Fado and the urban poor in Portuguese cinema of the 1930s and 1940s:
Colvin studies the evolution of Fado music as the soundtrack to the Portuguese talkie. He analyzes the most successful Portuguese films of the first two decades of the Estado Novo era to understand how directors used the national song to promote the values of the young Regime regarding the poor inha...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Suffolk
Boydell & Brewer
2016
|
| Schriftenreihe: | Colección Támesis. Serie A, Monografías
356 |
| Schlagworte: | |
| Online-Zugang: | BSB01 URL des Erstveröffentlichers |
| Zusammenfassung: | Colvin studies the evolution of Fado music as the soundtrack to the Portuguese talkie. He analyzes the most successful Portuguese films of the first two decades of the Estado Novo era to understand how directors used the national song to promote the values of the young Regime regarding the poor inhabitants of Lisbon's popular neighborhoods. He consides the aesthetic, technological, and social advances that accompany the progress of the Estado Novo---Futurism; the development of sound film; the inception of national radio broadcast; access to the automobile; and urban renewal---within a historical context that considers Portugal's global profile at the time of António de Oliveira Salazar's rise to power and the inauguration of António Ferro's Secretariado da Propaganda Nacional [Ministry of National Propaganda]; Portugal's role as a secret ally of the Falange during the Spanish Civil War; Lisbon's role as a neutral refuge during World War II; and the Portuguese Colonial Empire as an anachronism in the post-World War II years. Colvin argues that Portuguese directors have exploited the growing popularity of the Fado and Lisbon's fadistas to dissuade citizens from alien values that promote individual ambitions and the notion of an easy life of poverty in the Capital. As the public image of the Fado evolves, the fadista's role in film becomes more prominent and eventually,the fadista is the protagonist and the Fado, the principal concern of national film. The author exposes the irony that as the social profile of the Lisbon fadista improves with the international fame of singer Amália Rodrigues, Portuguese film perpetuates and validates the outdated characterization of the fadista as a social pariah that Leito de Barros had proposed in the first Portuguese talkie, A Severa (1931). Michael Colvin is Associate Professor of Hispanic Studies at Marymount Manhattan College |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 04 Jul 2016) |
| Beschreibung: | 1 online resource (158 pages) |
| ISBN: | 9781782046684 |
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| 520 | |a Colvin studies the evolution of Fado music as the soundtrack to the Portuguese talkie. He analyzes the most successful Portuguese films of the first two decades of the Estado Novo era to understand how directors used the national song to promote the values of the young Regime regarding the poor inhabitants of Lisbon's popular neighborhoods. He consides the aesthetic, technological, and social advances that accompany the progress of the Estado Novo---Futurism; the development of sound film; the inception of national radio broadcast; access to the automobile; and urban renewal---within a historical context that considers Portugal's global profile at the time of António de Oliveira Salazar's rise to power and the inauguration of António Ferro's Secretariado da Propaganda Nacional [Ministry of National Propaganda]; Portugal's role as a secret ally of the Falange during the Spanish Civil War; Lisbon's role as a neutral refuge during World War II; and the Portuguese Colonial Empire as an anachronism in the post-World War II years. Colvin argues that Portuguese directors have exploited the growing popularity of the Fado and Lisbon's fadistas to dissuade citizens from alien values that promote individual ambitions and the notion of an easy life of poverty in the Capital. As the public image of the Fado evolves, the fadista's role in film becomes more prominent and eventually,the fadista is the protagonist and the Fado, the principal concern of national film. The author exposes the irony that as the social profile of the Lisbon fadista improves with the international fame of singer Amália Rodrigues, Portuguese film perpetuates and validates the outdated characterization of the fadista as a social pariah that Leito de Barros had proposed in the first Portuguese talkie, A Severa (1931). Michael Colvin is Associate Professor of Hispanic Studies at Marymount Manhattan College | ||
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Datensatz im Suchindex
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|---|---|
| any_adam_object | |
| author | Colvin, Michael 1970- |
| author_facet | Colvin, Michael 1970- |
| author_role | aut |
| author_sort | Colvin, Michael 1970- |
| author_variant | m c mc |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4309469 |
| dewey-search | 791.4309469 |
| dewey-sort | 3791.4309469 |
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| discipline | Allgemeines Musikwissenschaft |
| era | Geschichte 1900-2000 Geschichte 1930-1949 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1930-1949 |
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| id | DE-604.BV043938777 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:39:10Z |
| institution | BVB |
| isbn | 9781782046684 |
| language | English |
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| publishDate | 2016 |
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| series2 | Colección Támesis. Serie A, Monografías |
| spelling | Colvin, Michael 1970- Verfasser aut Fado and the urban poor in Portuguese cinema of the 1930s and 1940s Michael Colvin Suffolk Boydell & Brewer 2016 1 online resource (158 pages) txt rdacontent c rdamedia cr rdacarrier Colección Támesis. Serie A, Monografías 356 Title from publisher's bibliographic system (viewed on 04 Jul 2016) Colvin studies the evolution of Fado music as the soundtrack to the Portuguese talkie. He analyzes the most successful Portuguese films of the first two decades of the Estado Novo era to understand how directors used the national song to promote the values of the young Regime regarding the poor inhabitants of Lisbon's popular neighborhoods. He consides the aesthetic, technological, and social advances that accompany the progress of the Estado Novo---Futurism; the development of sound film; the inception of national radio broadcast; access to the automobile; and urban renewal---within a historical context that considers Portugal's global profile at the time of António de Oliveira Salazar's rise to power and the inauguration of António Ferro's Secretariado da Propaganda Nacional [Ministry of National Propaganda]; Portugal's role as a secret ally of the Falange during the Spanish Civil War; Lisbon's role as a neutral refuge during World War II; and the Portuguese Colonial Empire as an anachronism in the post-World War II years. Colvin argues that Portuguese directors have exploited the growing popularity of the Fado and Lisbon's fadistas to dissuade citizens from alien values that promote individual ambitions and the notion of an easy life of poverty in the Capital. As the public image of the Fado evolves, the fadista's role in film becomes more prominent and eventually,the fadista is the protagonist and the Fado, the principal concern of national film. The author exposes the irony that as the social profile of the Lisbon fadista improves with the international fame of singer Amália Rodrigues, Portuguese film perpetuates and validates the outdated characterization of the fadista as a social pariah that Leito de Barros had proposed in the first Portuguese talkie, A Severa (1931). Michael Colvin is Associate Professor of Hispanic Studies at Marymount Manhattan College Geschichte 1900-2000 Geschichte 1930-1949 gnd rswk-swf Film Geschichte Motion pictures / Portugal / History / 20th century Fados / Portugal / History and criticism Film (DE-588)4017102-4 gnd rswk-swf Armut Motiv (DE-588)4265691-6 gnd rswk-swf Fado (DE-588)4277207-2 gnd rswk-swf Stadt Motiv (DE-588)4126697-3 gnd rswk-swf Portugal (DE-588)4046843-4 gnd rswk-swf Portugal (DE-588)4046843-4 g Film (DE-588)4017102-4 s Fado (DE-588)4277207-2 s Stadt Motiv (DE-588)4126697-3 s Armut Motiv (DE-588)4265691-6 s Geschichte 1930-1949 z 1\p DE-604 Erscheint auch als Druckausgabe 978-1-85566-299-5 http://www.cambridge.org/core/product/identifier/9781782046684/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Colvin, Michael 1970- Fado and the urban poor in Portuguese cinema of the 1930s and 1940s Film Geschichte Motion pictures / Portugal / History / 20th century Fados / Portugal / History and criticism Film (DE-588)4017102-4 gnd Armut Motiv (DE-588)4265691-6 gnd Fado (DE-588)4277207-2 gnd Stadt Motiv (DE-588)4126697-3 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4265691-6 (DE-588)4277207-2 (DE-588)4126697-3 (DE-588)4046843-4 |
| title | Fado and the urban poor in Portuguese cinema of the 1930s and 1940s |
| title_auth | Fado and the urban poor in Portuguese cinema of the 1930s and 1940s |
| title_exact_search | Fado and the urban poor in Portuguese cinema of the 1930s and 1940s |
| title_full | Fado and the urban poor in Portuguese cinema of the 1930s and 1940s Michael Colvin |
| title_fullStr | Fado and the urban poor in Portuguese cinema of the 1930s and 1940s Michael Colvin |
| title_full_unstemmed | Fado and the urban poor in Portuguese cinema of the 1930s and 1940s Michael Colvin |
| title_short | Fado and the urban poor in Portuguese cinema of the 1930s and 1940s |
| title_sort | fado and the urban poor in portuguese cinema of the 1930s and 1940s |
| topic | Film Geschichte Motion pictures / Portugal / History / 20th century Fados / Portugal / History and criticism Film (DE-588)4017102-4 gnd Armut Motiv (DE-588)4265691-6 gnd Fado (DE-588)4277207-2 gnd Stadt Motiv (DE-588)4126697-3 gnd |
| topic_facet | Film Geschichte Motion pictures / Portugal / History / 20th century Fados / Portugal / History and criticism Armut Motiv Fado Stadt Motiv Portugal |
| url | http://www.cambridge.org/core/product/identifier/9781782046684/type/BOOK |
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