Thomas Morley: Elizabethan music publisher
The Renaissance composer and organist Thomas Morley (c.1557-1602) is best known as a leading member of the English Madrigal School, but he also built a significant business as a music publisher. This book looks at Morley's pioneering contribution to music publishing in England, inspired by an e...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Suffolk
Boydell & Brewer
2014
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| Zusammenfassung: | The Renaissance composer and organist Thomas Morley (c.1557-1602) is best known as a leading member of the English Madrigal School, but he also built a significant business as a music publisher. This book looks at Morley's pioneering contribution to music publishing in England, inspired by an established music printing culture in continental Europe. A student of William Byrd, Morley had a conventional education and early career as a cathedral musician both in Norwich and at St Paul's cathedral. Morley lived amongst the traders, artisans and gentry of England's major cities at a time when a market for recreational music was beginning to emerge. His entrepreneurial drive combined with an astute assessment of his market resulted in a successful and influential publishing business. The turning point came with a visit to the Low Countries in 1591, which gave him the opportunity to see a thriving music print publication business at first hand. Contemporary records provide a detailed picture of the processes involved in early modern music publishing and enable the construction of a financial model of Morley's business. Morley died too young to reap the full rewards of his enterprise, but his success inspired the publication by his contemporaries of a significant corpus of readily available recreational music for the public. Critical to Morley's success was his identification of the sort of music, notably the Italianate lighter style of madrigal, that would appeal to amateur musicians. Surviving copies of the original prints show that this music continued to be used for several generations: new editions in modern notation started to appear from the mid eighteenth century onwards, suggesting that Morley truly had the measure of the market for recreational music. Thomas Morley: Elizabethan Music Publisher will be of particular interest to scholars and students of renaissance music, as well as the history of music publishing and print. Tessa Murray is an honorary research fellow at the University of Birmingham |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Beschreibung: | 1 online resource (xviii, 265 pages) |
| ISBN: | 9781782044048 9781843839606 |
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| 520 | |a The Renaissance composer and organist Thomas Morley (c.1557-1602) is best known as a leading member of the English Madrigal School, but he also built a significant business as a music publisher. This book looks at Morley's pioneering contribution to music publishing in England, inspired by an established music printing culture in continental Europe. A student of William Byrd, Morley had a conventional education and early career as a cathedral musician both in Norwich and at St Paul's cathedral. Morley lived amongst the traders, artisans and gentry of England's major cities at a time when a market for recreational music was beginning to emerge. His entrepreneurial drive combined with an astute assessment of his market resulted in a successful and influential publishing business. The turning point came with a visit to the Low Countries in 1591, which gave him the opportunity to see a thriving music print publication business at first hand. | ||
| 520 | |a Contemporary records provide a detailed picture of the processes involved in early modern music publishing and enable the construction of a financial model of Morley's business. Morley died too young to reap the full rewards of his enterprise, but his success inspired the publication by his contemporaries of a significant corpus of readily available recreational music for the public. Critical to Morley's success was his identification of the sort of music, notably the Italianate lighter style of madrigal, that would appeal to amateur musicians. Surviving copies of the original prints show that this music continued to be used for several generations: new editions in modern notation started to appear from the mid eighteenth century onwards, suggesting that Morley truly had the measure of the market for recreational music. | ||
| 520 | |a Thomas Morley: Elizabethan Music Publisher will be of particular interest to scholars and students of renaissance music, as well as the history of music publishing and print. Tessa Murray is an honorary research fellow at the University of Birmingham | ||
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Datensatz im Suchindex
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| contents | Childhood and Early Career -- From Church Musician to Entrepreneur -- The Market for Recreational Music -- The Establishment of Music Printing in London -- Morley's Monopoly -- Morley's Publishing Business -- Morley's Printing Business -- Morley and the Madrigal -- Morley's Other Publications -- Music Publishing after Morley -- Morley's Legacy -- Appendices. Dedicatees of Thomas Morley's Music Publications ; Thomas Morley's Music Printing Patent ; Conjectural Lifetime Income for Morley from Publishing his Works ; Little Saint Helens Publications ; Thomas Morley's Publications |
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| dewey-ones | 070 - Documentary, educational, news media; journalism |
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| dewey-search | 070.5/794092 |
| dewey-sort | 270.5 6794092 |
| dewey-tens | 070 - Documentary, educational, news media; journalism |
| discipline | Allgemeines |
| era | Geschichte 1557-1603 gnd |
| era_facet | Geschichte 1557-1603 |
| format | Electronic eBook |
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| spelling | Murray, Tessa Verfasser aut Thomas Morley Elizabethan music publisher Tessa Murray Suffolk Boydell & Brewer 2014 1 online resource (xviii, 265 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Childhood and Early Career -- From Church Musician to Entrepreneur -- The Market for Recreational Music -- The Establishment of Music Printing in London -- Morley's Monopoly -- Morley's Publishing Business -- Morley's Printing Business -- Morley and the Madrigal -- Morley's Other Publications -- Music Publishing after Morley -- Morley's Legacy -- Appendices. Dedicatees of Thomas Morley's Music Publications ; Thomas Morley's Music Printing Patent ; Conjectural Lifetime Income for Morley from Publishing his Works ; Little Saint Helens Publications ; Thomas Morley's Publications The Renaissance composer and organist Thomas Morley (c.1557-1602) is best known as a leading member of the English Madrigal School, but he also built a significant business as a music publisher. This book looks at Morley's pioneering contribution to music publishing in England, inspired by an established music printing culture in continental Europe. A student of William Byrd, Morley had a conventional education and early career as a cathedral musician both in Norwich and at St Paul's cathedral. Morley lived amongst the traders, artisans and gentry of England's major cities at a time when a market for recreational music was beginning to emerge. His entrepreneurial drive combined with an astute assessment of his market resulted in a successful and influential publishing business. The turning point came with a visit to the Low Countries in 1591, which gave him the opportunity to see a thriving music print publication business at first hand. Contemporary records provide a detailed picture of the processes involved in early modern music publishing and enable the construction of a financial model of Morley's business. Morley died too young to reap the full rewards of his enterprise, but his success inspired the publication by his contemporaries of a significant corpus of readily available recreational music for the public. Critical to Morley's success was his identification of the sort of music, notably the Italianate lighter style of madrigal, that would appeal to amateur musicians. Surviving copies of the original prints show that this music continued to be used for several generations: new editions in modern notation started to appear from the mid eighteenth century onwards, suggesting that Morley truly had the measure of the market for recreational music. Thomas Morley: Elizabethan Music Publisher will be of particular interest to scholars and students of renaissance music, as well as the history of music publishing and print. Tessa Murray is an honorary research fellow at the University of Birmingham Morley, Thomas / 1557-1603? Morley, Thomas 1557-1602 (DE-588)119063891 gnd rswk-swf Geschichte 1557-1603 gnd rswk-swf Music publishers / England / Biography Composers / England / Biography Musikverleger (DE-588)4398799-0 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content Großbritannien (DE-588)4022153-2 g Musikverleger (DE-588)4398799-0 s Geschichte 1557-1603 z 1\p DE-604 Morley, Thomas 1557-1602 (DE-588)119063891 p 2\p DE-604 http://www.cambridge.org/core/product/identifier/9781782044048/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Murray, Tessa Thomas Morley Elizabethan music publisher Childhood and Early Career -- From Church Musician to Entrepreneur -- The Market for Recreational Music -- The Establishment of Music Printing in London -- Morley's Monopoly -- Morley's Publishing Business -- Morley's Printing Business -- Morley and the Madrigal -- Morley's Other Publications -- Music Publishing after Morley -- Morley's Legacy -- Appendices. Dedicatees of Thomas Morley's Music Publications ; Thomas Morley's Music Printing Patent ; Conjectural Lifetime Income for Morley from Publishing his Works ; Little Saint Helens Publications ; Thomas Morley's Publications Morley, Thomas / 1557-1603? Morley, Thomas 1557-1602 (DE-588)119063891 gnd Music publishers / England / Biography Composers / England / Biography Musikverleger (DE-588)4398799-0 gnd |
| subject_GND | (DE-588)119063891 (DE-588)4398799-0 (DE-588)4022153-2 (DE-588)4006804-3 |
| title | Thomas Morley Elizabethan music publisher |
| title_auth | Thomas Morley Elizabethan music publisher |
| title_exact_search | Thomas Morley Elizabethan music publisher |
| title_full | Thomas Morley Elizabethan music publisher Tessa Murray |
| title_fullStr | Thomas Morley Elizabethan music publisher Tessa Murray |
| title_full_unstemmed | Thomas Morley Elizabethan music publisher Tessa Murray |
| title_short | Thomas Morley |
| title_sort | thomas morley elizabethan music publisher |
| title_sub | Elizabethan music publisher |
| topic | Morley, Thomas / 1557-1603? Morley, Thomas 1557-1602 (DE-588)119063891 gnd Music publishers / England / Biography Composers / England / Biography Musikverleger (DE-588)4398799-0 gnd |
| topic_facet | Morley, Thomas / 1557-1603? Morley, Thomas 1557-1602 Music publishers / England / Biography Composers / England / Biography Musikverleger Großbritannien Biografie |
| url | http://www.cambridge.org/core/product/identifier/9781782044048/type/BOOK |
| work_keys_str_mv | AT murraytessa thomasmorleyelizabethanmusicpublisher |