Politics and performance in post-dictatorship Argentine film and theatre:
This comparative study examines the strategies of re-politicization and socialization employed in contemporary Argentine film and theatre produced in the wake of the 1976-83 dictatorship. It focuses on the socio-political facets of performance across a range of films and dramatic compositions. The b...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Suffolk
Boydell & Brewer
2011
|
| Schlagworte: | |
| Online-Zugang: | DE-12 Volltext |
| Zusammenfassung: | This comparative study examines the strategies of re-politicization and socialization employed in contemporary Argentine film and theatre produced in the wake of the 1976-83 dictatorship. It focuses on the socio-political facets of performance across a range of films and dramatic compositions. The book highlights the manner in which the trope of performance represents the place in which film and theatre experiment with generic and mediatic hybridization. Each chapter takes as its point of departure a series of politically motivated appropriations made by cinema and theatre from neighboring genres/media. In each case, genre is shown to take on the role of mediator between competing aesthetic forms: between aesthetics and politics; aesthetic performance and social performance; reality and fiction; postmodern heterogeneity and an increasingly present modern anxiety regarding the perceived need to preserve artistic purity/autonomy, thus restoring what is specific to theatre and cinema's type of communication. Philippa Page has managed the cultural programme at the Maison de l'Argentine in the Cité Internationale Universitaire, Paris and continues to research in the field of Argentine performance studies |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Beschreibung: | 1 online resource (188 pages) |
| ISBN: | 9781782040064 |
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| 505 | 8 | |a 'Theatre[s] of cruelty' and politics of performance in the work of 'teatrista' Eduardo Pavlovsky and filmmaker Fernando E. Solanas -- De-mythifying the postmodern 'opium of the people' : theatre and cinema versus television -- 'Metáforas del fracaso' or 'a family romance'? : resuscitating aesthetic lineages -- Biodramas/biography/biopolitics : projects of 'convivencia' in new Argentine cinema and theatre | |
| 520 | |a This comparative study examines the strategies of re-politicization and socialization employed in contemporary Argentine film and theatre produced in the wake of the 1976-83 dictatorship. It focuses on the socio-political facets of performance across a range of films and dramatic compositions. The book highlights the manner in which the trope of performance represents the place in which film and theatre experiment with generic and mediatic hybridization. Each chapter takes as its point of departure a series of politically motivated appropriations made by cinema and theatre from neighboring genres/media. In each case, genre is shown to take on the role of mediator between competing aesthetic forms: between aesthetics and politics; aesthetic performance and social performance; reality and fiction; postmodern heterogeneity and an increasingly present modern anxiety regarding the perceived need to preserve artistic purity/autonomy, thus restoring what is specific to theatre and cinema's type of communication. Philippa Page has managed the cultural programme at the Maison de l'Argentine in the Cité Internationale Universitaire, Paris and continues to research in the field of Argentine performance studies | ||
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Datensatz im Suchindex
| _version_ | 1806958965238530048 |
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| author | Page, Philippa J. |
| author_facet | Page, Philippa J. |
| author_role | aut |
| author_sort | Page, Philippa J. |
| author_variant | p j p pj pjp |
| building | Verbundindex |
| bvnumber | BV043939322 |
| collection | ZDB-20-CBO |
| contents | 'Theatre[s] of cruelty' and politics of performance in the work of 'teatrista' Eduardo Pavlovsky and filmmaker Fernando E. Solanas -- De-mythifying the postmodern 'opium of the people' : theatre and cinema versus television -- 'Metáforas del fracaso' or 'a family romance'? : resuscitating aesthetic lineages -- Biodramas/biography/biopolitics : projects of 'convivencia' in new Argentine cinema and theatre |
| ctrlnum | (ZDB-20-CBO)CR9781782040064 (OCoLC)967391578 (DE-599)BVBBV043939322 |
| dewey-full | 791.430982 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430982 |
| dewey-search | 791.430982 |
| dewey-sort | 3791.430982 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1900-2000 Geschichte 1984-2011 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1984-2011 |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-08-10T00:39:15Z |
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| isbn | 9781782040064 |
| language | English |
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| publishDate | 2011 |
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| spelling | Page, Philippa J. Verfasser aut Politics and performance in post-dictatorship Argentine film and theatre Philippa J. Page Politics & Performance in Post-Dictatorship Argentine Suffolk Boydell & Brewer 2011 1 online resource (188 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) 'Theatre[s] of cruelty' and politics of performance in the work of 'teatrista' Eduardo Pavlovsky and filmmaker Fernando E. Solanas -- De-mythifying the postmodern 'opium of the people' : theatre and cinema versus television -- 'Metáforas del fracaso' or 'a family romance'? : resuscitating aesthetic lineages -- Biodramas/biography/biopolitics : projects of 'convivencia' in new Argentine cinema and theatre This comparative study examines the strategies of re-politicization and socialization employed in contemporary Argentine film and theatre produced in the wake of the 1976-83 dictatorship. It focuses on the socio-political facets of performance across a range of films and dramatic compositions. The book highlights the manner in which the trope of performance represents the place in which film and theatre experiment with generic and mediatic hybridization. Each chapter takes as its point of departure a series of politically motivated appropriations made by cinema and theatre from neighboring genres/media. In each case, genre is shown to take on the role of mediator between competing aesthetic forms: between aesthetics and politics; aesthetic performance and social performance; reality and fiction; postmodern heterogeneity and an increasingly present modern anxiety regarding the perceived need to preserve artistic purity/autonomy, thus restoring what is specific to theatre and cinema's type of communication. Philippa Page has managed the cultural programme at the Maison de l'Argentine in the Cité Internationale Universitaire, Paris and continues to research in the field of Argentine performance studies Geschichte 1900-2000 Geschichte 1984-2011 gnd rswk-swf Film Geschichte Politik Motion pictures / Political aspects / Argentina / History Theater / Political aspects / Argentina / History / 20th century Film (DE-588)4017102-4 gnd rswk-swf Politik Motiv (DE-588)4202544-8 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Argentinien Argentina / Politics and government / 1955- Argentinien (DE-588)4002890-2 gnd rswk-swf Argentinien (DE-588)4002890-2 g Film (DE-588)4017102-4 s Theater (DE-588)4059702-7 s Politik Motiv (DE-588)4202544-8 s Geschichte 1984-2011 z 1\p DE-604 Erscheint auch als Druckausgabe 978-1-85566-204-9 http://www.cambridge.org/core/product/identifier/9781782040064/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Page, Philippa J. Politics and performance in post-dictatorship Argentine film and theatre 'Theatre[s] of cruelty' and politics of performance in the work of 'teatrista' Eduardo Pavlovsky and filmmaker Fernando E. Solanas -- De-mythifying the postmodern 'opium of the people' : theatre and cinema versus television -- 'Metáforas del fracaso' or 'a family romance'? : resuscitating aesthetic lineages -- Biodramas/biography/biopolitics : projects of 'convivencia' in new Argentine cinema and theatre Film Geschichte Politik Motion pictures / Political aspects / Argentina / History Theater / Political aspects / Argentina / History / 20th century Film (DE-588)4017102-4 gnd Politik Motiv (DE-588)4202544-8 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4202544-8 (DE-588)4059702-7 (DE-588)4002890-2 |
| title | Politics and performance in post-dictatorship Argentine film and theatre |
| title_alt | Politics & Performance in Post-Dictatorship Argentine |
| title_auth | Politics and performance in post-dictatorship Argentine film and theatre |
| title_exact_search | Politics and performance in post-dictatorship Argentine film and theatre |
| title_full | Politics and performance in post-dictatorship Argentine film and theatre Philippa J. Page |
| title_fullStr | Politics and performance in post-dictatorship Argentine film and theatre Philippa J. Page |
| title_full_unstemmed | Politics and performance in post-dictatorship Argentine film and theatre Philippa J. Page |
| title_short | Politics and performance in post-dictatorship Argentine film and theatre |
| title_sort | politics and performance in post dictatorship argentine film and theatre |
| topic | Film Geschichte Politik Motion pictures / Political aspects / Argentina / History Theater / Political aspects / Argentina / History / 20th century Film (DE-588)4017102-4 gnd Politik Motiv (DE-588)4202544-8 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Film Geschichte Politik Motion pictures / Political aspects / Argentina / History Theater / Political aspects / Argentina / History / 20th century Politik Motiv Theater Argentinien Argentina / Politics and government / 1955- |
| url | http://www.cambridge.org/core/product/identifier/9781782040064/type/BOOK |
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