Psychocandy:
The Jesus and Mary Chain's swooning debut Psychocandy seared through the underground and through the pop charts, shifting the role of noise within pop music forever. Post-punk and pro-confusion, Psychocandy became the sound of a generation poised on the brink of revolution, establishing Creatio...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury
2016
|
| Schriftenreihe: | 33 1/3
118 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The Jesus and Mary Chain's swooning debut Psychocandy seared through the underground and through the pop charts, shifting the role of noise within pop music forever. Post-punk and pro-confusion, Psychocandy became the sound of a generation poised on the brink of revolution, establishing Creation Records as a tastemaking entity in the process. The Scottish band's notorious live performances were both punishingly loud and riot-spurring, inevitably acting as socio-political commentary on tensions emergent in mid-1980s Britain. Through caustic clangs and feedback channeling the rage of the working-class who'd had enough, Psychocandy gestures toward the perverse pleasure in having your eardrums exploded and loudness as a politics within itself. Yet Psychocandy's blackened candy heart center - calling out to phantoms Candy and Honey with an unsettling charm - makes it a pop album to the core, and not unlike the sugarcoated sounds the Ronettes became famous for in the 1960s. The Jesus and Mary Chain expertly carved out a place where depravity and sweetness entwined, emerging from the isolating underground of suburban Scotland grasping the distinct sound of a generation, apathetic and uncertain. The irresistible Psychocandy emerged as a clairvoyant account of struggle and sweetness that still causes us to grapple with pop music's relation to ourselves |
| Beschreibung: | 124 Seiten |
| ISBN: | 9781628929508 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Disclaimer viii
Acknowledgments ix
Track Listing xii
The Living End 1
In a Hole 9
My Little Underground 15
Sowing Seeds 27
Upside Down 31
Never Understand 39
Inside Me 49
Something’s Wrong 57
Just Like Honey 71
Some Candy Talking 79
Taste the Floor 87
Taste of Cindy 93
Reverence 99
Epilogue: Cut Dead 107
Notes 111
References 117
* vii •
|
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| author | Mejia, Paula |
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| author_sort | Mejia, Paula |
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| building | Verbundindex |
| bvnumber | BV043971344 |
| contents | Includes bibliographical references |
| ctrlnum | (OCoLC)968150613 (DE-599)BVBBV043971344 |
| era | Geschichte 1985 gnd |
| era_facet | Geschichte 1985 |
| format | Book |
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| isbn | 9781628929508 |
| language | English |
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| physical | 124 Seiten |
| publishDate | 2016 |
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| publisher | Bloomsbury |
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| series2 | 33 1/3 |
| spelling | Mejia, Paula Verfasser aut Psychocandy Paula Meija London Bloomsbury 2016 124 Seiten txt rdacontent n rdamedia nc rdacarrier 33 1/3 118 Includes bibliographical references The Jesus and Mary Chain's swooning debut Psychocandy seared through the underground and through the pop charts, shifting the role of noise within pop music forever. Post-punk and pro-confusion, Psychocandy became the sound of a generation poised on the brink of revolution, establishing Creation Records as a tastemaking entity in the process. The Scottish band's notorious live performances were both punishingly loud and riot-spurring, inevitably acting as socio-political commentary on tensions emergent in mid-1980s Britain. Through caustic clangs and feedback channeling the rage of the working-class who'd had enough, Psychocandy gestures toward the perverse pleasure in having your eardrums exploded and loudness as a politics within itself. Yet Psychocandy's blackened candy heart center - calling out to phantoms Candy and Honey with an unsettling charm - makes it a pop album to the core, and not unlike the sugarcoated sounds the Ronettes became famous for in the 1960s. The Jesus and Mary Chain expertly carved out a place where depravity and sweetness entwined, emerging from the isolating underground of suburban Scotland grasping the distinct sound of a generation, apathetic and uncertain. The irresistible Psychocandy emerged as a clairvoyant account of struggle and sweetness that still causes us to grapple with pop music's relation to ourselves Jesus & Mary Chain (Musical group) / Psychocandy The Jesus and Mary Chain Musikgruppe (DE-588)5271770-7 gnd rswk-swf Geschichte 1985 gnd rswk-swf Rock music / Scotland / History and criticism Tonträger (DE-588)4134364-5 gnd rswk-swf Schottland The Jesus and Mary Chain Musikgruppe (DE-588)5271770-7 b Tonträger (DE-588)4134364-5 s Geschichte 1985 z DE-604 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029379921&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Mejia, Paula Psychocandy Includes bibliographical references Jesus & Mary Chain (Musical group) / Psychocandy The Jesus and Mary Chain Musikgruppe (DE-588)5271770-7 gnd Rock music / Scotland / History and criticism Tonträger (DE-588)4134364-5 gnd |
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| title | Psychocandy |
| title_auth | Psychocandy |
| title_exact_search | Psychocandy |
| title_full | Psychocandy Paula Meija |
| title_fullStr | Psychocandy Paula Meija |
| title_full_unstemmed | Psychocandy Paula Meija |
| title_short | Psychocandy |
| title_sort | psychocandy |
| topic | Jesus & Mary Chain (Musical group) / Psychocandy The Jesus and Mary Chain Musikgruppe (DE-588)5271770-7 gnd Rock music / Scotland / History and criticism Tonträger (DE-588)4134364-5 gnd |
| topic_facet | Jesus & Mary Chain (Musical group) / Psychocandy The Jesus and Mary Chain Musikgruppe Rock music / Scotland / History and criticism Tonträger Schottland |
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