Scenes of the Obscene: The Non-Representable in Art and Visual Culture, Middle Ages to Today:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
[Place of publication not identified]
Zeilenwert GmbH
2014
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 |
| Beschreibung: | Vendor-supplied metadata |
| Beschreibung: | 1 online resource |
| ISBN: | 9783958994539 3958994539 9783897397675 3897397676 |
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| 505 | 8 | |a Cover; Imprint; Contents; Preface; I. Bodies of Transgression; Anja Grebe: Inside Out. Scatology in Medieval Art; Bernd Krysmanski: Warnings of Morality or Downright Twisted Pleasure? William Hogarth's Depiction of Violence; Patricia Bass: The Post-edible in Art: The Limits of the Abject at the Whitney Museum; II. VisualPleasuresandSexualActs; Thomas Martin: 'Bestial Desire': About the Silent Sin against Nature. Sodomia and Bestiality in Early Modern Art; Kassandra Nakas: "Taming the Subject through Gracefulness". Erotic Literature in German Art Nouveau | |
| 505 | 8 | |a Massimo Perinelli: Queering Bestiality. Visual Pleasure and the ObsceneIII. Violence and Death; Barbara Baert: Cutting the throat. Obscenity and the Case of the Johannesschüssel; Karen Gonzalez Rice: Cocking the Trigger: Explicit Male Performance and Its Consequences; Jessica Ullrich: "Animals were Harmed in the Making of this Artwork". The Visibility of Animal Death in Artworks; List of Illustrations; List of Contributors | |
| 505 | 8 | |a Artists and the public alike have always been fascinated by obscene imagery. The Obscene, however, is difficult to define. One of the earliest interpretations is of Greek origin and argues that the word derives from ""ob skene"", indicating the space behind the stage or scene. ""Off-scene"" remains what should be hidden from public view, be it morally questionable, offensive, disgusting or unbearable to look at. This book presents a collection of essays that cast light on some ""Scene of the Obscene"" in art and visual culture from the Middle Ages to today, taking into consideration the mallea | |
| 648 | 7 | |a Geschichte 1100-2014 |2 gnd |9 rswk-swf | |
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| 650 | 4 | |a Vulgarity | |
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| 650 | 7 | |a Art and society |2 fast | |
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Datensatz im Suchindex
| _version_ | 1804176914427936768 |
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| any_adam_object | |
| author | Nakas, Kassan |
| author_GND | (DE-588)124625215 |
| author_facet | Nakas, Kassan |
| author_role | aut |
| author_sort | Nakas, Kassan |
| author_variant | k n kn |
| building | Verbundindex |
| bvnumber | BV043958962 |
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| contents | Cover; Imprint; Contents; Preface; I. Bodies of Transgression; Anja Grebe: Inside Out. Scatology in Medieval Art; Bernd Krysmanski: Warnings of Morality or Downright Twisted Pleasure? William Hogarth's Depiction of Violence; Patricia Bass: The Post-edible in Art: The Limits of the Abject at the Whitney Museum; II. VisualPleasuresandSexualActs; Thomas Martin: 'Bestial Desire': About the Silent Sin against Nature. Sodomia and Bestiality in Early Modern Art; Kassandra Nakas: "Taming the Subject through Gracefulness". Erotic Literature in German Art Nouveau Massimo Perinelli: Queering Bestiality. Visual Pleasure and the ObsceneIII. Violence and Death; Barbara Baert: Cutting the throat. Obscenity and the Case of the Johannesschüssel; Karen Gonzalez Rice: Cocking the Trigger: Explicit Male Performance and Its Consequences; Jessica Ullrich: "Animals were Harmed in the Making of this Artwork". The Visibility of Animal Death in Artworks; List of Illustrations; List of Contributors Artists and the public alike have always been fascinated by obscene imagery. The Obscene, however, is difficult to define. One of the earliest interpretations is of Greek origin and argues that the word derives from ""ob skene"", indicating the space behind the stage or scene. ""Off-scene"" remains what should be hidden from public view, be it morally questionable, offensive, disgusting or unbearable to look at. This book presents a collection of essays that cast light on some ""Scene of the Obscene"" in art and visual culture from the Middle Ages to today, taking into consideration the mallea |
| ctrlnum | (ZDB-4-EBA)ocn926706040 (OCoLC)926706040 (DE-599)BVBBV043958962 |
| dewey-full | 701 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701 |
| dewey-search | 701 |
| dewey-sort | 3701 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1100-2014 gnd Geschichte 500-2014 gnd |
| era_facet | Geschichte 1100-2014 Geschichte 500-2014 |
| format | Electronic eBook |
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| spelling | Nakas, Kassan Verfasser aut Scenes of the Obscene: The Non-Representable in Art and Visual Culture, Middle Ages to Today [Place of publication not identified] Zeilenwert GmbH 2014 1 online resource txt rdacontent c rdamedia cr rdacarrier Vendor-supplied metadata Cover; Imprint; Contents; Preface; I. Bodies of Transgression; Anja Grebe: Inside Out. Scatology in Medieval Art; Bernd Krysmanski: Warnings of Morality or Downright Twisted Pleasure? William Hogarth's Depiction of Violence; Patricia Bass: The Post-edible in Art: The Limits of the Abject at the Whitney Museum; II. VisualPleasuresandSexualActs; Thomas Martin: 'Bestial Desire': About the Silent Sin against Nature. Sodomia and Bestiality in Early Modern Art; Kassandra Nakas: "Taming the Subject through Gracefulness". Erotic Literature in German Art Nouveau Massimo Perinelli: Queering Bestiality. Visual Pleasure and the ObsceneIII. Violence and Death; Barbara Baert: Cutting the throat. Obscenity and the Case of the Johannesschüssel; Karen Gonzalez Rice: Cocking the Trigger: Explicit Male Performance and Its Consequences; Jessica Ullrich: "Animals were Harmed in the Making of this Artwork". The Visibility of Animal Death in Artworks; List of Illustrations; List of Contributors Artists and the public alike have always been fascinated by obscene imagery. The Obscene, however, is difficult to define. One of the earliest interpretations is of Greek origin and argues that the word derives from ""ob skene"", indicating the space behind the stage or scene. ""Off-scene"" remains what should be hidden from public view, be it morally questionable, offensive, disgusting or unbearable to look at. This book presents a collection of essays that cast light on some ""Scene of the Obscene"" in art and visual culture from the Middle Ages to today, taking into consideration the mallea Geschichte 1100-2014 gnd rswk-swf Geschichte 500-2014 gnd rswk-swf Art / Philosophy Art and morals Art and society Vulgarity Art and morals fast Art and society fast Art / Philosophy fast Vulgarity fast ART / General bisacsh Kunst Philosophie Art Philosophy Art and morals Art and society Vulgarity Erotische Kunst (DE-588)4152857-8 gnd rswk-swf Gewalt Motiv (DE-588)4113748-6 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Obszönität (DE-588)4172346-6 gnd rswk-swf Grenzüberschreitung (DE-588)4367340-5 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Kunst (DE-588)4114333-4 s Gewalt Motiv (DE-588)4113748-6 s Obszönität (DE-588)4172346-6 s Grenzüberschreitung (DE-588)4367340-5 s Geschichte 500-2014 z DE-604 Erotische Kunst (DE-588)4152857-8 s Geschichte 1100-2014 z Ullrich, Jessica 1969- Sonstige (DE-588)124625215 oth Erscheint auch als Druck-Ausgabe Nakas, Kassandra Scenes of the Obscene : The Non-Representable in Art and Visual Culture, Middle Ages to Today 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Nakas, Kassan Scenes of the Obscene: The Non-Representable in Art and Visual Culture, Middle Ages to Today Cover; Imprint; Contents; Preface; I. Bodies of Transgression; Anja Grebe: Inside Out. Scatology in Medieval Art; Bernd Krysmanski: Warnings of Morality or Downright Twisted Pleasure? William Hogarth's Depiction of Violence; Patricia Bass: The Post-edible in Art: The Limits of the Abject at the Whitney Museum; II. VisualPleasuresandSexualActs; Thomas Martin: 'Bestial Desire': About the Silent Sin against Nature. Sodomia and Bestiality in Early Modern Art; Kassandra Nakas: "Taming the Subject through Gracefulness". Erotic Literature in German Art Nouveau Massimo Perinelli: Queering Bestiality. Visual Pleasure and the ObsceneIII. Violence and Death; Barbara Baert: Cutting the throat. Obscenity and the Case of the Johannesschüssel; Karen Gonzalez Rice: Cocking the Trigger: Explicit Male Performance and Its Consequences; Jessica Ullrich: "Animals were Harmed in the Making of this Artwork". The Visibility of Animal Death in Artworks; List of Illustrations; List of Contributors Artists and the public alike have always been fascinated by obscene imagery. The Obscene, however, is difficult to define. One of the earliest interpretations is of Greek origin and argues that the word derives from ""ob skene"", indicating the space behind the stage or scene. ""Off-scene"" remains what should be hidden from public view, be it morally questionable, offensive, disgusting or unbearable to look at. This book presents a collection of essays that cast light on some ""Scene of the Obscene"" in art and visual culture from the Middle Ages to today, taking into consideration the mallea Art / Philosophy Art and morals Art and society Vulgarity Art and morals fast Art and society fast Art / Philosophy fast Vulgarity fast ART / General bisacsh Kunst Philosophie Art Philosophy Art and morals Art and society Vulgarity Erotische Kunst (DE-588)4152857-8 gnd Gewalt Motiv (DE-588)4113748-6 gnd Kunst (DE-588)4114333-4 gnd Obszönität (DE-588)4172346-6 gnd Grenzüberschreitung (DE-588)4367340-5 gnd |
| subject_GND | (DE-588)4152857-8 (DE-588)4113748-6 (DE-588)4114333-4 (DE-588)4172346-6 (DE-588)4367340-5 (DE-588)4143413-4 |
| title | Scenes of the Obscene: The Non-Representable in Art and Visual Culture, Middle Ages to Today |
| title_auth | Scenes of the Obscene: The Non-Representable in Art and Visual Culture, Middle Ages to Today |
| title_exact_search | Scenes of the Obscene: The Non-Representable in Art and Visual Culture, Middle Ages to Today |
| title_full | Scenes of the Obscene: The Non-Representable in Art and Visual Culture, Middle Ages to Today |
| title_fullStr | Scenes of the Obscene: The Non-Representable in Art and Visual Culture, Middle Ages to Today |
| title_full_unstemmed | Scenes of the Obscene: The Non-Representable in Art and Visual Culture, Middle Ages to Today |
| title_short | Scenes of the Obscene: The Non-Representable in Art and Visual Culture, Middle Ages to Today |
| title_sort | scenes of the obscene the non representable in art and visual culture middle ages to today |
| topic | Art / Philosophy Art and morals Art and society Vulgarity Art and morals fast Art and society fast Art / Philosophy fast Vulgarity fast ART / General bisacsh Kunst Philosophie Art Philosophy Art and morals Art and society Vulgarity Erotische Kunst (DE-588)4152857-8 gnd Gewalt Motiv (DE-588)4113748-6 gnd Kunst (DE-588)4114333-4 gnd Obszönität (DE-588)4172346-6 gnd Grenzüberschreitung (DE-588)4367340-5 gnd |
| topic_facet | Art / Philosophy Art and morals Art and society Vulgarity ART / General Kunst Philosophie Art Philosophy Art and morals Art and society Vulgarity Erotische Kunst Gewalt Motiv Obszönität Grenzüberschreitung Aufsatzsammlung |
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