Going to the Movies: Hollywood and the Social Experience of Cinema
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bristol
Exeter University Press
2014
|
| Schriftenreihe: | Exeter studies in film history
|
| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1047 |
| Beschreibung: | Front Cover; Half Title; Exeter Studies in Film History; Title; Copyright; Contents; List of Illustrations; Notes on Contributors; Acknowledgements; Introduction; Part I: Studies of Local Cinema Exhibition; Chapter 1: Race, Region, and Rusticity: Relocating U.S. Film History; Chapter 2: Tri-racial Theaters in Robeson County, North Carolina,1896-1940; Chapter 3: The White in the Race Movie Audience; Chapter 4: Sundays in Norfolk: Toward a Protestant Utopia Through Film Exhibition in Norfolk, Virginia, 1910-1920; Chapter 5: Patchwork Maps of Moviegoing, 1911-1913 Chapter 6: Next Year at the Moving Pictures: Cinema and Social Change in the Jewish Immigrant CommunityChapter 7: 'Four Hours of Hootin' and Hollerin'': Moviegoing and Everyday Life Outside the Movie Palace; Chapter 8: Cinemagoing in the United States in the mid-1930s: A Study Based on the Variety Dataset; Chapter 9: Race Houses, Jim Crow Roosts, and Lily White Palaces: Desegregating the Motion Picture Theater; Part II: Other Cinema: Alternatives to Theatrical Exhibition; Chapter 10: The Reel of the Month Club: 16mm Projectors, Home Theaters and Film Libraries in the 1920s Chapter 11: Early Art Cinema in the U.S.: Symon Gould and the Little Cinema Movement of the 1920sChapter 12: Free Talking Picture-Every Farmer is Welcome: Nontheatrical Film and Everyday Life in Rural America during the 1930s; Chapter 13: Cinema's Shadow: Reconsidering Non-theatrical Exhibition; Part III: Hollywood Movies in Broader Perspective: Audiences at Home and Abroad; Chapter 14: Changing Images of Movie Audiences; Chapter 15: 'Healthy Films from America': The Emergence of a Catholic Film Mass Movement in Belgium and the Realm of Hollywood, 1928-1939 Chapter 16: The Child Audience and the 'Horrific' Film in 1930s BritainChapter 17: Hollywood in Vernacular: Translation and Cross-cultural Reception of American Films in Turkey; Chapter 18: Cowboy Modern: African Audiences, Hollywood Films, and Visions of the West; Chapter 19: 'Opening Everywhere': Multiplexes and the Speed of Cinema Culture; Chapter 20: 'Cinema Comes to Life at the Cornerhouse, Nottingham': 'American' Exhibition, Local Politics and Global Culture in the Construction of the Urban Entertainment Centre; Notes; Index; Back Cover In pioneering essays by many of the leading experts in this rapidly-developing field of cinema history, Going to the Movies moves beyond the familiar images of nickelodeons and movie palaces to analyse the place of movie theatres in local communities, the roles of race and religion in constructing and segregating audiences, the links between film and other entertainment media, the varied forms of non-theatrical exhibition and the historical development of the globalized audience |
| Beschreibung: | 498 pages |
| ISBN: | 9780859899161 0859899160 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043960542 | ||
| 003 | DE-604 | ||
| 005 | 20181204 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 161213s2014 xx o|||| 00||| eng d | ||
| 020 | |a 9780859899161 |9 978-0-85989-916-1 | ||
| 020 | |a 0859899160 |9 0-85989-916-0 | ||
| 035 | |a (ZDB-4-EBA)ocn870245809 | ||
| 035 | |a (OCoLC)870245809 | ||
| 035 | |a (DE-599)BVBBV043960542 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1047 |a DE-1046 | ||
| 082 | 0 | |a 302.2343 |2 23 | |
| 100 | 1 | |a Maltby, Richard |d 1952- |e Verfasser |0 (DE-588)121900150 |4 aut | |
| 245 | 1 | 0 | |a Going to the Movies |b Hollywood and the Social Experience of Cinema |
| 264 | 1 | |a Bristol |b Exeter University Press |c 2014 | |
| 300 | |a 498 pages | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Exeter studies in film history | |
| 500 | |a Front Cover; Half Title; Exeter Studies in Film History; Title; Copyright; Contents; List of Illustrations; Notes on Contributors; Acknowledgements; Introduction; Part I: Studies of Local Cinema Exhibition; Chapter 1: Race, Region, and Rusticity: Relocating U.S. Film History; Chapter 2: Tri-racial Theaters in Robeson County, North Carolina,1896-1940; Chapter 3: The White in the Race Movie Audience; Chapter 4: Sundays in Norfolk: Toward a Protestant Utopia Through Film Exhibition in Norfolk, Virginia, 1910-1920; Chapter 5: Patchwork Maps of Moviegoing, 1911-1913 | ||
| 500 | |a Chapter 6: Next Year at the Moving Pictures: Cinema and Social Change in the Jewish Immigrant CommunityChapter 7: 'Four Hours of Hootin' and Hollerin'': Moviegoing and Everyday Life Outside the Movie Palace; Chapter 8: Cinemagoing in the United States in the mid-1930s: A Study Based on the Variety Dataset; Chapter 9: Race Houses, Jim Crow Roosts, and Lily White Palaces: Desegregating the Motion Picture Theater; Part II: Other Cinema: Alternatives to Theatrical Exhibition; Chapter 10: The Reel of the Month Club: 16mm Projectors, Home Theaters and Film Libraries in the 1920s | ||
| 500 | |a Chapter 11: Early Art Cinema in the U.S.: Symon Gould and the Little Cinema Movement of the 1920sChapter 12: Free Talking Picture-Every Farmer is Welcome: Nontheatrical Film and Everyday Life in Rural America during the 1930s; Chapter 13: Cinema's Shadow: Reconsidering Non-theatrical Exhibition; Part III: Hollywood Movies in Broader Perspective: Audiences at Home and Abroad; Chapter 14: Changing Images of Movie Audiences; Chapter 15: 'Healthy Films from America': The Emergence of a Catholic Film Mass Movement in Belgium and the Realm of Hollywood, 1928-1939 | ||
| 500 | |a Chapter 16: The Child Audience and the 'Horrific' Film in 1930s BritainChapter 17: Hollywood in Vernacular: Translation and Cross-cultural Reception of American Films in Turkey; Chapter 18: Cowboy Modern: African Audiences, Hollywood Films, and Visions of the West; Chapter 19: 'Opening Everywhere': Multiplexes and the Speed of Cinema Culture; Chapter 20: 'Cinema Comes to Life at the Cornerhouse, Nottingham': 'American' Exhibition, Local Politics and Global Culture in the Construction of the Urban Entertainment Centre; Notes; Index; Back Cover | ||
| 500 | |a In pioneering essays by many of the leading experts in this rapidly-developing field of cinema history, Going to the Movies moves beyond the familiar images of nickelodeons and movie palaces to analyse the place of movie theatres in local communities, the roles of race and religion in constructing and segregating audiences, the links between film and other entertainment media, the varied forms of non-theatrical exhibition and the historical development of the globalized audience | ||
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Motion picture audiences | |
| 650 | 4 | |a Motion picture industry / History / 20th century | |
| 650 | 4 | |a Motion picture theaters | |
| 650 | 4 | |a Motion pictures / Distribution | |
| 650 | 7 | |a Motion picture audiences |2 fast | |
| 650 | 7 | |a Motion picture theaters |2 fast | |
| 650 | 7 | |a Motion pictures / Social aspects |2 fast | |
| 650 | 7 | |a PSYCHOLOGY / Social Psychology |2 bisacsh | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 4 | |a Motion picture audiences |z United States |x History | |
| 650 | 4 | |a Motion pictures |x Social aspects | |
| 650 | 4 | |a Motion picture theaters |z United States |x History | |
| 650 | 0 | 7 | |a Publikum |0 (DE-588)4047764-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kino |0 (DE-588)4129654-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Welt |0 (DE-588)4065341-9 |2 gnd |9 rswk-swf |
| 651 | 4 | |a USA | |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 655 | 7 | |8 1\p |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 2 | |a Welt |0 (DE-588)4065341-9 |D s |
| 689 | 0 | 3 | |a Publikum |0 (DE-588)4047764-2 |D s |
| 689 | 0 | 4 | |a Geschichte |A z |
| 689 | 0 | |8 2\p |5 DE-604 | |
| 689 | 1 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 1 | 1 | |a Kino |0 (DE-588)4129654-0 |D s |
| 689 | 1 | 2 | |a Publikum |0 (DE-588)4047764-2 |D s |
| 689 | 1 | 3 | |a Geschichte |A z |
| 689 | 1 | |8 3\p |5 DE-604 | |
| 700 | 1 | |a Stokes, Melvyn |e Sonstige |4 oth | |
| 700 | 1 | |a Allen, Robert C. |e Sonstige |4 oth | |
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 3\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 912 | |a ZDB-4-EBA | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-029369246 | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1134702 |l DE-1046 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1134702 |l DE-1047 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1822588556511543296 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Maltby, Richard 1952- |
| author_GND | (DE-588)121900150 |
| author_facet | Maltby, Richard 1952- |
| author_role | aut |
| author_sort | Maltby, Richard 1952- |
| author_variant | r m rm |
| building | Verbundindex |
| bvnumber | BV043960542 |
| collection | ZDB-4-EBA |
| ctrlnum | (ZDB-4-EBA)ocn870245809 (OCoLC)870245809 (DE-599)BVBBV043960542 |
| dewey-full | 302.2343 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 302 - Social interaction |
| dewey-raw | 302.2343 |
| dewey-search | 302.2343 |
| dewey-sort | 3302.2343 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| era | Geschichte 1900-2000 Geschichte gnd |
| era_facet | Geschichte 1900-2000 Geschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV043960542</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20181204</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">161213s2014 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780859899161</subfield><subfield code="9">978-0-85989-916-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0859899160</subfield><subfield code="9">0-85989-916-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-4-EBA)ocn870245809</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)870245809</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043960542</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1047</subfield><subfield code="a">DE-1046</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">302.2343</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Maltby, Richard</subfield><subfield code="d">1952-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)121900150</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Going to the Movies</subfield><subfield code="b">Hollywood and the Social Experience of Cinema</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bristol</subfield><subfield code="b">Exeter University Press</subfield><subfield code="c">2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">498 pages</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Exeter studies in film history</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Front Cover; Half Title; Exeter Studies in Film History; Title; Copyright; Contents; List of Illustrations; Notes on Contributors; Acknowledgements; Introduction; Part I: Studies of Local Cinema Exhibition; Chapter 1: Race, Region, and Rusticity: Relocating U.S. Film History; Chapter 2: Tri-racial Theaters in Robeson County, North Carolina,1896-1940; Chapter 3: The White in the Race Movie Audience; Chapter 4: Sundays in Norfolk: Toward a Protestant Utopia Through Film Exhibition in Norfolk, Virginia, 1910-1920; Chapter 5: Patchwork Maps of Moviegoing, 1911-1913</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Chapter 6: Next Year at the Moving Pictures: Cinema and Social Change in the Jewish Immigrant CommunityChapter 7: 'Four Hours of Hootin' and Hollerin'': Moviegoing and Everyday Life Outside the Movie Palace; Chapter 8: Cinemagoing in the United States in the mid-1930s: A Study Based on the Variety Dataset; Chapter 9: Race Houses, Jim Crow Roosts, and Lily White Palaces: Desegregating the Motion Picture Theater; Part II: Other Cinema: Alternatives to Theatrical Exhibition; Chapter 10: The Reel of the Month Club: 16mm Projectors, Home Theaters and Film Libraries in the 1920s</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Chapter 11: Early Art Cinema in the U.S.: Symon Gould and the Little Cinema Movement of the 1920sChapter 12: Free Talking Picture-Every Farmer is Welcome: Nontheatrical Film and Everyday Life in Rural America during the 1930s; Chapter 13: Cinema's Shadow: Reconsidering Non-theatrical Exhibition; Part III: Hollywood Movies in Broader Perspective: Audiences at Home and Abroad; Chapter 14: Changing Images of Movie Audiences; Chapter 15: 'Healthy Films from America': The Emergence of a Catholic Film Mass Movement in Belgium and the Realm of Hollywood, 1928-1939</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Chapter 16: The Child Audience and the 'Horrific' Film in 1930s BritainChapter 17: Hollywood in Vernacular: Translation and Cross-cultural Reception of American Films in Turkey; Chapter 18: Cowboy Modern: African Audiences, Hollywood Films, and Visions of the West; Chapter 19: 'Opening Everywhere': Multiplexes and the Speed of Cinema Culture; Chapter 20: 'Cinema Comes to Life at the Cornerhouse, Nottingham': 'American' Exhibition, Local Politics and Global Culture in the Construction of the Urban Entertainment Centre; Notes; Index; Back Cover</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">In pioneering essays by many of the leading experts in this rapidly-developing field of cinema history, Going to the Movies moves beyond the familiar images of nickelodeons and movie palaces to analyse the place of movie theatres in local communities, the roles of race and religion in constructing and segregating audiences, the links between film and other entertainment media, the varied forms of non-theatrical exhibition and the historical development of the globalized audience</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture audiences</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture industry / History / 20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture theaters</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures / Distribution</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion picture audiences</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion picture theaters</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures / Social aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PSYCHOLOGY / Social Psychology</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gesellschaft</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture audiences</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="x">Social aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture theaters</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Publikum</subfield><subfield code="0">(DE-588)4047764-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kino</subfield><subfield code="0">(DE-588)4129654-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Welt</subfield><subfield code="0">(DE-588)4065341-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">USA</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="8">1\p</subfield><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Welt</subfield><subfield code="0">(DE-588)4065341-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Publikum</subfield><subfield code="0">(DE-588)4047764-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Kino</subfield><subfield code="0">(DE-588)4129654-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Publikum</subfield><subfield code="0">(DE-588)4047764-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">3\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Stokes, Melvyn</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Allen, Robert C.</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">3\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029369246</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1134702</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1134702</subfield><subfield code="l">DE-1047</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | USA USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV043960542 |
| illustrated | Not Illustrated |
| indexdate | 2025-01-29T13:04:55Z |
| institution | BVB |
| isbn | 9780859899161 0859899160 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029369246 |
| oclc_num | 870245809 |
| open_access_boolean | |
| owner | DE-1047 DE-1046 |
| owner_facet | DE-1047 DE-1046 |
| physical | 498 pages |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Exeter University Press |
| record_format | marc |
| series2 | Exeter studies in film history |
| spelling | Maltby, Richard 1952- Verfasser (DE-588)121900150 aut Going to the Movies Hollywood and the Social Experience of Cinema Bristol Exeter University Press 2014 498 pages txt rdacontent c rdamedia cr rdacarrier Exeter studies in film history Front Cover; Half Title; Exeter Studies in Film History; Title; Copyright; Contents; List of Illustrations; Notes on Contributors; Acknowledgements; Introduction; Part I: Studies of Local Cinema Exhibition; Chapter 1: Race, Region, and Rusticity: Relocating U.S. Film History; Chapter 2: Tri-racial Theaters in Robeson County, North Carolina,1896-1940; Chapter 3: The White in the Race Movie Audience; Chapter 4: Sundays in Norfolk: Toward a Protestant Utopia Through Film Exhibition in Norfolk, Virginia, 1910-1920; Chapter 5: Patchwork Maps of Moviegoing, 1911-1913 Chapter 6: Next Year at the Moving Pictures: Cinema and Social Change in the Jewish Immigrant CommunityChapter 7: 'Four Hours of Hootin' and Hollerin'': Moviegoing and Everyday Life Outside the Movie Palace; Chapter 8: Cinemagoing in the United States in the mid-1930s: A Study Based on the Variety Dataset; Chapter 9: Race Houses, Jim Crow Roosts, and Lily White Palaces: Desegregating the Motion Picture Theater; Part II: Other Cinema: Alternatives to Theatrical Exhibition; Chapter 10: The Reel of the Month Club: 16mm Projectors, Home Theaters and Film Libraries in the 1920s Chapter 11: Early Art Cinema in the U.S.: Symon Gould and the Little Cinema Movement of the 1920sChapter 12: Free Talking Picture-Every Farmer is Welcome: Nontheatrical Film and Everyday Life in Rural America during the 1930s; Chapter 13: Cinema's Shadow: Reconsidering Non-theatrical Exhibition; Part III: Hollywood Movies in Broader Perspective: Audiences at Home and Abroad; Chapter 14: Changing Images of Movie Audiences; Chapter 15: 'Healthy Films from America': The Emergence of a Catholic Film Mass Movement in Belgium and the Realm of Hollywood, 1928-1939 Chapter 16: The Child Audience and the 'Horrific' Film in 1930s BritainChapter 17: Hollywood in Vernacular: Translation and Cross-cultural Reception of American Films in Turkey; Chapter 18: Cowboy Modern: African Audiences, Hollywood Films, and Visions of the West; Chapter 19: 'Opening Everywhere': Multiplexes and the Speed of Cinema Culture; Chapter 20: 'Cinema Comes to Life at the Cornerhouse, Nottingham': 'American' Exhibition, Local Politics and Global Culture in the Construction of the Urban Entertainment Centre; Notes; Index; Back Cover In pioneering essays by many of the leading experts in this rapidly-developing field of cinema history, Going to the Movies moves beyond the familiar images of nickelodeons and movie palaces to analyse the place of movie theatres in local communities, the roles of race and religion in constructing and segregating audiences, the links between film and other entertainment media, the varied forms of non-theatrical exhibition and the historical development of the globalized audience Geschichte 1900-2000 Geschichte gnd rswk-swf Motion picture audiences Motion picture industry / History / 20th century Motion picture theaters Motion pictures / Distribution Motion picture audiences fast Motion picture theaters fast Motion pictures / Social aspects fast PSYCHOLOGY / Social Psychology bisacsh Film Geschichte Gesellschaft Motion picture audiences United States History Motion pictures Social aspects Motion picture theaters United States History Publikum (DE-588)4047764-2 gnd rswk-swf Kino (DE-588)4129654-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Welt (DE-588)4065341-9 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Welt (DE-588)4065341-9 s Publikum (DE-588)4047764-2 s Geschichte z 2\p DE-604 Kino (DE-588)4129654-0 s 3\p DE-604 Stokes, Melvyn Sonstige oth Allen, Robert C. Sonstige oth 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Maltby, Richard 1952- Going to the Movies Hollywood and the Social Experience of Cinema Motion picture audiences Motion picture industry / History / 20th century Motion picture theaters Motion pictures / Distribution Motion picture audiences fast Motion picture theaters fast Motion pictures / Social aspects fast PSYCHOLOGY / Social Psychology bisacsh Film Geschichte Gesellschaft Motion picture audiences United States History Motion pictures Social aspects Motion picture theaters United States History Publikum (DE-588)4047764-2 gnd Kino (DE-588)4129654-0 gnd Film (DE-588)4017102-4 gnd Welt (DE-588)4065341-9 gnd |
| subject_GND | (DE-588)4047764-2 (DE-588)4129654-0 (DE-588)4017102-4 (DE-588)4065341-9 (DE-588)4078704-7 (DE-588)4143413-4 |
| title | Going to the Movies Hollywood and the Social Experience of Cinema |
| title_auth | Going to the Movies Hollywood and the Social Experience of Cinema |
| title_exact_search | Going to the Movies Hollywood and the Social Experience of Cinema |
| title_full | Going to the Movies Hollywood and the Social Experience of Cinema |
| title_fullStr | Going to the Movies Hollywood and the Social Experience of Cinema |
| title_full_unstemmed | Going to the Movies Hollywood and the Social Experience of Cinema |
| title_short | Going to the Movies |
| title_sort | going to the movies hollywood and the social experience of cinema |
| title_sub | Hollywood and the Social Experience of Cinema |
| topic | Motion picture audiences Motion picture industry / History / 20th century Motion picture theaters Motion pictures / Distribution Motion picture audiences fast Motion picture theaters fast Motion pictures / Social aspects fast PSYCHOLOGY / Social Psychology bisacsh Film Geschichte Gesellschaft Motion picture audiences United States History Motion pictures Social aspects Motion picture theaters United States History Publikum (DE-588)4047764-2 gnd Kino (DE-588)4129654-0 gnd Film (DE-588)4017102-4 gnd Welt (DE-588)4065341-9 gnd |
| topic_facet | Motion picture audiences Motion picture industry / History / 20th century Motion picture theaters Motion pictures / Distribution Motion pictures / Social aspects PSYCHOLOGY / Social Psychology Film Geschichte Gesellschaft Motion picture audiences United States History Motion pictures Social aspects Motion picture theaters United States History Publikum Kino Welt USA Aufsatzsammlung |
| work_keys_str_mv | AT maltbyrichard goingtothemovieshollywoodandthesocialexperienceofcinema AT stokesmelvyn goingtothemovieshollywoodandthesocialexperienceofcinema AT allenrobertc goingtothemovieshollywoodandthesocialexperienceofcinema |