Robert Ryman:
"This volume is a comprehensive study highlighting the interplay of context and meaning in Robert Ryman's work. Featuring new photography and original essays by a formidable array of scholars and curators, the book is the most expansive and thorough investigation of the work of American pa...
Gespeichert in:
Weitere Verfasser: | , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Dia Art Foundation
[2017]
New Haven ; London Yale University Press [2017] |
Schlagworte: | |
Zusammenfassung: | "This volume is a comprehensive study highlighting the interplay of context and meaning in Robert Ryman's work. Featuring new photography and original essays by a formidable array of scholars and curators, the book is the most expansive and thorough investigation of the work of American painter Robert Ryman in over two decades. Arguing that the relationships between his paintings are key to understanding his diverse output, the book offers more faithful reproductions and subtler details of the paintings than have previously been available, and attends closely to the artist's own strategies of display. Ryman's paintings are readily identified by their predominantly achromatic surfaces, but his exploration of the values and effects of white was never limited to paint. His experimentations with canvas, board, paper, aluminum, fiberglass, and Plexiglas have evolved into a material vocabulary as revolutionary as his use of white. The texts featured here reflect on the importance of Ryman's practice to contemporary art: Robert Storr, curator of Ryman's 1993 retrospective, places the painter in historical context while Courtney J. Martin, curator of his 2015-16 exhibition at Dia Chelsea, looks at Ryman's three-dimensional works. Drawings scholar Allegra Pesenti investigates his drawing practice; music historian John Szwed traces the influence of jazz in Ryman's early works; and artist Charles Gaines asks what, in a Ryman, is real" |
Beschreibung: | "Several of the essays in this publication grew out of a symposium that was held at Dia:Beacon on March 12, 2016, and a symposium that was held at Dia:Chelsea on May 21, 2016" |
Beschreibung: | 335 Seiten Illustrationen |
ISBN: | 9780300226713 |
Internformat
MARC
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---|---|---|---|
001 | BV043947231 | ||
003 | DE-604 | ||
005 | 20170712 | ||
007 | t | ||
008 | 161206s2017 a||| |||| 10||| eng d | ||
020 | |a 9780300226713 |9 978-0-300-22671-3 | ||
035 | |a (OCoLC)989729030 | ||
035 | |a (DE-599)BVBBV043947231 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-11 |a DE-12 |a DE-255 | ||
084 | |a LI 77270 |0 (DE-625)159270: |2 rvk | ||
100 | 1 | |a Ryman, Robert |d 1930-2019 |0 (DE-588)119191776 |4 art | |
240 | 1 | 0 | |a Robert Ryman (2017) |
245 | 1 | 0 | |a Robert Ryman |c Robert Ryman ; edited by Stephen Hoban and Courtney J. Martin ; contributions by Sandra Amann, Jo Applin, Charles Gaines, Gary Garrels, Suzanne Hudson, Philipp Kaiser, Lucy R. Lippard, Courtney J. Martin, Robert Storr, Kirsten Swenson, and John Szwed |
264 | 1 | |a New York |b Dia Art Foundation |c [2017] | |
264 | 1 | |a New Haven ; London |b Yale University Press |c [2017] | |
300 | |a 335 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
336 | |b sti |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a "Several of the essays in this publication grew out of a symposium that was held at Dia:Beacon on March 12, 2016, and a symposium that was held at Dia:Chelsea on May 21, 2016" | ||
520 | 3 | |a "This volume is a comprehensive study highlighting the interplay of context and meaning in Robert Ryman's work. Featuring new photography and original essays by a formidable array of scholars and curators, the book is the most expansive and thorough investigation of the work of American painter Robert Ryman in over two decades. Arguing that the relationships between his paintings are key to understanding his diverse output, the book offers more faithful reproductions and subtler details of the paintings than have previously been available, and attends closely to the artist's own strategies of display. Ryman's paintings are readily identified by their predominantly achromatic surfaces, but his exploration of the values and effects of white was never limited to paint. His experimentations with canvas, board, paper, aluminum, fiberglass, and Plexiglas have evolved into a material vocabulary as revolutionary as his use of white. The texts featured here reflect on the importance of Ryman's practice to contemporary art: Robert Storr, curator of Ryman's 1993 retrospective, places the painter in historical context while Courtney J. Martin, curator of his 2015-16 exhibition at Dia Chelsea, looks at Ryman's three-dimensional works. Drawings scholar Allegra Pesenti investigates his drawing practice; music historian John Szwed traces the influence of jazz in Ryman's early works; and artist Charles Gaines asks what, in a Ryman, is real" | |
600 | 1 | 7 | |a Ryman, Robert |d 1930-2019 |0 (DE-588)119191776 |2 gnd |9 rswk-swf |
648 | 7 | |a Geschichte 1959-1978 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Malerei |0 (DE-588)4037220-0 |2 gnd |9 rswk-swf |
655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Dia Art Foundation |y 09.12.2015-30.06.2016 |z New York, NY |2 gnd-content | |
655 | 7 | |0 (DE-588)1071861417 |a Konferenzschrift |y 2016 |z New York, NY |2 gnd-content | |
689 | 0 | 0 | |a Ryman, Robert |d 1930-2019 |0 (DE-588)119191776 |D p |
689 | 0 | 1 | |a Malerei |0 (DE-588)4037220-0 |D s |
689 | 0 | 2 | |a Geschichte 1959-1978 |A z |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Hoban, Stephen |4 edt | |
700 | 1 | |a Martin, Courtney J. |0 (DE-588)136363385 |4 edt | |
700 | 1 | |a Amann, Sandra |4 wat | |
710 | 2 | |a Dia Art Foundation |0 (DE-588)3006656-6 |4 isb |4 his | |
999 | |a oai:aleph.bib-bvb.de:BVB01-029356179 |
Datensatz im Suchindex
_version_ | 1804176894947491840 |
---|---|
any_adam_object | |
author2 | Hoban, Stephen Martin, Courtney J. |
author2_role | edt edt |
author2_variant | s h sh c j m cj cjm |
author_GND | (DE-588)119191776 (DE-588)136363385 |
author_facet | Hoban, Stephen Martin, Courtney J. |
building | Verbundindex |
bvnumber | BV043947231 |
classification_rvk | LI 77270 |
ctrlnum | (OCoLC)989729030 (DE-599)BVBBV043947231 |
discipline | Kunstgeschichte |
era | Geschichte 1959-1978 gnd |
era_facet | Geschichte 1959-1978 |
format | Book |
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genre_facet | Ausstellungskatalog Dia Art Foundation 09.12.2015-30.06.2016 New York, NY Konferenzschrift 2016 New York, NY |
id | DE-604.BV043947231 |
illustrated | Illustrated |
indexdate | 2024-07-10T07:39:26Z |
institution | BVB |
institution_GND | (DE-588)3006656-6 |
isbn | 9780300226713 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029356179 |
oclc_num | 989729030 |
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owner_facet | DE-11 DE-12 DE-255 |
physical | 335 Seiten Illustrationen |
publishDate | 2017 |
publishDateSearch | 2017 |
publishDateSort | 2017 |
publisher | Dia Art Foundation Yale University Press |
record_format | marc |
spelling | Ryman, Robert 1930-2019 (DE-588)119191776 art Robert Ryman (2017) Robert Ryman Robert Ryman ; edited by Stephen Hoban and Courtney J. Martin ; contributions by Sandra Amann, Jo Applin, Charles Gaines, Gary Garrels, Suzanne Hudson, Philipp Kaiser, Lucy R. Lippard, Courtney J. Martin, Robert Storr, Kirsten Swenson, and John Szwed New York Dia Art Foundation [2017] New Haven ; London Yale University Press [2017] 335 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier "Several of the essays in this publication grew out of a symposium that was held at Dia:Beacon on March 12, 2016, and a symposium that was held at Dia:Chelsea on May 21, 2016" "This volume is a comprehensive study highlighting the interplay of context and meaning in Robert Ryman's work. Featuring new photography and original essays by a formidable array of scholars and curators, the book is the most expansive and thorough investigation of the work of American painter Robert Ryman in over two decades. Arguing that the relationships between his paintings are key to understanding his diverse output, the book offers more faithful reproductions and subtler details of the paintings than have previously been available, and attends closely to the artist's own strategies of display. Ryman's paintings are readily identified by their predominantly achromatic surfaces, but his exploration of the values and effects of white was never limited to paint. His experimentations with canvas, board, paper, aluminum, fiberglass, and Plexiglas have evolved into a material vocabulary as revolutionary as his use of white. The texts featured here reflect on the importance of Ryman's practice to contemporary art: Robert Storr, curator of Ryman's 1993 retrospective, places the painter in historical context while Courtney J. Martin, curator of his 2015-16 exhibition at Dia Chelsea, looks at Ryman's three-dimensional works. Drawings scholar Allegra Pesenti investigates his drawing practice; music historian John Szwed traces the influence of jazz in Ryman's early works; and artist Charles Gaines asks what, in a Ryman, is real" Ryman, Robert 1930-2019 (DE-588)119191776 gnd rswk-swf Geschichte 1959-1978 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Dia Art Foundation 09.12.2015-30.06.2016 New York, NY gnd-content (DE-588)1071861417 Konferenzschrift 2016 New York, NY gnd-content Ryman, Robert 1930-2019 (DE-588)119191776 p Malerei (DE-588)4037220-0 s Geschichte 1959-1978 z DE-604 Hoban, Stephen edt Martin, Courtney J. (DE-588)136363385 edt Amann, Sandra wat Dia Art Foundation (DE-588)3006656-6 isb his |
spellingShingle | Robert Ryman Ryman, Robert 1930-2019 (DE-588)119191776 gnd Malerei (DE-588)4037220-0 gnd |
subject_GND | (DE-588)119191776 (DE-588)4037220-0 (DE-588)4135467-9 (DE-588)1071861417 |
title | Robert Ryman |
title_alt | Robert Ryman (2017) |
title_auth | Robert Ryman |
title_exact_search | Robert Ryman |
title_full | Robert Ryman Robert Ryman ; edited by Stephen Hoban and Courtney J. Martin ; contributions by Sandra Amann, Jo Applin, Charles Gaines, Gary Garrels, Suzanne Hudson, Philipp Kaiser, Lucy R. Lippard, Courtney J. Martin, Robert Storr, Kirsten Swenson, and John Szwed |
title_fullStr | Robert Ryman Robert Ryman ; edited by Stephen Hoban and Courtney J. Martin ; contributions by Sandra Amann, Jo Applin, Charles Gaines, Gary Garrels, Suzanne Hudson, Philipp Kaiser, Lucy R. Lippard, Courtney J. Martin, Robert Storr, Kirsten Swenson, and John Szwed |
title_full_unstemmed | Robert Ryman Robert Ryman ; edited by Stephen Hoban and Courtney J. Martin ; contributions by Sandra Amann, Jo Applin, Charles Gaines, Gary Garrels, Suzanne Hudson, Philipp Kaiser, Lucy R. Lippard, Courtney J. Martin, Robert Storr, Kirsten Swenson, and John Szwed |
title_short | Robert Ryman |
title_sort | robert ryman |
topic | Ryman, Robert 1930-2019 (DE-588)119191776 gnd Malerei (DE-588)4037220-0 gnd |
topic_facet | Ryman, Robert 1930-2019 Malerei Ausstellungskatalog Dia Art Foundation 09.12.2015-30.06.2016 New York, NY Konferenzschrift 2016 New York, NY |
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