African filmmaking: North and South of the Sahara
African Filmmaking: North and South of the Sahara is the first comprehensive study in English linking filmmaking in the Maghreb (Algeria, Morocco and Tunisia) with that in francophone West Africa and examining the factors (including Islam and the involvement of African and French governments) which...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
2006
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Schlagworte: | |
Online-Zugang: | BSB01 URL des Erstveröffentlichers |
Zusammenfassung: | African Filmmaking: North and South of the Sahara is the first comprehensive study in English linking filmmaking in the Maghreb (Algeria, Morocco and Tunisia) with that in francophone West Africa and examining the factors (including Islam and the involvement of African and French governments) which have shaped post-independence production. The main focus is the development over forty years of two main traditions of African filmmaking: a social realist strand examining the nature of postcolonial society and a more experimental approach where emphasis is placed on new stylistic patterns able to embrace history, myth and magic. The work of younger filmmakers born since independence is examined in the light of these two traditions. Features: *An overview of the socio-political context shaped by Islam and French colonialism. *A look at filmmaking in Africa before the mid-1960s. *An examination of the inputs of African and French governments into post-independence developments North and South of the Sahara. *A historical survey of the two major tendencies in African film production over the past 40 years. *A detailed analysis of the work of five talented young filmmakers, representative of those born since independence |
Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
Beschreibung: | 1 online resource (xii, 224 pages) |
ISBN: | 9780748628063 |
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505 | 8 | |a Introduction -- The African experience -- pt. I. Context -- Beginnings -- African initiatives -- The French connection -- pt. II. Confronting reality -- Liberation and postcolonial society -- Individual struggle -- pt. III. New identities -- Experimental narratives -- Exemplary tales -- pt. IV. The new millennium -- The post-independence generation -- Mahamat Saleh Haroun (Chad) -- Dani Kouyaté (Burkina Faso) -- Raja Amari (Tunisia) -- Faouzi Bensaidi (Morocco) -- Abderrahmane Sissako (Mauritania) | |
520 | |a African Filmmaking: North and South of the Sahara is the first comprehensive study in English linking filmmaking in the Maghreb (Algeria, Morocco and Tunisia) with that in francophone West Africa and examining the factors (including Islam and the involvement of African and French governments) which have shaped post-independence production. The main focus is the development over forty years of two main traditions of African filmmaking: a social realist strand examining the nature of postcolonial society and a more experimental approach where emphasis is placed on new stylistic patterns able to embrace history, myth and magic. The work of younger filmmakers born since independence is examined in the light of these two traditions. Features: *An overview of the socio-political context shaped by Islam and French colonialism. *A look at filmmaking in Africa before the mid-1960s. *An examination of the inputs of African and French governments into post-independence developments North and South of the Sahara. *A historical survey of the two major tendencies in African film production over the past 40 years. *A detailed analysis of the work of five talented young filmmakers, representative of those born since independence | ||
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Datensatz im Suchindex
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---|---|
any_adam_object | |
author | Armes, Roy |
author_facet | Armes, Roy |
author_role | aut |
author_sort | Armes, Roy |
author_variant | r a ra |
building | Verbundindex |
bvnumber | BV043938406 |
classification_rvk | AP 59770 |
collection | ZDB-20-CBO |
contents | Introduction -- The African experience -- pt. I. Context -- Beginnings -- African initiatives -- The French connection -- pt. II. Confronting reality -- Liberation and postcolonial society -- Individual struggle -- pt. III. New identities -- Experimental narratives -- Exemplary tales -- pt. IV. The new millennium -- The post-independence generation -- Mahamat Saleh Haroun (Chad) -- Dani Kouyaté (Burkina Faso) -- Raja Amari (Tunisia) -- Faouzi Bensaidi (Morocco) -- Abderrahmane Sissako (Mauritania) |
ctrlnum | (ZDB-20-CBO)CR9780748628063 (OCoLC)967389600 (DE-599)BVBBV043938406 |
dewey-full | 791.43096 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43096 |
dewey-search | 791.43096 |
dewey-sort | 3791.43096 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
era | Geschichte gnd |
era_facet | Geschichte |
format | Electronic eBook |
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geographic_facet | Afrika |
id | DE-604.BV043938406 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:39:10Z |
institution | BVB |
isbn | 9780748628063 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029347377 |
oclc_num | 967389600 |
open_access_boolean | |
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physical | 1 online resource (xii, 224 pages) |
psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO |
publishDate | 2006 |
publishDateSearch | 2006 |
publishDateSort | 2006 |
publisher | Edinburgh University Press |
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spelling | Armes, Roy Verfasser aut African filmmaking North and South of the Sahara Roy Armes Edinburgh Edinburgh University Press 2006 1 online resource (xii, 224 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Introduction -- The African experience -- pt. I. Context -- Beginnings -- African initiatives -- The French connection -- pt. II. Confronting reality -- Liberation and postcolonial society -- Individual struggle -- pt. III. New identities -- Experimental narratives -- Exemplary tales -- pt. IV. The new millennium -- The post-independence generation -- Mahamat Saleh Haroun (Chad) -- Dani Kouyaté (Burkina Faso) -- Raja Amari (Tunisia) -- Faouzi Bensaidi (Morocco) -- Abderrahmane Sissako (Mauritania) African Filmmaking: North and South of the Sahara is the first comprehensive study in English linking filmmaking in the Maghreb (Algeria, Morocco and Tunisia) with that in francophone West Africa and examining the factors (including Islam and the involvement of African and French governments) which have shaped post-independence production. The main focus is the development over forty years of two main traditions of African filmmaking: a social realist strand examining the nature of postcolonial society and a more experimental approach where emphasis is placed on new stylistic patterns able to embrace history, myth and magic. The work of younger filmmakers born since independence is examined in the light of these two traditions. Features: *An overview of the socio-political context shaped by Islam and French colonialism. *A look at filmmaking in Africa before the mid-1960s. *An examination of the inputs of African and French governments into post-independence developments North and South of the Sahara. *A historical survey of the two major tendencies in African film production over the past 40 years. *A detailed analysis of the work of five talented young filmmakers, representative of those born since independence Geschichte gnd rswk-swf Film Motion picture industry / Africa Motion pictures / Africa Film (DE-588)4017102-4 gnd rswk-swf Filmproduktion (DE-588)4124971-9 gnd rswk-swf Afrika Afrika (DE-588)4000695-5 gnd rswk-swf Afrika (DE-588)4000695-5 g Film (DE-588)4017102-4 s Geschichte z 1\p DE-604 Filmproduktion (DE-588)4124971-9 s 2\p DE-604 Erscheint auch als Druckausgabe 978-0-7486-2123-1 Erscheint auch als Druckausgabe 978-0-7486-2124-8 http://www.cambridge.org/core/product/identifier/9780748628063/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Armes, Roy African filmmaking North and South of the Sahara Introduction -- The African experience -- pt. I. Context -- Beginnings -- African initiatives -- The French connection -- pt. II. Confronting reality -- Liberation and postcolonial society -- Individual struggle -- pt. III. New identities -- Experimental narratives -- Exemplary tales -- pt. IV. The new millennium -- The post-independence generation -- Mahamat Saleh Haroun (Chad) -- Dani Kouyaté (Burkina Faso) -- Raja Amari (Tunisia) -- Faouzi Bensaidi (Morocco) -- Abderrahmane Sissako (Mauritania) Film Motion picture industry / Africa Motion pictures / Africa Film (DE-588)4017102-4 gnd Filmproduktion (DE-588)4124971-9 gnd |
subject_GND | (DE-588)4017102-4 (DE-588)4124971-9 (DE-588)4000695-5 |
title | African filmmaking North and South of the Sahara |
title_auth | African filmmaking North and South of the Sahara |
title_exact_search | African filmmaking North and South of the Sahara |
title_full | African filmmaking North and South of the Sahara Roy Armes |
title_fullStr | African filmmaking North and South of the Sahara Roy Armes |
title_full_unstemmed | African filmmaking North and South of the Sahara Roy Armes |
title_short | African filmmaking |
title_sort | african filmmaking north and south of the sahara |
title_sub | North and South of the Sahara |
topic | Film Motion picture industry / Africa Motion pictures / Africa Film (DE-588)4017102-4 gnd Filmproduktion (DE-588)4124971-9 gnd |
topic_facet | Film Motion picture industry / Africa Motion pictures / Africa Filmproduktion Afrika |
url | http://www.cambridge.org/core/product/identifier/9780748628063/type/BOOK |
work_keys_str_mv | AT armesroy africanfilmmakingnorthandsouthofthesahara |