E.T.A. Hoffmann and the Serapiontic principle: critique and creativity
Critics have long sought to elucidate the multilayered texts of E. T. A. Hoffmann by applying to them a particular set of theories and ideas that Hoffmann himself subsumed under the heading of the 'Serapiontic Principle.' This principle, which Hoffmann expounded in his collection of tales...
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| Sprache: | English |
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Boydell & Brewer
2006
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| Zusammenfassung: | Critics have long sought to elucidate the multilayered texts of E. T. A. Hoffmann by applying to them a particular set of theories and ideas that Hoffmann himself subsumed under the heading of the 'Serapiontic Principle.' This principle, which Hoffmann expounded in his collection of tales 'Die Serapionsbrüder,' involves a complex intersection of the artist's faculties of imagination and perception. However, Hoffmann's mode of presenting his theory presents an unusual problem: rather than the usual form of an essay or treatise, he adopts a fictional framework, complete with a set of "characters"; this in turn sets up a number of perspectives on the theory itself. This combination of literary and theoretical elements presents a severe challenge to critics, and not surprisingly there has been little agreement about what the 'principle' actually entails or its wider relevance. With the principle as prime focus, this book provides detailed analysis of a broadly based selection of Hoffmann's texts, both theoretical and literary. It offers new perspectives on his narrative invention and the range of his theoretical interests, thus redefining his place at the forefront of German Romanticism. Hilda Meldrum Brown is professor of German at St Hilda's College, University of Oxford |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Beschreibung: | 1 online resource (211 pages) |
| ISBN: | 9781571136831 |
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| 505 | 8 | |a Approaches to the Serapiontic principle -- Overture: Jacques Callot -- Der Einsiedler Serapion: the formulation of a principle -- Der Dichter und der Komponist: text and music -- Alte und neue Kirchenmusik -- Prinzessin Brambilla: Callot revisited -- Epilogue: Des Vetters Eckfenster -- Frame narrative and the Serapiontic principle -- From visual to verbal: three Serapiontic tales -- The "Nachtseite der Natur" and the Serapiontic principle -- The Märchen and the Serapiontic principle -- The Serapiontic principle: the wider critique | |
| 520 | |a Critics have long sought to elucidate the multilayered texts of E. T. A. Hoffmann by applying to them a particular set of theories and ideas that Hoffmann himself subsumed under the heading of the 'Serapiontic Principle.' This principle, which Hoffmann expounded in his collection of tales 'Die Serapionsbrüder,' involves a complex intersection of the artist's faculties of imagination and perception. However, Hoffmann's mode of presenting his theory presents an unusual problem: rather than the usual form of an essay or treatise, he adopts a fictional framework, complete with a set of "characters"; this in turn sets up a number of perspectives on the theory itself. This combination of literary and theoretical elements presents a severe challenge to critics, and not surprisingly there has been little agreement about what the 'principle' actually entails or its wider relevance. With the principle as prime focus, this book provides detailed analysis of a broadly based selection of Hoffmann's texts, both theoretical and literary. It offers new perspectives on his narrative invention and the range of his theoretical interests, thus redefining his place at the forefront of German Romanticism. Hilda Meldrum Brown is professor of German at St Hilda's College, University of Oxford | ||
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Datensatz im Suchindex
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| contents | Approaches to the Serapiontic principle -- Overture: Jacques Callot -- Der Einsiedler Serapion: the formulation of a principle -- Der Dichter und der Komponist: text and music -- Alte und neue Kirchenmusik -- Prinzessin Brambilla: Callot revisited -- Epilogue: Des Vetters Eckfenster -- Frame narrative and the Serapiontic principle -- From visual to verbal: three Serapiontic tales -- The "Nachtseite der Natur" and the Serapiontic principle -- The Märchen and the Serapiontic principle -- The Serapiontic principle: the wider critique |
| ctrlnum | (ZDB-20-CBO)CR9781571136831 (OCoLC)967388307 (DE-599)BVBBV043938713 |
| dewey-full | 833/.6 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 833 - German fiction |
| dewey-raw | 833/.6 |
| dewey-search | 833/.6 |
| dewey-sort | 3833 16 |
| dewey-tens | 830 - Literatures of Germanic languages |
| discipline | Germanistik / Niederlandistik / Skandinavistik |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:39:10Z |
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| isbn | 9781571136831 |
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| spelling | Brown, H. M. Verfasser aut E.T.A. Hoffmann and the Serapiontic principle critique and creativity Hilda Meldrum Brown E. T. A. Hoffmann & the Serapiontic Principle Suffolk Boydell & Brewer 2006 1 online resource (211 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Approaches to the Serapiontic principle -- Overture: Jacques Callot -- Der Einsiedler Serapion: the formulation of a principle -- Der Dichter und der Komponist: text and music -- Alte und neue Kirchenmusik -- Prinzessin Brambilla: Callot revisited -- Epilogue: Des Vetters Eckfenster -- Frame narrative and the Serapiontic principle -- From visual to verbal: three Serapiontic tales -- The "Nachtseite der Natur" and the Serapiontic principle -- The Märchen and the Serapiontic principle -- The Serapiontic principle: the wider critique Critics have long sought to elucidate the multilayered texts of E. T. A. Hoffmann by applying to them a particular set of theories and ideas that Hoffmann himself subsumed under the heading of the 'Serapiontic Principle.' This principle, which Hoffmann expounded in his collection of tales 'Die Serapionsbrüder,' involves a complex intersection of the artist's faculties of imagination and perception. However, Hoffmann's mode of presenting his theory presents an unusual problem: rather than the usual form of an essay or treatise, he adopts a fictional framework, complete with a set of "characters"; this in turn sets up a number of perspectives on the theory itself. This combination of literary and theoretical elements presents a severe challenge to critics, and not surprisingly there has been little agreement about what the 'principle' actually entails or its wider relevance. With the principle as prime focus, this book provides detailed analysis of a broadly based selection of Hoffmann's texts, both theoretical and literary. It offers new perspectives on his narrative invention and the range of his theoretical interests, thus redefining his place at the forefront of German Romanticism. Hilda Meldrum Brown is professor of German at St Hilda's College, University of Oxford Hoffmann, E. T. A. / (Ernst Theodor Amadeus) / 1776-1822 / Serapions-Brüder Hoffmann, E. T. A. / (Ernst Theodor Amadeus) / 1776-1822 / Technique Hoffmann, E. T. A. 1776-1822 Die Serapions-Brüder (DE-588)4193591-3 gnd rswk-swf Frame-stories / History and criticism Erzähltechnik (DE-588)4124854-5 gnd rswk-swf Hoffmann, E. T. A. 1776-1822 Die Serapions-Brüder (DE-588)4193591-3 u Erzähltechnik (DE-588)4124854-5 s DE-604 Erscheint auch als Druckausgabe 978-1-57113-348-9 http://www.cambridge.org/core/product/identifier/9781571136831/type/BOOK Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Brown, H. M. E.T.A. Hoffmann and the Serapiontic principle critique and creativity Approaches to the Serapiontic principle -- Overture: Jacques Callot -- Der Einsiedler Serapion: the formulation of a principle -- Der Dichter und der Komponist: text and music -- Alte und neue Kirchenmusik -- Prinzessin Brambilla: Callot revisited -- Epilogue: Des Vetters Eckfenster -- Frame narrative and the Serapiontic principle -- From visual to verbal: three Serapiontic tales -- The "Nachtseite der Natur" and the Serapiontic principle -- The Märchen and the Serapiontic principle -- The Serapiontic principle: the wider critique Hoffmann, E. T. A. / (Ernst Theodor Amadeus) / 1776-1822 / Serapions-Brüder Hoffmann, E. T. A. / (Ernst Theodor Amadeus) / 1776-1822 / Technique Hoffmann, E. T. A. 1776-1822 Die Serapions-Brüder (DE-588)4193591-3 gnd Frame-stories / History and criticism Erzähltechnik (DE-588)4124854-5 gnd |
| subject_GND | (DE-588)4193591-3 (DE-588)4124854-5 |
| title | E.T.A. Hoffmann and the Serapiontic principle critique and creativity |
| title_alt | E. T. A. Hoffmann & the Serapiontic Principle |
| title_auth | E.T.A. Hoffmann and the Serapiontic principle critique and creativity |
| title_exact_search | E.T.A. Hoffmann and the Serapiontic principle critique and creativity |
| title_full | E.T.A. Hoffmann and the Serapiontic principle critique and creativity Hilda Meldrum Brown |
| title_fullStr | E.T.A. Hoffmann and the Serapiontic principle critique and creativity Hilda Meldrum Brown |
| title_full_unstemmed | E.T.A. Hoffmann and the Serapiontic principle critique and creativity Hilda Meldrum Brown |
| title_short | E.T.A. Hoffmann and the Serapiontic principle |
| title_sort | e t a hoffmann and the serapiontic principle critique and creativity |
| title_sub | critique and creativity |
| topic | Hoffmann, E. T. A. / (Ernst Theodor Amadeus) / 1776-1822 / Serapions-Brüder Hoffmann, E. T. A. / (Ernst Theodor Amadeus) / 1776-1822 / Technique Hoffmann, E. T. A. 1776-1822 Die Serapions-Brüder (DE-588)4193591-3 gnd Frame-stories / History and criticism Erzähltechnik (DE-588)4124854-5 gnd |
| topic_facet | Hoffmann, E. T. A. / (Ernst Theodor Amadeus) / 1776-1822 / Serapions-Brüder Hoffmann, E. T. A. / (Ernst Theodor Amadeus) / 1776-1822 / Technique Hoffmann, E. T. A. 1776-1822 Die Serapions-Brüder Frame-stories / History and criticism Erzähltechnik |
| url | http://www.cambridge.org/core/product/identifier/9781571136831/type/BOOK |
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