Mozart's Viennese instrumental music: a study of stylistic re-invention
The music Mozart composed in Vienna closely examined, bringing out the processes of re-invention and re-formulation it displays. The stylistic evolution of Mozart's Viennese instrumental repertory as a whole [1781-1791] has never been systematically addressed. This book fills this gap through a...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Boydell & Brewer
2007
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| Zusammenfassung: | The music Mozart composed in Vienna closely examined, bringing out the processes of re-invention and re-formulation it displays. The stylistic evolution of Mozart's Viennese instrumental repertory as a whole [1781-1791] has never been systematically addressed. This book fills this gap through a study of stylistic re-invention, a practically- and empirically-based theory that explains how innovative, putatively inspired ideas take shape in Mozart's works and lead to stylistic re-formulation. The stylistic evolution of Mozart's Viennese instrumental repertory as a whole [1781-1791], closely tied to historical and contextual lines of enquiry, has yet to receive systematic attention. This book fills the gap through a study of stylistic re-invention, a practically- and empirically-based theory that explains how innovative, putatively inspired ideas take shape in Mozart's works and lead to stylistic re-formulation. Re-invention comprises a two-stage process: Mozart manipulates pre-existent stylistic features of his music to climactic effect, in so doing introducing a demonstrably 'new' stylistic dimension with broad aesthetic resonance; he subsequently re-appraises his style in response to the dimension in question. From close examination of a variety of Mozart's works [piano concertos, string quartets and symphonies in particular], supported by study of Mozart's other chamber and dramatic works, the author shows that stylistic re-invention is a consistent and coherent manifestation of stylistic development. Ultimately re-invention puts centre stage the interaction of intellectual and imaginative elements of Mozart's musical personality, accounting both for processes of reflection and re-appraisal and for striking conceptual leaps. SIMON P. KEEFE is James Rossiter Hoyle Chair of Music, University of Sheffield |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Beschreibung: | 1 online resource (viii, 217 pages) |
| ISBN: | 9781846155765 |
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| 505 | 8 | |a Introduction: Mozart and stylistic re-invention -- I. Piano concertos. 'An entirely special manner': Mozart's Piano Concerto No. 14 in E♭, K. 449, and the stylistic implications of confrontation ; On the grand, brilliant and intimate: Mozart's Piano Concertos K. 450-K. 503 (1784-86) ; A complementary pair: stylistic experimentation in Mozart's final Piano Concertos, No. 26 in D, K. 537 (the 'Coronation'), and No. 27 in B♭, K. 595 -- II. String quartets. An integrated 'dissonance': Mozart's 'Haydn' Quartets and the slow introduction of K. 465 ; Mozart's 'Prussian' Quartets, K. 575, 589 and 590: towards a new aesthetic of the string quartet -- III. Symphonies. The 'Jupiter' Symphony in D, K.551: the dramatic finale and its stylistic significance in Mozart's orchestral oeuvre -- IV. Conclusions. Mozart's stylistic re-invention in musical context | |
| 520 | |a The music Mozart composed in Vienna closely examined, bringing out the processes of re-invention and re-formulation it displays. The stylistic evolution of Mozart's Viennese instrumental repertory as a whole [1781-1791] has never been systematically addressed. This book fills this gap through a study of stylistic re-invention, a practically- and empirically-based theory that explains how innovative, putatively inspired ideas take shape in Mozart's works and lead to stylistic re-formulation. The stylistic evolution of Mozart's Viennese instrumental repertory as a whole [1781-1791], closely tied to historical and contextual lines of enquiry, has yet to receive systematic attention. This book fills the gap through a study of stylistic re-invention, a practically- and empirically-based theory that explains how innovative, putatively inspired ideas take shape in Mozart's works and lead to stylistic re-formulation. Re-invention comprises a two-stage process: Mozart manipulates pre-existent stylistic features of his music to climactic effect, in so doing introducing a demonstrably 'new' stylistic dimension with broad aesthetic resonance; he subsequently re-appraises his style in response to the dimension in question. From close examination of a variety of Mozart's works [piano concertos, string quartets and symphonies in particular], supported by study of Mozart's other chamber and dramatic works, the author shows that stylistic re-invention is a consistent and coherent manifestation of stylistic development. Ultimately re-invention puts centre stage the interaction of intellectual and imaginative elements of Mozart's musical personality, accounting both for processes of reflection and re-appraisal and for striking conceptual leaps. SIMON P. KEEFE is James Rossiter Hoyle Chair of Music, University of Sheffield | ||
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Datensatz im Suchindex
| _version_ | 1804176878647377920 |
|---|---|
| any_adam_object | |
| author | Keefe, Simon P. 1968- |
| author_facet | Keefe, Simon P. 1968- |
| author_role | aut |
| author_sort | Keefe, Simon P. 1968- |
| author_variant | s p k sp spk |
| building | Verbundindex |
| bvnumber | BV043939203 |
| classification_rvk | LP 40411 |
| collection | ZDB-20-CBO |
| contents | Introduction: Mozart and stylistic re-invention -- I. Piano concertos. 'An entirely special manner': Mozart's Piano Concerto No. 14 in E♭, K. 449, and the stylistic implications of confrontation ; On the grand, brilliant and intimate: Mozart's Piano Concertos K. 450-K. 503 (1784-86) ; A complementary pair: stylistic experimentation in Mozart's final Piano Concertos, No. 26 in D, K. 537 (the 'Coronation'), and No. 27 in B♭, K. 595 -- II. String quartets. An integrated 'dissonance': Mozart's 'Haydn' Quartets and the slow introduction of K. 465 ; Mozart's 'Prussian' Quartets, K. 575, 589 and 590: towards a new aesthetic of the string quartet -- III. Symphonies. The 'Jupiter' Symphony in D, K.551: the dramatic finale and its stylistic significance in Mozart's orchestral oeuvre -- IV. Conclusions. Mozart's stylistic re-invention in musical context |
| ctrlnum | (ZDB-20-CBO)CR9781846155765 (OCoLC)967389520 (DE-599)BVBBV043939203 |
| dewey-full | 784.092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 784 - Instruments & instrumental ensembles |
| dewey-raw | 784.092 |
| dewey-search | 784.092 |
| dewey-sort | 3784.092 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| indexdate | 2024-07-10T07:39:11Z |
| institution | BVB |
| isbn | 9781846155765 |
| language | English |
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| spelling | Keefe, Simon P. 1968- Verfasser aut Mozart's Viennese instrumental music a study of stylistic re-invention Simon P. Keefe Suffolk Boydell & Brewer 2007 1 online resource (viii, 217 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Introduction: Mozart and stylistic re-invention -- I. Piano concertos. 'An entirely special manner': Mozart's Piano Concerto No. 14 in E♭, K. 449, and the stylistic implications of confrontation ; On the grand, brilliant and intimate: Mozart's Piano Concertos K. 450-K. 503 (1784-86) ; A complementary pair: stylistic experimentation in Mozart's final Piano Concertos, No. 26 in D, K. 537 (the 'Coronation'), and No. 27 in B♭, K. 595 -- II. String quartets. An integrated 'dissonance': Mozart's 'Haydn' Quartets and the slow introduction of K. 465 ; Mozart's 'Prussian' Quartets, K. 575, 589 and 590: towards a new aesthetic of the string quartet -- III. Symphonies. The 'Jupiter' Symphony in D, K.551: the dramatic finale and its stylistic significance in Mozart's orchestral oeuvre -- IV. Conclusions. Mozart's stylistic re-invention in musical context The music Mozart composed in Vienna closely examined, bringing out the processes of re-invention and re-formulation it displays. The stylistic evolution of Mozart's Viennese instrumental repertory as a whole [1781-1791] has never been systematically addressed. This book fills this gap through a study of stylistic re-invention, a practically- and empirically-based theory that explains how innovative, putatively inspired ideas take shape in Mozart's works and lead to stylistic re-formulation. The stylistic evolution of Mozart's Viennese instrumental repertory as a whole [1781-1791], closely tied to historical and contextual lines of enquiry, has yet to receive systematic attention. This book fills the gap through a study of stylistic re-invention, a practically- and empirically-based theory that explains how innovative, putatively inspired ideas take shape in Mozart's works and lead to stylistic re-formulation. Re-invention comprises a two-stage process: Mozart manipulates pre-existent stylistic features of his music to climactic effect, in so doing introducing a demonstrably 'new' stylistic dimension with broad aesthetic resonance; he subsequently re-appraises his style in response to the dimension in question. From close examination of a variety of Mozart's works [piano concertos, string quartets and symphonies in particular], supported by study of Mozart's other chamber and dramatic works, the author shows that stylistic re-invention is a consistent and coherent manifestation of stylistic development. Ultimately re-invention puts centre stage the interaction of intellectual and imaginative elements of Mozart's musical personality, accounting both for processes of reflection and re-appraisal and for striking conceptual leaps. SIMON P. KEEFE is James Rossiter Hoyle Chair of Music, University of Sheffield Mozart, Wolfgang Amadeus / 1756-1791 / Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd rswk-swf Instrumentalmusik (DE-588)4129951-6 gnd rswk-swf Wien (DE-588)4066009-6 gnd rswk-swf Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 p Instrumentalmusik (DE-588)4129951-6 s Wien (DE-588)4066009-6 g 1\p DE-604 Erscheint auch als Druckausgabe 978-1-84383-319-2 http://www.cambridge.org/core/product/identifier/9781846155765/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Keefe, Simon P. 1968- Mozart's Viennese instrumental music a study of stylistic re-invention Introduction: Mozart and stylistic re-invention -- I. Piano concertos. 'An entirely special manner': Mozart's Piano Concerto No. 14 in E♭, K. 449, and the stylistic implications of confrontation ; On the grand, brilliant and intimate: Mozart's Piano Concertos K. 450-K. 503 (1784-86) ; A complementary pair: stylistic experimentation in Mozart's final Piano Concertos, No. 26 in D, K. 537 (the 'Coronation'), and No. 27 in B♭, K. 595 -- II. String quartets. An integrated 'dissonance': Mozart's 'Haydn' Quartets and the slow introduction of K. 465 ; Mozart's 'Prussian' Quartets, K. 575, 589 and 590: towards a new aesthetic of the string quartet -- III. Symphonies. The 'Jupiter' Symphony in D, K.551: the dramatic finale and its stylistic significance in Mozart's orchestral oeuvre -- IV. Conclusions. Mozart's stylistic re-invention in musical context Mozart, Wolfgang Amadeus / 1756-1791 / Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Instrumentalmusik (DE-588)4129951-6 gnd |
| subject_GND | (DE-588)118584596 (DE-588)4129951-6 (DE-588)4066009-6 |
| title | Mozart's Viennese instrumental music a study of stylistic re-invention |
| title_auth | Mozart's Viennese instrumental music a study of stylistic re-invention |
| title_exact_search | Mozart's Viennese instrumental music a study of stylistic re-invention |
| title_full | Mozart's Viennese instrumental music a study of stylistic re-invention Simon P. Keefe |
| title_fullStr | Mozart's Viennese instrumental music a study of stylistic re-invention Simon P. Keefe |
| title_full_unstemmed | Mozart's Viennese instrumental music a study of stylistic re-invention Simon P. Keefe |
| title_short | Mozart's Viennese instrumental music |
| title_sort | mozart s viennese instrumental music a study of stylistic re invention |
| title_sub | a study of stylistic re-invention |
| topic | Mozart, Wolfgang Amadeus / 1756-1791 / Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Instrumentalmusik (DE-588)4129951-6 gnd |
| topic_facet | Mozart, Wolfgang Amadeus / 1756-1791 / Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 Instrumentalmusik Wien |
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