Film theory and criticism: introductory readings
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; Oxford
Oxford University Press
[2016]
|
| Ausgabe: | Eighth edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XVIII, 940 Seiten Illustrationen, Diagramme |
| ISBN: | 9780199376896 |
Internformat
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| 250 | |a Eighth edition | ||
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Datensatz im Suchindex
| _version_ | 1804176933409259520 |
|---|---|
| adam_text | Preface XV
I. Film Language 1
Vsevolod Pudovkin From Film Technique 6
[On Editing] 6
Sergei Eisenstein From Film Form 12
Beyond the Shot [The Cinematographic Principle and the Ideogram] 12
The Dramaturgy of Film Form [The Dialectical Approach to Film
Form] 23
André Bazin From What Is Cinema? 41
The Evolution of the Language of Cinema 41
Christian Metz From Film Language 54
Some Points in the Semiotics of the Cinema 54
Gilbert Harman Semiotics and the Cinema: Metz and Wollen 61
Stephen Prince The Discourse of Pictures: Iconicity and Film
Studies 70
Daniel Dayan The Tutor-Code of Classical Cinema 89
William Rothman Against The System of the Suture 102
II. Film and Reality 109
Siegfried Kracauer From Theory of Film 113
Basic Concepts 113
André Bazin From H//?ar/sC/nema? 126
The Ontology of the Photographic Image 126
The Myth of Total Cinema 130
De Sica: Metteur-En-Scène 134
Rudolf Arnheim From Film as Art 144
The Complete Film 144
Jean-Louis Baudry The Apparatus: Metapsychologicai Approaches to
the Impression of Reality in Cinema 148
Noël Carroll From Mystifying Movies 166
Jean-Louis Baudry and “The Apparatus” 166
III. The Film Medium: Image 183
Siegfried Kracauer From Theory of Film 187
The Establishment of Physical Existence 187
Béla Balazs From Theory of the Film 198
The Close-up 198
The Face of Man 200
Rudolf Arnheim From Film as Art 207
Film and Reality 207
The Making of a Film 211
Jean-Louis Baudry Ideological Effects of the Basic Cinematographic
Apparatus 217
Noël Carroll From Theorizing the Moving Image 228
Defining the Moving Image 228
D. N. Rodowick From The Virtual Life of Film 248
An Elegy for Film 248
IV. The Film Medium: Sound 251
Sergei Eisenstein, Vsevolod Pudovkin, and Grigori Aiexandrov Statement
on Sound 256
Christian Metz Aural Objects 259
Michel Chion From The Voice in Cinema 263
Mary Ann Doane The Voice in the Cinema: The Articulation of Body
and Space 275
John Beiton Technology and Aesthetics
of Film Sound 288
Rick Altman From Sound Theory/Sound Practice 297
Four and a Half Film Fallacies 297
V. Film Narrative and the Other Arts 307
André Bazin From What Is Cinema? 311
Theater and Cinema 311
Leo Braudy From The World in a Frame 323
Acting: Stage vs. Screen 323
Dudley Andrew From Concepts in Film Theory 330
Adaptation 330
Tom Gunning From D. W. Griffith and the Origins of American
Narrative Film 340
Narrative Discourse and the Narrator System 340
Jerrold Levinson Film Music and Narrative Agency 353
Peter Wollen Godard and Counter Cinema: Vent d est 365
Carl Plantinga Notes on Spectator Emotion and Ideological Film
Criticism 374
VI. The Film Artist 395
Andrew Sarris Notes on the Auteur Theory in 1962 400
Peter Wollen From Signs and Meaning in the Cinema 404
The Auteur Theory [Howard Hawks and John Ford] 404
Roland Barthes The Face of Garbo 421
Molly Haskell From From Reverence to Rape 424
Female Stars of the 1940s 424
Gilberto Perez From The Material Ghost 438
[On Keaton and Chaplin] 438
Richard Dyer From Stars 445
Thomas Schatz From The Genius of the System 458
“The Whole Equation of Pictures” 458
Jerome Christensen From America s Corporate Art: The Studio
Authorship of Hollywood Motion Pictures 463
VII. Film Genres 473
Leo Braudy From The World in a Frame All
Genre: The Conventions of Connection 477
Rick Altman From FUm/Genre 495
A Semantic/Syntactic Approach to Film Genre 495
Conclusion: A Semantic/Syntactic/Pragmatic Approach to Genre 506
Paul Schrader Notes on Film Noir 515
Robin Wood Ideology, Genre, Auteur 526
Linda Williams Film Bodies: Gender, Genre, and Excess 537
Carol Clover From Men, Women, and Chainsaws 552
Cynthia A. Freeland Feminist Frameworks for Horror Films 563
David Bordwell The Art Cinema as a Mode of Film Practice 580
VIII. Spectator and Audience 589
Jean-Louis Comolli and Jean Narboni Cinema/ldeology/Criticism 594
Christian Metz From The Imaginary Signifier 602
Identification, Mirror 602
The Passion for Perceiving 610
Disavowal, Fetishism 614
Laura Mulvey Visual Pleasure and Narrative Cinema 620
Tania Modleski From The Women Who Knew Too Much: Hitchcock and
Feminist Theory 632
The Master’s Dollhouse: Rear Window 632
Tom Gunning An Aesthetic of Astonishment: Early Film and the (In)
Credulous Spectator 645
Richard Dyer From White 660
Lighting for Whiteness 660
Manthia Diawara Black Spectatorship: Problems of Identification
and Resistance 672
bell hooks The Oppositional Gaze: Black Female Spectators 681
Leilani Nishime The Mulatto Cyborg: Imagining a Multiracial Future 694
IX. Digitization 711
Lev Manovich From The Language of New Media 717
Synthetic Realism and Its Discontents 717
The Synthetic Image and Its Subject 722
Digital Cinema and the History of a Moving Image
727
Philip Rosen From Change Mummified 734
John Belton The World in the Palm of Your Hand: Agnes Varda, Trinh
T. Minh-ha, and the Digital Documentary 744
Kristen Whissel The Digital Multitude 757
Kristen Daly Cinema 3.0: The Interactive-Image 777
Henry Jenkins Quentin Tarantino s Star Wars? Digital Cinema, Media
Convergence, and Participatory Culture 795
X. Globalization 809
Dudley Andrew Time Zones and Jetlag: The Flows and Phases
of World Cinema 813
Ella Shohat and Robert Stam From Unthinking Eurocentrism:
Multiculturalism and the Media 840
Stereotype, Realism, and the Struggle Over Representation 840
Stephen Crofts Reconceptualizing National Cinema(s) 860
Mitsuhiro Yoshimoto The Difficulty of Being Radical: The Discipline
of Film Studies and the Postcolonial World Order 872
Rey Chow Film and Cultural Identity 885
Yingjin Zhang Chinese Cinema and Transnational Film Studies 893
Wimal Dissanayake Issues in World Cinema 905
Index 915
|
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| discipline | Allgemeines Literaturwissenschaft |
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