Composing for the state: music in twentieth-century dictatorships
Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In t...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Abingdon ; New York
Ashgate
[2016]
|
| Schriftenreihe: | Musical cultures of the twentieth century
volume 2 |
| Schlagworte: | |
| Online-Zugang: | BSB01 BSB01 |
| Zusammenfassung: | Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order. This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State. This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes. About the Authors: Esteban Buch is directeur d’études (full professor) at the Ecole des Hautes Etudes en Sciences Sociales (EHESS) in Paris, France. A specialist of the relationships between music and politics in the twentieth century, he is the author of O juremos con gloria morir (2013), L’Affaire Bomarzo (2011), Le cas Schoenberg (2006), La Neuvième de Beethoven (1999; English tr. 2003) and Histoire d’un secret (1994). He has also co-edited Du politique en analyse musicale (2014), Tangos cultos (2012), Réévaluer l’art moderne et les avant-gardes (2010), and La Grande guerre des musiciens (2009). - Igor Contreras Zubillaga is a PhD candidate at the Ecole des Hautes Etudes en Sciences Sociales of Paris, France, with a thesis on the Spanish musical avant-garde during Franco's dictatorship. He is co-editor of the volumes Le son des rouages: Representations des rapports homme-machine dans la musique du 20e siècle (2011) and A l'avant-garde! Art et politique dans les années 1960 et 1970 (2013). - Manuel Deniz Silva is Research Fellow at the FCSH (Universidade Nova de Lisboa, Portugal), where he coordinates the "Music and Media" thematic strand of the INET-md (Music and Dance Research Centre). He is co-editor of the Portuguese Journal of Musicology and editor of Kinethophone - Journal of Music, Sound and Moving Image. |
| Beschreibung: | 1 Online-Ressource (X, 224 Seiten) Illustrationen, Notenbeispiele |
| ISBN: | 9781472437501 1472437500 9781472437518 1472437519 9781317162643 |
Internformat
MARC
| LEADER | 00000nmm a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV043961237 | ||
| 003 | DE-604 | ||
| 005 | 20220530 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 161213s2016 xxu|||| o||u| ||||||eng d | ||
| 020 | |a 9781472437501 |c Online (ePDF) |9 978-1-4724-3750-1 | ||
| 020 | |a 1472437500 |c Online (ePDF) |9 1-4724-3750-0 | ||
| 020 | |a 9781472437518 |c Online (ePub) |9 978-1-4724-3751-8 | ||
| 020 | |a 1472437519 |c Online (ePub) |9 1-4724-3751-9 | ||
| 020 | |a 9781317162643 |c MyiLibrary |9 978-1-317-16264-3 | ||
| 035 | |a (ZDB-26-MYL)cis34018874 | ||
| 035 | |a (ZDB-30-PQE)EBC4568617 | ||
| 035 | |a (OCoLC)967971428 | ||
| 035 | |a (DE-599)BVBBV043961237 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c US | ||
| 049 | |a DE-12 | ||
| 050 | 0 | |a ML3916 | |
| 082 | 0 | |a 781.5/99 |2 23 | |
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a LR 56600 |0 (DE-625)109803:13528 |2 rvk | ||
| 084 | |a LR 57727 |0 (DE-625)109881:13535 |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 245 | 1 | 0 | |a Composing for the state |b music in twentieth-century dictatorships |c edited by Esteban Buch, Igor Contreras Zubillaga, Manuel Deniz Silva |
| 264 | 1 | |a Abingdon ; New York |b Ashgate |c [2016] | |
| 264 | 4 | |c © 2016 | |
| 300 | |a 1 Online-Ressource (X, 224 Seiten) |b Illustrationen, Notenbeispiele | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Musical cultures of the twentieth century |v volume 2 | |
| 520 | |a Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order. This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State. This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes. | ||
| 520 | |a About the Authors: Esteban Buch is directeur d’études (full professor) at the Ecole des Hautes Etudes en Sciences Sociales (EHESS) in Paris, France. A specialist of the relationships between music and politics in the twentieth century, he is the author of O juremos con gloria morir (2013), L’Affaire Bomarzo (2011), Le cas Schoenberg (2006), La Neuvième de Beethoven (1999; English tr. 2003) and Histoire d’un secret (1994). He has also co-edited Du politique en analyse musicale (2014), Tangos cultos (2012), Réévaluer l’art moderne et les avant-gardes (2010), and La Grande guerre des musiciens (2009). - Igor Contreras Zubillaga is a PhD candidate at the Ecole des Hautes Etudes en Sciences Sociales of Paris, France, with a thesis on the Spanish musical avant-garde during Franco's dictatorship. He is co-editor of the volumes Le son des rouages: Representations des rapports homme-machine dans la musique du 20e siècle (2011) and A l'avant-garde! Art et politique dans les années 1960 et 1970 (2013). - Manuel Deniz Silva is Research Fellow at the FCSH (Universidade Nova de Lisboa, Portugal), where he coordinates the "Music and Media" thematic strand of the INET-md (Music and Dance Research Centre). He is co-editor of the Portuguese Journal of Musicology and editor of Kinethophone - Journal of Music, Sound and Moving Image. | ||
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte 1900-2000 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Politik | |
| 650 | 4 | |a Music |x Political aspects |x History |y 20th century | |
| 650 | 4 | |a Music and state | |
| 650 | 4 | |a Dictators | |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Diktatur |0 (DE-588)4149920-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Komponist |0 (DE-588)4032009-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Propaganda |0 (DE-588)4076374-2 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Diktatur |0 (DE-588)4149920-7 |D s |
| 689 | 0 | 1 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | 2 | |a Komponist |0 (DE-588)4032009-1 |D s |
| 689 | 0 | 3 | |a Propaganda |0 (DE-588)4076374-2 |D s |
| 689 | 0 | 4 | |a Geschichte 1900-2000 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Buch, Esteban |d 1963- |0 (DE-588)132219026 |4 edt | |
| 700 | 1 | |a Contreras Zubillaga, Igor |d 1979- |0 (DE-588)1069535990 |4 edt | |
| 700 | 1 | |a Silva, Manuel Deniz |0 (DE-588)1069537268 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-1-4724-3749-5 |z 1-4724-3749-7 |
| 912 | |a ZDB-30-PQE |a ZDB-1-PQM | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029369962 | ||
| 942 | 1 | 1 | |c 909 |e 22/bsb |f 0904 |g 181 |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 0904 |g 181 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0904 |g 181 |
| 966 | e | |u http://ebookcentral.proquest.com/lib/bsb/detail.action?docID=4568617 |l BSB01 |p ZDB-30-PQE |q BSB_PDA_PQEMUS_Kauf |x Aggregator |3 Volltext | |
| 966 | e | |u http://ebookcentral.proquest.com/lib/bsmfidmusic/detail.action?docID=4568617 |l BSB01 |p ZDB-1-PQM |q BSB_PDA_PQM_KaufFID |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804176918840344576 |
|---|---|
| any_adam_object | |
| author2 | Buch, Esteban 1963- Contreras Zubillaga, Igor 1979- Silva, Manuel Deniz |
| author2_role | edt edt edt |
| author2_variant | e b eb z i c zi zic m d s md mds |
| author_GND | (DE-588)132219026 (DE-588)1069535990 (DE-588)1069537268 |
| author_facet | Buch, Esteban 1963- Contreras Zubillaga, Igor 1979- Silva, Manuel Deniz |
| building | Verbundindex |
| bvnumber | BV043961237 |
| callnumber-first | M - Music |
| callnumber-label | ML3916 |
| callnumber-raw | ML3916 |
| callnumber-search | ML3916 |
| callnumber-sort | ML 43916 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 56600 LR 57727 |
| collection | ZDB-30-PQE ZDB-1-PQM |
| ctrlnum | (ZDB-26-MYL)cis34018874 (ZDB-30-PQE)EBC4568617 (OCoLC)967971428 (DE-599)BVBBV043961237 |
| dewey-full | 781.5/99 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.5/99 |
| dewey-search | 781.5/99 |
| dewey-sort | 3781.5 299 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1900-2000 Geschichte 1900-2000 gnd |
| era_facet | Geschichte 1900-2000 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06112nmm a2200793 cb4500</leader><controlfield tag="001">BV043961237</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220530 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">161213s2016 xxu|||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781472437501</subfield><subfield code="c">Online (ePDF)</subfield><subfield code="9">978-1-4724-3750-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1472437500</subfield><subfield code="c">Online (ePDF)</subfield><subfield code="9">1-4724-3750-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781472437518</subfield><subfield code="c">Online (ePub)</subfield><subfield code="9">978-1-4724-3751-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1472437519</subfield><subfield code="c">Online (ePub)</subfield><subfield code="9">1-4724-3751-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781317162643</subfield><subfield code="c">MyiLibrary</subfield><subfield code="9">978-1-317-16264-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-26-MYL)cis34018874</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PQE)EBC4568617</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)967971428</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043961237</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML3916</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.5/99</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56600</subfield><subfield code="0">(DE-625)109803:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 57727</subfield><subfield code="0">(DE-625)109881:13535</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Composing for the state</subfield><subfield code="b">music in twentieth-century dictatorships</subfield><subfield code="c">edited by Esteban Buch, Igor Contreras Zubillaga, Manuel Deniz Silva</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Abingdon ; New York</subfield><subfield code="b">Ashgate</subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (X, 224 Seiten)</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Musical cultures of the twentieth century</subfield><subfield code="v">volume 2</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order. This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State. This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">About the Authors: Esteban Buch is directeur d’études (full professor) at the Ecole des Hautes Etudes en Sciences Sociales (EHESS) in Paris, France. A specialist of the relationships between music and politics in the twentieth century, he is the author of O juremos con gloria morir (2013), L’Affaire Bomarzo (2011), Le cas Schoenberg (2006), La Neuvième de Beethoven (1999; English tr. 2003) and Histoire d’un secret (1994). He has also co-edited Du politique en analyse musicale (2014), Tangos cultos (2012), Réévaluer l’art moderne et les avant-gardes (2010), and La Grande guerre des musiciens (2009). - Igor Contreras Zubillaga is a PhD candidate at the Ecole des Hautes Etudes en Sciences Sociales of Paris, France, with a thesis on the Spanish musical avant-garde during Franco's dictatorship. He is co-editor of the volumes Le son des rouages: Representations des rapports homme-machine dans la musique du 20e siècle (2011) and A l'avant-garde! Art et politique dans les années 1960 et 1970 (2013). - Manuel Deniz Silva is Research Fellow at the FCSH (Universidade Nova de Lisboa, Portugal), where he coordinates the "Music and Media" thematic strand of the INET-md (Music and Dance Research Centre). He is co-editor of the Portuguese Journal of Musicology and editor of Kinethophone - Journal of Music, Sound and Moving Image.</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Politik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="x">Political aspects</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music and state</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Dictators</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Diktatur</subfield><subfield code="0">(DE-588)4149920-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Komponist</subfield><subfield code="0">(DE-588)4032009-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Propaganda</subfield><subfield code="0">(DE-588)4076374-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Diktatur</subfield><subfield code="0">(DE-588)4149920-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Komponist</subfield><subfield code="0">(DE-588)4032009-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Propaganda</subfield><subfield code="0">(DE-588)4076374-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Buch, Esteban</subfield><subfield code="d">1963-</subfield><subfield code="0">(DE-588)132219026</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Contreras Zubillaga, Igor</subfield><subfield code="d">1979-</subfield><subfield code="0">(DE-588)1069535990</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Silva, Manuel Deniz</subfield><subfield code="0">(DE-588)1069537268</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-1-4724-3749-5</subfield><subfield code="z">1-4724-3749-7</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-30-PQE</subfield><subfield code="a">ZDB-1-PQM</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029369962</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">909</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">181</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">181</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">181</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://ebookcentral.proquest.com/lib/bsb/detail.action?docID=4568617</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-30-PQE</subfield><subfield code="q">BSB_PDA_PQEMUS_Kauf</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://ebookcentral.proquest.com/lib/bsmfidmusic/detail.action?docID=4568617</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-1-PQM</subfield><subfield code="q">BSB_PDA_PQM_KaufFID</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV043961237 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:39:49Z |
| institution | BVB |
| isbn | 9781472437501 1472437500 9781472437518 1472437519 9781317162643 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029369962 |
| oclc_num | 967971428 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (X, 224 Seiten) Illustrationen, Notenbeispiele |
| psigel | ZDB-30-PQE ZDB-1-PQM ZDB-30-PQE BSB_PDA_PQEMUS_Kauf ZDB-1-PQM BSB_PDA_PQM_KaufFID |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Ashgate |
| record_format | marc |
| series2 | Musical cultures of the twentieth century |
| spelling | Composing for the state music in twentieth-century dictatorships edited by Esteban Buch, Igor Contreras Zubillaga, Manuel Deniz Silva Abingdon ; New York Ashgate [2016] © 2016 1 Online-Ressource (X, 224 Seiten) Illustrationen, Notenbeispiele txt rdacontent c rdamedia cr rdacarrier Musical cultures of the twentieth century volume 2 Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order. This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State. This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes. About the Authors: Esteban Buch is directeur d’études (full professor) at the Ecole des Hautes Etudes en Sciences Sociales (EHESS) in Paris, France. A specialist of the relationships between music and politics in the twentieth century, he is the author of O juremos con gloria morir (2013), L’Affaire Bomarzo (2011), Le cas Schoenberg (2006), La Neuvième de Beethoven (1999; English tr. 2003) and Histoire d’un secret (1994). He has also co-edited Du politique en analyse musicale (2014), Tangos cultos (2012), Réévaluer l’art moderne et les avant-gardes (2010), and La Grande guerre des musiciens (2009). - Igor Contreras Zubillaga is a PhD candidate at the Ecole des Hautes Etudes en Sciences Sociales of Paris, France, with a thesis on the Spanish musical avant-garde during Franco's dictatorship. He is co-editor of the volumes Le son des rouages: Representations des rapports homme-machine dans la musique du 20e siècle (2011) and A l'avant-garde! Art et politique dans les années 1960 et 1970 (2013). - Manuel Deniz Silva is Research Fellow at the FCSH (Universidade Nova de Lisboa, Portugal), where he coordinates the "Music and Media" thematic strand of the INET-md (Music and Dance Research Centre). He is co-editor of the Portuguese Journal of Musicology and editor of Kinethophone - Journal of Music, Sound and Moving Image. Geschichte 1900-2000 Geschichte 1900-2000 gnd rswk-swf Geschichte Musik Politik Music Political aspects History 20th century Music and state Dictators Musik (DE-588)4040802-4 gnd rswk-swf Diktatur (DE-588)4149920-7 gnd rswk-swf Komponist (DE-588)4032009-1 gnd rswk-swf Propaganda (DE-588)4076374-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Diktatur (DE-588)4149920-7 s Musik (DE-588)4040802-4 s Komponist (DE-588)4032009-1 s Propaganda (DE-588)4076374-2 s Geschichte 1900-2000 z DE-604 Buch, Esteban 1963- (DE-588)132219026 edt Contreras Zubillaga, Igor 1979- (DE-588)1069535990 edt Silva, Manuel Deniz (DE-588)1069537268 edt Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4724-3749-5 1-4724-3749-7 |
| spellingShingle | Composing for the state music in twentieth-century dictatorships Geschichte Musik Politik Music Political aspects History 20th century Music and state Dictators Musik (DE-588)4040802-4 gnd Diktatur (DE-588)4149920-7 gnd Komponist (DE-588)4032009-1 gnd Propaganda (DE-588)4076374-2 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4149920-7 (DE-588)4032009-1 (DE-588)4076374-2 (DE-588)4143413-4 |
| title | Composing for the state music in twentieth-century dictatorships |
| title_auth | Composing for the state music in twentieth-century dictatorships |
| title_exact_search | Composing for the state music in twentieth-century dictatorships |
| title_full | Composing for the state music in twentieth-century dictatorships edited by Esteban Buch, Igor Contreras Zubillaga, Manuel Deniz Silva |
| title_fullStr | Composing for the state music in twentieth-century dictatorships edited by Esteban Buch, Igor Contreras Zubillaga, Manuel Deniz Silva |
| title_full_unstemmed | Composing for the state music in twentieth-century dictatorships edited by Esteban Buch, Igor Contreras Zubillaga, Manuel Deniz Silva |
| title_short | Composing for the state |
| title_sort | composing for the state music in twentieth century dictatorships |
| title_sub | music in twentieth-century dictatorships |
| topic | Geschichte Musik Politik Music Political aspects History 20th century Music and state Dictators Musik (DE-588)4040802-4 gnd Diktatur (DE-588)4149920-7 gnd Komponist (DE-588)4032009-1 gnd Propaganda (DE-588)4076374-2 gnd |
| topic_facet | Geschichte Musik Politik Music Political aspects History 20th century Music and state Dictators Diktatur Komponist Propaganda Aufsatzsammlung |
| work_keys_str_mv | AT buchesteban composingforthestatemusicintwentiethcenturydictatorships AT contreraszubillagaigor composingforthestatemusicintwentiethcenturydictatorships AT silvamanueldeniz composingforthestatemusicintwentiethcenturydictatorships |