The Counter-cinema of the Berlin School:
The group of contemporary German directors collectively known as the "Berlin School" constitutes the most significant filmmaking movement to come out of Germany since the New German Cinema of the 1970s, not least because its films mark the emergence of a new film language in German cinema....
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Suffolk
Boydell & Brewer
2013
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| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | The group of contemporary German directors collectively known as the "Berlin School" constitutes the most significant filmmaking movement to come out of Germany since the New German Cinema of the 1970s, not least because its films mark the emergence of a new film language in German cinema. The filmmakers belonging to the Berlin School, including Christian Petzold, Thomas Arslan, Angela Schanelec, Christoph Hochhäusler, Ulrich Köhler, Benjamin Heisenberg, Maren Ade, and Valeska Grisebach, are reminiscent in their auteurism of the directors of the New German 'Autorenkino' and of French 'cinéma des auteurs' of the 1960s. This volume is the first book-length study in any language of the Berlin School. Its central thesis -- that the movement should be regarded as a "counter-cinema" -- is built around the unusual style of realism employed in the films of this movement, a realism that presents audiences with images of a Germany that does not yet exist. Abel concludes that it is precisely how these films' images and sounds work that renders them political. They are political not because they are message-driven films but because they are made politically, thus performing a "redistribution of the sensible" -- a direct artistic intervention in the way politics partitions ways of doing and making, saying and seeing. Marco Abel is Associate Professor of English and Film Studies at the University of Nebraska, Lincoln |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Beschreibung: | 1 online resource (xi, 348 pages) |
| ISBN: | 9781571138736 |
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| 505 | 8 | |a Introduction: So this was Germany -- a preliminary account of the Berlin School -- The first wave. Thomas Arslan: realism beyond identity -- Christian Petzold: Heimat-building as utopia -- Angela Schanelec: narrative, understanding, language -- The second wave. Revolver-cinema and electrons libres: cinema must be dangerous -- Christoph Hochhäusler: intensifying life -- Benjamin Heisenberg: filming simply as resistance -- Valeska Grisebach: "a sharpening of our regard" -- Maren Ade: filming the between sincerity and irony -- Ulrich Köhler: the politics of refusal -- Conclusion: a counter-cinema | |
| 520 | |a The group of contemporary German directors collectively known as the "Berlin School" constitutes the most significant filmmaking movement to come out of Germany since the New German Cinema of the 1970s, not least because its films mark the emergence of a new film language in German cinema. The filmmakers belonging to the Berlin School, including Christian Petzold, Thomas Arslan, Angela Schanelec, Christoph Hochhäusler, Ulrich Köhler, Benjamin Heisenberg, Maren Ade, and Valeska Grisebach, are reminiscent in their auteurism of the directors of the New German 'Autorenkino' and of French 'cinéma des auteurs' of the 1960s. This volume is the first book-length study in any language of the Berlin School. Its central thesis -- that the movement should be regarded as a "counter-cinema" -- is built around the unusual style of realism employed in the films of this movement, a realism that presents audiences with images of a Germany that does not yet exist. Abel concludes that it is precisely how these films' images and sounds work that renders them political. They are political not because they are message-driven films but because they are made politically, thus performing a "redistribution of the sensible" -- a direct artistic intervention in the way politics partitions ways of doing and making, saying and seeing. Marco Abel is Associate Professor of English and Film Studies at the University of Nebraska, Lincoln | ||
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Datensatz im Suchindex
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| author | Abel, Marco |
| author_facet | Abel, Marco |
| author_role | aut |
| author_sort | Abel, Marco |
| author_variant | m a ma |
| building | Verbundindex |
| bvnumber | BV043939869 |
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| contents | Introduction: So this was Germany -- a preliminary account of the Berlin School -- The first wave. Thomas Arslan: realism beyond identity -- Christian Petzold: Heimat-building as utopia -- Angela Schanelec: narrative, understanding, language -- The second wave. Revolver-cinema and electrons libres: cinema must be dangerous -- Christoph Hochhäusler: intensifying life -- Benjamin Heisenberg: filming simply as resistance -- Valeska Grisebach: "a sharpening of our regard" -- Maren Ade: filming the between sincerity and irony -- Ulrich Köhler: the politics of refusal -- Conclusion: a counter-cinema |
| ctrlnum | (OCoLC)967390809 (DE-599)BVBBV043939869 |
| dewey-full | 791.430943090/05 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430943090/05 |
| dewey-search | 791.430943090/05 |
| dewey-sort | 3791.430943090 15 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| spelling | Abel, Marco Verfasser aut The Counter-cinema of the Berlin School Marco Abel Suffolk Boydell & Brewer 2013 1 online resource (xi, 348 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Introduction: So this was Germany -- a preliminary account of the Berlin School -- The first wave. Thomas Arslan: realism beyond identity -- Christian Petzold: Heimat-building as utopia -- Angela Schanelec: narrative, understanding, language -- The second wave. Revolver-cinema and electrons libres: cinema must be dangerous -- Christoph Hochhäusler: intensifying life -- Benjamin Heisenberg: filming simply as resistance -- Valeska Grisebach: "a sharpening of our regard" -- Maren Ade: filming the between sincerity and irony -- Ulrich Köhler: the politics of refusal -- Conclusion: a counter-cinema The group of contemporary German directors collectively known as the "Berlin School" constitutes the most significant filmmaking movement to come out of Germany since the New German Cinema of the 1970s, not least because its films mark the emergence of a new film language in German cinema. The filmmakers belonging to the Berlin School, including Christian Petzold, Thomas Arslan, Angela Schanelec, Christoph Hochhäusler, Ulrich Köhler, Benjamin Heisenberg, Maren Ade, and Valeska Grisebach, are reminiscent in their auteurism of the directors of the New German 'Autorenkino' and of French 'cinéma des auteurs' of the 1960s. This volume is the first book-length study in any language of the Berlin School. Its central thesis -- that the movement should be regarded as a "counter-cinema" -- is built around the unusual style of realism employed in the films of this movement, a realism that presents audiences with images of a Germany that does not yet exist. Abel concludes that it is precisely how these films' images and sounds work that renders them political. They are political not because they are message-driven films but because they are made politically, thus performing a "redistribution of the sensible" -- a direct artistic intervention in the way politics partitions ways of doing and making, saying and seeing. Marco Abel is Associate Professor of English and Film Studies at the University of Nebraska, Lincoln Film Geschichte Motion pictures / Germany / History / 21st century Film (DE-588)4017102-4 gnd rswk-swf Berliner Schule Film (DE-588)1052657117 gnd rswk-swf Deutschland Berliner Schule Film (DE-588)1052657117 s Film (DE-588)4017102-4 s 1\p DE-604 Erscheint auch als Druckausgabe 978-1-57113-438-7 http://www.cambridge.org/core/product/identifier/9781571138736/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Abel, Marco The Counter-cinema of the Berlin School Introduction: So this was Germany -- a preliminary account of the Berlin School -- The first wave. Thomas Arslan: realism beyond identity -- Christian Petzold: Heimat-building as utopia -- Angela Schanelec: narrative, understanding, language -- The second wave. Revolver-cinema and electrons libres: cinema must be dangerous -- Christoph Hochhäusler: intensifying life -- Benjamin Heisenberg: filming simply as resistance -- Valeska Grisebach: "a sharpening of our regard" -- Maren Ade: filming the between sincerity and irony -- Ulrich Köhler: the politics of refusal -- Conclusion: a counter-cinema Film Geschichte Motion pictures / Germany / History / 21st century Film (DE-588)4017102-4 gnd Berliner Schule Film (DE-588)1052657117 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)1052657117 |
| title | The Counter-cinema of the Berlin School |
| title_auth | The Counter-cinema of the Berlin School |
| title_exact_search | The Counter-cinema of the Berlin School |
| title_full | The Counter-cinema of the Berlin School Marco Abel |
| title_fullStr | The Counter-cinema of the Berlin School Marco Abel |
| title_full_unstemmed | The Counter-cinema of the Berlin School Marco Abel |
| title_short | The Counter-cinema of the Berlin School |
| title_sort | the counter cinema of the berlin school |
| topic | Film Geschichte Motion pictures / Germany / History / 21st century Film (DE-588)4017102-4 gnd Berliner Schule Film (DE-588)1052657117 gnd |
| topic_facet | Film Geschichte Motion pictures / Germany / History / 21st century Berliner Schule Film Deutschland |
| url | http://www.cambridge.org/core/product/identifier/9781571138736/type/BOOK |
| work_keys_str_mv | AT abelmarco thecountercinemaoftheberlinschool |