Opera and ideology in Prague:
This study presents a history and analysis of the Prague musical community from 1900 until the end of democracy in 1938. 'Opera and Ideology in Prague' not only narrates the fascinating history of a local musical community but also reveals much about music and culture in Europe. The fin-de...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Suffolk
Boydell & Brewer
2006
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | This study presents a history and analysis of the Prague musical community from 1900 until the end of democracy in 1938. 'Opera and Ideology in Prague' not only narrates the fascinating history of a local musical community but also reveals much about music and culture in Europe. The fin-de-siècle period was dominated by the musicologist Zdenek Nejedly's polemics regarding the competing 'legacies' of Smetana and Dvorák and the merits of modernism. After Czech independence in 1918, a new generation of musicians accepted modernist foreign influences only with extreme hesitation. The 1926 Prague premiere of Berg's opera 'Wozzeck' and the ascendancy of a young group of avant-garde composers changed the cultural climate entirely, providing new ground for the exploration of jazz, neo-classicism, quarter tones, and socialist music. As the Czechoslovak Republic drew to a close, a resurgence of nationalism appeared in the musical expressions of both Czechs and German-Bohemians. The analyses of operas and tone poems by Novák, Ostrcil, Zich, Jeremiás, Hába, Kricka, and Suk provide a cross-section of musical life in early twentieth-century Prague, as well as a series of interpretations of Czech cultural identity. Populist endeavors such as jazz and neo-classicism represented some of the ways in which composers of the 1930s attempted to regain an audience alienated by modernism: in this respect, the trends in Prague mirrored those of the rest of Europe. Brian Locke is assistant professor of music history at Western Illinois University, Macomb. He has written extensively on twentieth-century music, including Czech operatic and symphonic works and Alban Berg's 'Wozzeck' |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Beschreibung: | 1 online resource (xix, 431 pages) |
| ISBN: | 9781580466660 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043939270 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 161206s2006 |||| o||u| ||||||eng d | ||
| 020 | |a 9781580466660 |c Online |9 978-1-58046-666-0 | ||
| 035 | |a (ZDB-20-CBO)CR9781580466660 | ||
| 035 | |a (OCoLC)967389523 | ||
| 035 | |a (DE-599)BVBBV043939270 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 082 | 0 | |a 782.1094371/209041 |2 22 | |
| 084 | |a AP 72800 |0 (DE-625)7914: |2 rvk | ||
| 084 | |a LQ 86800 |0 (DE-625)109125:13528 |2 rvk | ||
| 084 | |a LQ 87107 |0 (DE-625)109128:13535 |2 rvk | ||
| 084 | |a LR 54171 |0 (DE-625)109639: |2 rvk | ||
| 100 | 1 | |a Locke, Brian S. |d 1972- |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Opera and ideology in Prague |c Brian S. Locke |
| 246 | 1 | 3 | |a Opera & Ideology in Prague |
| 264 | 1 | |a Suffolk |b Boydell & Brewer |c 2006 | |
| 300 | |a 1 online resource (xix, 431 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Title from publisher's bibliographic system (viewed on 02 Oct 2015) | ||
| 505 | 8 | |a Introduction : nationalism, modernism, and the social responsibility of art in Prague -- Smetana, Hostinský, and the aesthetic debates of the nineteenth century -- Legacies, ideologies, and responsibilities : the polemics of the pre-independence years (1900-1918) -- "Archetypes who live, rejoice, and suffer" : Czech opera in the fin de siècle -- The pathology of the new society : debates in the early years of the First Republic (1918-24) -- Infinite melody, ruthless polyphony : Czech modernism in the early Republic -- "A crisis of modern music or audience?" : changing attitudes to cultural and stylistic pluralism (1925-30) -- "I have rent my soul in two" : divergent directions for Czech opera in the late 1920s -- Heaven on earth : socialism, jazz, and a new aesthetic focus (1930-38) -- "A sad optimism, the happiness of the resigned" : extremes of operatic expression in the 1930s -- The ideological debates of Prague within a European context | |
| 520 | |a This study presents a history and analysis of the Prague musical community from 1900 until the end of democracy in 1938. 'Opera and Ideology in Prague' not only narrates the fascinating history of a local musical community but also reveals much about music and culture in Europe. The fin-de-siècle period was dominated by the musicologist Zdenek Nejedly's polemics regarding the competing 'legacies' of Smetana and Dvorák and the merits of modernism. After Czech independence in 1918, a new generation of musicians accepted modernist foreign influences only with extreme hesitation. The 1926 Prague premiere of Berg's opera 'Wozzeck' and the ascendancy of a young group of avant-garde composers changed the cultural climate entirely, providing new ground for the exploration of jazz, neo-classicism, quarter tones, and socialist music. As the Czechoslovak Republic drew to a close, a resurgence of nationalism appeared in the musical expressions of both Czechs and German-Bohemians. The analyses of operas and tone poems by Novák, Ostrcil, Zich, Jeremiás, Hába, Kricka, and Suk provide a cross-section of musical life in early twentieth-century Prague, as well as a series of interpretations of Czech cultural identity. Populist endeavors such as jazz and neo-classicism represented some of the ways in which composers of the 1930s attempted to regain an audience alienated by modernism: in this respect, the trends in Prague mirrored those of the rest of Europe. Brian Locke is assistant professor of music history at Western Illinois University, Macomb. He has written extensively on twentieth-century music, including Czech operatic and symphonic works and Alban Berg's 'Wozzeck' | ||
| 610 | 2 | 7 | |a Nationaltheater Prag |0 (DE-588)4028218-1 |2 gnd |9 rswk-swf |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte 1900-1938 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Politik | |
| 650 | 4 | |a Opera / Czech Republic / Prague / 20th century | |
| 650 | 4 | |a Music / Political aspects / Czech Republic / History / 20th century | |
| 650 | 0 | 7 | |a Oper |0 (DE-588)4043582-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ideologie |0 (DE-588)4026486-5 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Tschechische Republik | |
| 689 | 0 | 0 | |a Nationaltheater Prag |0 (DE-588)4028218-1 |D b |
| 689 | 0 | 1 | |a Oper |0 (DE-588)4043582-9 |D s |
| 689 | 0 | 2 | |a Ideologie |0 (DE-588)4026486-5 |D s |
| 689 | 0 | 3 | |a Geschichte 1900-1938 |A z |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 978-1-58046-228-0 |
| 856 | 4 | 0 | |u http://www.cambridge.org/core/product/identifier/9781580466660/type/BOOK |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029348241 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u http://www.cambridge.org/core/product/identifier/9781580466660/type/BOOK |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804176878738604032 |
|---|---|
| any_adam_object | |
| author | Locke, Brian S. 1972- |
| author_facet | Locke, Brian S. 1972- |
| author_role | aut |
| author_sort | Locke, Brian S. 1972- |
| author_variant | b s l bs bsl |
| building | Verbundindex |
| bvnumber | BV043939270 |
| classification_rvk | AP 72800 LQ 86800 LQ 87107 LR 54171 |
| collection | ZDB-20-CBO |
| contents | Introduction : nationalism, modernism, and the social responsibility of art in Prague -- Smetana, Hostinský, and the aesthetic debates of the nineteenth century -- Legacies, ideologies, and responsibilities : the polemics of the pre-independence years (1900-1918) -- "Archetypes who live, rejoice, and suffer" : Czech opera in the fin de siècle -- The pathology of the new society : debates in the early years of the First Republic (1918-24) -- Infinite melody, ruthless polyphony : Czech modernism in the early Republic -- "A crisis of modern music or audience?" : changing attitudes to cultural and stylistic pluralism (1925-30) -- "I have rent my soul in two" : divergent directions for Czech opera in the late 1920s -- Heaven on earth : socialism, jazz, and a new aesthetic focus (1930-38) -- "A sad optimism, the happiness of the resigned" : extremes of operatic expression in the 1930s -- The ideological debates of Prague within a European context |
| ctrlnum | (ZDB-20-CBO)CR9781580466660 (OCoLC)967389523 (DE-599)BVBBV043939270 |
| dewey-full | 782.1094371/209041 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.1094371/209041 |
| dewey-search | 782.1094371/209041 |
| dewey-sort | 3782.1094371 6209041 |
| dewey-tens | 780 - Music |
| discipline | Allgemeines Musikwissenschaft |
| era | Geschichte 1900-2000 Geschichte 1900-1938 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1900-1938 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05033nmm a2200625zc 4500</leader><controlfield tag="001">BV043939270</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">161206s2006 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781580466660</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-58046-666-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781580466660</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)967389523</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043939270</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">782.1094371/209041</subfield><subfield code="2">22</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 72800</subfield><subfield code="0">(DE-625)7914:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LQ 86800</subfield><subfield code="0">(DE-625)109125:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LQ 87107</subfield><subfield code="0">(DE-625)109128:13535</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 54171</subfield><subfield code="0">(DE-625)109639:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Locke, Brian S.</subfield><subfield code="d">1972-</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Opera and ideology in Prague</subfield><subfield code="c">Brian S. Locke</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Opera & Ideology in Prague</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Suffolk</subfield><subfield code="b">Boydell & Brewer</subfield><subfield code="c">2006</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xix, 431 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 02 Oct 2015)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction : nationalism, modernism, and the social responsibility of art in Prague -- Smetana, Hostinský, and the aesthetic debates of the nineteenth century -- Legacies, ideologies, and responsibilities : the polemics of the pre-independence years (1900-1918) -- "Archetypes who live, rejoice, and suffer" : Czech opera in the fin de siècle -- The pathology of the new society : debates in the early years of the First Republic (1918-24) -- Infinite melody, ruthless polyphony : Czech modernism in the early Republic -- "A crisis of modern music or audience?" : changing attitudes to cultural and stylistic pluralism (1925-30) -- "I have rent my soul in two" : divergent directions for Czech opera in the late 1920s -- Heaven on earth : socialism, jazz, and a new aesthetic focus (1930-38) -- "A sad optimism, the happiness of the resigned" : extremes of operatic expression in the 1930s -- The ideological debates of Prague within a European context</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This study presents a history and analysis of the Prague musical community from 1900 until the end of democracy in 1938. 'Opera and Ideology in Prague' not only narrates the fascinating history of a local musical community but also reveals much about music and culture in Europe. The fin-de-siècle period was dominated by the musicologist Zdenek Nejedly's polemics regarding the competing 'legacies' of Smetana and Dvorák and the merits of modernism. After Czech independence in 1918, a new generation of musicians accepted modernist foreign influences only with extreme hesitation. The 1926 Prague premiere of Berg's opera 'Wozzeck' and the ascendancy of a young group of avant-garde composers changed the cultural climate entirely, providing new ground for the exploration of jazz, neo-classicism, quarter tones, and socialist music. As the Czechoslovak Republic drew to a close, a resurgence of nationalism appeared in the musical expressions of both Czechs and German-Bohemians. The analyses of operas and tone poems by Novák, Ostrcil, Zich, Jeremiás, Hába, Kricka, and Suk provide a cross-section of musical life in early twentieth-century Prague, as well as a series of interpretations of Czech cultural identity. Populist endeavors such as jazz and neo-classicism represented some of the ways in which composers of the 1930s attempted to regain an audience alienated by modernism: in this respect, the trends in Prague mirrored those of the rest of Europe. Brian Locke is assistant professor of music history at Western Illinois University, Macomb. He has written extensively on twentieth-century music, including Czech operatic and symphonic works and Alban Berg's 'Wozzeck'</subfield></datafield><datafield tag="610" ind1="2" ind2="7"><subfield code="a">Nationaltheater Prag</subfield><subfield code="0">(DE-588)4028218-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1900-1938</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Politik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Opera / Czech Republic / Prague / 20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / Political aspects / Czech Republic / History / 20th century</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ideologie</subfield><subfield code="0">(DE-588)4026486-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Tschechische Republik</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Nationaltheater Prag</subfield><subfield code="0">(DE-588)4028218-1</subfield><subfield code="D">b</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Ideologie</subfield><subfield code="0">(DE-588)4026486-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1900-1938</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-1-58046-228-0</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://www.cambridge.org/core/product/identifier/9781580466660/type/BOOK</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029348241</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.cambridge.org/core/product/identifier/9781580466660/type/BOOK</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Tschechische Republik |
| geographic_facet | Tschechische Republik |
| id | DE-604.BV043939270 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:39:11Z |
| institution | BVB |
| isbn | 9781580466660 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029348241 |
| oclc_num | 967389523 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 online resource (xix, 431 pages) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Boydell & Brewer |
| record_format | marc |
| spelling | Locke, Brian S. 1972- Verfasser aut Opera and ideology in Prague Brian S. Locke Opera & Ideology in Prague Suffolk Boydell & Brewer 2006 1 online resource (xix, 431 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Introduction : nationalism, modernism, and the social responsibility of art in Prague -- Smetana, Hostinský, and the aesthetic debates of the nineteenth century -- Legacies, ideologies, and responsibilities : the polemics of the pre-independence years (1900-1918) -- "Archetypes who live, rejoice, and suffer" : Czech opera in the fin de siècle -- The pathology of the new society : debates in the early years of the First Republic (1918-24) -- Infinite melody, ruthless polyphony : Czech modernism in the early Republic -- "A crisis of modern music or audience?" : changing attitudes to cultural and stylistic pluralism (1925-30) -- "I have rent my soul in two" : divergent directions for Czech opera in the late 1920s -- Heaven on earth : socialism, jazz, and a new aesthetic focus (1930-38) -- "A sad optimism, the happiness of the resigned" : extremes of operatic expression in the 1930s -- The ideological debates of Prague within a European context This study presents a history and analysis of the Prague musical community from 1900 until the end of democracy in 1938. 'Opera and Ideology in Prague' not only narrates the fascinating history of a local musical community but also reveals much about music and culture in Europe. The fin-de-siècle period was dominated by the musicologist Zdenek Nejedly's polemics regarding the competing 'legacies' of Smetana and Dvorák and the merits of modernism. After Czech independence in 1918, a new generation of musicians accepted modernist foreign influences only with extreme hesitation. The 1926 Prague premiere of Berg's opera 'Wozzeck' and the ascendancy of a young group of avant-garde composers changed the cultural climate entirely, providing new ground for the exploration of jazz, neo-classicism, quarter tones, and socialist music. As the Czechoslovak Republic drew to a close, a resurgence of nationalism appeared in the musical expressions of both Czechs and German-Bohemians. The analyses of operas and tone poems by Novák, Ostrcil, Zich, Jeremiás, Hába, Kricka, and Suk provide a cross-section of musical life in early twentieth-century Prague, as well as a series of interpretations of Czech cultural identity. Populist endeavors such as jazz and neo-classicism represented some of the ways in which composers of the 1930s attempted to regain an audience alienated by modernism: in this respect, the trends in Prague mirrored those of the rest of Europe. Brian Locke is assistant professor of music history at Western Illinois University, Macomb. He has written extensively on twentieth-century music, including Czech operatic and symphonic works and Alban Berg's 'Wozzeck' Nationaltheater Prag (DE-588)4028218-1 gnd rswk-swf Geschichte 1900-2000 Geschichte 1900-1938 gnd rswk-swf Geschichte Musik Politik Opera / Czech Republic / Prague / 20th century Music / Political aspects / Czech Republic / History / 20th century Oper (DE-588)4043582-9 gnd rswk-swf Ideologie (DE-588)4026486-5 gnd rswk-swf Tschechische Republik Nationaltheater Prag (DE-588)4028218-1 b Oper (DE-588)4043582-9 s Ideologie (DE-588)4026486-5 s Geschichte 1900-1938 z 1\p DE-604 Erscheint auch als Druckausgabe 978-1-58046-228-0 http://www.cambridge.org/core/product/identifier/9781580466660/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Locke, Brian S. 1972- Opera and ideology in Prague Introduction : nationalism, modernism, and the social responsibility of art in Prague -- Smetana, Hostinský, and the aesthetic debates of the nineteenth century -- Legacies, ideologies, and responsibilities : the polemics of the pre-independence years (1900-1918) -- "Archetypes who live, rejoice, and suffer" : Czech opera in the fin de siècle -- The pathology of the new society : debates in the early years of the First Republic (1918-24) -- Infinite melody, ruthless polyphony : Czech modernism in the early Republic -- "A crisis of modern music or audience?" : changing attitudes to cultural and stylistic pluralism (1925-30) -- "I have rent my soul in two" : divergent directions for Czech opera in the late 1920s -- Heaven on earth : socialism, jazz, and a new aesthetic focus (1930-38) -- "A sad optimism, the happiness of the resigned" : extremes of operatic expression in the 1930s -- The ideological debates of Prague within a European context Nationaltheater Prag (DE-588)4028218-1 gnd Geschichte Musik Politik Opera / Czech Republic / Prague / 20th century Music / Political aspects / Czech Republic / History / 20th century Oper (DE-588)4043582-9 gnd Ideologie (DE-588)4026486-5 gnd |
| subject_GND | (DE-588)4028218-1 (DE-588)4043582-9 (DE-588)4026486-5 |
| title | Opera and ideology in Prague |
| title_alt | Opera & Ideology in Prague |
| title_auth | Opera and ideology in Prague |
| title_exact_search | Opera and ideology in Prague |
| title_full | Opera and ideology in Prague Brian S. Locke |
| title_fullStr | Opera and ideology in Prague Brian S. Locke |
| title_full_unstemmed | Opera and ideology in Prague Brian S. Locke |
| title_short | Opera and ideology in Prague |
| title_sort | opera and ideology in prague |
| topic | Nationaltheater Prag (DE-588)4028218-1 gnd Geschichte Musik Politik Opera / Czech Republic / Prague / 20th century Music / Political aspects / Czech Republic / History / 20th century Oper (DE-588)4043582-9 gnd Ideologie (DE-588)4026486-5 gnd |
| topic_facet | Nationaltheater Prag Geschichte Musik Politik Opera / Czech Republic / Prague / 20th century Music / Political aspects / Czech Republic / History / 20th century Oper Ideologie Tschechische Republik |
| url | http://www.cambridge.org/core/product/identifier/9781580466660/type/BOOK |
| work_keys_str_mv | AT lockebrians operaandideologyinprague AT lockebrians operaideologyinprague |