-588)4045895-7 s Interpretation (DE-588)4072905-9 s DE-604 Rezeption (DE-588)4049716-1 s Zervigón, Andrés Mario 1964- (DE-588)1028667272 edt Erscheint auch als Online-Ausgabe 978-1-315-69053-7 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029381266&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Photography and doubt Photography / Psychological aspects Belief and doubt Mental representation Psychologie Interpretation (DE-588)4072905-9 gnd Fotografie (DE-588)4045895-7 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)4072905-9 (DE-588)4045895-7 (DE-588)4049716-1 (DE-588)4143413-4 |
| title | Photography and doubt |
| title_auth | Photography and doubt |
| title_exact_search | Photography and doubt |
| title_full | Photography and doubt edited by Sabine T. Kriebel and Andrés Mario Zervigón |
| title_fullStr | Photography and doubt edited by Sabine T. Kriebel and Andrés Mario Zervigón |
| title_full_unstemmed | Photography and doubt edited by Sabine T. Kriebel and Andrés Mario Zervigón |
| title_short | Photography and doubt |
| title_sort | photography and doubt |
| topic | Photography / Psychological aspects Belief and doubt Mental representation Psychologie Interpretation (DE-588)4072905-9 gnd Fotografie (DE-588)4045895-7 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Photography / Psychological aspects Belief and doubt Mental representation Psychologie Interpretation Fotografie Rezeption Aufsatzsammlung |
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